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The Restoration of Tulbagh As Cultural Signifier
BETWEEN MEMORY AND HISTORY: THE RESTORATION OF TULBAGH AS CULTURAL SIGNIFIER Town Cape of A 60-creditUniversity dissertation submitted in partial fulfilment of the Degree of Master of Philosophy in the Conservation of the Built Environment. Jayson Augustyn-Clark (CLRJAS001) University of Cape Town / June 2017 Faculty of Engineering and the Built Environment: School of Architecture, Planning and Geomatics The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ‘A measure of civilization’ Let us always remember that our historical buildings are not only big tourist attractions… more than just tradition…these buildings are a visible, tangible history. These buildings are an important indication of our level of civilisation and a convincing proof for a judgmental critical world - that for more than 300 years a structured and proper Western civilisation has flourished and exist here at the southern point of Africa. The visible tracks of our cultural heritage are our historic buildings…they are undoubtedly the deeds to the land we love and which God in his mercy gave to us. 1 2 Fig.1. Front cover – The reconstructed splendour of Church Street boasts seven gabled houses in a row along its western side. The author’s house (House 24, Tulbagh Country Guest House) is behind the tree (photo by Norman Collins). -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
March 2020 —Mountain States Collector Now Open
Like us and Devoted to Antiques, follow us Collectibles, on Furniture, Art, Design Facebook and History. MArCh 2020 EStAbLIShED In 1972 Volume 48, number 3 St. Patrick’s Day Colorado Antique Gallery History and Traditions Celebrates 28 Years With Giant Sale The Colorado Antique Abound Gallery is celebrating its 28th Anniversary in 2020 with a By Bobbie Sweeney month-long sale that runs through the whole month of St. Patrick's Day—a great day for the March. Proudly located in the Irish in America. It is not necessary that City of Littleton at 5501 S. you come from Ireland or that you are Broadway since 1992. With born of Irish parents—everybody 285 vendors located under one suddenly becomes part of the fun- 52,000 square foot roof there loving, hard-drinking Irish culture on are hundreds of thousands of this festive day. Whatever your favorite color hap - fabulous finds on sale during pens to be, it changes to green on St. the month of March. The Patrick's Day. Having an Irish name helps, but Colorado Antique is home to Germans, Italians, Greeks, Chinese and all the rest can have just as many long-time dealers who much fun drinking green beer, eating green food, and wearing green have been in business at the on this special day of the year. Gallery since 1992. Their staff Most cities in the United States have a parade on this day. Busi - is second to none and has a extensive knowledge the art glass, art work and collectibles are always in stock nessmen, churches, schools—everyone enters into the fun of mak - antique industry. -
A Brief History of Wine in South Africa Stefan K
European Review - Fall 2014 (in press) A brief history of wine in South Africa Stefan K. Estreicher Texas Tech University, Lubbock, TX 79409-1051, USA Vitis vinifera was first planted in South Africa by the Dutchman Jan van Riebeeck in 1655. The first wine farms, in which the French Huguenots participated – were land grants given by another Dutchman, Simon Van der Stel. He also established (for himself) the Constantia estate. The Constantia wine later became one of the most celebrated wines in the world. The decline of the South African wine industry in the late 1800’s was caused by the combination of natural disasters (mildew, phylloxera) and the consequences of wars and political events in Europe. Despite the reorganization imposed by the KWV cooperative, recovery was slow because of the embargo against the Apartheid regime. Since the 1990s, a large number of new wineries – often, small family operations – have been created. South African wines are now available in many markets. Some of these wines can compete with the best in the world. Stefan K. Estreicher received his PhD in Physics from the University of Zürich. He is currently Paul Whitfield Horn Professor in the Physics Department at Texas Tech University. His biography can be found at http://jupiter.phys.ttu.edu/stefanke. One of his hobbies is the history of wine. He published ‘A Brief History of Wine in Spain’ (European Review 21 (2), 209-239, 2013) and ‘Wine, from Neolithic Times to the 21st Century’ (Algora, New York, 2006). The earliest evidence of wine on the African continent comes from Abydos in Southern Egypt. -
Fashion,Costume,And Culture
FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
The Growth of Population in the Province of the Western Cape
Southern Africa Labour and Development Research Unit A Tapestry of People: The Growth of Population in the Province of the Western Cape by Dudley Horner and Francis Wilson WORKING PAPER SERIES Number 21 About the Authors and Acknowledgments Professor Francis Wilson and Dudley Horner are both SALDRU Honorary Research Fellows and were previously respectively director and deputy-director of the research unit. We acknowledge with thanks the Directorate for Social Research & Provincial Population in the Department of Social Development within the Provincial Government of the Western Cape, and particularly Mr Gavin Miller and Dr Ravayi Marindo, who commissioned this study as part of the project on the state of population in the Western Cape Province. We thank, too, Mrs Brenda Adams and Mrs Alison Siljeur for all their assistance with the production of this report. While we have endeavoured to make this historical overview as accurate as possible we would welcome any comments suggesting appropriate amendments or corrections. Recommended citation Horner, D. and Wilson, F. (2008) E A Tapestry of People: The Growth of Population in the Province of the Western Cape. A Southern Africa Labour and Development Research Unit Working Paper Number 21. Cape Town: SALDRU, University of Cape Town ISBN: 978-0-9814123-2-0 © Southern Africa Labour and Development Research Unit, UCT, 2008 Working Papers can be downloaded in Adobe Acrobat format from www.saldru.uct.ac.za. Printed copies of Working Papers are available for R15.00 each plus vat and postage charges. Contact: Francis Wilson - [email protected] Dudley Horner - [email protected] Orders may be directed to: The Administrative Officer, SALDRU, University of Cape Town, Private Bag, Rondebosch, 7701, Tel: (021) 650 5696, Fax: (021) 650 5697, Email: [email protected] A Tapestry of People: The Growth of Population in the Province of the Western Cape by Dudley Horner & Francis Wilson Long Before Van Riebeeck. -
Knowledge and Colonialism: Eighteenth-Century Travellers in South Africa Atlantic World
Knowledge and Colonialism: Eighteenth-century Travellers in South Africa Atlantic World Europe, Africa and the Americas, 1500–1830 Edited by Wim Klooster Clark University and Benjamin Schmidt University of Washington VOLUME 18 Knowledge and Colonialism: Eighteenth-century Travellers in South Africa By Siegfried Huigen LEIDEN • BOSTON 2009 On the cover: “Coba Caffer Captein” (Gordon Atlas, G75). Courtesy of the Rijkspren- tenkabinet, Amsterdam. This book was originally published as Verkenningen van Zuid-Afrika. Achttiende-eeuwse reizigers aan de kaap (2007). This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Huigen, Siegfried. Knowledge and colonialism : eighteenth-century travellers in South Africa / by Siegfried Huigen. p. cm. — (Atlantic world : Europe, Africa, and the Americas, 1500–1830 ; v. 18) Includes bibliographical references and index. ISBN 978-90-04-17743-7 (hbk. : alk. paper) 1. Cape of Good Hope (South Africa)—Description and travel. 2. Cape of Good Hope (South Africa)—Description and travel—Sources. 3. Travelers—South Africa—Cape of Good Hope—History— 18th century. 4. Europeans—South Africa—Cape of Good Hope—History—18th century. 5. Ethnology—South Africa—Cape of Good Hope—History—18th century. 6. Ethnological expeditions—South Africa—Cape of Good Hope—History—18th century. 7. South Africa—History—To 1836. 8. South Africa—Colonial infl uence. 9. South Africa—Description and travel. 10. South Africa—Description and travel— Sources. I. Title. II. Series. DT2020.H85 2009 968.03—dc22 2009017888 ISSN 1570-0542 ISBN 978 90 04 17743 7 Copyright 2009 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishers, IDC Publishers, Martinus Nijhoff Publishers and VSP. -
Fashion in Paris; the Various Phases of Feminine Taste and Aesthetics from 1797 to 1897
EX LIBRIS Cooper Union Museum for the Arts of Decoration GIVEN BY The Hospital Book and News Socle IN 1900 FASHION IN PARIS THE VARIOUS PHASES OF FEMININE TASTE AND ESTHETICS FROM 1797 TO 1897=^ By OCTAVE UZANNE ^ from the French by LADY MARY LOYD ^ WITH ONE HUNDRED HAND- COLOURED PLATES fc? TWO HUNDRED AND FIFTY TEXT ILLUSTRATIONS BY FRANCOIS COURBOIN LONDON : WILLIAM HEINEMANN NEW YORK: CHARLES SCRIBNER'S SONS MDCCCXCVIII (pr V All rights reserved CHAP. PAGE I. The Close of the Eighteenth Century ... i Licentiousness of Dress and Habits under the Directory of the Nineteenth II. The Dawn Century . 23 The Fair Sex in the Tear VIII First Empire III. Under the ...... +5 Feminine Splendour in Court and City IV. Dress, Drawing - rooms, and Society under the Restoration ....... 65 1815-1825 V. The Fair Parisian in 1830 ..... 85 Manners, Customs, and Refme?nent of the Belles of the Romantic Period VI. Fashion and Fashion's Votaries, from 1840 to 1850 103 VII. Fashion's Panorama in 1850 . 115 The Tapageuses and the Myst'erieuses in under VIII. Life Paris the Second Empire . .127 Leaders of the Gay World, and Cocodettes IX. The Fair Sex and Fashions in General from 1870 till 1880 ....... 147 X. The Parisian, as She is . .165 Her Psychology, Her Tastes, Her Dress MM. kmmi X<3 INTRODUCTION he compilation of a complete bibliography, even the most concise, of the works devoted to the subject of Costume, T and to the incessant changes of Fashion at every period, and in every country, in the world, would be a considerable undertaking—a work worthy of such learning as dwelt in the monasteries of the sixteenth century. -
The History of Fashion in France, Or, the Dress of Women from the Gallo
r\ U Ly c r ^ -=4^-^ r J^^^ y^ ^^ ^->^ THE HISTORY OF FASHION IN FRANCE. 3-\MML THE HISTORY OF FASHION IN FRANCE; OR. THE DRESS OF WOMEN FROM THE GALLO-ROMAN PERIOD TO THE PRESENT TIME, FROM THE FRENCH OF M. AUGUSTIN CHALLAMEL. nv Mrs. CASHEL HOEY and Mr. JOHN LILLIE. S C R I R N E R A N IJ \V K L I' O k 1 J. I»»2. LONDON : PRINTED BY GILBERT AND RIVINGTON, LIMITED, ST. John's square. —— CONTENTS. INTRODUCTION. Various definitions of fashion—The grave side of its history—Quotations from the poets —Character of Frenchwomen—The refinement of their tastes and fancies — Paris the temple of fashion —The provinces ^Mdlle. Mars' yellow gown— The causes of fashion —A saying of Mme. de Girardin's —A remark of Mrs. TroUope's — The dress of actresses— Earliest theories of fashion— The Gyna;ceum of Amman First appearance of the "Journal des Dames et des Modes "—Lamesangere Other pubhcations—An anecdote concerning dolls— Plan of the History of Fashion in France CHAPTER I. THE GALLIC AND GALLO-ROMAN PERIOD. Gallic period—Woad, or the pastel—Tunics and boulgetes—"Mavors"and "Palla" — Cleanliness of the GaUic women -The froth of beer or "kourou"—The women of Marseilles; their marriage-portions — Gallo-Roman period — The Roman garment—The " stola "— Refinement of elegance—Extravagant luxury of women Artificial aids—A " vestiaire" or wardrobe-room of the period—Shoes—^Jewels and ornaments—The amber and crj'stal ball—Influence of the barbarians . -13 CHAPTER II. THE MEROVINGIAN PERIOD. Modifications in female dress after the Invasion of the Franks—Customs of the latter The Merovingians —Costumes of skins and felt ; cloaks and camlets—The coif, the veil, the skull-cap, the " guimpe," the cape—Fashionable Merovingian ladies adorn themselves with flowers — Various articles of dress— The "suint" —Young girls dress their hair without omamenis— St. -
Resolutions of the Council of Policy of Cape of Good Hope Cape Town Archives Repository, South Africa
Resolutions of the Council of Policy of Cape of Good Hope Cape Town Archives Repository, South Africa Reference code: C. 62, pp. 22−35. Dingsdagh den 22e December 1722, voormiddags. Alle present, uijtgesondert den Heer independent fiscaal, Cornelis van Beaumont. Door den Edelen Heer Gouverneur ter vergadering ingebragt sijnde de overgeleverde nominatien, soo van burgerraden, weesmeesteren, commissarissen van civile en huwelijxe saken, als de kerkenraden van de Caab, Stellenbosch en Drakenstijn, [1] Soo is naar gehoudende besoigne goedgevonden en geresolveerd in steede der afgaande burgerraden Fredrik Russouw en Jan Casper Rigter, weeder om tot burgerraden te verkiesen Mattheus Bergsted en Valentijn Kleijnveld. Mitsgrs. in plaatse van de afgaande weesmeesteren Philip Rudolph de Savoije, Johannes Blankenberg en Gijsbert Lafebre, Isacq Scheepers, Fredrik Russouw en Johan Casper Rigter. Tot commissarissen van civiele en huwelijxe saken sijn insgelijx verkoren in plaatse van de afgaande Hendrik Swellengrebel, Johan Fredrijk de Lits en den overledene Francois Poulle, Evert Walraven Cochius, Christoffel Brand en Johannes Needer, en gelijk den president van dat collegie, den E. Kaje Jesse Slotsboo, ter vergaderinge bij monde versoek deede om van dat presidie te mogen werden ontslagen, Soo is sulx hem geaccordeert, en weeder tot president van commissarissen van civiele en huwelijxe saken aangestelt den onderkoopman en Secretaris deeser Vergadering, Adriaan van Kervel, dog belangende de gedane doleantie over de continueele afweesigheit van den mede commissaris Christoffel Hasewinkel, Soo is verstaan dat onsent weegen haarlieden bij missive sal werden betuijgt ons misnoegen over diergelijken disrespectieus en nalatig gedrag, en daaromme ook vorders gelast deesen Raad per naaste kennisse te geven bij aldien den voorme. -
Fashion and the World of the Women of the VOC Official Elite
Fashion and the World of the Women of the VOC Official Elite Liza-Mari Coetzee, University of Johannesburg, [email protected] Abstract During the early modern period material culture increasingly started to serve as a symbol of identity and status rather than merely fulfilling a basic need. One example of such possessions that was particularly relevant for demonstrating social position is clothing. By using markers of distinction such as clothing, individuals could affirm or reaffirm their identities and could denote an association with a certain status group. At the Cape this means of distinction was utilised by the societal elite that consisted of a small group of senior officials with the Governor at the head. The Governor was appointed by the VOC and in all cases but one, was not locally born. Equally, many members of the VOC elite were temporarily stationed at the Cape and would return to Europe or move to another VOC station at the end of their tenure, most often taking their wives and daughters back with them. The aim of this article is to discuss women belonging to the VOC elite of Cape society and to determine firstly whether these women maintained their status through the use of status objects (in particular clothing and other items used for personal adornment). The second aim of the article is to determine what effect this use of clothing as a symbol of status had on the social consciousness of the importance or unimportance of a particular object. The article will also aim to determine how these women in the top echelons of society influenced and determined what types of fashion, dress and accessories were seen as status objects. -
The History of the Clarinet in South Africa
The History of the Clarinet in South Africa by Becky L. Steltzner M.Mus. (University of Southern California) Thesis Presented in partial fulfilment of the Degree of DOCTOR OF PHILOSOPHY in the South African College of Music Faculty of Humanities University of Cape Town February 2016 Supervisor: Prof. Dr. Rebekka Sandmeier University of Cape Town The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Copyright © 2016 Becky L. Steltzner The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non-commercial research purposes only. Abstract This thesis explores and traces the history of the clarinet in South Africa. After discussing the problems of researching western European music history in South Africa from the arrival of the Dutch in 1652, and briefly summarising that music history up to the first clarinet reference, the thesis goes through the existing clarinet references. These have been sourced from travellers’ journals, newspapers, military histories, other theses, etc., with particular emphasis on the 19th century, since the clarinet was introduced to South Africa near the beginning of it, and the most unknown part of the clarinet’s South African history is within it.