PBS Easey DEC 2014
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jazz Lines Publications
Jazz Lines Publications Presents sweet honey bee Arranged by duke pearson transcribed and Prepared by Dylan Canterbury full score jlp-7330 Music by Duke Pearson Copyright © 1965 Gailancy Music International Copyright Secured All Rights Reserved Logos, Graphics, and Layout Copyright © 2015 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Estate of Duke Pearson. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA duke pearson series sweet honey bee (1966) Background: Duke Pearson was an important pianist, composer, arranger and producer during the 1960s and 1970s. He was born in Atlanta, Georgia in 1932 and played trumpet as well as piano with many local groups. After attending Clark College, he toured with Tab Smith and Little Willie John before he moved to New York City in January of 1959. Donald Byrd heard him, and Byrd was the leader of Pearson’s first recording session. Soon Pearson was playing with the Benny Golson-Art Farmer Jazztet. Pearson became the musical director for Nancy Wilson, as well as continuing to tour and record with Donald Byrd. In 1963, Blue Note Records producer and musical director Ike Quebec passed away, and Pearson became Blue Note’s A&R director, as well as make his own albums. Grant Green, Stanley Turrentine, Johnny Coles, Blue Mitchell, Hank Mobley, Bobby Hutcherson, Lee Morgan and Lou Donaldson all benefited from his arranging and producing skills. -
Complexity Through Interaction
Complexity Through Interaction An investigation into the spontaneous development of collective musical ideas from simple thematic materials Nicholas Tasman Haywood M.Music Performance, The University of Melbourne (Victorian College of the Arts) Submitted in partial fulfilment of the degree of Doctor of Philosophy University of Tasmania Hobart (June 2014) ii DECLARATION This exegesis contains the results of research carried out at the University of Tasmania, Conservatorium of Music between 2010 and 2013. It contains no material that, to my knowledge, has been accepted for a degree or diploma by the University or any other institution, except by way of background information that is duly acknowledged in the exegesis. I declare that this exegesis is my own work and contains no material previously published or written by another person except where clear acknowledgement or reference has been made in the text. This exegesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Nicholas Tasman Haywood Date ii Table of Contents Acknowledgements ................................................................................................. iv List of Figures ............................................................................................................ v Abstract ................................................................................................................... vi Chapter 1 ................................................................................................................. -
Jazzweek Jazz Album Chart Sept
airplay data JazzWeek Jazz Album Chart Sept. 11, 2006 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 Dr. Lonnie Smith Jungle Soul Palmetto 367 398 -31 7 73 0 2 5 NR 2 Cedar Walton One Flight Down HighNote 251 191 60 2 54 14 3 4 4 3 Frank Morgan Reflections HighNote 230 193 37 7 58 2 4 2 2 1 Regina Carter I’ll Be Seeing You (A Sentimental Journey) Verve Music Group 228 245 -17 11 61 0 5 3 3 3 Jon Faddis Teranga Koch 226 200 26 11 50 4 6 20 30 6 Winard Harper Make It Happen Piadrum 208 156 52 4 53 2 7 6 5 5 Brad Mehldau Trio House On Hill Nonesuch 189 190 -1 8 43 1 7 NR NR 7 Houston Person & Bill Charlap You Taught My Heart To Sing HighNote 189 77 112 1 50 17 9 7 14 7 Anton Schwartz Radiant Blue Anton Jazz 185 185 0 3 48 3 10 27 8 8 Buck Hill Relax Severn 181 139 42 6 47 1 11 8 16 8 Freddy Cole Because Of You HighNote 179 175 4 7 56 1 12 9 21 9 Scott Hamilton Nocturnes and Serenades Concord Jazz 178 174 4 5 49 3 12 18 18 12 The Chris Walden Big Band No Bounds Origin 178 158 20 7 42 1 12 15 13 12 Ray Barretto Standards Rican-ditioned Zoho Music 178 167 11 4 51 3 15 28 26 15 Joe Lovano Streams of Expression Blue Note 166 136 30 4 44 3 15 16 9 6 Hank Jones & Frank Wess Hank & Frank Lineage Records 166 164 2 13 37 0 17 9 6 5 Gordon Goodwin’s Big Phat Band The Phat Pack Immergent 165 174 -9 6 38 2 18 29 14 5 Eric Reed Here MAXJAZZ 163 134 29 14 46 1 19 13 6 1 Roy Hargrove Nothing Serious Verve Music Group 161 172 -11 19 56 1 20 33 39 20 Ann Hampton Calloway Blues In The Night Telarc 160 125 35 3 43 6 21 25 -
Concert: Ithaca College Jazz Workshop Tuesday-Thursday Jazz Lab
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 12-5-2003 Concert: Ithaca College Jazz Workshop Tuesday-Thursday Jazz Lab Steve Brown Steve Wilson Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Tuesday-Thursday Jazz Lab; Brown, Steve; and Wilson, Steve, "Concert: Ithaca College Jazz Workshop" (2003). All Concert & Recital Programs. 2900. https://digitalcommons.ithaca.edu/music_programs/2900 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE JAZZ WORKSHOP Tuesday-Thursday Jazz Lab Steve Brown, musical director Steve Wilson, guest saxophone soloist Mean What You Say Thad Jones Rhythm-A-Ning Thelonious Monk Arr. Ryan Socrates Jessica's Day Quincy Jones The Dolphin Luis Eca Arr. Ray Brown Fantasy in "D" Cedar Walton Arr. Rufus Reid INTERMISSION There Will Never Be Another You Warren/Gordon Arr. Ray Brown Lisa Victor Feldman Arr. Yvonne Darancou A Joyful Noise Steve Wilson A Penthouse Dawn Oliver Nelson Willow Weep For Me AnnRonell Arr. Phil Woods Ford Hall Friday, December 5, 2003 8:15 p.m. Called by the Palm Beach Post "flawless, gifted with fabulous technique and a first-rate sense of what's musical," Steve Wilson has performed and recorded with the greatest names in jazz. A sampling of the musicians he has worked with includes Chick Corea, Dave Holland, Dianne Reeves, O.T.B., Donald Brown, Billy Childs, Don Byron, Bill Stewart, James Williams, and Mulgrew Miller. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Star Channels, May 20-26
MAY 20 - 26, 2018 staradvertiser.com LEGAL EAGLES Sandra’s (Britt Robertson) confi dence is shaken when she defends a scientist accused of spying for the Chinese government in the season fi nale of For the People. Elsewhere, Adams (Jasmin Savoy Brown) receives a compelling offer. Chief Judge Nicholas Byrne (Vondie Curtis-Hall) presides over the Southern District of New York Federal Court in this legal drama, which wraps up a successful freshman season. Airing Tuesday, May 22, on ABC. WE’RE LOOKING FOR PEOPLE WHO HAVE SOMETHING TO SAY. Are you passionate about an issue? An event? A cause? ¶ũe^eh\Zga^eirhn[^a^Zk][r^fihp^kbg`rhnpbmama^mkZbgbg`%^jnbif^gm olelo.org Zg]Zbkmbf^rhng^^]mh`^mlmZkm^]'Begin now at olelo.org. ON THE COVER | FOR THE PEOPLE Case closed ABC’s ‘For the People’ wraps Deavere Smith (“The West Wing”) rounds example of how the show delves into both the out the cast as no-nonsense court clerk Tina professional and personal lives of the charac- rookie season Krissman. ters. It’s a formula familiar to fans of Shonda The cast of the ensemble drama is now part Rhimes, who’s an executive producer of “For By Kyla Brewer of the Shondaland dynasty, which includes hits the People,” along with Davies, Betsy Beers TV Media “Grey’s Anatomy,” “Scandal” and “How to Get (“Grey’s Anatomy”), Donald Todd (“This Is Us”) Away With Murder.” The distinction was not and Tom Verica (“How to Get Away With here’s something about courtroom lost on Rappaport, who spoke with Murder”). -
November/December 2005 Issue 277 Free Now in Our 31St Year
jazz &blues report november/december 2005 issue 277 free now in our 31st year www.jazz-blues.com Sam Cooke American Music Masters Series Rock & Roll Hall of Fame & Museum 31st Annual Holiday Gift Guide November/December 2005 • Issue 277 Rock and Roll Hall of Fame and Museum’s 10th Annual American Music Masters Series “A Change Is Gonna Come: Published by Martin Wahl The Life and Music of Sam Cooke” Communications Rock and Roll Hall of Fame Inductees Aretha Franklin Editor & Founder Bill Wahl and Elvis Costello Headline Main Tribute Concert Layout & Design Bill Wahl The Rock and Roll Hall of Fame and sic for a socially conscientious cause. He recognized both the growing popularity of Operations Jim Martin Museum and Case Western Reserve University will celebrate the legacy of the early folk-rock balladeers and the Pilar Martin Sam Cooke during the Tenth Annual changing political climate in America, us- Contributors American Music Masters Series this ing his own popularity and marketing Michael Braxton, Mark Cole, November. Sam Cooke, considered by savvy to raise the conscience of his lis- Chris Hovan, Nancy Ann Lee, many to be the definitive soul singer and teners with such classics as “Chain Gang” Peanuts, Mark Smith, Duane crossover artist, a model for African- and “A Change is Gonna Come.” In point Verh and Ron Weinstock. American entrepreneurship and one of of fact, the use of “A Change is Gonna Distribution Jason Devine the first performers to use music as a Come” was granted to the Southern Chris- tian Leadership Conference for ICON Distribution tool for social change, was inducted into the Rock and Roll Hall of Fame in the fundraising by Cooke and his manager, Check out our new, updated web inaugural class of 1986. -
The Jazz Record
oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year. -
Eddie Harris Mean Greens
EDDIE HARRIS MEAN GREENS MUSIKER: EDDIE HARRIS: TENOR SAXOPHONE, ELECTRIC PIANO CEDAR WALTON: PIANO SONNY PHILLIPS: ORGAN RON CARTER: BASS MELVIN JACKSON: BASS BILLY HIGGINS: DRUMS RAY BARRETTO: PERCUSSION BUCKY TAYLOR: PERCUSSION 3-10 RAY CODRINGTON: TRUMPET, PERCUSSION, TAMBOURINE SONGS : 1. MEAN GREENS EDDIE HARRIS 2. IT WAS A VERY GOOD YEAR ERVIN DRAKE 3. WITHOUT YOU EDDIE HARRIS 4. YEAH YEAH YEAH EDDIE HARRIS 5. LISTEN HERE EDDIE HARRIS 6. BLUES IN THE BASEMENT EDDIE HARRIS 7. GONE HOME EDDIE HARRIS DATEN: Schallplattenfirma: ATLANTIC, NEW YORK RHINO RECORDS LOS ANGE- LES Tonträger: LP CD Nummer: 1453 / ATL 1009 8122-71515-2 Studio: ATLANTIC STUDIOS NEW YORK Aufnahmedatum: 9.3.1966 1993 Produzent: ARIF MARDIN Cover: LORING EUTEMEY MEAN GREENS von Anthony Stearn Eddie Harris lacht in sich hinein, als er dieses Album hörte. „It Was A Very Good Year“. Es erinnert sich an seine erste LP „Exodus“. „Es gibt Leute, die denken, „Exodus“ hätten mir die Aufnahmeleute schmackhaft gemacht,“ erzählt er. „Exodus war meine Idee. Diese Art Musik spiele ich sehr gerne.“ Es ist nicht die einzige Musikart, die Eddie Harris mag. Er ist einer, der meistbe- gabten Musiker zur Zeit. Seine Musik ist abwechslungsreich, verzerrt und melo- disch, komplex und pulsierend, romantisch, einfach und zynisch. 3-11 Seine Beherrschung des Tenor-Saxophon ist auf einige Musiker zurückzuführen. Seine Leichtigkeit ist das Resultat von mehr als fünfzehn Jahren harter, ständiger Arbeit. Sogar jetzt behält er seinen Stundenplan konsequent bei, übt sieben bis acht Stunden täglich. „Früher,“ erinnert er sich, “ko- pierte ich die Solos von allen grossen Saxophonisten. Note für Note ... -
Eddie Henderson Event Release 9-26-17
! HALEKULANI’S ‘LIVE AT LEWERS’ MASTERS OF JAZZ SERIES PRESENTS “EDDIE HENDERSON: A LEE MORGAN TRIBUTE” FOR IMMEDIATE RELEASE WAIKIKI, HAWAII – September 26, 2017 – Halekulani, Oahu’s most acclaimed luxury hotel located on Waikiki Beach, announces the return of renowned jazz trumpeter Eddie Henderson to its ‘Live at Lewers’ Masters of Jazz series this November. This speciaL event is in partnership with the Hawaii Interna^onaL FiLm Fes^vaL, which wiLL jointLy present the feature documentary, I CaLLed Him Morgan about briLLiant jazz musician Lee Morgan. Henderson’s extraordinary performances on November 3rd and 4th wiLL pay tribute to Morgan, his good friend and a forma^ve influence. “HalekuLani’s Live at Lewers series is a testament to our ongoing commitment to and apprecia^on of the musicaL and performing arts,” said ULrich Krauer, GeneraL Manager of HaLekuLani. “We are thriLLed to partner with Hawaii Interna^onaL FiLm Fes^vaL and its faLL fes^vaL this year as we weLcome back jazz superstar Eddie Henderson, whose connec^on to the Legendary Late Lee Morgan wiLL set a speciaL tone ahead of the Hawaii Premiere of this uniquely introspec^ve film.” Henderson will perform at 7:30 p.m. on both evenings of November 3rd and 4th. Tickets for this special Live at Lewers event are $100 for first-row VIP sea^ng and $75 for prime sea^ng and include compLimentary parking. Food and beverages are avaiLabLe to order in advance, a La carte, from the Lewers Lounge menu. Reserva^ons are required. To aiend or for more informa^on, call Dining Reserva^ons at (808) 923-2311 or visit hps://www.haLekuLani.com/Live-Lewers. -
Eddie Who? - Eddie Harris Amerikansk Tenorsaxofonist, Født 20.10.1934 I Chicago, IL, D
Eddie Who? - Eddie Harris Amerikansk tenorsaxofonist, født 20.10.1934 i Chicago, IL, d. 5.11.1996 Sanger og pianist som barn i baptistkirker og spillede senere vibrafon og tenorsax. Debuterede som pianist med Gene Ammons før universitetsstudier i musik. Spillede med bl.a. Cedar Walton i 7. Army Symphony Orchestra. Fik i 1961 et stort hit og jazzens første guldplade med filmmelodien "Exodus", hvad der i de følgende år gav ham visse problemer med accept i jazzmiljøet. Udsendte 1965 The in Sound med bl.a. hans egen komposition Freedom Jazz Dance, som siden er indgået i jazzens standardrepertoire. Spillede fra 1966 elektrificeret saxofon og hybrider af sax og basun. Flirtede med rock på Eddie Harris In the UK (Atlantic 1969). Spillede 1969 på Montreux festivalen med Les McCann (Swiss Movement, Atlantic) og skrev 1969-71 musik til Bill Cosbys tv-shows. Spillede i 80'erne med bl.a. Tete Montoliu og Bo Stief (Steps Up, SteepleChase, 1981) og igen med Les McCann. Som sideman med bl.a. Jimmy Smith, Horace Silver, Horace Parlan og John Scofield (Hand Jive, Blue Note, 1993). Optrådte trods sygdom, så sent som maj 1996. Indspillede et stort antal plader for mange selskaber, fra 80'erne mest europæiske. Med udgangspunkt i bopmusikken udviklede Harris sine eksperimenter til en meget personlig stil med umiddelbart genkendelig, egenartet vokaliserende tone, fra 70'erne krydret med (ofte lange), humoristisk filosofisk/satiriske enetaler. Følte sig ofte underkendt som musiker og satiriserede over det i sin "Eddie Who". Kilde: Politikens Jazz Leksikon, 2003, red. Peter H. Larsen og Thorbjørn Sjøgren There's a guys (Chorus) You ought to know Eddie Harris ..