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Urban and Historic Context
Architectural Rejuvenation Project URBAN AND HISTORIC CONTEXT Barry Padolsky Associates Inc., Architects, Urban Design and Heritage Consultants February 13, 2015 Aerial view of National Arts Centre (2010) TABLE OF CONTENTS Introduction..................................................................................................................................2 Urban and Historic Context........................................................................................................2 . The Holt/Bennett Plan ................................................................................................................4 The Gréber Plan .........................................................................................................................6 The Parkin Plan ...........................................................................................................................8 Architecture and National Identity: the Centennial Projects .......................................................9 NAC: The Architectural Challenge ............................................................................................10 The Architectural Response .....................................................................................................13 Architectural Style: Polite “Brutalism” ......................................................................................16 Re-inventing “Brutalism”..........................................................................................................17 NCC Canada’s -
2015-April.Pdf
2015 April 2/28/2015 SDTCA-3 April, 2015 04/01/2015( ) 3:00PM Brian Hu Asian Films 04/04/2015( ) 9:00AM : Old Coach Trail – Highland Valley Road 14225 Highland Valley Road, Escondido,CA 92025 860-904-3844(Cell) 858-208-5223(Cell) 04/04/2015( ) 1:00PM 04/05/2015( ) 4:00PM Song H. An Technical Performance Review and Discussion on the Biotech Stocks in Our Group Watch List [email protected] 04/11/2015( ) 2:00PM : 04/18/2015( ) 9:00AM : Volcan Mountain at Julian (need carpool) Dudley’s Famous Bakery (30218 Highway 78, Santa Ysabel CA 92070 860- 904-3844(Cell) 858-208-5223(Cell) 04/22/2015( ) 2:15PM : 04/25/2015( ) 2:00PM : Conjoined Twins: A Fascinating Story 05/02/2015( ) 9:00AM : Iron Mountain Trail head parking lot 860-904-3844(Cell) 858-208-5223(Cell) 05/03/2015( ) 4:00PM Long Lee Prediction of Market Trend Added by Technical Analysis [email protected] 02/28/2015( ) 5:30PM TAFSD/TACC 03/14/2015( ) 2:00PM : SDTCA-4 April, 2015 2015 4 15 -1 2015 15 -0 $30 (SDTCA) 15 -0 858-603-0135, [email protected] $120 $60 ( ) $140 $70 ( ) $10 $20 $30 ( ) 858-444-7164 [email protected]. Rosa Ken Fu / SDTCA-5 April, 2015 Kenneth Fu 228 228 228 228 Kenneth Tonya Tonya / slideshow 2014 SDTCA-6 check out DVD April, 2015 handout - Nissan Toyota Prius (2008) Leaf 1. $40000 2. 10,000 rebates 3. 5 cents per mile. Nissan overall 4. 1980 carpool El Cajon 5. / 440V 220V 10 miles highway < 65mph 110V < 40mph 3 miles 6. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
How Do the Grateful Dead and Deadheads 'Mean'?
Matthew Tift University of Wisconsin-Madison “How Do the Grateful Dead and Deadheads ‘Mean’?” 09 March 2001 What exactly is a work of music? Is it the sounds we hear? Is it the sounds we are intended to hear? Is a musical work something that can only be defined using metaphors? Must it be organized sound? Is it beyond definition? About the only acceptable answer to these ontological questions is that the nature of a musical work is not universally understood. Nevertheless, by phrasing questions of musical identity differently, some popular music scholars find answers that are more rewarding. Richard Middleton, a well-respected popular music scholar, points out, “popular music analysis has insisted . on the priority of meaning.”1 One method for discussing meaning is to foreground questions of process, thereby avoiding questions of product. Simon Frith, another doyen of popular music studies, writes, “too often attempts to relate musical forms to social processes ignore the ways in which music is itself a social process.”2 By concentrating on social processes, one can more easily address such issues as musical meaning and social significance. This variety of analysis is sometimes described as process philosophy.3 Christopher Small’s advocation of process philosophy is perhaps the most resonant. Small is concerned with questions that address how musical activities are interconnected. In his 1998 book, Musicking, Christopher Small challenges the dominant Western idea of music as a thing and explores the idea of music as an activity. In fact, he creates a new word specifically for 1 Middleton, Reading Pop, 104. -
May -June 1968 T E
MAY -JUNE 1968 T E Official Publication of the AMERICAN CHORAL DIRECTORS ASSOCIATION FIRST ROW SECOND ROW Sally Ross, Harriet Steinbaum, Melinda Cummings, Mrs. Mildred Andrews; accompanist; Dr. F. Wil Karen Balkin, Kathryn Miller, Ellen Zucker, Patricia lard Robinson, Principal of Beverly Hills High Cummings, Joanne Hall, lynne Levinson, Carole School; Terry Wolff, Ronald Burger, Geoff Shlaes, White, Melissa Moss, and Janet Harris. Mrs. Rena Brian Bingham, David Loew; Joel Pressman, Henry Hubbard, Assistant Director, and Robert Holmes, Kahn, Barry Pyne, Dwight Holmes, Michael Kan Director, are in front holding the banner. tor, and Neal Spiegel. vent with numerical superiority and fi ic, festival, or meeting by which more d)1UUH tIt,e ------1 nancial strength to speak as the choral choral directors will become aware of voice of this country an'd still maintain the aims, purposes and value of ACDA. our 'dues at the present level of $6.00 a This issue carries the first Dues No Executive Secretary's year the need to double our membership tice for the 1968-69 fiscal year. Although this coming year was expressed by Pres July 1 is the first day of that year, many '--------:Jluk ident Decker and the National, Divisional of you win be away on vacation or at While it. fs impossible to report in de and ,State officers. A renewed plea was summer school and it is the hope of the tail on all meetings of the National issued that each ACDA member make it executive committee that you will help Board, the Executive Committee, the Di his personal obligation to bring in one both the organization and yourself by vision and state Chairmen and open new member this fall to swell the ranks paying your dues now before the end of sessions, several important plans and of ACDA to help us through this coming the current school year. -
Eddie Harris Mean Greens
EDDIE HARRIS MEAN GREENS MUSIKER: EDDIE HARRIS: TENOR SAXOPHONE, ELECTRIC PIANO CEDAR WALTON: PIANO SONNY PHILLIPS: ORGAN RON CARTER: BASS MELVIN JACKSON: BASS BILLY HIGGINS: DRUMS RAY BARRETTO: PERCUSSION BUCKY TAYLOR: PERCUSSION 3-10 RAY CODRINGTON: TRUMPET, PERCUSSION, TAMBOURINE SONGS : 1. MEAN GREENS EDDIE HARRIS 2. IT WAS A VERY GOOD YEAR ERVIN DRAKE 3. WITHOUT YOU EDDIE HARRIS 4. YEAH YEAH YEAH EDDIE HARRIS 5. LISTEN HERE EDDIE HARRIS 6. BLUES IN THE BASEMENT EDDIE HARRIS 7. GONE HOME EDDIE HARRIS DATEN: Schallplattenfirma: ATLANTIC, NEW YORK RHINO RECORDS LOS ANGE- LES Tonträger: LP CD Nummer: 1453 / ATL 1009 8122-71515-2 Studio: ATLANTIC STUDIOS NEW YORK Aufnahmedatum: 9.3.1966 1993 Produzent: ARIF MARDIN Cover: LORING EUTEMEY MEAN GREENS von Anthony Stearn Eddie Harris lacht in sich hinein, als er dieses Album hörte. „It Was A Very Good Year“. Es erinnert sich an seine erste LP „Exodus“. „Es gibt Leute, die denken, „Exodus“ hätten mir die Aufnahmeleute schmackhaft gemacht,“ erzählt er. „Exodus war meine Idee. Diese Art Musik spiele ich sehr gerne.“ Es ist nicht die einzige Musikart, die Eddie Harris mag. Er ist einer, der meistbe- gabten Musiker zur Zeit. Seine Musik ist abwechslungsreich, verzerrt und melo- disch, komplex und pulsierend, romantisch, einfach und zynisch. 3-11 Seine Beherrschung des Tenor-Saxophon ist auf einige Musiker zurückzuführen. Seine Leichtigkeit ist das Resultat von mehr als fünfzehn Jahren harter, ständiger Arbeit. Sogar jetzt behält er seinen Stundenplan konsequent bei, übt sieben bis acht Stunden täglich. „Früher,“ erinnert er sich, “ko- pierte ich die Solos von allen grossen Saxophonisten. Note für Note ... -
Billboard 1978-05-27
031ÿJÚcö7lliloi335U7d SPOTLIG B DALY 50 GRE.SG>=NT T HARTFJKJ CT UolOo 08120 NEWSPAPER i $1.95 A Billboard Publication The International Music -Record -Tape Newsweekly May 27, 1978 (U.S.) Japanese Production Tax Credit 13 N.Y. DEALERS HIT On Returns Fania In Court i In Strong Comeback 3y HARUHIKO FUKUHARA Stretched? TOKYO -March figures for By MILDRED HALL To Fight Piracy record and tape production in Japan WASHINGTON -The House NBC Opting underscore an accelerating pace of Ways and Means Committee has re- By AGUSTIN GURZA industry recovery after last year's ported out a bill to permit a record LOS ANGELES -In one of the die appointing results. manufacturer to exclude from tax- `AUDIO VIDISK' most militant actions taken by a Disks scored a 16% increase in able gross income the amount at- For TRAC 7 record label against the sale of pi- quantity and a 20% increase in value tributable to record returns made NOW EMERGES By DOUG HALL rated product at the retail level, over last year's March figures. And within 41/2 months after the close of By STEPHEN TRAIMAN Fania Records filed suit Wednesday NEW YORK -What has been tales exceeded those figures with a his taxable year. NEW YORK -Long anticipated, (17) in New York State Supreme held to be the radio industry's main 5S% quantity increase and a 39% Under present law, sellers of cer- is the the "audio videodisk" at point Court against 13 New York area re- hope against total dominance of rat- value increase, reports the Japan tain merchandise -recordings, pa- of test marketing. -
Community Profile for LOWER TOWN, OTTAWA, ON
Community Profile for LOWER TOWN, OTTAWA, ON LEGEND A child’s early development is shaped by different sectors of influence: Map WHAT DOES OUR COMMUNITY LOOK LIKE? DEMOGRAPHICS AGE DISTRIBUTION CHILD FAMILY COMMUNITY Demographics L. Town Ottawa Population in 2011 12,183 883,391 19+ Years 0 to 6 years Why are Population Demographics Important? 4% Population in 2006 11,377 812,129 Collectively, population counts by age group and population growth can 90% 10% 3% 7 to 12 years Population change (%) 7.1% 8.8% help us to adapt to the needs of the population as it changes over time. 3% 13 to 18 years Population density measures how closely people live together in a Land area (square km) 2.1 2,790 geographic area. The higher the number, the more people live within Population per km2 5,918 317 that area. Park area (square km) 0.08 43.1 Population Counts L. Town Ottawa 2 Total 12,180 882,355 Why are Park Areas Important? Population per km 146,024 20,500 Aged 0 to 18 yrs 1,240 193,795 Source: 2011 Census, Population and Dwelling Counts. Green spaces, like park areas, can enhance the community’s well-being Aged 0 to 6 yrs 500 68,440 in several areas: social, recreational, environmental, physical and Source: 2011 Census, Age Characteristics. mental health, educational and economic. They filter pollutants and dust from the air, they provide shade and lower temperatures in urban CRIME RATES AND CIVIC ENGAGEMENT areas, and they even reduce erosion of soil into our waterways. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 10/06/2010 to 10/12/2010 Last Period (TP) = 09/29/2010 to 10/05/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 24 Tom Rizzo Imaginary Numbers Origin 2010 11 4 7 2 1 The Marsalis Family Music Redeems Marsalis 2010 10 12 -2 2 288 The Clayton Brothers The New Song And Dance ArtistShare 2010 10 0 10 4 4 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 8 8 0 4 4 Conrad Herwig The Latin Side Of Herbie Half Note 2010 8 8 0 Hancock 4 10 Jim Rotondi 1000 Rainbows Posi-Tone 2010 8 7 1 4 10 James Moody Moody 4B IPO 2010 8 7 1 4 24 Mauricio De Souza Here. There... Pulsa 2010 8 4 4 4 288 Bobby Watson The Gates BBQ Suite Lafiya 2010 8 0 8 10 3 Tomas Janzon Experiences Changes 2010 7 9 -2 10 13 Stephen Anderson Nation Degeneration Summit 2010 7 6 1 10 24 Steve Turre Delicious & Delightful HighNote 2010 7 4 3 10 288 Mary Stallings Dream HighNote 2010 7 0 7 14 4 Larry Coryell Prime Picks HighNote 2010 6 8 -2 14 30 Chicago Afro Latin Jazz Blueprints Chicago Sessions 2010 6 3 3 Ensemble 16 4 Nobuki Takamen Live: At The Iridium Summit 2010 5 8 -3 16 13 Royce Campbell Trio What Is This Thing Called? Philology 2010 5 6 -1 16 13 Regina Carter Reverse Thread E1 2010 5 6 -1 16 17 Chris Massey Vibrainium Self-Released 2010 5 5 0 20 2 Kenny Burrell Be Yourself HighNote 2010 4 11 -7 20 4 Danilo Perez Providencia Mack Avenue 2010 4 8 -4 20 4 Curtis -
Jazzweek Jazz Album Chart Dec
airplay data JazzWeek Jazz Album Chart Dec. 7, 2009 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 4 1 1 Eric Alexander Revival Of The Fittest HighNote 167 190 -23 10 46 1 2 1 3 1 Jeff Hamilton Trio Symbiosis Capri 166 236 -70 10 40 0 3 3 4 2 Poncho Sanchez Psychedelic Blues Concord Jazz 163 195 -32 11 40 0 4 6 7 4 Houston Person Mellow HighNote 149 171 -22 7 42 1 5 2 2 1 Joey DeFrancesco Snapshot HighNote 147 220 -73 7 50 2 6 23 39 6 Oliver Jones & Hank Jones Pleased To Meet You Justin Time 144 99 45 4 52 10 7 16 27 7 Roni Ben-Hur Fortuna Motema 136 120 16 4 42 2 8 10 4 1 Roy Hargrove Big Band Emergence EmArcy/Groovin’ High 128 136 -8 15 34 1 9 7 8 6 Cedar Walton Voices Deep Within HighNote 121 153 -32 10 44 0 10 18 12 1 Jackie Ryan Doozy Open Art 119 113 6 20 35 0 11 13 21 11 Graham Dechter Right On Time Capri 116 128 -12 10 33 1 12 5 6 3 Gerald Wilson Orchestra Detroit Mack Avenue 114 181 -67 13 41 1 13 8 11 8 Angela Hagenbach The Way They Make Me Feel Resonance 113 148 -35 7 42 2 14 19 14 4 James Moody 4A IPO 105 111 -6 14 34 1 15 9 15 9 Steve Davis Eloquence Jazz Legacy 104 146 -42 10 41 0 16 15 29 5 Robert Glasper Double Booked Blue Note 103 123 -20 15 56 0 16 19 32 16 Terell Stafford, Dick Oatts Quintet Bridging The Gap Planet Arts/Blujazz 103 111 -8 5 27 0 18 10 10 10 The Mike Longo Trio Sting Like A Bee C.A.P. -
Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris ..