Fat and Thin Worksheets for Kindergarten
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In the Twilight Anton Chekhov
In the Twilight Anton Chekhov Translated by Hugh Aplin ALMA CLASSICS AlmA ClAssiCs ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com In the Twilight first published in Russian in 1887 This translation first published by Alma Classics Ltd in 2014 Translation and Notes © Hugh Aplin, 1887 Extra Material © Alma Classics Ltd Cover image © Marina Rodrigues Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY isbn: 978-1-84749-383-5 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Introduction v In the Twilight 1 Dreams 3 A Trivial Occurrence 12 A Bad Business 23 At Home 29 The Witch 39 Verochka 53 In Court 67 A Restless Guest 75 The Requiem 82 On the Road 88 Misfortune 105 An Event 119 Agafya 125 Enemies 136 A Nightmare 150 On Easter Eve 165 Note on the Text 177 Notes 179 Extra Material 185 Anton Chekhov’s Life 187 Anton Chekhov’s Works 198 Select Bibliography 206 Introduction The early part of Anton Chekhov’s literary career was a period of frenzied writing. -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Thin, white, and saved : fat stigma and the fear of the big black body Permalink https://escholarship.org/uc/item/55p6h2xt Author Strings, Sabrina A. Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Thin, White, and Saved: Fat Stigma and the Fear of the Big Black Body A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Sabrina A. Strings Committee in charge: Professor Maria Charles, Co-Chair Professor Christena Turner, Co-Chair Professor Camille Forbes Professor Jeffrey Haydu Professor Lisa Park 2012 Copyright Sabrina A. Strings, 2012 All rights reserved The dissertation of Sabrina A. Strings is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2012 i i i DEDICATION This dissertation is dedicated to my grandmother, Alma Green, so that she might have an answer to her question. i v TABLE OF CONTENTS SIGNATURE PAGE …………………………………..…………………………….…. iii DEDICATION …...…....................................................................................................... iv TABLE OF CONTENTS ……………………………………………………....................v ACKNOWLEDGEMENTS …………………...…………………………………….…...vi VITA…………………………..…………………….……………………………….…..vii ABSTRACT OF THE DISSERTATION………………….……....................................viii -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
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[Download Free Pdf] in the Ravine and Other Short Stories Online
PQsbM [Download free pdf] In the Ravine and Other Short Stories Online [PQsbM.ebook] In the Ravine and Other Short Stories Pdf Free Anton Chekhov audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #3925061 in Books 2016-06-07 2016-06-07Formats: Audiobook, MP3 Audio, UnabridgedOriginal language:EnglishPDF # 1 6.75 x .50 x 5.25l, Running time: 4 HoursBinding: Audio CD | File size: 78.Mb Anton Chekhov : In the Ravine and Other Short Stories before purchasing it in order to gage whether or not it would be worth my time, and all praised In the Ravine and Other Short Stories: 4 of 4 people found the following review helpful. In the Ravine: And Other Short StoriesBy Stephen BalbachEleven short stories and one novella (In the Ravine) by Anton Chekhov, as read by British actor Kenneth Branagh in 2002. The stories are:The Trousseau (1883)Fat and Thin (1883)Oh! the Public! (1885)Misery (1886)An Actor's End (1886)Children (1886)The Chorus Girl (1886)The Orator (1886)Hush! (1886)The Beggar (1887)A Story Without a Title (1888)Overall very good although it helps to read along with the text since some of the Russian vocabulary and names are difficult to track by audio alone. It is the Constance Garnett translation, freely available online. In the Ravine is the best, a wide and colorful portrait of peasant village life - a tragic story though. "Misery" is very good. "Children" does a good job at evoking childhood. "The Chorus Girl" is also well done. The CD says "Abridged" even though all the stories are Unabridged.6 of 6 people found the following review helpful. -
Women and Work in the Middle Ages
Women and Work in the Middle Ages Pat Knapp / Monika von Zell Modern historians are beginning to discover that medieval women made a significant contribution to the economy of the medieval world. In past histories, women were either ignored by men or taken for granted. Neither religious nor romantic literature gives us an accurate accounting of the activities of the real medieval woman. Today, letters, wills, business and legal documents, convent, manor and census records and manuscript illuminations are used to complete our concept of the world of medieval women. It is hoped that this study will assist the female members of the Society for Creative Anachronism, Inc. with their persona research and their attempts to become real medieval women. For women in the Middle Ages played an active role in medieval society, although their economic efforts were affected by their social class, marital status and by the place and time in which they lived. Within the three estates are five groups of women which shall be examined: First—Women from the class that was landed and free; the husband possessed some land and was relatively free of the control of the manorial lord. here we find the yeoman's wife, the knight's wife, the lady of the manor. Second—Religious women. Women from the upper classes, and women of the noble and knightly families, as well as those from well-to-do merchant families, were the principal sources of vocations. Third—Women whose families provided the free burgesses; the citizens of the towns. Chaucer's Wife of Bath was a free townswoman. -
Radislav Lapushin Personal Education Professional Experience Bibliography
(Updated: January 2017) Radislav Lapushin Personal Department of Germanic and Slavic Languages and Literatures Campus Box # 3160, Dey Hall 422 University of North Carolina at Chapel Hill Chapel Hill, North Carolina 27599-3160 [email protected] Education Ph.D. University of Chicago, Slavic Languages and Literatures (2000-2006). Dissertation (defended with distinction): ‘Dew on the Grass’: The Poetics of Inbetweenness in Chekhov; Director: Anna-Lisa Crone Minor Field: Russian Intellectual History “Kandidat filologicheskikh nauk” (Candidate in Philology). Moscow State University (MGU), Russian Literature (1993). Professional Experience Associate Professor of Russian, University of North Carolina at Chapel Hill (Fall 2012-Present) Assistant Professor of Russian, University of North Carolina at Chapel Hill (Fall 2006-Fall 2012) Bibliography Books Chekhov’s Letters, co-edited with Carol Apollonio (in progress) ‘Dew on the Grass’: The Poetics of Inbetweenness in Chekhov (New York: Peter Lang, 2010 [Middlebury Studies in Russian Language and Literature]), 210 pp. -Reviewed in Russian Review, Slavic Review, Slavic and East European Journal, Slavonic and East European Review, Canadian Slavonic Papers, Chekhovskii Vestnik, Osteuropa Ne postigaemoe bytie: Opyt prochteniia Chekhova [An Incomprehensible Existence: A Reading of Chekhov] (Minsk: Propilei, European Humanitarian University, 1998), 116 pp. Book Chapters “‘Oblaka, oblegavshie nebo…’ (Ideia poeticheskogo v rasskazakh Chekhova)” [“‘The Clouds That Shrouded the Sky…’ (The Concept of the Poetic in Chekhov’s Short Stories)”]. In Tvorchestvo A.P. Chekhova v Svete Sistemnogo Podkhoda. Kollektivnaia Monographiia. Eds. V.K. Zubareva and M. Ch. Larionova. Idyllwild, CA: Charles Schlacks Publisher, 2015, 182-199. “The Poetry of Chekhov's Prose.” Anton Chekhov’s Selected Stories (Norton Critical Edition). -
Fat and Thin Anton Chekhov
Fat And Thin Anton Chekhov Two friends -- one a fat man and the other a thin man -- met at the Nikolaevsky station. The fat man had just dined in the station and his greasy lips shone like ripe cherries. He smelt of sherry and fleur d'orange. The thin man had just slipped out of the train and was laden with portmanteaus, bundles, and bandboxes. He smelt of ham and coffee grounds. A thin woman with a long chin, his wife, and a tall schoolboy with one eye screwed up came into view behind his back. "Porfiry," cried the fat man on seeing the thin man. "Is it you? My dear fellow! How many summers, how many winters!" "Holy saints!" cried the thin man in amazement. "Misha! The friend of my childhood! Where have you dropped from?" The friends kissed each other three times, and gazed at each other with eyes full of tears. Both were agreeably astounded. "My dear boy!" began the thin man after the kissing. "This is unexpected! This is a surprise! Come have a good look at me! Just as handsome as I used to be! Just as great a darling and a dandy! Good gracious me! Well, and how are you? Made your fortune? Married? I am married as you see. This is my wife Luise, her maiden name was Vantsenbach . of the Lutheran persuasion. And this is my son Nafanail, a schoolboy in the third class. This is the friend of my childhood, Nafanya. We were boys at school together!" Nafanail thought a little and took off his cap. -
The Cattle-Dealers Anton Chekhov
The Cattle-dealers Anton Chekhov THE long goods train has been standing for hours in the little station. The engine is as silent as though its fire had gone out; there is not a soul near the train or in the station yard. A pale streak of light comes from one of the vans and glides over the rails of a siding. In that van two men are sitting on an outspread cape: one is an old man with a big gray beard, wearing a sheepskin coat and a high lambskin hat, somewhat like a busby; the other a beardless youth in a threadbare cloth reefer jacket and muddy high boots. They are the owners of the goods. The old man sits, his legs stretched out before him, musing in silence; the young man half reclines and softly strums on a cheap accordion. A lantern with a tallow candle in it is hanging on the wall near them. The van is quite full. If one glances in through the dim light of the lantern, for the first moment the eyes receive an impression of something shapeless, monstrous, and unmistakably alive, something very much like gigantic crabs which move their claws and feelers, crowd together, and noiselessly climb up the walls to the ceiling; but if one looks more closely, horns and their shadows, long lean backs, dirty hides, tails, eyes begin to stand out in the dusk. They are cattle and their shadows. There are eight of them in the van. Some turn round and stare at the men and swing their tails. -
Toronto Slavic Quarterly. № 43. Winter 2013
TRANSLATION Aleksandr Chekhov In Melikhovo Translated by Eugene Alper This translation came about as the result of a surprise. A few years ago I noticed in amazement that despite the all-pervasive interest in everything and anything related to Anton Chekhov, among the multiple translations of his stories and plays, among the many biographies, research papers, and monographs describing his life in minute details and spliting hairs over the provenance of his characters, amidst the lively and bubbly pond of chekhovedenie, there was a lacuna: a number of memoirs about Chekhov writen by people closest to him were not available in English. Since then I have translated a couple of them—About Chekhov by his personal physician Isaac Altshuller (in Chekhov the Immigrant: Translating a Cultural Icon, Michael C. Finke, Julie de Sherbinin, eds., Slavica, 2007) and Anton Chekhov: A Brother’s Memoir by his younger brother Mikhail, Palgrave Macmillan, 2009, as have other translators, the most recent being Peter Sekirin’s Memories of Chekhov (McFarland, 2011)—but there is still more to be done. The book by Chekhov’s sister Maria, for one, remains unavailable to the English reader. The following translation of a memoir by Chekhov’s older brother Alek- sandr is aiming to place another litle patch over the gap. Aleksandr Chekhov (1855-1913) was an accomplished writer in his own right; although never rising to Anton’s level of celebrity (very few could), his short stories, essays, and articles were published regularly during his lifetime. This memoir—one of several writen by Aleksandr following Anton’s death in 1904—was published in 1911. -
Laes. Fatness and Thinness
The University of Manchester Research Writing the history of fatness and thinness in Graeco- Roman Antiquity Document Version Final published version Link to publication record in Manchester Research Explorer Citation for published version (APA): Laes, C. (2016). Writing the history of fatness and thinness in Graeco-Roman Antiquity. Medicina nei Secoli: Arte e Scienza, 28(2), 583-658. Published in: Medicina nei Secoli: Arte e Scienza Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:06. Oct. 2021 MEDICINA NEI SECOLI ARTE E SCIENZA, 28/2 (2016) 583-658 Journal of History of Medicine Articoli/Articles WRITING THE HISTORY OF FATNESS AND THINNESS IN GRAECO-ROMAN ANTIQUITY CHRISTIAN LAES University of Antwerp, Belgium University of Tampere, Finland SUMMARY WRITING THE HISTORY OF FATNESS AND THINNESS IN GRAECO-ROMAN ANTIQUITY Fatness and thinness has been a much underexploited topic in the study of classical Antiquity. -
Anton Chekhov: “The Lady with the Dog”
33171 07 0071-0085.ps 4/26/06 12:42 PM Page 71 ANTON CHEKHOV [1860–1904] The Lady with the Dog TRANSLATED BY IVY LITVINOV, N.D. Born the son of a grocer and the grandson of a serf in Taganrog, a sea- coast town in southern Russia, Anton Chekhov (1860–1904) began writing humorous tales to support himself while studying medicine at Moscow University. In 1884 he received his medical degree and pub- lished his first collection of short stories, Tales of Melpomene. Other early collections are Motley Tales (1886), At Twilight (1887), and Stones (1888). Besides being a masterful writer of short stories, Chekhov is probably Russia’s most esteemed playwright. In 1898 the Moscow Art Theatre produced his play The Seagull, followed by Uncle Vanya in 1899, The Three Sisters in 1901, and The Cherry Orchard in 1904. Chekhov, known for his sad and subtle exploration of people’s inability to communicate as well as for his humanitarian activities, died at age 44 of tuberculosis, which he had contracted in his student days. I People were telling one another that a newcomer had been seen on the promenade — a lady with a dog. Dmitri Dmitrich Gurov had been a fort- night in Yalta, and was accustomed to its ways, and he, too, had begun to take an interest in fresh arrivals. From his seat in Vernet’s outdoor café, he caught sight of a young woman in a toque, passing along the prome- nade; she was fair and not very tall; after her trotted a white pomeranian. -
Novels, Histories, Novel Nations Historical Fiction and Cultural Memory in Finland and Estonia
Novels, Histories, Novel Nations Historical Fiction and Cultural Memory in Finland and Estonia Edited by Linda Kaljundi, Eneken Laanes and Ilona Pikkanen Studia Fennica Historica The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Sunstitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society, Finland Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Novels, Histories, Novel Nations Historical Fiction and Cultural Memory in Finland and Estonia Edited by Linda Kaljundi, Eneken Laanes & Ilona Pikkanen Finnish Literature Society SKS • Helsinki Studia Fennica Historica 19 The publication has undergone a peer review.