Librarians Picket Woods Groundbreaking
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Eddie Harris Mean Greens
EDDIE HARRIS MEAN GREENS MUSIKER: EDDIE HARRIS: TENOR SAXOPHONE, ELECTRIC PIANO CEDAR WALTON: PIANO SONNY PHILLIPS: ORGAN RON CARTER: BASS MELVIN JACKSON: BASS BILLY HIGGINS: DRUMS RAY BARRETTO: PERCUSSION BUCKY TAYLOR: PERCUSSION 3-10 RAY CODRINGTON: TRUMPET, PERCUSSION, TAMBOURINE SONGS : 1. MEAN GREENS EDDIE HARRIS 2. IT WAS A VERY GOOD YEAR ERVIN DRAKE 3. WITHOUT YOU EDDIE HARRIS 4. YEAH YEAH YEAH EDDIE HARRIS 5. LISTEN HERE EDDIE HARRIS 6. BLUES IN THE BASEMENT EDDIE HARRIS 7. GONE HOME EDDIE HARRIS DATEN: Schallplattenfirma: ATLANTIC, NEW YORK RHINO RECORDS LOS ANGE- LES Tonträger: LP CD Nummer: 1453 / ATL 1009 8122-71515-2 Studio: ATLANTIC STUDIOS NEW YORK Aufnahmedatum: 9.3.1966 1993 Produzent: ARIF MARDIN Cover: LORING EUTEMEY MEAN GREENS von Anthony Stearn Eddie Harris lacht in sich hinein, als er dieses Album hörte. „It Was A Very Good Year“. Es erinnert sich an seine erste LP „Exodus“. „Es gibt Leute, die denken, „Exodus“ hätten mir die Aufnahmeleute schmackhaft gemacht,“ erzählt er. „Exodus war meine Idee. Diese Art Musik spiele ich sehr gerne.“ Es ist nicht die einzige Musikart, die Eddie Harris mag. Er ist einer, der meistbe- gabten Musiker zur Zeit. Seine Musik ist abwechslungsreich, verzerrt und melo- disch, komplex und pulsierend, romantisch, einfach und zynisch. 3-11 Seine Beherrschung des Tenor-Saxophon ist auf einige Musiker zurückzuführen. Seine Leichtigkeit ist das Resultat von mehr als fünfzehn Jahren harter, ständiger Arbeit. Sogar jetzt behält er seinen Stundenplan konsequent bei, übt sieben bis acht Stunden täglich. „Früher,“ erinnert er sich, “ko- pierte ich die Solos von allen grossen Saxophonisten. Note für Note ... -
Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris .. -
Cultural & Heritagetourism
Cultural & HeritageTourism a Handbook for Community Champions A publication of: The Federal-Provincial-Territorial Ministers’ Table on Culture and Heritage (FPT) Table of Contents The views presented here reflect the Acknowledgements 2 Section B – Planning for Cultural/Heritage Tourism 32 opinions of the authors, and do not How to Use this Handbook 3 5. Plan for a Community-Based Cultural/Heritage Tourism Destination ������������������������������������������������ 32 necessarily represent the official posi- 5�1 Understand the Planning Process ������������������������������������������������������������������������������� 32 tion of the Provinces and Territories Developed for Community “Champions” ��������������������������������������� 3 which supported the project: Handbook Organization ����������������������������������������������������� 3 5�2 Get Ready for Visitors ����������������������������������������������������������������������������������������� 33 Showcase Studies ���������������������������������������������������������� 4 Alberta Showcase: Head-Smashed-In Buffalo Jump and the Fort Museum of the NWMP Develop Aboriginal Partnerships ��� 34 Learn More… �������������������������������������������������������������� 4 5�3 Assess Your Potential (Baseline Surveys and Inventory) ������������������������������������������������������������� 37 6. Prepare Your People �������������������������������������������������������������������������������������������� 41 Section A – Why Cultural/Heritage Tourism is Important 5 6�1 Welcome -
Chris Greene Quintet: the Popular, Longstanding Chicago Band on Preparing a Tribute to Eddie Harris
gram JAZZ PROMOTING AND NURTURING JAZZ IN CHICAGO APRIL 2020 WWW.JAZZINCHICAGO.ORG CHRIS GREENE QUINTET: THE POPULAR, LONGSTANDING CHICAGO BAND ON PREPARING A TRIBUTE TO EDDIE HARRIS JAZZCITY 2020 SOUL TO SOUL: A CELEBRATION OF EDDIE HARRIS COMPARED TO WHAT?! (EVENT CANCELED) WHEN THE JAZZ INSTITUTE OF CHICAGO DECIDED to make Eddie Harris the recipient of this year's ongoing JazzCity tribute, one artist and one band were an obvious choice to participate. Who better to capture the slippery, soulful, stylistically restless sound of the late, great tenor saxophonist Chris Greene and his quintet? As suggested by the title of the band's album, Boundary Issues, Greene has never had much use for staying in one place with Chris Greene Ensemble his music. "I don't know my place, I guess, which is why I'm always stepping outside of the so-called boundaries. With the music I like, I just can't help thinking, what would it be like if I did this, or this?" We would have expected to hear Greene and company – keyboardist Damian Espinosa, bassist Marc Piane, trumpeter John Moore and drummer Steve Corley – play popular Harris staples including "Compared to What," "Freedom Jazz Dance" and "Cold Duck Time" at Loyola Park on April 3rd. And if the spirit moved them, the band, which has been together since 2005, might have treated the crowd to one or all of those songs. But having taken a deep dive into Harris' compositions – which in many ways are as notable as his tenor saxophone inventions, something Greene hoped to convey to the audience – the saxophonist is more interested in exposing lesser-heard tunes. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Cultural & Heritage Tourism: a Handbook for Community Champions
Cultural & HeritageTourism a Handbook for Community Champions Table of Contents The views presented here reflect the Acknowledgements 2 opinions of the authors, and do not How to Use this Handbook 3 necessarily represent the official posi- tion of the Provinces and Territories Developed for Community “Champions” ��������������������������������������� 3 which supported the project: Handbook Organization ����������������������������������������������������� 3 Showcase Studies ���������������������������������������������������������� 4 Learn More… �������������������������������������������������������������� 4 Section A – Why Cultural/Heritage Tourism is Important 5 1. Cultural/Heritage Tourism and Your Community ��������������������������� 5 1�1 Treasuring Our Past, Looking To the Future �������������������������������� 5 1�2 Considering the Fit for Your Community ���������������������������������� 6 2. Defining Cultural/Heritage Tourism ��������������������������������������� 7 2�1 The Birth of a New Economy �������������������������������������������� 7 2�2 Defining our Sectors ��������������������������������������������������� 7 2�3 What Can Your Community Offer? �������������������������������������� 10 Yukon Showcase: The Yukon Gold Explorer’s Passport ����������������������� 12 2�4 Benefits: Community Health and Wellness ������������������������������� 14 3. Cultural/Heritage Tourism Visitors: Who Are They? ������������������������ 16 3�1 Canadian Boomers Hit 65 ���������������������������������������������� 16 3�2 Culture as a -
Commonwealth United's 2-Part Blueprint
' Commonwealth United’s 2-Part Blueprint: Buy Labels & Publishers ••• Massler Sets Unit For June 22 1968 Kiddie Film ™ ' Features * * * Artists Hit • * * Sound-A-Like Jingl Mercury Ex- iff CashBox pands In Publishing • • Atlantic Sees Confab Sales Peak** 1st Buddah Meet Equals ‘ Begins Pg. 51 RICHARD HARRIS: HE FOUND THE RECIPE Int’l. Section Take a great lyric with a strong beat. Add a voice and style with magic in it. Play it to the saturation level on good music stations Then if it’s really got it, the Top-40 play starts and it starts climbingthe singles charts and selling like a hit. And that’s exactly what Andy’s got with his new single.. «, HONEY Sweet Memories4-44527 ANDY WILLIAMS INCLUDING: THEME FROM "VALLEY OF ^ THE DOLLS" ^ BYTHETIME [A I GETTO PHOENIX ! SCARBOROUGH FAIR LOVE IS BLUE UP UPAND AWAY t THE IMPOSSIBLE * DREAM if His new album has all that Williams magic too. Andy Williams on COLUMBIA RECORDS® *Also available fn A-LikKafia 8-track stereo tape cartridges : VOL. XXIX—Number 47/June 22, 1968 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 / Cable Address: Cash Box. N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President LEON SCHUSTER Treasurer IRV LICHTMAN Editor in Chief EDITORIAL TOM McENTEE Assoc. Editor DANIEL BOTTSTEIN JOHN KLEIN MARV GOODMAN EDITORIAL ASSISTANTS MIKE MARTUCCI When Tragedy Cries (hit ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER New York For 'Affirmative'Musif BILL STUPER New York HARVEY GELLER Hollywood WOODY HARDING Art Director COIN MACHINES & VENDING ED ADLUM General Manager BEN JONES Asst. -
UR Reacts to Obama's Successful Re-Election
CampusTHURSDAY, NOVEMBER 8, 2012 / VOLUME 139, ISSUE 21 Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org INSIDE UR reacts to Obama’s successful re-election THIS CT BY LEAH BULETTI him to reach the 270 electoral NEWS EDITOR votes needed for election. BY JUSTIN FLEMING Not counting Florida, PUBLISHER where an official winner had not been announced as of On Tuesday night, rows of Wednesday, Obama’s margin chairs and three large screen of victory was 303 electoral projectors were set up in Hirst votes to Romney’s 206. Lounge, where students back- Meanwhile, in another FOOTBALL ing both parties gathered to election crucial to Roches- watch the results of the Nov. ter residents, Democratic CHARGES ON 6 presidential election unfold incumbent Louise Slaughter Football garnered a at an event sponsored by edged out Republican can- win against WPI last UR’s Committee for Political didate Maggie Brooks for weekend, evening out its Engagement (CPE). Cheers the right to represent the record to 4-4. could be heard with almost 25th Congressional District, PAGE 20 SPOrts every incoming projection, which includes all of Monroe but by far the most boister- County except Rush, Wheat- DRUE SOKOL / PHOTO EDITOR Sandy’s ous celebration came at 11:15 land, Hamlin, Mendon and UR students gathered to watch election results come in on Tuesday, Nov. 6 at a non-partisan watch IMPACT p.m., with the first unofficial a small part of Clarkson. party in Hirst Lounge sponsored by UR’s Committee for Political Engagement (CPE). announcement that President The start of 2013 will mark in the 25th Congressional ton and New York Governor Throughout the campaign, Barack Obama would earn Slaughter’s 27th consecutive District are new to Slaugh- Andrew Cuomo. -
(OSCAR) November, 2019
The OSCAR l November 2019 Page 1 THE OSCAR www.BankDentistry.com 613.241.1010 The Ottawa South Community Association Review l The Community Voice Year 47, No. 10 November 2019 A future Windsor Park Fieldhouse?See story on pages 4 and 5. A possible design for a new Windsor Park Fieldhouse. ILLUSTRATION BY LAURA URRECHAGA COMMUNITY CALENDAR Wednesday, November 6, 12:00 Doors Open for Music - The Cello Donate to the Old Ottawa According To Dall’Abaco, Southminster Wednesday, November 6, 13:30 “Eat, Drink, Write” with Jennifer South Community Fund Cockrall-King, Sunnyside Library Saturday, November 9, 9:00- Southminster United Christmas Bazaar OSCA is participating in the 2019 GCWCC 13:00 Campaign! Saturday, November 9, 9:30- Frosty’s Fair Christmas Bazaar, Trinity The Government of Canada Workplace Charitable 14:00 Anglican Campaign (GCWCC) helps to provide financial support Saturday, November 9, 19:00 Rideau Chorale Presents Carmina Burana, to Canadian charities such as OSCA. You can choose to Southminster United Saturday, November 9, 10:00- May Court Club Christmas Craft Fair, donate to OSCA through the Old Ottawa South 14:00 May Court Club (114A Cameron Ave.) Community Fund. Monday, November 11, 19:00- Garden Club-Resources for identification VISIT OLDOTTAWASOUTH.CA/DONATE TO 21:00 & management of insect pests, Firehall FIND OUT HOW TO SUPPORT YOUR Wednesday, November 13, Doors Open for Music - Songs Of COMMUNITY ASSOCIATION! 12:00 Sacrifice, Southminster United PLEASE NOTE THAT ANYONE CAN DONATE AT THE LINK ABOVE. THEY DO NOT HAVE TO -
Intermediate Jazz Conception Additions
INTERMEDIATE JAZZ CONCEPTION STUDY GUIDE ADDITIONS (ALTO) 1. Splank Street- Tips- 1. Dynamic contrast gives this piece a sense of drama. Observe dynamics closely, maintaining a centered and resonate sound at all volumes. 2. The tempo of this piece is tricky, and can sound stiff if not played with a good, consistent time feel. Keep the music relaxed and swinging. 3. To work on your time, practice scales with a metronome on beats 2 and 4 at slow tempos, trying to be as accurate as possible. 4. Observe how the use of rests “frame” ideas and let them sort of be contemplated by the listener. This also lets the music breathe and gives the rhythm section a chance to interact with the soloist .This is especially apparent in measures 57, 59- 61, where Peter Washington plays great bass lines to fill in the rests. 5. Listen closely for slight bends on notes that give the music more personality. When you hear the soloists do a bend, stop the cd and practice that one note, trying to re-create the bend. Listening suggestion- Count Basie- Frankly Basie Louis Armstrong- 16 most requested songs 2. Melon Island- Tips- 1. This piece has a funky, straight eighth-note feel similar to the pieces on many recordings on the Blue Note record label in the 1960’s. 2. Throughout the piece, the F concert minor pentatonic and blues scale are used. In fact, this sound can be used on both the D minor chord and Bflat 7 chord by finding notes that are common to each chord (i.e. -
The Struggle for North Africa Between Almohads, Ayyubids, and Banū Ghāniya (Late Twelfth to Early Thirteenth Centuries A.D.)
The Struggle for North Africa between Almohads, Ayyubids, and Banū Ghāniya (Late Twelfth to Early Thirteenth Centuries A.D.). by Amar Salem Baadj A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Near and Middle Eastern Civilizations University of Toronto © Copyright by Amar Salem Baadj (2013) The Struggle for North Africa between Almohads, Ayyubids, and Banū Ghāniya (Late Twelfth to Early Thirteenth Centuries A.D.). Amar Salem Baadj Doctor of Philosophy Department of Near and Middle Eastern Civilizations University of Toronto 2013 Abstract This thesis is concerned with the invasion of the Almohad Empire by the Banū Ghāniya of Majorca and the Ayyubid amir Sharaf al-Dīn Qarāqūsh in the late twelfth and early thirteenth centuries A.D. This long and destructive conflict, which sapped the strength of the Almohad state in North Africa, has received little attention from modern scholars, particularly in the west. It is our aim to contextualize the revolt of the Banū Ghāniya and Qarāqūsh’s expeditions within the wider African and Mediterranean worlds. In particular, we will shed light on the economic background of the great power rivalries that affected North Africa during this period. The Banū Ghāniya were descendants of the Almoravids who established a principality in the Balearic Islands after the fall of the Almoravid state in the mid-twelfth century. In 1184 they invaded North Africa and fought against the Almohads in a struggle which lasted until the 1230s and ranged from Tripoli to Sijilmāsa under the amirs ʿAlī (1184-1187) and Yaḥyā b.