Fabulae Ab Urbe Condita
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753To 510B.C
KINGDOM OF ROME 753 TO 510 B.C. FOUNDING OF ROME TO EXILE OF TARQUINS ERA SUMMARY – KINGDOM OF ROME The stories surrounding the earliest years of the kingdom of Rome are steeped in legend, but they add much romance and interest to the history of the city that grew to be the capital of the western world. According to legend, the founder of Rome was Romulus, son of Mars and descended from Venus on his mother's side. After a dramatic childhood, during which they were raised by humble shepherds, Romulus and his twin brother Remus discovered they were of royal descent and decided to found a city on the hill on which they spent their youth. In order to attract citizens to come and live in his city, Romulus declared Rome a sanctuary. Men in debt; slaves ill-treated by their masters, criminals on the lam, all were granted citizenship and protected from their enemies. In this manner, Rome grew quickly. Romulus solved the problem of a severe shortage of women by kidnapping maidens from the surrounding villages. This unsurprisingly caused wars with many of Rome's neighbors, most importantly the Sabines. The happy outcome of the War with the Sabines, however, proved to be the joining of the two nations into one. The Sabines were given one of the hills of Rome to settle, and after the rule of Romulus the well-respected Sabine philosopher, Numa Pompilius, became king. Numa's reign was long and prosperous for Rome. The city had already established itself as a warlike TARQUIN AND THE SIBYLLINE BOOKS nation, always ready to defend and expand its territory. -
Ab Urbe Condita: When Viri Were Viri
CHAPTER FOUR AB URBE CONDITA: WHEN VIRI WERE VIRI Livy, like Thucydides, observed human nature and viewed history as a lesson for mankind in which great moral issues were at stake. 1 Toward this end, Livy went even further than did Thucydides, framing his history in "a series of moral episodes ... designed to bring out the character of the leading figures," thus reducing great events of the past to a level comprehensible to his reading public. 2 By endowing his characters with clear-cut virtues and vices, Livy was able to present his readers moral exempla with which they could readily identify. As P.G. Walsh writes, the real heroes of Ab Urbe Condita are pietas,fides, concordia, ratio, clementia, and so forth, who all wage continual war against the villains furor,ferocitas, temeritas, libido, luxuria and their like. 3 Because of this polarized framework, Livy's presentation of Roman history is a pano ramic chiaroscuro of dichotomies. His dualistic premise demands sim plistic characters so that the reader may know where a particular personage stands in the moral scheme. 4 An incidental component in the creation of what are, at best, two-dimensional characters, was the historian's use of vir and homo as capsule identifications. Livy's masculine terminology reflects that of Cicero in that he generally employs vir for the distinguished and homo for the humble, the foreigner (with an ethnic adjective), and as a term of abuse, sometimes in direct evocation of the Republican orator. The historiographical idiom, however, permits greater freedom and variation of usage than did the forensic speech. -
The Ab Urbe Condita Construction in Latin
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 1936 The Ab Urbe Condita Construction in Latin Otto William Heick Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Classical Literature and Philology Commons Heick, Otto William, "The Ab Urbe Condita Construction in Latin" (1936). Papers from the University Studies series (The University of Nebraska). 122. https://digitalcommons.unl.edu/univstudiespapers/122 This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VoL. XXXVI · 1936 UNIVERSITY STUDIES • PUBLISHED BY THE UNIVERSITY OF NEBRASKA COMMITTEE ON PUBLICATION J. E. KIRSHMAN C. S. HAMILTON T. M. RAYSOR H. H. MARVIN G. W. ROSENLOF R. J. POOL , FRED W. UPSON LOUISE POUND GILBERT H. DOANE THE AB URBE CONDITA CONSTRUCTION IN LATIN BY OTTO WILLIAM HEICK, Ph.D. LINCOLN, NEBRASKA 1936 THE UNIVERSITY STUDIES OF THE UNIVERSITY OF NEBRASKA VOLUME XXXVI LINCOLN PUBLISHED BY THE UNIVERSITY 1936 UNIVERSITY STUDIES VoL. XXXVI Nos. 1-4 THE AB VRBE CONDITA CONSTRUCTION IN LATIN BY OTTO WILLIAM HEICK, Ph.D. CONTENTS CHAPTER PAGE l. INTRODUCTION 9 THE NATURE OF THE Ab Urbe Condita CoNSTRUCTION 9 PREVIOUS WoRK ON THE SUBJECT 10 AIMS AND METHOD OF THE PRESENT STUDY 11 II. ARCHAIC AUTHORS. -
Augustine and the Art of Ruling in the Carolingian Imperial Period
Augustine and the Art of Ruling in the Carolingian Imperial Period This volume is an investigation of how Augustine was received in the Carolingian period, and the elements of his thought which had an impact on Carolingian ideas of ‘state’, rulership and ethics. It focuses on Alcuin of York and Hincmar of Rheims, authors and political advisers to Charlemagne and to Charles the Bald, respectively. It examines how they used Augustinian political thought and ethics, as manifested in the De civitate Dei, to give more weight to their advice. A comparative approach sheds light on the differences between Charlemagne’s reign and that of his grandson. It scrutinizes Alcuin’s and Hincmar’s discussions of empire, rulership and the moral conduct of political agents during which both drew on the De civitate Dei, although each came away with a different understanding. By means of a philological–historical approach, the book offers a deeper reading and treats the Latin texts as political discourses defined by content and language. Sophia Moesch is currently an SNSF-funded postdoctoral fellow at the University of Oxford, working on a project entitled ‘Developing Principles of Good Govern- ance: Latin and Greek Political Advice during the Carolingian and Macedonian Reforms’. She completed her PhD in History at King’s College London. Augustine and the Art of Ruling in the Carolingian Imperial Period Political Discourse in Alcuin of York and Hincmar of Rheims Sophia Moesch First published 2020 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business Published with the support of the Swiss National Science Foundation. -
A Journey in Pictures Through Roman Religion
A Journey in Pictures through Roman Religion By Ursula Kampmann, © MoneyMuseum What is god? As far as the Romans are concerned we think we know that all too well from our unloved Latin lessons: Jupiter, Juno, Minerva, the Roman Triad as well as the usual gods of the ancient world, the same as the Greek gods in name and effect. In fact, however, the roots of Roman religion lie much earlier, much deeper, in dark, prehistoric times ... 1 von 20 www.sunflower.ch How is god experienced? – In the way nature works A bust of the goddess Flora (= flowering), behind it blossom. A denarius of the Roman mint master C. Clodius Vestalis, 41 BC Roman religion emerged from the magical world of the simple farmer, who was speechless when faced with the miracles of nature. Who gave the seemingly withered trees new blossom after the winter? Which power made the grain of corn in the earth grow up to produce new grain every year? Which god prevented the black rust and ensured that the weather was fine just in time for the harvest? Who guaranteed safe storage? And which power was responsible for making it possible to divide up the corn so that it sufficed until the following year? Each individual procedure in a farmer's life was broken down into many small constituent parts whose success was influenced by a divine power. This divine power had to be invoked by a magic ritual in order to grant its help for the action. Thus as late as the imperial period, i.e. -
Julius Caesar
Advisory Editor: Professor M. M. Willcock Julius Caesar THE CIVIL V/AR BOOKS I 8. II Edited with an Infroduction, Translation & Commentary by J. M. Carter {Qq t Aris & Phillips - Warminsten - England 153 COMMENTARY BOOK I 1.33 The capture of ltaly, Sicily and Sardinia 1-6 Caesar begins with the politícal moves made against him, and the tribunes who snpported him, in the first days of larunry. The aim is to show his chíef enemies a.s men who are unwilling to negotiate, contemptuons of the constitutíon, and actuated by discreditable personal motives. The clímax of this first section is the flight of the two tribunes from Rome on Jarunry 7th, but Caesar rounds it off wìth an account of the decßíons made hy the senate after they had gone, when hís enemies had a free lund to make the díspositions they wished. In spìte af hís supefficíally dispassionate tone, the presentation here is more consistenþ subjective and biased against his opponents thon anywhere else in the work. ' 1 L ...when Caesar's letter was delivered to the consuls: could Caesar have plunged thus, without introduction or explanation, into his narr¿tive? Modem editorial consensus (Fabre, Klotz, Oppermann, Trillitzsch) holds so, but there a¡e strong reasons for believing that at least several sentences have been lost from the start of the book: (a) the narative at the end of Bellum Gallicum I fails to join up properly with the beginning we have here, although Hirtius wrote it speciñcally to filI the gap between Caesar's two wodcs (8.G. -
Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal Timothy Hanford Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/427 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by TIMOTHY HANFORD A dissertation submitted to the Graduate Faculty in Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ©2014 TIMOTHY HANFORD All Rights Reserved ii This dissertation has been read and accepted by the Graduate Faculty in Classics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Ronnie Ancona ________________ _______________________________ Date Chair of Examining Committee Dee L. Clayman ________________ _______________________________ Date Executive Officer James Ker Joel Lidov Craig Williams Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by Timothy Hanford Advisor: Professor Ronnie Ancona This dissertation explores the relationship between Senecan tragedy and Virgil’s Aeneid, both on close linguistic as well as larger thematic levels. Senecan tragic characters and choruses often echo the language of Virgil’s epic in provocative ways; these constitute a contrastive reworking of the original Virgilian contents and context, one that has not to date been fully considered by scholars. -
ROMANS F/ 52 PART L: the KINGS of ROME
ruuLAE rcWAE STORIES OF FAMOLJS ROMANS f/ 52 PART l: THE KINGS OF ROME 1 iam dEdum: "for a long time already.' 2 aegrl ferre, to take badly, resent. Sex. Tarquinil: the youngest son ofTarquinius Superbus; see 11:17 and the note there" 3 ut . , . statuerent: "that they decided," result clause (see the grammar note on page 56). 5 Tarquinius CollEtlnus, -I (m.), Lucius Tarquinius Collatinus (nephew of Tarquinius Superbus and husband oflucretia). sorOre . n6tus: "born from the sister," ablative ofsourcewith nEtus, perfect participle ofthe verb n6scor. 6 contubernium, -i (n.), the sharing of a tent in the army, the status of be- ing messmates. in contuberrrid iuvenum rEgi0rum . erat: "was a messmate of . ." Ardea, -ae (f), Ardea (a town to the south of Rome). 7 *hber, libera, hberum, free, outspoken, unrestricted, unrestrained. frnusquisque, tnaquaeque, tnumquodque, each one. 8 *nutue, -ts (f), daughter-in-1aw. 9 *ltxus, -0.s (m.), luxury, luxurious living, extravagance. *d6prehend6, d6prehendere (3), dEprehendl, d6preh6nsum, to get hold of, surprise, catch in the act. CollEtia, -ae (f), Collatia (a town in Latium). 10 LucrEtia, -ae (f), Lucretia (wife of Collatinus). lanificium, -I (n.), wool-spinning, weaving (a traditional occupation of a Roman housewife). L1 offendO, offendere (3), offeadi, oftnsum, to strike against, find, en- counf,er. pudlcus, -a, -lrm, chase, virtuous. *itrdicd (1), to judge, proclaim, declare, think. 12 *corrump6, corrumpere (3), corrtrpl, corruptum, to break, corrupt, seduce, Ad quan corrumpendam: "To seduce her," gerundive (see the grammar note on page 59). 13 propinquitds, propinquitdtig (f), family relationship. Sextus Tarquinius was admitted to the house because he was a rela- tive. -
Juvenal Commentary
1 digressus, -us m. departure, separation. vetus, -eris, old, aged, ancient, of long-standing. confūsus, -a, -um, confused, disturbed. 2 vacuus, -a, -um, empty; carefree. sēdēs, -is f. seat; dwelling place, home. fīgō, -ere, fīxī, fīxum, to fix, fasten. Cumae, -ārum f.pl. Cumae, an ancient Greek city on the coast northwest of Naples. Note the locative case. 3 dēstinō (1) to make firm; resolve; aim at; intend. “he intends, as he says” - note the force of the subjunctive. 4 Baiae, a popular resort 6 miles along the coast from Cumae. amoenius, -a, -um, pleasant, charming, delightful. Read with secessus. 5 sēcessus, -us m. retirement, solitude, retreat. Prochyta, a small island off the coast of Misenum. praepōnō, -ere, -posuī, -positum, to place before; prefer. Subura, a busy and crowded district of Rome northeast of the Forum. 6 solus, -a, -um, alone, sole; lonely, solitary. 7 deterior, -ius, worse, inferior. The superlative is deterrimus. The positive is lacking. horreō, -ere, -uī, to bristle; shudder at, fear. incendium, -ī n. fire. lapsus, -ūs m. fall. 8 tectum, -ī n. roof; ceiling; house. adsiduus, -a, -um, persistent, incessant. 9 Augusto mense: an ablative of time when. Note the vicious humor of the climax. 10 raeda, -ae f. a traveling carriage. An ablative of means to be read with una. compōnō, -ere, -pōsuī, -positum, to bring, place, put together; collect; arrange, dispose. 11 substō, -āre, -stitī, to stand firm. veteres: The Capena Gate was one of the oldest in Rome. arcus, -ūs m. bow; rainbow; arch, vault. madidus, -a, -um, wet, moist; steeped. The Porta Capena lay under the Marcian Aquaduct. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.