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The Making of the Victorian Organ Nicholas Thistlethwaite Index More Information
Cambridge University Press 978-0-521-34345-9 - The Making of the Victorian Organ Nicholas Thistlethwaite Index More information Index ABBREVIATIONS archt architect(s) ob organ builder(s) orgt organist r register PC Parish Church For locations of particular organs, the reader should also consult section 3 of the List of References (pp. 548-64). Italics denote the page reference of a stop list. Abbott & Smith (ob) 291, 299, 300, 391 Ashton-under-Lyne, St Michael and All Angels: Aberdeen, Music Hall 335 Hill 1845: 189, 197, 198, 199, 205, 244, 367, 522 action 31-2, 94, 230, 233-5 case: 247, 248, PI. 32 Adams, Thomas (orgt) 60-1, 89, 90, 97, 104, 165 Attercliffe (S. Yorks), Christ Church 351 aeoline (r) 378 Attwood, Thomas (orgt) 49, 104, 164, 185 AlfretonPC (Derbys) 51 Avery, John (ob) 4, 56, 97 Alkmaar, Holland 211 diagonal bellows 26 Allen, Charles (ob) 52, 99-101, 305 duplication of open diapason 11,12 see also: Everingham, Catholic Chapel keyboards 35 Allen, William (ob) 49, 52 pedal pipes 15, 16, 19, 20 Allom, Thomas (archt) 339 retention of cornet 13 Alton, Revd Henry 426 Amersham, St Mary 101 Bach, Johann Sebastian (orgt) 14, 141, 281, 341, Amsterdam, Holland 128, 210 342, 343 Andrews, Joseph (ob) 300 organ works: influence on Gauntlett 188; see also'. Forster & Andrews influence on Hodges 153; influence on Antigua Cathedral 57 design of Pedal Organ 103, 105, 190; antiquarianism 324, 327 performance 89, 103, 153, 172-5, Table Antwerp, Belgium 175 16, 183, 272, 273, 520—1; publication 168— Armitage (Staffs), Mission Church 238 72, Table 15; recovery 105, 164-72, 181, Arnold, Dr Samuel (orgt) 17 182 Arundel (Sussex): Banfield, John (ob) 260, 299 RC Cathedral, 237, 244, 524 Barker, Charles Spackman (ob) 125, 416 St Nicholas 13, 17 career 356, 530 Ashridge (Herts) 9, 11, 238, 444 compensating bellows 355, Fig. -
WRAP THESIS Shilliam 1986.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/34806 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FOREIGN INFLUENCES ON AND INNOVATION IN ENGLISH TOMB SCULPTURE IN THE FIRST HALF OF THE SIXTEENTH CENTURY by Nicola Jane Shilliam B.A. (Warwick) Ph.D. dissertation Warwick University History of Art September 1986 SUMMARY This study is an investigation of stylistic and iconographic innovation in English tomb sculpture from the accession of King Henry VIII through the first half of the sixteenth century, a period during which Tudor society and Tudor art were in transition as a result of greater interaction with continental Europe. The form of the tomb was moulded by contemporary cultural, temporal and spiritual innovations, as well as by the force of artistic personalities and the directives of patrons. Conversely, tomb sculpture is an inherently conservative art, and old traditions and practices were resistant to innovation. The early chapters examine different means of change as illustrated by a particular group of tombs. The most direct innovations were introduced by the royal tombs by Pietro Torrigiano in Westminster Abbey. The function of Italian merchants in England as intermediaries between Italian artists and English patrons is considered. Italian artists also introduced terracotta to England. -
9780521633482 INDEX.Pdf
Cambridge University Press 0521633486 - A History of the English Parish: The Culture of Religion from Augustine to Victoria N. J. G. Pounds Index More information INDEX abandonment, of settlement 90–1 rail 442 Abbots Ripton, briefs 270, 271 (map) tomb 497 abortion 316–17; herbs for 316 altarage 54 Abraham and Isaac 343 Altarnon church 347, 416 absenteeism 564 Alvingham priory 63 abuse, verbal 258 Ancaster stone 402 accounts, clerical 230 Andover parish 22, 23 (map) parochial 230 Anglican liturgy 481 wardens’ 230 Anglo-Saxon churches 113 acolyte 162 Annates 229 Act of Unification 264 anticlericalism 220, 276 Adderbury, building of chancel 398–9 in London 147 adultery 315 apparition 293 Advent 331 appropriation 50–4, 62–6, 202 (map) Advowson 42, 50, 202 apse 376, 378 Ælfric’s letter 183 Aquae bajulus 188 Æthelberht, King 14 Aquinas, Thomas 161, 459 Æthelflaeda of Mercia 135 archdeaconries 42 Æthelstan, law code of 29 archdeacons 162, 181, 249 affray, in church courts 291–2; over seats 477 courts of 174–6, 186, 294–6, 299, 303 aged, support of 196 and wills 307 agonistic principle 340 archery 261–2 aisles 385–7, 386 (diag.) Arles, Council of 7, 9 ales 273, see church-ales, Scot-ales Ascension 331 Alexander III, Pope 55, 188, 292 Ashburton 146 Alkerton chapel 94 accounts of 231 All Hallows, Barking 114 church-ale at 241 All Saints, Bristol, library at 286–8 pews in 292 patrons of 410 Ashwell, graffiti at 350–1 All Saints’ Day 331, 333 audit, of wardens’ accounts 182–3 altar 309 auditory church 480 candles on 434 augmentations, court of 64 consecration of 442–3 Augustinian order 33, 56 covering of 437 Austen, Jane 501 desecration of 454 Avicenna 317 frontals 430, 437 Aymer de Valence 57 material of 442 number of 442 Bag Enderby 416 placement of 442 Bakhtin, Mikhail 336 position of 486 balance sheet of parish 236–9 © Cambridge University Press www.cambridge.org Cambridge University Press 0521633486 - A History of the English Parish: The Culture of Religion from Augustine to Victoria N. -
Norfolk Archaeological Services Advisory Committee a G E N
NORFOLK ARCHAEOLOGICAL SERVICES ADVISORY COMMITTEE Please note: Members taking part in the electric boat tour from Ranworth Broad Visitor Centre (at the end of the board walk) to St Benet’s Abbey and back are reminded that they will need meet up at Malthouse Staithe by no later than 9.10am on the day of the meeting. Departure from Ranworth Broad Visitor Centre will be at 9.30am and arrival at St Benet’s Abbey is expected at 10.15am. It is anticipated the boat will depart from St Benet’s Abbey at 11.15am to arrive back at Ranworth Broad Visitor Centre at approximately 12.00 noon. Depending on time constraints, there will then be a brief opportunity for Members to visit the Centre. For those taking part in the morning’s activities, lunch will be provided at Broadland District Council’s offices at 1.00pm, prior to the start of the meeting at 2.00pm. A plan showing the location of Malthouse Staithe and Ranworth Broad Visitor Centre, together with a list of those taking part in the morning’s activities, can be found with the agenda papers. Please note that there are no spare seats on the boat. Date Time Place Friday 2 October 2009 2.00 pm The Council Chamber Broadland District Council Thorpe Lodge, 1 Yarmouth Road, Thorpe St Andrew, Norwich A G E N D A 1. Election of Chairman (Note of membership enclosed) (PAGE ) 2. Election of Vice-Chairman 3. To Receive the Minutes of the Previous Meeting held on 14 May 2009 (PAGE ) 4. -
English Monks Suppression of the Monasteries
ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES by GEOFFREY BAS KER VILLE M.A. (I) JONA THAN CAPE THIRTY BEDFORD SQUARE LONDON FIRST PUBLISHED I937 JONATHAN CAPE LTD. JO BEDFORD SQUARE, LONDON AND 91 WELLINGTON STREET WEST, TORONTO PRINTED IN GREAT BRITAIN IN THE CITY OF OXFORD AT THE ALDEN PRESS PAPER MADE BY JOHN DICKINSON & CO. LTD. BOUND BY A. W. BAIN & CO. LTD. CONTENTS PREFACE 7 INTRODUCTION 9 I MONASTIC DUTIES AND ACTIVITIES I 9 II LAY INTERFERENCE IN MONASTIC AFFAIRS 45 III ECCLESIASTICAL INTERFERENCE IN MONASTIC AFFAIRS 72 IV PRECEDENTS FOR SUPPRESSION I 308- I 534 96 V THE ROYAL VISITATION OF THE MONASTERIES 1535 120 VI SUPPRESSION OF THE SMALLER MONASTERIES AND THE PILGRIMAGE OF GRACE 1536-1537 144 VII FROM THE PILGRIMAGE OF GRACE TO THE FINAL SUPPRESSION 153 7- I 540 169 VIII NUNS 205 IX THE FRIARS 2 2 7 X THE FATE OF THE DISPOSSESSED RELIGIOUS 246 EPILOGUE 273 APPENDIX 293 INDEX 301 5 PREFACE THE four hundredth anniversary of the suppression of the English monasteries would seem a fit occasion on which to attempt a summary of the latest views on a thorny subject. This book cannot be expected to please everybody, and it makes no attempt to conciliate those who prefer sentiment to truth, or who allow their reading of historical events to be distorted by present-day controversies, whether ecclesiastical or political. In that respect it tries to live up to the dictum of Samuel Butler that 'he excels most who hits the golden mean most exactly in the middle'. -
Eternal Light: a Requiem
Eternal Light: A Requiem 2008 Theatre Royal, Bath Sadlers Wells, London Forum Theatre, Malvern Theatre Royal, Plymouth St John’s Smiths Square, London The Lowry, Salford Wycombe Swan, High Wycombe Theatre Royal, Norwich Festival Theatre, Edinburgh 2009 Cymru, Llandudno Hall for Cornwall, Truro Snape Maltings Theatre Royal, Brighton Eden Court, Inverness Clwyd Theatre, Cymru, Mold Theatre Royal, Newcastle Birmingham Hippodrome, Birmingham Tewkesbury Abbey, Tewkesbury Guildhall, Plymouth Wells Cathedral, Wells Newcastle University, Australia Grand Theatre, Leeds Leisure Centre, Thame Hertogenbosch, The Netherlands St Peter’s Church, Plymouth St John the Baptist Church, Barnstaple All Saints Church, Swansea Christ Church Cathedral, Oxford All Saints Church, Douglas, Isle of Man Parish Church, Stockton State Hall, Heathfield, East Sussex Methodist Church, Belfast Methodist Central Hall, Coventry St Lukes United Methodist Church, Houston TX, USA St James the Great Church, Littlehampton St John’s Church, Old Coulsdon St Bede’s Roman Catholic Church, Basingstoke Tewskesbury Abbey St Mary’s Church, Bury St Edmunds St James, Exeter 2010 Leisure Centre, Billingshurst St Michael’s & All Angels Church, Turnham Green, London St Peters Church, Ealing, London Lady Eleanor Hollis School, Hampton All Saints Church, Putney, London Easterbrook Hall, Dumfries Waterfront Hall, Belfast First United Church, Mooretown NJ, USA Symphony Hall, Birmingham St James Piccadilly, London The Sage, Gateshead Cadogan Hall, London St Saviour’s Church, Brockenhurst St Albans -
Pilgrims and Pilgrimage in the Medieval West
Pilgrims and Pilgrimage in the Medieval West The International Library of Historical Studies Series ISBN 1 86064 079 6 Editorial Board: Professor David N.␣ Cannadine, Director, Institute of Historical Research, University of London; Wm. Roger Louis, Dis- tinguished Teaching Professor and Kerr Chair in English History and Culture, University of Texas, Austin; Gene R. Garthwaite, Jane and Raphael Bernstein Professor of Asian Studies, Dartmouth College, Hanover, New Hampshire; Andrew N. Porter, Rhodes Professor of Imperial History, King’s College London; Professor James Piscatori, Oxford Centre for Islamic Studies and Fellow of Wadham College, Oxford; Professor Dr Erik J. Zürcher, Chair, Turkish Studies, University of Leiden Series Editors: Andrew Ayton, University of Hull (medieval history); Christopher J. Wrigley, Professor of Modern British History, University of Nottingham The International Library of Historical Studies (ILHS) brings together the work of leading historians from universities in the English-speaking world and beyond. It constitutes a forum for original scholarship from the United Kingdom, continental Europe, the USA, the Common- wealth and the Developing World. The books are the fruit of original research and thinking and they contribute to the most advanced historiographical debate and are exhaustively assessed by the authors’ academic peers. The Library consists of a numbered series, covers a wide subject range and is truly international in its geographical scope. It provides a unique and authoritative resource for libraries -
MS 111 Stanley: Misc
Corpus Christi College Cambridge / PARKER-ON-THE-WEB M.R. James, Descriptive Catalogue of the Manuscripts in the Library of Corpus Christi College, Cambridge 1912 MS 111 Stanley: Misc. G TJames: 316 The Bath Cartulary and related items. Antiquarian Transcripts of Charters Registrum Chartarum Abbatiae Bathoniensis. Apographa Chartarum, etc. Codicology: Vellum and paper, mm 300 x 220, (12 x 8.6 in.), pp. 454. Cent. xi-xvi. Collation: 14 212 36 4 (five leaves) || 58 66 (+ a slip after 2) 78-98 104 (+ 1 paper leaf after 3). The rest of the volume is of paper. Collation: Diagram of quire 4: f. 5 (pp. 7, 8) is of cent. xi. Foliation: pp. a-f + (1-2 missing) + 3-74 + 74a-d +75-138 + 138a-b + 139-226 + 226a-d + 227-382 + 382a-b + 383-410 + 410a + 411a + 411-414 + 415-454 + g-l. Language: Latin and Old English. Contents: 1. 4-4 Homagium factum priori Bathonensi[] pro messuagio Homagium factum priori Bathonensi[] pro messuagio, etc. in Olveston[] per Ioannem de Weston[] [Nasmith:] [manu neoterica] The paging begins with 3: p. 3 blank On p. 4, of cent. xiv (44 Edw. III) 2. 5-5 Ad parcum de Westberi[] claudendum Qui tenentur claudere parcum de Westberi[] Of cent. xii Followed by another copy of 1 3. 6-6 Relic list Reliquiae sanctorum A continuation in another hand of the list of relics 4 (1) It is in Latin, of cent. xiii (?) 4. 7-10 Anglo-Saxon relic lists and manumissions from Bath[] Folium a libro evangeliorum Saxonico, hujus bibliothecae Cod. CXL avulsum, in quo continentur Saxonice [Nasmith:] (1) Scriptum Saxonicum de reliquiis sanctorum quas in scriniis Bathoniensis ecclesiae[] reperierunt Ælsigus abbas[] et fratres ejusdem monasterii. -
Spread the Word. Promote the Show. Support Public Radio
A radio program for the king of instruments SPREAD THE WORD. PROMOTE THE SHOW. SUPPORT PUBLIC RADIO PROGRAM NO. 0749 12/03/2007 PROGRAM NO. 0750 12/10/2007 (1928 Kimball/ Dickinson High School Auditorium, Wesley “C”, Wesleys Do…with inspired Come, All Ye Faithful…in anticipation of the Wilmington, DE) DTOS CD-302 hymns, concertos, anthems and organ Christmas festival, this collection of music JOHNNY MARKS: Rudolf the Red-nosed Reindeer. JERRY HERMAN: We need a little Christmas. WALTER solos, we reflect on the work of England’s comes with an international flavor. ROLLINS & STEVE NELSON: Frosty the Snowman remarkable Wesley dynasty…Charles, Samuel GASTON DETHIER: Variations on ‘O come, all ye –Larry Kass (Wurlitzer/ Wehmeier Residence, Cleveland, and Samuel Sebastian. faithful’ –Diane Bish (1974 Ruffatti/ Coral Ridge OH) Razzmatazz Productions CD-1998 Presbyterian Church, Fort Lauderdale, FL) ARK CD- DANIEL GAWTHROP: Christmas Cantata, This Child, CHARLES WESLEY, Sr. (1707-1788)/ TRADITIONAL 1007 This King (selections) –Utah State University Chamber (arranged Terry): Hymn, Love’s redeeming work is done MATTHIAS MÜCK: Improvisation on the Advent Hymn Singers/ Will Kesling, conductor; Tamara Bischoff- –Tewkesbury Abbey School Choir/Benjamin Nicholas, ‘Veni, veni Emmanuel’ –Matthias Muuck (2005 Eule/ Oswald, harp; Rebecca Parkinson (1977 Holtkamp/ dir; Carleton Etherington (1948 Walker/Tewkesbury St. Sebastian Cathedral, Magdeburg) Unda Maris CD- Chase Fine Arts Center, Logan, UT) Integra Music Abbey) Guild CD-7223 20391 Group CD-951 CHARLES WESLEY, Sr./G. F. HANDEL: Hymn, SIMON PRESTON: Fantasia (The Christmas Light) ROBERT J. POWELL: He is born. R. BENJAMIN Rejoice, the Lord is King –Marlborough College Choir/ –Jane Watts (1993 Klais/ St. -
Naughty Nuns and Promiscuous Monks: Monastic Sexual Misconduct in Late Medieval England
Naughty Nuns and Promiscuous Monks: Monastic Sexual Misconduct in Late Medieval England by Christian D. Knudsen A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of the Centre for Medieval Studies University of Toronto Copyright © by Christian D. Knudsen ABSTRACT Naughty Nuns and Promiscuous Monks: Monastic Sexual Misconduct in Late Medieval England Christian D. Knudsen Doctor of Philosophy Centre for Medieval Studies University of Toronto This dissertation examines monastic sexual misconduct in cloistered religious houses in the dioceses of Lincoln and Norwich between and . Traditionally, any study of English monasticism during the late Middle Ages entailed the chronicling of a slow decline and decay. Indeed, for nearly years, historiographical discourse surrounding the Dissolution of Monasteries (-) has emphasized its inevitability and presented late medieval monasticism as a lacklustre institution characterized by worsening standards, corruption and even sexual promiscuity. As a result, since the Dissolution, English monks and nuns have been constructed into naughty characters. My study, centred on the sources that led to this claim, episcopal visitation records, will demonstrate that it is an exaggeration due to the distortion in perspective allowed by the same sources, and a disregard for contextualisation and comparison between nuns and monks. In Chapter one, I discuss the development of the monastic ‘decline narrative’ in English historiography and how the theme of monastic lasciviousness came to be so strongly associated with it. Chapter two presents an overview of the historical background of late medieval English monasticism and my methodological approach to the sources. ii Abstract iii In Chapter three, I survey some of the broad characteristics of monastic sexual misconduct. -
The Wymondham Market Charter of 1440 and Ralph, Lord Cromwell J.R. Alban Among the Impressive Archives Held in the Muniment Room
The Wymondham Market Charter of 1440 and Ralph, Lord Cromwell J.R. Alban Among the impressive archives held in the muniment room at Wymondham Abbey is a fine example of a charter of Henry VI.1 This formal instrument, dated at Reading on 19 February, 18 Henry VI [1440], contains a grant of a weekly market and twice-yearly fairs to the inhabitants of Wymondham. Henry’s was not the first charter relating to a market or fair which Wymondham received. At some point during his reign, between 1135 and 1154, King Stephen had issued an undated charter granting to the monks of Wymondham Priory a fair, to be held in the town, annually, over three days, between 7-9 September, i.e., from the eve or vigil of the feast of the Nativity of the Blessed Virgin Mary (the feast was on 8 September) to its morrow.2 The seventeenth-century antiquary, herald and scholar, Sir William Dugdale, recounted in his great work on monasteries that a fair had also been granted to the monks, either by Henry I or Henry II.3 On 2 September 1204, King John granted to William d’Albini, Earl of Arundel, an annual fair, to be held at Wymondham over the same three days in September, as well as a market, to take place weekly, on a Friday.4 However, by John’s subsequent charter of August 1207 (probably the 27th),5 the market day was changed from Friday to Tuesday. Henry VI’s Charter By his charter of 1440,6 Henry VI granted and confirmed in perpetuity to the men and inhabitants of Wymondham, and their successors, a weekly market, to be held in the town on a Friday. -
The Hammer-Beam Roof: Tradition, Innovation and the Carpenter’S Art in Late Medieval England
The Hammer-Beam Roof: Tradition, Innovation and the Carpenter’s Art in Late Medieval England Robert Beech A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies College of Arts and Law University of Birmingham September 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis is about late medieval carpenters, their techniques and their art, and about the structure that became the fusion of their technical virtuosity and artistic creativity: the hammer-beam roof. The structural nature and origin of the hammer-beam roof is discussed, and it is argued that, although invented in the late thirteenth century, during the fourteenth century the hammer-beam roof became a developmental dead-end. In the early fifteenth century the hammer-beam roof suddenly blossomed into hundreds of structures of great technical proficiency and aesthetic acumen. The thesis assesses the role of the hammer-beam roof of Westminster Hall as the catalyst to such renewed enthusiasm. This structure is analysed and discussed in detail.