Various Lonesome Valley (A Collection of American Folk Music) Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Various Lonesome Valley (A Collection Of American Folk Music) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Lonesome Valley (A Collection Of American Folk Music) Country: US Released: 2006 Style: Country, Folk MP3 version RAR size: 1863 mb FLAC version RAR size: 1640 mb WMA version RAR size: 1961 mb Rating: 4.3 Votes: 913 Other Formats: ASF MIDI XM AIFF AUD APE AC3 Tracklist 1 –Pete Seeger, Bess Lomax, Tom Glazer Down In The Valley 2:35 2 –Cisco Houston The Rambler 3:18 3 –Butch Hawes Arthritis Blues 3:23 4 –Pete Seeger, Bess Lomax, Tom Glazer Polly Wolly Doodle 1:55 5 –Lee Hays, Pete Seeger, Bess Lomax Lonesome Traveler 1:55 6 –Cisco Houston On Top Of Old Smoky 1:35 7 –Pete Seeger Black Eyed Suzie 2:12 8 –Woody Guthrie Cowboy Waltz 2:06 9 –Cisco Houston and Woody Guthrie Sowing On The Mountain 2:29 Companies, etc. Copyright (c) – Folkways Records & Service Corp. Copyright (c) – Smithsonian Folkways Recordings Phonographic Copyright (p) – Smithsonian Folkways Recordings Credits Artwork – Carlis* Notes Professionally printed CDr on-demand reissue of the 1950/1958 10'' release on Folkways Records. The enhanced CDr includes a PDF file of the booklet included with the original release. © 1950 Folkways Records & Service Corp. ℗ © 2006 Smithsonian Folkways Recordings Total time: 21 min. Gatefold cardboard sleeve. Barcode and Other Identifiers Barcode (Scanned): 093070201026 Label Code: LC 9628 Other versions Category Artist Title (Format) Label Category Country Year FP 10 Various Lonesome Valley (10") Folkways Records FP 10 US 1951 FA 2010 Various Lonesome Valley (10") Folkways Records FA 2010 US 1958 FP 10 Various Lonesome Valley (10") Folkways Records FP 10 US 1951 Related Music albums to Lonesome Valley (A Collection Of American Folk Music) by Various Pete Seeger - Birds, Beasts, Bugs and Little Fishes Pete Seeger And Frank Hamilton - Nonesuch And Other Folk Tunes Lead Belly - Shout On (Lead Belly Legacy Vol. 3) Pete Seeger - The Folksinger's Guitar Guide Pete Seeger - American Favorite Ballads, Vol. 2 Woody Guthrie with Cisco Houston and Sonny Terry - Sings Folk Songs, Vol. 2 Cisco Houston - The Folkways Years 1944-1961 Woody Guthrie - Poor Boy The Almanac Singers - Their Complete General Recordings Sonny Terry - Get Together.

Copy Link

Recommended publications

Creating a Roadmap for the Future of Music at the Smithsonian
Creating a Roadmap for the Future of Music at the Smithsonian A summary of the main discussion points generated at a two-day conference organized by the Smithsonian Music group, a pan- Institutional committee, with the support of Grand Challenges Consortia Level One funding June 2012 Produced by the Office of Policy and Analysis (OP&A) Contents Acknowledgements .................................................................................................................................. 3 Introduction ................................................................................................................................................ 4 Background ............................................................................................................................................ 4 Conference Participants ..................................................................................................................... 5 Report Structure and Other Conference Records ............................................................................ 7 Key Takeaway ........................................................................................................................................... 8 Smithsonian Music: Locus of Leadership and an Integrated Approach .............................. 8 Conference Proceedings ...................................................................................................................... 10 Remarks from SI Leadership ........................................................................................................
[Show full text]
The Woody Guthrie Centennial Bibliography
LMU Librarian Publications & Presentations William H. Hannon Library 8-2014 The Woody Guthrie Centennial Bibliography Jeffrey Gatten Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/librarian_pubs Part of the Music Commons Repository Citation Gatten, Jeffrey, "The Woody Guthrie Centennial Bibliography" (2014). LMU Librarian Publications & Presentations. 91. https://digitalcommons.lmu.edu/librarian_pubs/91 This Article - On Campus Only is brought to you for free and open access by the William H. Hannon Library at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU Librarian Publications & Presentations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Popular Music and Society, 2014 Vol. 37, No. 4, 464–475, http://dx.doi.org/10.1080/03007766.2013.834749 The Woody Guthrie Centennial Bibliography Jeffrey N. Gatten This bibliography updates two extensive works designed to include comprehensively all signiﬁcant works by and about Woody Guthrie. Richard A. Reuss published A Woody Guthrie Bibliography, 1912–1967 in 1968 and Jeffrey N. Gatten’s article “Woody Guthrie: A Bibliographic Update, 1968–1986” appeared in 1988. With this current article, researchers need only utilize these three bibliographies to identify all English- language items of relevance related to, or written by, Guthrie. Introduction Woodrow Wilson Guthrie (1912–67) was a singer, musician, composer, author, artist, radio personality, columnist, activist, and philosopher. By now, most anyone with interest knows the shorthand version of his biography: refugee from the Oklahoma dust bowl, California radio show performer, New York City socialist, musical documentarian of the Northwest, merchant marine, and ﬁnally decline and death from Huntington’s chorea.
[Show full text]
Digitizing the Moses and Frances Asch Collection Why Digitize The
Moses Asch and His Encyclopedia of Sound: Digitizing the Moses and Frances Asch Collection Nicole Horstman, Fall 2013 Folkways Records was founded in 1948. Led by Moses Asch Why Digitize the (1905-1986), Folkways sought to document the entire world of Project Goals sound. The 2,168 titles Asch released on Folkways include Asch Collection? traditional and contemporary music from around the world, • Scan ~196 linear feet of papers, • Physical Degradation spoken word in many languages, and documentary recordings of individuals, communities, and current events. photographs, artwork, and • Audio: flaking acetate, “sticky-shed” scrapbooks syndrome Folkways grew to be one of the most influential ethnographic • Paper: mold, brittle/fragile materials record labels in the world. Folkways Records and the label’s • Digitize 500 glass acetate discs and business papers and files were acquired by the Smithsonian 1000 reel-to-reel tapes • Broad digitization will help identify and Institution in 1987, and every recording is kept in print. ! ameliorate these issues in problematic • Establish standards that will be materials sustainable beyond the life of the grant • High research value • Much of the materials are “invisible”; • Make digital surrogates available to digitization will help researchers FOLKWAYS Records. AND SERVICE CORP., 701 Seventh Ave. N.Y.C. researchers locate and utilize relevant items Long Playing Non-Breakable Micro Groove 33 ½ RPM At right: Screenshot of At left: Materials from the Copyright © 1948 Folkways Records and Service Corp.
[Show full text]
Moses and Frances Asch Collection, 1926-1986
Moses and Frances Asch Collection, 1926-1986 Cecilia Peterson, Greg Adams, Jeff Place, Stephanie Smith, Meghan Mullins, Clara Hines, Bianca Couture 2014 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement note............................................................................................................ 3 Biographical/Historical note.............................................................................................. 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1942-1987 (bulk 1947-1987)........................................ 5 Series 2: Folkways Production, 1946-1987 (bulk 1950-1983).............................. 152 Series 3: Business Records, 1940-1987.............................................................. 477 Series 4: Woody Guthrie
[Show full text]
Pete Seeger and Intellectual Property Law
Teaching The Hudson River Valley Review Teaching About “Teaspoon Brigade: Pete Seeger, Folk Music, and International Property Law” –Steve Garabedian Lesson Plan Introduction: Students will use the Hudson River Valley Review (HRVR) Article: “Teaspoon Brigade: Pete Seeger, Folk Music, and International Property Law” as a model for an exemplary research paper (PDF of the full article is included in this PDF). Lesson activities will scaffold student’s understanding of the article’s theme as well as the article’s construction. This lesson concludes with an individual research paper constructed by the students using the information and resources understood in this lesson sequence. Each activity below can be adapted according to the student’s needs and abilities. Suggested Grade Level: 11th grade US History: Regents level and AP level, 12th grade Participation in Government: Regents level and AP level. Objective: Students will be able to: Read and comprehend the provided text. Analyze primary documents, literary style. Explain and describe the theme of the article: “Teaspoon Brigade: Pete Seeger, Folk Music, and International Property Law” in a comprehensive summary. After completing these activities students will be able to recognize effective writing styles. Standards Addressed: Students will: Use important ideas, social and cultural values, beliefs, and traditions from New York State and United States history illustrate the connections and interactions of people and events across time and from a variety of perspectives. Develop and test hypotheses about important events, eras, or issues in United States history, setting clear and valid criteria for judging the importance and significance of these events, eras, or issues.
[Show full text]
Smithsonian Folkways Recordings: a Question of Balance
Smithsonian Folkways Recordings: A Question of Balance D. A. Sonnebom How does a small record label, operating within a large museum setting, balance its educational mission's imperatives against economic need, a pair of priorities inherently in conflict? The following is a personal and reflexive view, affected in some measure by oral transmissions received from institutional elders but based always on my own experience. When I was a child, my home was filled with music from all over the world, including many releases from Folkways Records. Individually and as a collection, the music opened windows of my imagination and initiated a sense of curiosity and wonder about the experience and perception of others. The material ignited a musical passion that has proved lasting. I have served as Assistant Director of Smithsonian Folkways Recordings since 1998 and thus have had opportunity to live with the tensions of its "mission vs. operational needs" polarity, both to ask and try to answer the question on a daily basis. I offer this essay to readers in hopes that it may help demythologize and demystify the process whereby recordings of community-based traditions are promulgated from the setting of the United States national museum and into the increasingly globalized marketplace. The attacks on the World Trade Center and the Pentagon in September 2001 exacerbated an economic contraction already in progress in the U.S. and produced a precipitous drop in recording sales during that year's last few months. The North American music industry continued depressed in 2002, with sales down on average more than ten percent as compared to the prior year.
[Show full text]
Nomination Form International Memory of the World Register
Nomination form International Memory of the World Register MOSES AND FRANCES ASCH COLLECTION Center for Folklife and Cultural Heritage, Smithsonian Institution ID Code [2014-66] 1.0 Summary With the mission of representing an “encyclopedia of sound,” the Moses and Frances Asch Collection (1926-1987) serves as a unique testament to the breadth and depth of the twentieth-century human experience. The collection features material of both famous and lesser known writers, poets, documentarians, ethnographers, and grass roots musicians from around the world. The series Folkways Records includes a diversity of documentary, audio, visual, and business materials from Folkways Records, one of the most influential record labels of the twentieth century. American folk icon Woody Guthrie recorded on Folkways, and the collection includes selections of his correspondence, lyrics, drawings, and writings in the series The Woody Guthrie Papers. The collection notably contains correspondence with numerous influential individuals of the twentieth century, such as John Cage, Langston Hughes, Margaret Walker, Lead Belly, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Kenneth Patchen, and others. It also includes ethnographic field notes and field photographs by Béla Bartók, Henry Cowell, Sidney Robertson Cowell, Harold Courlander, and Sam Charters. Moses Asch’s business papers from his various record labels, including but not limited to Folkways Records, offers insight to the history of the recording industry and music business. The collection prominently features audio recordings of rare and extinct documentary sounds, both man-made and natural, such as steam engines, extinct and endangered animal species, minority languages, and occupational soundscapes of years past. Moses Asch hired prominent artists and graphic designers to create album cover art for commercial recordings.
[Show full text]
Voices and Votes Films and Music
Voices and Votes Films and Music Filmography American Workers and Protest “At the River I Stand” (1993) Documentary; 1968 garbage workers strike “Harlan County U.S.A.” (1976) Documentary; This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. “Norma Rae” (1979) Drama; A young single mother and textile worker agrees to help unionize her mill despite the problems and dangers involved. “Salt of the Earth” (1954) Drama; Based on an actual strike against the Empire Zinc Mine in New Mexico, the film deals with the prejudice against the Mexican-American workers, who struck to attain wage parity with white workers. Civil Rights “A. Philip Randolph: For Jobs and Freedom” (1996) Documentary; A look at the life of the man often called the father of the modern civil rights movement. “Equal Means Equal” (2016) Documentary; A look at the ways women are still unequal to men in America and examination of the Equal Rights Amendment. “Eyes on the Prize” (1987-1990) Documentary; 14-part series tracing 1954 through 1985 “February One” (2003) Documentary; The story of the Greensboro Four sit-in at the Woolworth lunch counter in North Carolina. “I Am Not Your Negro” (2016) Documentary; The history of the black experience in America through the words of James Baldwin. “Intruder in the Dust” (1949) Drama; In 1940s Mississippi, two teenage boys and an elderly woman combine forces to prevent a miscarriage of justice and clear a black man of a murder charge. “Iron Jawed Angels” (2004) Drama; Focused on icons Alice Paul and the women of the Women’s Suffrage movement.
[Show full text]
Woody Guthrie's Songs for Children
ISSN 2053-8804 Woody Guthrie Annual, 2 (2016): Maloy, Guthrie’s Songs for Children “Why Couldn’t the Wind Blow Backwards?” Woody Guthrie’s Songs for Children ! !Liam Maloy 1 ! Any fool can make something complicated. It takes a genius to make it simple. This essay examines the songs that Woody Guthrie recorded for children and investigates the widely perceived notion that they are simple and particularly childlike. Biographer Joe Klein describes them as “utterly artless … truly children’s songs … written as children might write them.”2 Journalist Steven Stolder finds the songs “as spontaneous and nonsensical as baby babble and almost as delightful,”3 while recording artist Elizabeth Mitchell describes them as “simple yet profound … easy to learn and easy to sing … and just so darned cute.”4 To Mitchell, Guthrie has an “uncanny ability to inhabit both the perspective of a loving, protective parent and the voice of a freewheeling child.”5 His songs, it seems, comprise “seemingly freely-associated words … natural and effortless melodies … fragments of sweetness and mystery” and are “completely unique in their ability to straddle the worlds and views of both caregiver and child.”6 However, rather than simplicity, musical and lyrical analysis of Guthrie’s records for children reveals a relative complexity when compared to the children’s songs of Pete Seeger, Elizabeth Mitchell, Raffi, and other folk artists. In contrast to songs for children that perpetuate Romantic ideas of innocence and simplicity, Guthrie seems to have captured on record some of the unstructured, unresolved, unselfconscious exuberance of real children. Notably, Guthrie’s songs were assisted in a substantial way by his three- year-old daughter Cathy Ann,7 who was not only an inspiration, but also a co-writer, lyricist, collaborator, and muse.
[Show full text]
Anthology of American Folk Music”--Harry Smith, Editor (1952) Added to the National Registry: 2005 Essay by Ian Nagoski (Guest Post)*
“Anthology of American Folk Music”--Harry Smith, editor (1952) Added to the National Registry: 2005 Essay by Ian Nagoski (guest post)* Original album package “An Anthology of American Folk Music” is a compilation of 84 vernacular performances from commercial 78rpm discs originally issued during the years 1927-32. It was produced by Harry Smith and issued as three two-LP sets by Moses Asch’s Folkways Records in 1952. It was kept in print from the time of its original release for three decades before it was reissued on compact disc to critical heraldry by Smithsonian/ Folkways in 1997. During the 1950s and 60s, the collection deeply influenced a generation of musicians and listeners and has helped to define the idea of “American Music” in the popular imagination, due in large part to the peculiar sensibilities of its compiler, Harry Smith. Smith was born Mary 29, 1923 in Portland, Oregon, and raised in small towns in the northwest by parents with humdrum jobs and involvements with both Lummi Indians (on this mother’s side) and Masonry and Spiritualism (on his father’s). By his teens, he had attended exclusive Indian ceremonies and bought recordings by African-American performers, including Memphis Minnie, Rev. F.W. McGee, Tommy McClennan, and Yank Rachell, which lit the fuse of a life-long fireworks display of obsessive collecting of records that were “exotic in relation to what was considered the world culture of high class music,” as he put it in a 1960s interview with John Cohen. After a year and half studying anthology at the University of Seattle, Smith relocated to Berkeley, California, ca.
[Show full text]
1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll.
[Show full text]
Tony Schwartz Collection [Finding Aid]. Library Of
Tony Schwartz Collection Authors: Carla Arton, Harrison Behl, Callie Holmes, David Jackson, Maya Lerman, Marsha Maguire, Adam Thaxter, Celeste Welch Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress Washington, D.C. 2012 Contact information: http://hdl.loc.gov/loc.mbrsrs/mbrsrs.contact Catalog Record: http://lccn.loc.gov/2012618550 Finding aid encoded by Marsha Maguire, 2012 Finding aid prepared using DACS (Describing Archives: A Content Standard) Finding aid URL: http://hdl.loc.gov/loc.mbrsrs/eadmbrs.rs011002 Collection Summary Title: Tony Schwartz collection Inclusive Dates: 1912-2008 Bulk Dates: 1950-2008 Creator: Schwartz, Tony Textual materials: 90.5 linear feet (230 boxes, approximately 76,345 items) Language: Collection materials are in English Location: Recorded Sound Reference Center, Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress, Washington, D.C. Summary: The Tony Schwartz Collection consists of multiple formats of material documenting Schwartz's work as a media consultant, audio documentarian, author, radio producer, media theorist, and educator. Location: RPA 00856–01055 (boxes 1–200); RPB 00112–00122 (oversize boxes 213–223); RPC 00084–00087 (oversize boxes 224–227); RPD 00038–00040 (oversize boxes 228–230); RPM 00011, 00013 (map case folders); RPU 00002 (box 201), RPU 00021-00032 (boxes 202-212, OSU 1) Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Bemporad, Jack. Bleviss, Alan. Bredesen, Phil, 1943- Carey, John, 1946- Carter, Jimmy, 1924- Cherner, Joe.
[Show full text]