DOCSLIB.ORG

Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; Posters

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; Posters Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters History or Biography: Scope and Content: The Berkeley Folk Music Festival Archive consists of some 30,000 items, including photographs of over two hundred folk artists and groups, general photographs of Berkeley Folk Music Festivals from 1957-1970, tapes, press clippings, correspondence, publicity information on various performers, and posters and flyers from most of the festivals held during this period. Included as well are some photographs and posters from other area music festivals. Provenance: All materials in the Berkeley Folk Music Festival Archive were collected by Barry Olivier, a folk artist who organized and promoted the festival for fifteen years. Mr. Olivier's essay on the history of folk music at Berkeley from 1956-1970 has been added to the collection. The archive was acquired in 1974 from John Swingle of the Alta California Bookstore. Restrictions: There are no restrictions on use of the materials in the department for research; all patrons must comply with federal copyright regulations. Processor: Steve Gish organized the Berkeley Folk Music Festival Archive and prepared a finding aid in 1984; it was revised between 2008 and 2013. --Sigrid Pohl Perry 1 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 1. Artists' Photo Archive 1 1 Ace of Cups 2 Allen, Clark 3 Allens, Margarith & Clark 4 Anderson, Signe 5 Andrew Sisters of Berkeley 6 Arnoldi, Paul 7 Baez, Joan (see also oversize photos) 8 Ball, Jean 9 Basho, Robbie 10 Beatles, The 11 Belafonte, Harry 12 Berry, Chuck 2 1 Berg, Pete 2 Bikel, Theodore 3 Bluestein, Gene 4 Brandwein, Ellen 5 Bronson, Bertrand H. 6 Buckingham, Jack 7 Carawan, Guy 8 Carlebach, Shlomo 9 Chambers Brothers 10 Charles River Valley Boys 11 Chase, Richard 12 Chenier, Clifton 13 Chinn, Ronald 14 Circus Maximus 15 Clancy Brothers & Tommy Makem 16 Clauson, William 17 Cleanliness & Godliness Skiffie 18 Coad, Luman 19 Cohen, John 20 Coleman, George 21 Collier, Jimmy 22 Collins, Judy 23 Collins, Shirley 24 Commander Cody 25 Congress of Wonders 26 Cooney, Michael 27 Cotton Blues Band 2 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 28 Cotton, Elizabeth 29 & 30 Country Joe & Fish 31 Cox, Albert 32 Crabgrassers 3 1 Citchlow, Slim 2 Critchlow & Herring 3 Crome Syrcus 4 Crudup, Big Boy 5 Dane, Barbara 6 Darlington, Sandy & Jean 7 Davis, Gary 8 Denson, E.D. 9 Diggs, Larry 10 Driftwood, Jimmy 11 Dundes, Alan 12 Dylan, Bob 13 Elliot, Jack 14 Enigmas, The 15 Ennis, Seamus 16 Eskin, Sam 17 Fahey, John 18 Faier, Billy 19 Farina, Mimi 20 Faust, Ellen 21 Fitzgerald, Ellen 22 Flach, Josef 23 Flamencos de la Bodega, Los 24 Flaming' Groovies 4 1 Floating Lotus Magic Opera Company 2 Fredrickson, Dave 3 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 4 3 Frontier 4 Fuller, Jesse 5 Gibson, Bob 6 Gleason, Ralph J. 7 Goodfellow, Robin 8 Gravenites, Nick 9 Green, Archie 10 Greenbriar Boys 11 Greenhill, Mitch 12 Guaraldi, Vince 13 Guy, Buddy 14 Hackberry Ramblers 15 Hall, Barry 16 Hall, Kenny 17 Hand, Wayland 18 Hanks, Larry 19 Hansen, Barry 20 Hansen, Paul 21 Havens, Richie 5 1 Herring, Merritt 2 Herring, Merritt & Suzanne 3 Herring, Merritt & Alice Stuart 4 & 5 Hinton, Sam (see also Slim Critchlow) 6 Hinton & Others 7 Hinton & Ritchie 8 Hinton & Sorrels 9 Holcomb, Roscoe (see also John Cohen) 10 Hopkins, Lightnin 11 Houston, "Cisco" 4 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 12 Howling Wolf 13 Hurt, Mississippi John 6 1 Ian, Janis 2 Jane, Will 3 & 4 Jefferson Airplane 5 Jim and Jean 6 Johnson, Al 7 Johnson, Vera 8 Jones, Bessie 9 Kahn, Ed 10 Kaleidoscope 11 & 12 Kathy (Larisda) & Carol (McComb) 13 Kathy & Carol & O"Hegarty 14 Kershaw, Doug 7 1 Kingston Trio 2 Kraber, Tony 3 Kweskin Jug Band 4 Langstaff, John 5 Lee, Hector 6 Lightfoot, Papa George 7 Lipscomb, Mance 8 Lloyd, A.L. 9 & 10 Lomax, Alan 11 Lomax, John Jr. 12 Lovin'Spoonful 13 Los Halcones de Salitrillos 14 Lundberg, John & Deirdre 15 MacColl, Ewan 16 MacLeod, Allan 5 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 17 Mainer, J.E. 18 Mainer's Mountaineers 19 Malachi 20 Mapes, Jo 8 1 Marais & Miranda 2 Marshall, Charlie 3 McDowell, Fred 4 McGhee (Brownie) & Terry (Sonny) 5 Melton, Barry 6 Meltzer, David & Tina 7 Miles, Long Gone 8 Miller Blues Band 9 Mitchell, John Henry 10 Monroe, Bill 11 Montrand, Juanita 12 Moving Starhall Singers 13 Mura, Isa 14 New Age 9 1 New Lost City Ramblers 2 New Tranquility String Band 3 Newhart, Bob 4 Ochs, Phil 5 O'Connor, Suanna & Sisters 6 O'Rourke, Michael 7 O'Hegarty, Charles 8 Only Alternative & His Other Possibilities 9 Opelousas Playboys 10 Oski 6 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 11 Paredes, Amenco 12 Paton, Sandy 13 Paxton, Tom 14 Pederson, Herb 15 People's International Silver String Macedonian Band 16 Peter, Paul & Mary 17 Pine Valley Boys 18 Quicksilver Messenger Service 19 Red Crayola (Overload) 20 Redpath, Jean 10 1 Redwood Canyon Ramblers 2 Riddle, Almeda 3 Rinzler, Ralph 4 & 5 Ritchie, Jean (see also Sam Hinton) 6 Rosenberg, Neil 7 Rosmini, Dick 8 Royal Scots Greys & Argylls 9 Royce Concert Hall UCLA 10 Sandburg 11 Sandy & Jeannie 12 Saturday's Children 13 Schilling, Earl 14 Scruggs & Flatt 15 - 17 Seeger, Charles 11 1 Seeger, Judith (Addams) 2 Seeger, Mike 3 Seeger, Peggy (see also Ewan MacColl) 4 – 6 Seeger, Pete 7 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 7 Selsor, Chris 8 Shankar, Ravi 9 Shine, John 10 Singh, Dev 11 Smith, Janet 12 Smith, Mayne 13 Solo, Dunx 12 1 Song of Earth Chorale 2 Sorrels, Rosalie 3 Spector, Phil 4 Spence, David & JoAnn 5 Spoelstra, Mark 6 Stove, Joe 7 Strachwitz, Chris 8 Street Singers 9 & 10 Stuart, Alice (see also Charley Marshall) 11 Summers, Andrew Rowan 12 Tarlton, Jimmy 13 Thomas, Tony 14 Thornton, Big Mama Willie Mae 15 Times Square Two 16 Vern & Ray 17 Warner, Frank 18 Waterman, Dick 13 1 Watson, Doc 2 Weavers, The 3 West, Hedy 4 White, Bukka 8 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 5 Williams, Phil & Vinan 6 Williams, Robert Pete 7 Wilgus, D.K. 8 Wolfram, Karl 9 Worswick, Clark 10 Yellin, Bob 11 Young, Jim Colin 12 Youngbloods 13 Miscellaneous folksingers: Adam, Jon – Lazare, June 14 Miscellaneous folksingers: Lidwell, James – Zonlight, Deena 15 Various artists without identification Dude Martin & his Nevada Night Herders Stewart Hamblen and his Gang 2. Festivals Photo Archive 2.1. Berkeley 14 1 Miscellaneous photos of artists and festivals 2 - 4 Berkeley 1957 5 - 8 Berkeley 1958 (Howell & Gordon) 15 1 – 3 Berkeley 1959 (P. Olivier) 4 Berkeley 1960 (P. Olivier) 5 Berkeley 1961 6 Berkeley 1962 (Feiner) 7 Berkeley 1962 (P. Olivier) 8 - 13 Berkeley 1963 (P. Olivier) 16 1 - 2 Berkeley 1963 (P. Olivier) 3 - 5 Berkeley 1964 6 Berkeley 1965 7 Berkeley 1965 (R. Krones) 8 Berkeley 1965 (T. Kumano) 9 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 9 Berkeley 1965 (photo portraits with identifications) 17 1 Berkeley 1966 (photographs, buttons) 2 Berkeley 1967 3 Berkeley 1968 (slides) 4 Berkeley 1970 (John Bishop, contact sheets) 5 Berkeley 1970 (John Bishop, photographs) 6 Berkeley 1970 (Edwin Ingalls, Annie Leibovitz) 7 Berkeley – all years 8 Berkeley – miscellaneous color slides and photos 9 Berkeley slides 10 Berkeley general scenes 11 Berkeley campus scenes 12 Berkeley (Polaroid photos) 13 Berkeley (Matt Hinton) 14 File copies 15 Monterey Pop 1967 18 1 University of California Jazz Festival 1967 2 University of California Winter 1962 (Jacopetti, Freed) 3 Dennis Galloway photographs 4 Bob Krones photographs 5 Tom Kumano photographs 6 Steve Marcus, 1964 Festival 2.2. Other Festivals 7 Altamont 1969 8 ASTI 1964 19 1 California Folklore Society, April 1965 10 Charles Deering McCormick Library of Special Collections Northwestern University Library Evanston, Illinois Berkeley Folk Music Festival Archive, 1957-1970 MS63 Boxes 1-61; posters Container List Box Folder Artist or Group 2 El Cerrito Plaza 1965 3 Folk Song Jam Sessions, ASUC (Jacopetti) 4 Jabberwock 1965 5 Jackson Hole 1964 6 KPFA 1956 taping sessions 7 KPFA “Tait” session, November 30, 1965 8 Mills College 1967 9 Monterey 1963 (Hart) 10 New Year’s Eve 11 Richmond 1965 20 1 San Francisco State 1965 2 San Francisco State 1966 3 San Francisco State 1967 4 Sky River Rock 1968 5 Stern Grove 1964 6 Sweet’s Mill Festival 1968 7 - 8 UCLA 1963 9 - 10 UCLA 1964 & 1965 (Kelly Hart) 11 West Coast Discussion 1964 3.
Load more

Recommended publications
  • Pete Seegerhas Always Walked the Road Less Traveled. a Tall, Lean Fellow
    Pete Seegerhas always walked the road less traveled. A tall, lean fellow with long arms and legs, high energy and a contagious joy of spjrit, he set everything in motion, singing in that magical voice, his head thrown back as though calling to the heavens, makingyou see that you can change the world, risk everything, do your best, cast away stones. “Bells of Rhymney,” “Where Have All the Flowers Gone?,” “ One Grain of Sand,” “ Oh, Had I a Golden Thread” ^ songs Right, from top: Seeger, Bob Dylan, Judy Collins and Arlo Guthrie (from left) at the Woody Guthrie Memorial Concert at Carnegie Hail, 1967; filming “Wasn’t That a Time?," a movie of the Weavers’ 19 8 0 reunion; Seeger with banjo; at Red Above: The Weavers in the early ’50s - Seeger, Lee Hays, Ronnie Gilbert and Fred Hellerman (from left). Left: Seeger singing on a Rocks, in hillside in El Colorado, 1983; Cerrito, C a l|p in singing for the early '60s. Eleanor Roosevelt, et al., at the opening of the Washington Labor Canteen, 1944; aboard the “Clearwater” on his beloved Hudson River; and a recent photo of Seeger sporting skimmer (above), Above: The Almanac Singers in 1 9 4 1 , with Woody Guthrie on the far left, and Seeger playing banjo. Left: Seeger with his mother, the late Constance Seeger. PHOTOGRAPHS FROM THE COLLECTION OF HAROLD LEVENTHAL AND THE WOODY GUTHRIE ARCHIVES scattered along our path made with the Weavers - floor behind the couch as ever, while a retinue of like jewels, from the Ronnie Gilbert, Fred in the New York offices his friends performed present into the past, and Hellerman and Lee Hays - of Harold Leventhal, our “ Turn Turn Turn,” back, along the road to swept into listeners’ mutual manager.
    [Show full text]
  • Diana Davies Photograph Collection Finding Aid
    Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival.
    [Show full text]
  • Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
    Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966.
    [Show full text]
  • Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique.
    [Show full text]
  • Creating a Roadmap for the Future of Music at the Smithsonian
    Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................
    [Show full text]
  • Interstellar Music - by Mike Overly
    Interstellar Music - by Mike Overly Let's imagine that you could toss a message in a bottle faster than a speeding bullet into the cosmic ocean of outer space. What would you seal inside it for anyone, or anything, to open some day in the distant future, in a galaxy far, far away from our solar system? Well, imagine no more because it's been done! Thirty-five years ago, NASA launched two Voyager spacecraft carrying earthly images and sounds toward the Stars. Voyager 1 was launched on September 5, 1977, from Cape Canaveral, Florida and Voyager 2 was sent on its way August 20 of that same year. Voyager 1 is now 11 billion miles away from earth and is the most distant of all human-made objects. Everyday, it flies another million miles farther. In fact, Voyager 1 and 2 are so far out in space that their radio signals, traveling at the speed of light, take 16 hours to reach Earth. These radio signals are captured daily by the big dish antennas of the Deep Space Network and arrive at a strength of less than one femtowatt, a millionth of a billionth of a watt. Wow! Both Voyagers are headed towards the outer boundary of the solar system, known as the heliopause. This is the region where the Sun's influence wanes and interstellar space waxes. Also, the heliopause is where the million-mile-per-hour solar winds slow down to about 250,000 miles per hour. The Voyagers have reached these solar winds, also known as termination shock, and should cross the heliopause in another 10 to 20 years.
    [Show full text]
  • 2011 Spring-Summer Events:Layout 1
    EventsSPRING/SUMMER 2011 Sampler Maiden Rock to Bay City. 8am- In Wisconsin, when the weather 5pm all three days. Held rain or April shine! Mississippi-river.org/ warms up, so do the events. It’s time to calendar/garagesale.html MAR 30-APR 3 get out and go. Here’s a sampling of some MADISON MAY 6-9 Wisconsin Film Festival: A four- HORICON of the many fun and exciting events you’ll day exploration of 200 new Horicon Marsh Bird Festival – American independent dramatic Horicon: Experience the peak of find in Wisconsin. For even more great and documentary films, anima- the spring bird migration on this tion, experimental restorations 32,000-acre refuge. Enjoy guided events, vacation ideas, travel planning and revivals, held in nine theaters bird hikes, bird banding demon- in the heart of the city. 608/262- strations, pontoon boat birding tools, packages and deals and much 9009, wifilmfest.org. adventures, night sounds bus tour, twilight birding by boat and more, visit travelwisconsin.com. APR 1-3 much more. 920/485-4663, MADISON horiconmarshbirdfestival.com. Wisconsin Deer & Turkey Expo: Midwest Horse Fair MIDWEST HORSE FAIR PHOTO 590 booths with exhibits, factory MAY 7-8 reps, guides and outfitters, new NEW LONDON APR 30-MAY 1 MANITOWOC products, rifle, black powder and Big Whopper Weekend Fishing GREEN BAY Horse-A-Rama: Horses that bow hunting gear, accessories Contest: Fish the Wolf River dur- TitleTown Train Show: dance, prance, perform tricks, and free seminars. Alliant Energy ing the legendary spring Walleye Northeastern Wisconsin's premier and even paint pictures.
    [Show full text]
  • Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
    Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook
    [Show full text]
  • Introduction in Their Thirty Years Together, the Grateful Dead Forever
    Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement.
    [Show full text]
  • Blues CD Reviews
    In This Issue... April Blues Bash: Son Jack, Jr. KBA Photographer Suzanne Swanson Dawn Tyler Watson (IBC First Place Band) (Photo by Daniel Sheehan) (Photo by Paul Brown) (Photo by Paul Brown) Letter from the President 2 Remembering James Cotton 6 Membership Opportunities 14 Letter from the Editor 3 April Blues Bash Preview 11 B Sharp Coffee House 15 Officers and Directors 4 Memphis Memo 12 Extended CD Review 16 On the Cover 4 New Venue: Cask & Trotter 14 Hawkeye Herman in Spokane! 17 Letter from Washington Blues Society President Tony Frederickson Kevin Sutton & the Blue Monday Band opening American Indian Chief and several bidders really Hi Blues Fans, the show and getting the crowd in a fevered pitch went to work on this item and provided as much that never let up the whole evening. We had many excitement as the music we had already heard. The This past month the Washington Blues Society, special guests throughout the show and the Blue silent auction closed and almost every item had Lee Oskar Harmonicas, and Anacortes Brewery Monday Band invited Jimmy Fadden to sit in multiple bids and displayed the generosity of those (H2O & Rockfish) sponsored the first of what we with them which raised the bar even higher. After in attendance. Our last special guest of the evening hope will be an annual fundraising event for the a brief break for a set change and live auction, was Mark Dufresne who led the Lee Oskar band Washington Blues Society’s Musician Relief Fund Bobby Holland & the Breadline took the stage with a few songs in memory of James Cotton, who at the Historic Everett Theater.
    [Show full text]
  • Mustang Daily, September 28, 1979
    LIBRARY ARCHIVES . CALIFORNIA FOLY TECHNiC STA Mustang Daily UNIVERSITY LIBRARY September 28,1979 California Polytechnic State University, San Luis Obispo VoL 44, No. 3 Students WOWed in first week BY CATHY SPEARNAK Dally Editorial Aaatatant “1 don’t like the fact that we have to buy our own When David Copley came to Cal Poly two weeks ago, he sweatshirts. Also, I lost my meal ticket and had to pay $2 didn’t know what it meant to be a “ WOWie.” to get a new one,” said the counselor. But after experiencing the school’s orientation Holmgren isn’t the only counselor who lost money program—Week of Welcome—the 18-year-old animal during WOW. One counselor wh'o asked her name not be science major said he is proud to have survived “WOW used because she didn’t want to be a “ spoil sport” said she week ’79.” lost over $60 entertaining her WOWies. 1 This year Cal Poly’s WOW program introduced over “Their meal ticket doesn't provide all their meals, and 2,500 new students—often called WOWies—to the when we had a few dinners over at my house 1 was em­ University. This is about 200 more than last year. barrassed to ask for donations,” she said. “At first I was scared and I wanted to go home. After WOW I liked Cal Poly and I’m glad I’m in it. I’m trying to Writing exam figure out how I can stay here six years,” said the en­ thusiastic freshman. Copley said the orientation not only helped him get Test is required through first-week rough spots such as registration and departmental advising, but helped him adjust to school BY JOE STEIN socially.
    [Show full text]
  • The 35 Best Folk Music Venues in the U.S
    The 35 Best Folk Music Venues in the U.S. Tweet Like 2.9K Share Save (https://www.reddit.com/submit) Click a state to view its venue(s) Although folk music may have hit its zenith in the 1960s, the genre still thrives today, along with a dedicated base of fans. It lives in music venues on each coast as well as hundreds of places in between. ARIZONA Folk music is still with us because it connects the listener, and the artist, to our cultural heritage. The tunes and lyrics CALIFORNIA describe who we are and where we came from. COLORADO Below is a list of the top 35 folk venues in the United States. We've listed the venues alphabetically by state. CONNECTICUT These 35 venues are not necessarily dedicated to folk music, but they are places where folk music indeed thrives. They ILLINOIS are also elite live music venues with superb acoustics, sightlines, and atmospheres, all qualities needed to make our list. MARYLAND The deciding factor, however, was enthusiasm. The following 35 venues exhibit a fervor for folk music that is almost MASSACHUSETTS palatable. MICHIGAN The people behind these venues love what they do and they love folk music. And, as you'll soon read, many of these NEW YORK venues are run by volunteers. NORTH CAROLINA OREGON PENNSYLVANIA RHODE ISLAND Arizona TEXAS VIRGINIA The Lost Leaf Bar & Gallery 914 North 5th Street Phoenix, AZ The Lost Leaf Bar & Gallery is an amazing venue for any type of show, especially folk music. For one, all their shows are free.
    [Show full text]