The Woody Guthrie Centennial Bibliography
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Samoan Submission Machines
Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity. -
Working Weight Pull Dog Titles 2017-0119
Working Weight Pull Dog issued number registeredname owners regnum sire sireregnum dam damregnum 1 Shadak’s Sastan Taka Keith & Lynne Hurrell WC786190 Lobito's Caballero of Kiska WC257803 Shadak's Shukeenyuk WB579440 2 Shadak’s Artic Sonrise Keith & Lynne Hurrell WB650563 Pak N Pulls Kingak WA764822 Pak N Pulls Arctic Shadow WA524342 3 Willowcreek’s Sage Of White Becky Whittenburg WD400564 Snokimo's Chief Illini WC318063 Malesa's Smokey Haven WC024437 Mountain 4 Gnulak Polar Paw Rick & Beverly Pfeiffer WD189743 5 Artic Knight Of Winter Star Jim & Connie Meurett WD889095 6 Tara Of Winter Star Jim & Connie Meurett WD889093 7 Winter Star’s Icelandic Lady Jim & Connie Meurett WD889092 Snocre's Koyuk of Winter Star WC348284 Winter Star's Amanda WB951140 8 Snocre’s Koyuk Of Winter Star Jim & Connie Meurett WC348284 Snocre's Mr Moose WB873465 Timberlane's Tuktu of Snocre WB051212 9 Calaban’s Honky-Tonk Angel Kit Lohn WD137068 Silver Frost Savage's Kingmik WC315104 Oonanik's-Eskimo-Kiss WC162783 10 Nordra’s Forgone Conclusion Norm & Sandy Hughes WD670199 Norora's Lobo of Polar-Pak WD150111 Kinapak's Ikkuma WB983386 11 Arken’s Nakina Cheryll Arkins 12 Hokie-Hi’s Rusty Bear Virginia & Dick Grefe WB815004 Eldor's Smo-Kee Bear WA945699 Sharavin's Sheeniek WA506864 13 Hi-Acres Misty Shadow Jackai & Alice Szuhai WC462987 Tara Shinook WB901509 Traxler's Nokemo of Clairville WC113668 14 Lored’s Brutus Jackai & Alice Szuhai WC725585 15 Nicole Ohtahyon Jackai & Alice Szuhai WC010823 Athabascan King WB386373 Nicole of Athabasca WB495979 16 Winterhawk’s Furry Flurry Bruce & Sandy Kasson WD649766 Snopaw's Snoqualmie WB508876 Maluk's Topaz WD132374 17 Sno-Pak Token Of Snokimo Dr. -
More About the Album Thank Yous • About the Guitars
Produced by AM & Dustin DeLage Recording, engineering and mixing by Dustin DeLage at Cabin Studios, Leesburg VA Additional remote recording by Ken Lubinsky at lack Hills Studios, Plain"eld CT Atlantic $cean wa&es recorded by Mic'elle McKnig't at East eac', Charlestown R)* Mastering by ill +ol,, +ol, Productions, Alexandria VA* -ra.'ic Design by Stilson -reene, Leesburg VA ack co&er .'oto by Christi Porter P'otogra.'y, Lincoln VA All songs written by AM and ©Catalooch Music, BMI, except "Margaret" by Andrew McKnight ©19 !, "uccess Music, and "#ur Meeting Is #ver" %traditional&' #'e Songs #'e and 1. Embarking 1:12 ,M - vo<a-s7 a<ousti< & e-e<tri< guitars7 s-i"e guitar7 2. Margaret/Treasures in My Chest 4:56 &ative Ameri<an fute 3. Web of Mystery 3:24 9a<he- Tay-or - ce--o 4. eft Behin" 3:55 Mi<hae- Rohrer ; e-e<tri< an" u:right bass 5. #assage/(Fathers No') Our Meeting is Over 2:1+ isa Tay-or - drums7 harmony vo<a-s 6. ,retas Cu-ver 4:13 >ef Arey - man"o-in .. , Dram to the Ho-i"ays 5:13 4te:hanie Thom:son7 Tony Denikos - harmony vo<a-s 1. The Gift 3:51 3. 4ons & Fathers 3:53 $t'er Essential Musical Pieces 1+. My Litt-e To'n 3:35 ,-y M<@night - piano (Margaret( 11. ong Ago an" Far A'ay 1:5+ Warren M<@night - piano an" organ $4ons & Fathers( 12. Entre-azan"o 0:43 Ma"e-eine M<@night - f""-e (Long Ago & Far A'ay(7 13. -
Various Lonesome Valley (A Collection of American Folk Music) Mp3, Flac, Wma
Various Lonesome Valley (A Collection Of American Folk Music) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Lonesome Valley (A Collection Of American Folk Music) Country: US Released: 2006 Style: Country, Folk MP3 version RAR size: 1863 mb FLAC version RAR size: 1640 mb WMA version RAR size: 1961 mb Rating: 4.3 Votes: 913 Other Formats: ASF MIDI XM AIFF AUD APE AC3 Tracklist 1 –Pete Seeger, Bess Lomax, Tom Glazer Down In The Valley 2:35 2 –Cisco Houston The Rambler 3:18 3 –Butch Hawes Arthritis Blues 3:23 4 –Pete Seeger, Bess Lomax, Tom Glazer Polly Wolly Doodle 1:55 5 –Lee Hays, Pete Seeger, Bess Lomax Lonesome Traveler 1:55 6 –Cisco Houston On Top Of Old Smoky 1:35 7 –Pete Seeger Black Eyed Suzie 2:12 8 –Woody Guthrie Cowboy Waltz 2:06 9 –Cisco Houston and Woody Guthrie Sowing On The Mountain 2:29 Companies, etc. Copyright (c) – Folkways Records & Service Corp. Copyright (c) – Smithsonian Folkways Recordings Phonographic Copyright (p) – Smithsonian Folkways Recordings Credits Artwork – Carlis* Notes Professionally printed CDr on-demand reissue of the 1950/1958 10'' release on Folkways Records. The enhanced CDr includes a PDF file of the booklet included with the original release. © 1950 Folkways Records & Service Corp. ℗ © 2006 Smithsonian Folkways Recordings Total time: 21 min. Gatefold cardboard sleeve. Barcode and Other Identifiers Barcode (Scanned): 093070201026 Label Code: LC 9628 Other versions Category Artist Title (Format) Label Category Country Year FP 10 Various Lonesome Valley (10") Folkways Records FP 10 US 1951 FA 2010 Various Lonesome Valley (10") Folkways Records FA 2010 US 1958 FP 10 Various Lonesome Valley (10") Folkways Records FP 10 US 1951 Related Music albums to Lonesome Valley (A Collection Of American Folk Music) by Various Pete Seeger - Birds, Beasts, Bugs and Little Fishes Pete Seeger And Frank Hamilton - Nonesuch And Other Folk Tunes Lead Belly - Shout On (Lead Belly Legacy Vol. -
Here We Are at 500! the BRL’S 500 to Be Exact and What a Trip It Has Been
el Fans, here we are at 500! The BRL’s 500 to be exact and what a trip it has been. Imagibash 15 was a huge success and the action got so intense that your old pal the Teamster had to get involved. The exclusive coverage of that ppv is in this very issue so I won’t spoil it and give away the ending like how the ship sinks in Titanic. The Johnny B. Cup is down to just four and here are the representatives from each of the IWAR’s promotions; • BRL Final: Sir Gunther Kinderwacht (last year’s winner) • CWL Final: Jane the Vixen Red (BRL, winner of 2017 Unknown Wrestler League) • IWL Final: Nasty Norman Krasner • NWL Final: Ricky Kyle In one semi-final, we will see bitter rivals Kinderwacht and Red face off while in the other the red-hot Ricky Kyle will face the, well, Nasty Normal Krasner. One of these four will win The self-professed “Greatest Tag team wrestler the 4th Johnny B Cup and the results will determine the breakdown of the prizes. ? in the world” debuted in the NWL in 2012 and taunt-filled promos earned him many enemies. The 26th Marano Memorial is also down to the final 5… FIVE? Well since the Suburban Hell His “Teamster Challenge” offered a prize to any Savages: Agent 26 & Punk Rock Mike and Badd Co: Rick Challenger & Rick Riley went to a NWL rookie who could capture a Tag Team title draw, we will have a rematch. The winner will advance to face Sledge and Hammer who won with him, but turned ugly when he kept blaming the CWL bracket. -
Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966. -
Dust Bowl Balladeer Next Door Who Would Have Thought That the Dust Bowl Balladeer Texas; Jobs Such As Working in the Men
Vol. 9, Issue 1 Dr. Jeanne Ramirez Mather, Ed. December 2006 The Genius Kid Dust Bowl Balladeer Next Door Who would have thought that The Dust Bowl Balladeer Texas; jobs such as working in the men. In 1939 he moved to David Meigooni at age 14 would was Okemah native Woody fields, carpentry, moving garbage New York and wrote and be an award winning scientist? Guthrie, who was named after cans, shining shoes, painting signs, worked with such folk singers Of course he started before he Woodrow Wilson. While and washing spittoons. His life as Burl Ives and Pete Seeger. In was 14. In fourth grade he de- Woody is often referred to as changed when his uncle bought 1940 he wrote the song perhaps veloped a science project called the voice of the common man him a guitar and taught him to he is best known for, This Land “Mom’s Fear of Radiation” in and a singer with a social con- play. He found that all around him is Your Land. The Department which he proved that his mother science, he was also a Renais- was life worth singing about. He of Interior commissioned actually was exposed to more sance Man. He was not only a wrote about what he saw and Woody in 1941 to write songs radiation while gardening than singer, musician, and song felt—the good, the bad, and how about the Grand Coulee Dam while watching television. writer, but also an artist and an to make things right. being built in Oregon. This in- Later he wondered if the rela- author. -
A Student Companion To
A Student Companion To With the generous support of Jane Pauley and Garry Trudeau The Raymond Foundation Contents section 1: The Book and Its Context page 2 Who Was John Steinbeck? | Ellen MacKay page 3What Was the Dust Bowl? | Ellen MacKay page 6 Primary Sources Steinbeck Investigates the Migrant Laborer Camps Ellen MacKay: Dorothea Lange’s “Migrant Mother” and the Look of the Dust Bowl The Novel’s Reception The Wider Impact of The Grapes of Wrath page 10 What Makes The Grapes of Wrath Endure? Jonathan Elmer: Steinbeck’s Mythic Novel George Hutchinson: Hearing The Grapes of Wrath Christoph Irmscher: Teaching The Grapes of Wrath section 2: Sustainability, Bloomington, and the World of The Grapes of Wrath page 14 What Does Literature Have to Do with Sustainability? | Ellen MacKay page 15 Nature Writing Now: An Interview with Scott Russell Sanders An Excerpt from A Conservationist Manifesto | Scott Russell Sanders page 18 What Can Be Done?: Sustainablilty Then and Now Michael Hamburger Sara Pryor Matthew Auer Tom Evans page 22 Primary Access: The 1930s in Our Midst Ellen MacKay: Thomas Hart Benton, the Indiana Murals, and The Grapes of Wrath Nan Brewer: The Farm Security Administration Photographs: A Treasure of the IU Art Museum Christoph Irmscher: “The Toto Picture”: Writers on Sustainability at the Lilly Library section 3: The Theatrical Event of The Grapes of Wrath page 26 How Did The Grapes of Wrath Become a Play? | Ellen MacKay page 27 The Sound of The Grapes of Wrath: Ed Comentale: Woody Guthrie, Dust Bowl Ballads, and the Art and Science of Migratin’ Guthrie Tells Steinbeck’s Story: The Ballad of “The Joads” page 31 Another Look at the Joads’ Odyssey: Guthrie’s Illustrations. -
Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................ -
New Conformation Titles for 2007
New Conformation Titles for 2007 Champion CH Szikra's Haricot Vert Sosanna Folz & Alessandra Folz & Patricia Folz 1/6/2007 CH Mar-Ed's He Knoz The Play JH Edward Schaefer & Margaret Schaefer 1/7/2007 CH Onpoint's Bravo Thunder Rolls Medda Rauhut & Julie LaRue 1/7/2007 CH Vizagold's Shooting Star Sarah Locker & Angela Colyer & Carollyn Locker 1/7/2007 CH Reignbo Aldebaran Aviator Debra Jean Becker & Alan Becker 1/11/2007 CH Mehagians Sleepy Hollow Razl Dazl JH Rita L Mather & Marge Mehagian 1/14/2007 CH Piroska Toldin's Leading Edge Barrie Brinkworth & Hilarie Brinkworth & Frank Lacko & Martha Lacko 1/14/2007 CH Bitteroots Nicholaus Cazador Mr. Roger Kelvin Poole 1/20/2007 CH Rebel Rouser Ramblin Rose JH Robert E Jones & Rae Ann Jones 1/21/2007 CH Lyons Emma Jean Joy Lyons 1/27/2007 CH Storm Winds Namaste Warrior Alis Smith & Beverley Wanjon & Kirsten Davis 1/27/2007 CH Remek's Home Brew JH Susanne Glasgow 1/28/2007 CH Vizcaya's Vana Heroic Dreamer Jessica Sykora & Nancy Edmunds 2/3/2007 CH Midwest Dream Double Shot Jd Ronald L Grimm & Rhonda Grimm 2/4/2007 CH Copper Creek African Summer JH Debra Steele & Graeme Steele 2/9/2007 CH Hilldale Blu Raisnarukus Riley Sandy Remmers & Janet L Svoboda 2/9/2007 CH Linmar's Brambles-N-Brier Linda M & Fred F Hachtel 2/10/2007 CH Heartsong Closing Argument Jan Cox 2/11/2007 CH Varazs Kiralyi Kedvesem CD RA Sylvia Dorosh 2/17/2007 CH Bankers Sophisticated Lady Faye Wilson & Paula Murphy 2/18/2007 CH Dynata's Bound To Know It All JH Laurie Fairchild 2/19/2007 CH Tamaron's Fuego Del Corazon Michelle Rochester -
Name Stock Draw # ABBOTT, EMMA ROYAL TRAVELER 93 ABBOTT, EMMA RR TOOSLICKEYEMIST 27 AGUADO, SOPHIE CALICHES CAPTAIN ROCKET 217 A
Open 5D 10th 76 WPRA Contestants will run starting at 8am, then we will big drag and go into the open starting at run #1 Name Stock Draw # ABBOTT, EMMA ROYAL TRAVELER 93 ABBOTT, EMMA RR TOOSLICKEYEMIST 27 AGUADO, SOPHIE CALICHES CAPTAIN ROCKET 217 AGUADO, SOPHIE HANK THE TANK 164 ALDRICH, FAWN R FLIT BARS BIG MAN 125 ALDRICH, FAWN R STRIPPING ROYALTY 226 ALLEN, LARAMIE MERCEDES 229 ALLEN, LARAMIE MOMS LITTLE KITTY 147 ARRINGTON, RILEY CEO KINDA BEAUTIFUL 37 ASHLEY, CAROLINE FLYING SPARKS W5 267 ASKEW, EMILY FAMOUS LAST EDITION 144 ASKEW, EMILY FRENCHMANS JEENYUS 213 BAIZE, TAYLOR JUNE MRT EASY ON THE PEPPER (BO) 87 BAIZE, TAYLOR JUNE RICOCHET RUDY 2 BAKER DAVISON, WHITNEY BR SECOND AMENDMENT 13 BAKER DAVISON, WHITNEY CONFEDERATESLASTLADY 67 BALDWIN, AVERY KAY MP LIL MAS HAYDAY 266 BEELER, BUGG JKL LETTER FLY REBA 21 BELL, MELINDA P JES A DASH OF HEAVEN 120 BERNHARD, ERIN CR COLONEL HIGHBROW 143 BISSETT , KELEY RENAE SOME BEACH PARTY 168 BLACKBURN, KATIE DOCS AMELIA FROST 206 BLASCHKE, JESSICA OKIE SUGAR DOC 54 BOWERS, ELIZABETH MINK OF HONOR 218 BRANDER, NAOMI GEORGE 135 BRICE, LEATHER MORGAN PEPTOS DIAMOND 180 BROWN, MADDIE BEARIT AND CHERIT 228 BURNETTE, KAYLEE WES DUN IT PEPPY LENA 268 BURNS, J.R. GJB AINT SHE COOL 190 BURNS, J.R. GJB SUAVE DULCE 254 BUSBY, ANDREA BUCKWYLD 137 BUSBY, ANDREA JETS HEART N SOUL 205 CAMPBELL, HANNAH CHASE 269 CANTU-FENTI, ALANA M A COWBOY CHARMER 131 CANTU-FENTI, ALANA M FLITS TARGET 77 CERVANTES, LILIANNA BRANDY 62 CHANDLER, KIM FLASHY JACK B 44 CLASSEN, PAT DESINE FOR FIRE 182 CLINE, SHADA LUCY 177 CORTEZ, -
Chunga 12 I Learned That Mike Glicksohn and It Is a Pleasure to See Them Again
13 s e p t e m b e r 2 0 0 7 “But wouldn’t it be cheaper just to use a man in a suit?” Chunga is a darkened theater where Lee Hoffman and Ron Bennett sit in the middle third row. Rich brown leans forward in the row behind them, and he won’t stop talking. Other fans are expected, and all three look over their shoulders in anticipation. In the projection booth, Bob Tucker is pouring shots from a green-labeled bottle. One for each reel change — two cartoons, a news reel, the serial chapter, the A picture, and the B picture. A pleasant odor of bourbon and popcorn fills the darkness as he throws the switch. Available by editorial whim or wistfulness, or, grudgingly, for $3.50 for a single issue; PDFs of every issue may be found at eFanzines.com. Edited by Andy ([email protected]), Randy ([email protected]), and carl ([email protected]). Please address all postal correspondence to 1013 North 36th Street, Seattle WA 98103. Editors: please send three copies of any zine for trade. In this issue . The Ascent of Hokum Art Credits A premonitory caution . 1 in order of first appearance Terminal Eyes Marc Schirmeister front cover by Andy Hooper . 2 William Rotsler 3, 26 Take the Hokum and Run (Celluloid Fantasia reprints) Stu Shiffman 7, 9, 10 by Stu Shiffman . 5 Ken Fletcher 12, 14, 15 Woody Guthrie, the Singing Sidekick by Stu Shiffman . 6 Ian Gunn 14 The Most Monstrous Show on Earth! Michael Dobson 15 (bottom), from by Bob Webber .