Still on the Road Session Pages: 1956-1960
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The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Diana Davies Photograph Collection Finding Aid
Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. -
FROM BULLDOGS to SUN DEVILS the EARLY YEARS ASU BASEBALL 1907-1958 Year ...Record
THE TRADITION CONTINUES ASUBASEBALL 2005 2005 SUN DEVIL BASEBALL 2 There comes a time in a little boy’s life when baseball is introduced to him. Thus begins the long journey for those meant to play the game at a higher level, for those who love the game so much they strive to be a part of its history. Sun Devil Baseball! NCAA NATIONAL CHAMPIONS: 1965, 1967, 1969, 1977, 1981 2005 SUN DEVIL BASEBALL 3 ASU AND THE GOLDEN SPIKES AWARD > For the past 26 years, USA Baseball has honored the top amateur baseball player in the country with the Golden Spikes Award. (See winners box.) The award is presented each year to the player who exhibits exceptional athletic ability and exemplary sportsmanship. Past winners of this prestigious award include current Major League Baseball stars J. D. Drew, Pat Burrell, Jason Varitek, Jason Jennings and Mark Prior. > Arizona State’s Bob Horner won the inaugural award in 1978 after hitting .412 with 20 doubles and 25 RBI. Oddibe McDowell (1984) and Mike Kelly (1991) also won the award. > Dustin Pedroia was named one of five finalists for the 2004 Golden Spikes Award. He became the seventh all-time final- ist from ASU, including Horner (1978), McDowell (1984), Kelly (1990), Kelly (1991), Paul Lo Duca (1993) and Jacob Cruz (1994). ODDIBE MCDOWELL > With three Golden Spikes winners, ASU ranks tied for first with Florida State and Cal State Fullerton as the schools with the most players to have earned college baseball’s top honor. BOB HORNER GOLDEN SPIKES AWARD WINNERS 2004 Jered Weaver Long Beach State 2003 Rickie Weeks Southern 2002 Khalil Greene Clemson 2001 Mark Prior Southern California 2000 Kip Bouknight South Carolina 1999 Jason Jennings Baylor 1998 Pat Burrell Miami 1997 J.D. -
Resolution No
RESOLUTION NO. 156 OF 2014 A RESOLUTION AUTHORIZING THE MAYOR TO DEDICATE MILAM STREET BETWEEN COMMON STREET AND AUSTIN PLACE IN HONOR OF JAMES BURTON ON HIS 75 TH BIRTHDAY AND TO OTHERWISE PROVIDE WITH RESPECT THERETO. BY: COUNCILMAN JEFF EVERSON WHEREAS , Councilman Jeff Everson has requested that Milam Street between Common Street and Austin Place be dedicated in honor of James Burton on his 75 th birthday; and WHEREAS, James Burton was born on August 21, 1939; and WHEREAS, James Burton began playing the guitar at the age of 13 , and developed a style all of his own to become “the guitar players guitar player”; and WHEREAS, James Burton w ork as a session guitarist lead him to work with some the most famous musicians in the world; and WHEREAS, after being in the Ricky Nelson’s Ban d , James Burton became the lead guitarist for Elvis Presley from 1969 until Elvis’ untimely passing in 1977; and WHEREAS , James Burton career has taken him to many countries where he has performed shows keeping Elvis music alive; and WHEREAS, over the years James has performed with John Denver, Emmy Lou Harris, Jerry Lee Lewis, Keith Richards, Eric Clampton, Brad Paisley, Gram Parson s and many others; and WHEREAS, James Burton is a multiple Grammy winner , and he is in the Rock N’ Roll Hall of fame. NOW, THEREFORE BE IT RESOLVED by the City Council of the City of Shreveport in due, legal and regular session convened, that the Mayor on behalf of the City is authorized to dedicate Milam Street between Common Street and Austin Place in honor of James Burton, during his 75th birthday celebration. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Program Ohio Civil Rights Hall of Fame
John Kasich G. Michael Payton Governor Executive Director V|ä|Ä e|z{àá Commissioners: Leonard Hubert, Chair Eddie Harrell, Jr. Stephanie Mercado Tom Roberts Rashmi Yajnik THIRD ANNUAL HALL OF FAME OCTOBER 13, 2011 ROGER ABRAMSON THEODORE M. BERRY KEN CAMPBELL NATHANIEL R. JONES AMOS H. LYNCH LOUIS D. SHARP V. ANTHONY SIMMS-HOWELL 2011 Presenting Sponsor: Founding Sponsors: OHIO CIVIL RIGHTS HALL OF FAME OCTOBER 13, 2011 V|ä|Ä e|z{àá THIRD ANNUAL HALL OF FAME 2011 The Ohio Civil Rights Hall of Fame seeks to acknowledge the citizens who have left their mark in the State of Ohio through their tireless efforts in furthering civil and human rights in their communities. These distinguished individuals have served as beacons making significant strides in support of civil and human rights. Through their exemplary leadership they have helped to eliminate barriers to equal opportunity in this great state as well as foster cultural awareness and understanding for a more just society. OHIO CIVIL RIGHTS HALL OF FAME OCTOBER 13, 2011 g{tÇ~ lÉâ The Ohio Civil Rights Commission wishes to extend our sin- cere appreciation for the tremendous support from each of our sponsors. This program would not be possible without the generosity and creativity provided through our partnership. A special thank you to our committee members: Dr. J. Michael Bernstein, Wright State University Stephen Francis, Honda of America Mfg., Inc. Patricia Cash, PNC Bank Kim Robinson, National Underground Railroad Freedom Center Jackie Wallace, National Underground Railroad Freedom Center October 13, 2011 OHIO CIVIL RIGHTS HALL OF FAME OCTOBER 13, 2011 OHIO CIVIL RIGHTS HALL OF FAME OCTOBER 13, 2011 `|áàÜxáá Éy VxÜxÅÉÇ|xá Angela Pace cares about the community. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
ADJS Decade Song Lists.Xlsx
The Top 200 Songs of the 1950s Rank Title Artist 1 Johnny B. Goode Chuck Berry 2 Jailhouse Rock Elvis Presley 3 Rock Around The Clock Bill Haley & His Comets 4 Tutti-Frutti Little Richard 5 Whole Lot of Shakin' Going On Jerry Lee Lewis 6 What'd I Say Ray Charles 7 Summertime Blues Eddie Cochran 8 Hound Dog Elvis Presley 9 Long Tall Sally Little Richard 10 That'll Be The Day Buddy Holly & the Crickets 11 Maybellene Chuck Berry 12 Bo Diddley Bo Diddley 13 Shake, Rattle And Roll Joe Turner 14 Blue Suede Shoes Carl Perkins 15 Don't Be Cruel Elvis Presley 16 Bye Bye Love Everly Brothers 17 Great Balls Of Fire Jerry Lee Lewis 18 Earth Angel Penguins 19 Why Do Fools Fall In Love Frankie Lymon & the Teenagers 20 Good Golly Miss Molly Little Richard 21 Be-Bop-A-Lula Gene Vincent & the Bluecaps 22 School Day Chuck Berry 23 Rock And Roll Music Chuck Berry 24 Peggy Sue Buddy Holly 25 Lawdy Miss Clawdy Lloyd Price 26 Lucille Little Richard 27 Roll Over Beethoven Chuck Berry 28 In The Still Of The Nite Five Satins 29 I Only Have Eyes For You Flamingos 30 For Your Precious Love Jerry Butler & the Impressions 31 Blueberry Hill Fats Domino 32 Please, Please, Please James Brown & the Famous Flames 33 Sh-Boom Chords 34 Money Honey Drifters featuring Clyde McPhatter 35 I Walk The Line Johnny Cash and the Tennessee Two 36 Fever Little Willie John 37 The Great Pretender Platters 38 Ain't It A Shame Fats Domino 39 That's All Right Elvis Presley with Scotty and Bill 40 Your Cheatin' Heart Hank Williams 41 Sweet Little Sixteen Chuck Berry 42 The Train Kept-A-Rollin -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
The Man Who Invented Jazz? C O on the Surface, It May Seem a Stretch; on Closer Inspection, It’S an Entirely Appropriate Honor
EARLY NFL B B N C E JELLY ROLL MORTON IN THE ROCK AND ROLL HALL OF FAME? The man who invented jazz? C o On the surface, it may seem a stretch; on closer inspection, it’s an entirely appropriate honor. A music that has always borrowed liberally from other streams in its ongoing evolu tion would and should embrace as one of its own an artist imbued with the sensibility that bespeaks great art in general, rock & roll in specific: a zeal for adventure, disdain of the status quo, an innate drive to push the boundaries of convention until the artist breaks on through to the other side with something so new and brazen it’s virtually indefinable -I but talismanic to all the daring souls courageous enough to follow the same path. C o Remember that in the late 1920s, when Louis Armstrong was cutting his monumental sessions with his Hot Five and Hot Seven ensembles, Morton was charging ahead with his equally formidable Red Hot Peppers recordings. Ceding nothing to Satchmo, Morton made sure everyone knew of his achievements and even wrote a song about himself, called “Mr. Jelly Lord,” that pretty much said it all. He was styling at every turn, surrounding himself with Leader of the Band: beautiful women, dazzling the commonfolk with ° conducts his Red Hot his expensive, tailored suits and sporting a million- Peppers, circa 1928 dollar smile that revealed a diamond embedded in one tooth. C o But attitude will get you only so far. Jelly Roll backed up his braggadocio with a body of work that reveals him to be an extraordinary, even visionary, composer, bandleader, arranger and musician. -
The Golden Age of Rock 'N' Roll
The Golden Age of Rock ’n’ Roll Week 5, March 19, 2018 1956 (part 2): Elvis, Fats, Little Richard Assignment: “The Story of Blue Suede Shoes” http://www.rebeatmag.com/carl-perkins-elvis-blue-suede-shoes-story/ Rolling Stone: “The Rope: The Forgotten History of Segregated Rock & Roll Concerts” http://www.rollingstone.com/music/features/rocks-early-segregated-days-the- forgotten-history-w509481 Little Richard profile with rare photos: http://www.history-of-rock.com/richard.htm Listen to: Church Bells May Ring, The Willows, 1956 (#62 Pop, #12 R&B) https://www.youtube.com/watch?v=tLl1eDAWMeA [optional] Compare: The Diamonds, 1956 (#14 Pop) https://www.youtube.com/watch?v=IdBN-hOmtVE Fever, Little Willie John, 1956 (#1 R&B) https://www.youtube.com/watch?v=i93-hlwULUk [optional] Compare: Peggy Lee, 1956 https://www.youtube.com/watch?v=Kjy2sZ8yBGQ Be-Bop-A-Lula, Gene Vincent, 1956 https://www.youtube.com/watch?v=O4_5593-skQ Page !1 Oh What a Night, The Dells, 1956 https://www.youtube.com/watch?v=Z1ozQT8yQXA I Walk the Line, Johnny Cash, 1956 (#1 Country; #19 Pop) https://www.youtube.com/watch?v=Lq0fUa0vW_E There is a key change between each of the five verses, and Cash hums the new root note before singing each verse. The final verse, a reprise of the first, is sung a full octave lower than the first verse. My Blue Heaven, Fats Domino, 1956 https://www.youtube.com/watch?v=CS75X7perbI Sold over 5 million copies in 1928 as recorded by Gene Austin. Money Honey, Elvis Presley, 1956 https://www.youtube.com/watch?v=R-4KROtI1yM Compare: The Drifters (McPhatter) (1953) https://youtu.be/N8oNHMNCSjQ Roll Over Beethoven, Chuck Berry, 1956 https://www.youtube.com/watch?v=zD80CostTV0 The Magic Touch, The Platters, 1956 https://www.youtube.com/watch?v=iVX6f3OZ35o * * * * Some notes (to be discussed in class): FATS DOMINO -Born in New Orleans.