Woody Guthrie and the Christian Left: Jesus and “Commonism”
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Samoan Submission Machines
Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity. -
Pete Seegerhas Always Walked the Road Less Traveled. a Tall, Lean Fellow
Pete Seegerhas always walked the road less traveled. A tall, lean fellow with long arms and legs, high energy and a contagious joy of spjrit, he set everything in motion, singing in that magical voice, his head thrown back as though calling to the heavens, makingyou see that you can change the world, risk everything, do your best, cast away stones. “Bells of Rhymney,” “Where Have All the Flowers Gone?,” “ One Grain of Sand,” “ Oh, Had I a Golden Thread” ^ songs Right, from top: Seeger, Bob Dylan, Judy Collins and Arlo Guthrie (from left) at the Woody Guthrie Memorial Concert at Carnegie Hail, 1967; filming “Wasn’t That a Time?," a movie of the Weavers’ 19 8 0 reunion; Seeger with banjo; at Red Above: The Weavers in the early ’50s - Seeger, Lee Hays, Ronnie Gilbert and Fred Hellerman (from left). Left: Seeger singing on a Rocks, in hillside in El Colorado, 1983; Cerrito, C a l|p in singing for the early '60s. Eleanor Roosevelt, et al., at the opening of the Washington Labor Canteen, 1944; aboard the “Clearwater” on his beloved Hudson River; and a recent photo of Seeger sporting skimmer (above), Above: The Almanac Singers in 1 9 4 1 , with Woody Guthrie on the far left, and Seeger playing banjo. Left: Seeger with his mother, the late Constance Seeger. PHOTOGRAPHS FROM THE COLLECTION OF HAROLD LEVENTHAL AND THE WOODY GUTHRIE ARCHIVES scattered along our path made with the Weavers - floor behind the couch as ever, while a retinue of like jewels, from the Ronnie Gilbert, Fred in the New York offices his friends performed present into the past, and Hellerman and Lee Hays - of Harold Leventhal, our “ Turn Turn Turn,” back, along the road to swept into listeners’ mutual manager. -
Here We Are at 500! the BRL’S 500 to Be Exact and What a Trip It Has Been
el Fans, here we are at 500! The BRL’s 500 to be exact and what a trip it has been. Imagibash 15 was a huge success and the action got so intense that your old pal the Teamster had to get involved. The exclusive coverage of that ppv is in this very issue so I won’t spoil it and give away the ending like how the ship sinks in Titanic. The Johnny B. Cup is down to just four and here are the representatives from each of the IWAR’s promotions; • BRL Final: Sir Gunther Kinderwacht (last year’s winner) • CWL Final: Jane the Vixen Red (BRL, winner of 2017 Unknown Wrestler League) • IWL Final: Nasty Norman Krasner • NWL Final: Ricky Kyle In one semi-final, we will see bitter rivals Kinderwacht and Red face off while in the other the red-hot Ricky Kyle will face the, well, Nasty Normal Krasner. One of these four will win The self-professed “Greatest Tag team wrestler the 4th Johnny B Cup and the results will determine the breakdown of the prizes. ? in the world” debuted in the NWL in 2012 and taunt-filled promos earned him many enemies. The 26th Marano Memorial is also down to the final 5… FIVE? Well since the Suburban Hell His “Teamster Challenge” offered a prize to any Savages: Agent 26 & Punk Rock Mike and Badd Co: Rick Challenger & Rick Riley went to a NWL rookie who could capture a Tag Team title draw, we will have a rematch. The winner will advance to face Sledge and Hammer who won with him, but turned ugly when he kept blaming the CWL bracket. -
Law and Gospel Article
RENDER UNTO RAWLS: LAW, GOSPEL, AND THE EVANGELICAL FALLACY Wayne R. Barnes∗ I. INTRODUCTION Many explicitly Christian voices inject themselves frequently and regularly into the current public policy and political discourse. Though not all, many of these Christian arguments proceed in something like the following manner. X is condemned (or required) by God, as revealed in the Bible. Therefore, the explicitly-required “Christian position” on X is for the law to prohibit or limit the activity (or require it), in accordance with the advocate’s interpretation of biblical ethical standards. To be clear, I mean to discuss only those scenarios where a Christian publicly identifies a position as being mandated by Christian morality or values --- i.e., where the public is given a message that some law or public policy is needed in order to comply with the Christian scriptures or God’s will. That is, in short, this article is about explicit political communications to the public in overt religious language of what Christianity supposedly requires for law and policy. As will be seen, these voices come quite famously from the Christian Religious Right, but they come from the Religious Left as well. Political philosophers (most famously John Rawls) have posited that pluralism and principles of liberal democracy strongly counsel against resort to such religious views in support of or against any law or public policy.1 That is, in opposition to this overt religious advocacy in the political realm (though, it should be noted, not necessarily taking a substantive position on the issues, per se) is the position of Rawlsian political liberalism, which states generally that, all things being equal, such inaccessible religious arguments should not be made, but rather arguments should only be made by resort to “public reason” which all find to be accessible.2 Christian political voices counter that this results in an intolerable stifling of their voice, of requiring that they “bracket” ∗ Professor, Texas Wesleyan University School of Law. -
Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966. -
Movies and Cultural Contradictions
< I 1976 Movies and Cultural Contradictions FRANK P. TOMASULO In its bicentennial year, the United States was wracked by dis- illusionment and mistrust of the government. The Watergate scandal and the evacuation of Vietnam were still fresh in everyone's mind. Forced to deal with these traumatic events, combined with a lethargic economy (8.5 per- cent unemployment, energy shortages and OPEC price hikes of 5 to 10 per- cent, high inflation (8.7 percent and rising), and the decline of the U.S. dollar on international currency exchanges, the American national psyche suffered from a climate of despair and, in the phrase made famous by new California governor Jerry Brown the previous year, “lowered expectations.” President Gerald R. Ford's WIN (Whip Inflation Now) buttons--did nothing bolster consumer/investor confidence and were widely perceived to be a public rela- tions gimmick to paper over structural difficulties in the financial system. Intractable problems were apparent: stagflation, political paranoia, collective anxiety, widespread alienation, economic privation, inner-city decay, racism, and violence. The federal government's “misery index,” a combination of the unemployment rate and the rate of inflation, peaked at 17 percent. In short, there was a widespread perception that the foundations of the American Dream bad been shattered by years of decline and frustration. Despite these negative economic and social indicators in the material world, the nation went ahead with a major feel-good diversion, the bicen- tennial celebration that featured the greatest maritime spectacle in Ameri- can history: “Operation Sail,” a parade of sixteen “Tall Ships,” fifty-three warships, and more than two hundred smaller sailing vessels in New York harbor. -
The Woody Guthrie Centennial Bibliography
LMU Librarian Publications & Presentations William H. Hannon Library 8-2014 The Woody Guthrie Centennial Bibliography Jeffrey Gatten Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/librarian_pubs Part of the Music Commons Repository Citation Gatten, Jeffrey, "The Woody Guthrie Centennial Bibliography" (2014). LMU Librarian Publications & Presentations. 91. https://digitalcommons.lmu.edu/librarian_pubs/91 This Article - On Campus Only is brought to you for free and open access by the William H. Hannon Library at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU Librarian Publications & Presentations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Popular Music and Society, 2014 Vol. 37, No. 4, 464–475, http://dx.doi.org/10.1080/03007766.2013.834749 The Woody Guthrie Centennial Bibliography Jeffrey N. Gatten This bibliography updates two extensive works designed to include comprehensively all significant works by and about Woody Guthrie. Richard A. Reuss published A Woody Guthrie Bibliography, 1912–1967 in 1968 and Jeffrey N. Gatten’s article “Woody Guthrie: A Bibliographic Update, 1968–1986” appeared in 1988. With this current article, researchers need only utilize these three bibliographies to identify all English- language items of relevance related to, or written by, Guthrie. Introduction Woodrow Wilson Guthrie (1912–67) was a singer, musician, composer, author, artist, radio personality, columnist, activist, and philosopher. By now, most anyone with interest knows the shorthand version of his biography: refugee from the Oklahoma dust bowl, California radio show performer, New York City socialist, musical documentarian of the Northwest, merchant marine, and finally decline and death from Huntington’s chorea. -
Barnabas Aid Magazine March/April 2021
barnabasaid.org MARCH/ barnabasaid APRIL 2021 BARNABAS AID - RELIEF AGENCY FOR THE PERSECUTED CHURCH - BRINGING HOPE TO SUFFERING CHRISTIANS NORTH KOREA INDIA ARMENIA Christian Survivors of the Secretive Old and New Forms of Barnabas Petition for Recognition State’s ”Re-Education” Camps Persecution on the Rise of Armenian Genocide The Barnabas Aid Distinctive What helps make Barnabas Aid distinctive from other Christian organizations that deal with persecution? We work by: communities, so they can maintain their presence and witness, rather than setting ● directing our aid only to Christians, up our own structures or sending out How to Find Us although its benefits may not be exclusive missionaries to them (“As we have opportunity, let us You may contact do good to all people, especially to those ● tackle persecution at its root by making Barnabas Aid at the who belong to the family of believers” known the aspects of other religions and following addresses: Galatians 6:10, emphasis added) ideologies that result in injustice and oppression of Christians and others ● channeling money from Christians through Christians to Christians (we do ● inform and enable Christians in the West International Headquarters not send people; we only send money) to respond to the growing challenge The Old Rectory, River Street, of other religions and ideologies to the Pewsey, Wiltshire SN9 5DB, UK ● channeling money through existing Church, society and mission in their own Telephone 01672 564938 structures in the countries where funds countries are sent (e.g. -
August 14, 2016 BACK to SCHOOL SUNDAY 8:30 and 11 A.M
August 14, 2016 BACK TO SCHOOL SUNDAY 8:30 and 11 a.m. ORDER OF WORSHIP August 14, 2016 Back to School Sunday (Please complete and pass the red friendship pad at this time.) Prelude Bound for the Promised Land Medley arr. Je Cranll Oak Grove Orchestra Welcome Dr. Glenn Ethridge (In preparation for worship, please silence all cell phones.) UP ON THE MOUNTAINTOP Call to Worship Old Time Religion arr. Moses Hogan Choir and Congregation Congregation sing on cue: Gimme that ol’ time religion, gimme that ol’ time religion, Gimme that ol’ time religion, it’s good enough for me. *Hymn Medley Revive Us Again See Insert Jesus Saves ere’s Within My Heart a Melody Scripture Matthew 17:1-8 Mr. Bob Unger Homily Up on the Mountain Dr. Amy Morgan DOWN IN THE VALLEY Anthem Jesus, Hold My Hand arr. Gene Bartlett Chancel Choir As I travel through this pilgrim land there is a friend who walks with me. Leads me safely through the sinking sand, it is the Christ of Calvary. is would be my prayer dear Lord each day to help me do the best I can. For I need y light to guide me day and night, blessed Jesus, hold my hand. Jesus, hold my hand, I need ee every hour. rough this pilgrim land, protect me by y power. Hear my feeble plea, O Lord look down on me. When I kneel in pray I hope to meet you there, blessed Jesus, hold my hand. When I wander through the valley dim toward the setting of the sun. -
Chunga 12 I Learned That Mike Glicksohn and It Is a Pleasure to See Them Again
13 s e p t e m b e r 2 0 0 7 “But wouldn’t it be cheaper just to use a man in a suit?” Chunga is a darkened theater where Lee Hoffman and Ron Bennett sit in the middle third row. Rich brown leans forward in the row behind them, and he won’t stop talking. Other fans are expected, and all three look over their shoulders in anticipation. In the projection booth, Bob Tucker is pouring shots from a green-labeled bottle. One for each reel change — two cartoons, a news reel, the serial chapter, the A picture, and the B picture. A pleasant odor of bourbon and popcorn fills the darkness as he throws the switch. Available by editorial whim or wistfulness, or, grudgingly, for $3.50 for a single issue; PDFs of every issue may be found at eFanzines.com. Edited by Andy ([email protected]), Randy ([email protected]), and carl ([email protected]). Please address all postal correspondence to 1013 North 36th Street, Seattle WA 98103. Editors: please send three copies of any zine for trade. In this issue . The Ascent of Hokum Art Credits A premonitory caution . 1 in order of first appearance Terminal Eyes Marc Schirmeister front cover by Andy Hooper . 2 William Rotsler 3, 26 Take the Hokum and Run (Celluloid Fantasia reprints) Stu Shiffman 7, 9, 10 by Stu Shiffman . 5 Ken Fletcher 12, 14, 15 Woody Guthrie, the Singing Sidekick by Stu Shiffman . 6 Ian Gunn 14 The Most Monstrous Show on Earth! Michael Dobson 15 (bottom), from by Bob Webber . -
Review Essay: Religion and Politics 2008-2009: Sometimes You Get What You Pray For
Scholarly Commons @ UNLV Boyd Law Scholarly Works Faculty Scholarship 2010 Review Essay: Religion and Politics 2008-2009: Sometimes You Get What You Pray For Leslie C. Griffin University of Nevada, Las Vegas -- William S. Boyd School of Law Follow this and additional works at: https://scholars.law.unlv.edu/facpub Part of the Law and Politics Commons, and the Religion Law Commons Recommended Citation Griffin, Leslie C., "Review Essay: Religion and Politics 2008-2009: Sometimes You Get What You Pray For" (2010). Scholarly Works. 803. https://scholars.law.unlv.edu/facpub/803 This Article is brought to you by the Scholarly Commons @ UNLV Boyd Law, an institutional repository administered by the Wiener-Rogers Law Library at the William S. Boyd School of Law. For more information, please contact [email protected]. REVIEW ESSAY RELIGION AND POLITICS 2008-2009 THUMPIN' IT: THE USE AND ABUSE OF THE BIBLE IN TODAY'S PRESIDENTIAL POLITICS. By Jacques Berlinerblau. Westminster John Knox Press 2008. Pp. x + 190. $11.84. ISBN: 0-664-23173-X. THE SECULAR CONSCIENCE: WHY BELIEF BELONGS IN PUBLIC LIFE. By Austin Dacey. Prometheus Book 2008. Pp. 269. $17.80. ISBN: 1-591- 02604-0. SOULED OUT: RECLAIMING FAITH AND POLITICS AFTER THE RELIGIOUS RIGHT. By E.J Dionne, Jr.. Princeton University Press 2008. Pp. 251. $14.95. ISBN: 0-691-13458-8. THE POLITICAL ORIGINS OF RELIGIOUS LIBERTY By Anthony Gill. Cambridge University Press 2007. Pp. 263. Paper. $18.81. ISBN: 0-521- 61273-X. BLEACHED FAITH. THE TRAGIC COST WHEN RELIGION IS FORCED INTO THE PUBLIC SQUARE. By Steven Goldberg. -
Wilco-Songs Minimalistisch
Folkdays … Wilco-Songs minimalistisch Musik | Jeff Tweedy: Together At Last Jeff Tweedy, das ist einerseits ein Singer-Songwriter, andererseits ist er der Macher von Wilco in Zusammenarbeit mit John Stirratt, Glenn Kotche, Mikael Jorgensen, Nels Cline und Pat Sansone. Er war auch einmal mit dem Band-Projekt Golden Smog zu hören und es gibt neue Bands von ihm genannt Loose Fur und Tweedy. Das zuerst kurz als Fakten. Von TINA KAROLINA STAUNER Das neue Album von Jeff Tweedy ›Together At Last‹ ist wie ein Überbleibsel aus einer Zeit, in der die Freude Americana, Alternative Country und Neofolk zu hören manchmal fast ungetrübt war. Kein Mainstream laberte irgendeinen Klimbim dazwischen und neben Befindlichkeits- und Beziehungstexten war Sozial- und Gesellschaftskritik in Lyrics ein Zeichen für Anspruch und Niveau. Die Chicagoer Independent-Band Wilco hatte sich mit den ersten Alben in den 1990er Jahren mit Leib und Seele in den Spirit einer ganzen Independent-Generation gespielt. Entstanden aus Uncle Tupelo war Wilco immer wichtig im Diskurs. Bezogen auf traditionelles Wissen über Country und Folk hatte die Band einen ureigenen Sound und integrierte manchmal auch neue und elektronische Klänge in den Kontext. Mittlerweile scheint Jeff Tweedy teils zynisch bis zum geht-nicht-mehr und nach ›Star Wars‹ und ›Schmilco‹ mit Cover-Artwork wie ein Cartoon kam ein ›Together At Last‹. Vergangenheit ist das Woody Guthrie Project, das er mit Nora Guthrie und Billy Bragg vor Jahren veröffentlichte. Vergangenheit sind die frühen Independent-Jahre, wenn es überhaupt noch Leute gibt, die sich daran erinnern. Vergangenheit ist die Band-Dokumentation ›Man in the Sand‹. Vergangenheit sind Songs wie ›In A Future Age‹.