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Beneath the Water Tower
BENEATH THE WATER TOWER THE GRAYLINGWELL HERITAGE PROJECT 1 We have made every effort to include only images which are out of copyright, or which were donated to the project to use as it chooses. Although we have taken great care in selecting images for this publication, we may have inadvertently used an image for which you claim copyright. We apologise if this is the case. ISBN 978-1-907852-34-3 ‘Beneath the Water Tower’: Graylingwell Heritage Project (Printed publication) ISBN 978-1-907852-35-0 ‘Beneath the Water Tower’: Graylingwell Heritage Project (e-book version) All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. © Graylingwell Heritage Project 2015 College Lane, Chichester West Sussex PO19 6PQ An accessible version of this publication is available via our website: www.graylingwellheritage.co.uk 2 BENEATH THE WATER TOWER THE GRAYLINGWELL HERITAGE PROJECT EDITORIAL TEAM Gillian Edom Rachel Johnston Sarah Rance-Riley Katherine Slay Maureen Wright 1 Graylingwell Hospital from the south-west, pre 1930 2 FOREWORD ‘I think that we always ought to be cautious about any sort of rose-tinted-glasses look at the mental hospitals…’ - Dr Niall McCrae The Graylingwell Heritage Project has been a Pallant House Gallery has worked closely with the community based heritage and arts programme local community and patients still on the Graylingwell located in Chichester, West Sussex. The project site to deliver a series of arts workshops that have went ‘live’ in January 2014 after receiving a offered a voice to many people and created an funding grant from the Heritage Lottery Fund. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
The Angry Woman Poems
The University of North Carolina at Greensboro JACKSON LIBRARY «p\ no.8?3 B * I 1 I'= V Gift of: Mary Margaret Feeney COLLEGE COLLECTION PENNEY, HART MARGARET. The Angry Woman Poems. (1971) Directed by: Dr. Robert Watson. Pp. 53 This thesis consists of poems written and/or re- vised between September, 1969 and March, 1971, while the author was enrolled In the Master of Pine Arts in Creative Writing program of the University of North Carolina at Greensboro. The poems are divided into two sections intended to be mirror images of each other. Groups of poems have also been arranged to reflect upon each other thematlcally and structurally. Some of the poems included have been published or accepted for publication in the following magazines: Brown Bag. Cafe Solo. Ply gj Night. The Greenfield review. The Greensboro Review, and II T.iC fa. ? THE ANGiY WOMAK PCLKS by Mary Feeney A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts Greensboro 1971 Approved by KnwA ILL. Thesis Adviser This thesis has been approved by the following committee of the faculty of the Graduate School at The University of North Carolina at Greensboro. Thesis Adviser ^ZjuA ^X, Committee Members U Cty» &W$Q&L IJeW, Y\JXic\ ii THE AWGl.Y WOMAN POEM TABLh OP CONTOIS Page . THE AKGxY WOMAN POLKS Song for the Year's tnd 2 Cde to Pranqoise Dorle'ac 4 Rush Chant 6 Silver 7 Temperance 8 You Stew 9 Directive 10 Ky Vacuum Cleaner Speaks of Inner Space 11 Projection 12 Convention 13 15 Pas de Deux 16 Writing Back Waste 17 The Military-Industrial Complex Meets Tonight 18 Poem ("I Knew My Mind...") 19 Poem ("I Watched the Moon...") 20 II. -
“Quiet Please, It's a Bloody Opera”!
UNIVERSITETET I OSLO “Quiet Please, it’s a bloody opera”! How is Tommy a part of the Opera History? Martin Nordahl Andersen [27.10.11] A theatre/performance/popular musicology master thesis on the rock opera Tommy by The Who ”Quiet please, it’s a bloody opera!” Martin Nordahl Andersen 2011 “Quiet please, it’s a bloody opera!” How is Tommy part of the Opera History? Print: Reprosentralen, University of Oslo All photos by Ross Halfin © All photos used with written permission. 1 ”Quiet please, it’s a bloody opera!” Aknowledgements I would like to thank my supervisors Ståle Wikshåland and Stan Hawkins for superb support and patience during the three years it took me to get my head around to finally finish this thesis. Thank you both for not giving up on me even when things were moving very slow. I am especially thankful for your support in my work in the combination of popular music/performance studies. A big thank you goes to Siren Leirvåg for guidance in the literature of theatre studies. Everybody at the Institute of Music at UiO for helping me when I came back after my student hiatus in 2007. I cannot over-exaggerate my gratitude towards Rob Lee, webmaster at www.thewho.com for helping me with finding important information on that site and his attempts at getting me an interview with one of the boys. The work being done on that site is fantastic. Also, a big thank you to my fellow Who fans. Discussing Who with you makes liking the band more fun. -
Scottish Language Letter Cle To
CLE [449] CLE 1 radically the same. From the form of the A.-S. word, Nor his bra targe, on which is seen it seems to have been common to the Celtic and The ycr.l, the sin, the lift, the Can well agree wi' his cair Gothic ; and probably dough had originally aamc cleuck, That cleikit was for thift. sense with Ir. rloiclte, of, or belonging to, a rock or Poems in the Buchan 12. stone. V. CLOWK. Dialect, p. This term is transferred Satchels, when giving the origin of the title Sue- to the hands from their i-li or hold of E. of niih, supplies us with a proof of clench and heuclt being griping laying objects. clutch, which neither Skinner nor Johnson is synon. : gives any etymon, evidently from the same Junius derives clutches Ami for the buck thou stoutly brought origin. from to shake ; but without reason. To us up that steep heugh, Belg. klut-en, any Thy designation ever shall Shaw gives Gael, glaic as signifying clutch. Somner Be John Scot in [ot\Buckscleugh. views the E. word as formed from A.-S. gecliht, "col- History Jfame of Scot, p. 37. lectus, gathered tegether : hand gecliht, manus collecta vel contracta," in modern language, a clinched fat. CLEUCII, adj. 1. Clever, dextrous, light- But perhaps cleuk is rather a dimin. from Su.-G. klo, fingered. One is said to have cleuch hands, Teut. klaawe, a claw or talon. Were there such a word as Teut. as from or to be "cleuch of the fingers," who lifts klugue, unguis, (mentioned GL the resemblance would be so that do not Kilian, Lyndsay, ) greater. -
V. Notes on the Contents of Two Viking Graves in Islay
V. E CONTENT NOTEO TH VIKIN N TW O SF GO S GRAVE N ISLAYI S , DISCOVERED BY WILLIAM CAMPBELL, ESQ., OF BALLINABY; WITH NOTICES OF THE BURIAL CUSTOMS OF THE NORSE SEA- KINGS S RECORDEA ,E SAGA TH D ILLUSTRATE AN N SI D Y B D THEIR GRAVE-MOUNDS IN NORWAY AND IN SCOTLAND. Bv JOSEPH ANDERSON, ASSISTANT SEOKETAIIY, AND KEEPER OF THE MUSEUM. The contents of the two graves now to be described were discovered by William Campbell, Esq. Ballinabyf o , sande th n y,i link t Ballinabysa n ,i islane th Islayf do Augusn ,i t 1878 I heardiscovere . th f do Septembeyn i r through Dr Hunter; and recognising it from his description as a deposit of the heathen Viking time, I wrote to Mr Campbell requesting him to entrusr description— fo e articles th e t m o t ' a request with whice h courteously complie y bringinb d g the o Edinburgmt d ultimatelan h y presenting them to the Museum. Mr Campbell states that the discovery was made in consequence of the drifting of the sand showing a deposit of rust on the surface; and on digging to the depth of about 15 inches he found two skeletons a little apart with their heads towards the east. A line of stones on edge formed a sort of enclosure round each of the skeletons othee Th r. content f thso e graves wer follows ea s :— QRAVE No. I. 1. An iron sword in its sheath. 2. Iron bosshielda f so , wit handls hit e attached. -
The Entomologist's Record and Journal of Variation
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Almost, Both, Neither Fragmented Identities in Contemporary Black-To-Jewish Passing Literature
Master’s Degree Programme in EUROPEAN, AMERICAN AND POSTCOLONIAL LANGUAGE AND LITERATURE Final Thesis Almost, Both, Neither Fragmented Identities in Contemporary Black-to-Jewish Passing Literature Supervisor Prof. Simone Francescato Assistant supervisor Prof. Dr. Pascal Fischer Graduand Emilia Munaro 847314 Academic Year 2017/2018 ABSTRACT The United States have long been characterized by a strong racial binarism, that sees white people as superior to non-whites. Slavery, segregation and inequality have led to racial passing, an act that featured light-skinned black individuals passing for white. In some specific cases these individuals passed for Jewish. This is particularly interesting because Jews, although now considered to be part of the mainstream white race, have been seen for a long time as mere ‘off-whites’, a minority group at best, if not straight-out inferior. Passing continues to be an interesting topic for fiction writers, even after the decrease of real-life passing. Critics have mostly focused on black-to-white passing, neglecting the different types of white that have existed in the Unites States before they merged into one main category. These other minority groups, which due to their white skin belonged to the white race but at the same time were seen as inferior, offered a middle ground between the two main races of the binary, opening new possibilities for individuals who had a fragmented identity and who saw passing not only as an opportunity concerning social and economical status and legal benefits, but also as the means through which they could resolve their fragmentation. This thesis seeks to shed light on the importance of Black and Jewish identities in the contemporary novels Caucasia by Danzy Senna and The Human Stain by Philip Roth. -
Recordsofinverne02inveuoft.Pdf
^& #. d|> pre0ente^ to of tbe TUnivcrsitp of ?Ioronto Mr. Murray Garden IRecorbe of Jnverness Only 2^0 Copies printed. N0...J.3..: 1Recot^6 of Jnverneee Edited by William Mackay, LL.D., and George Smith Laing Volume II. I 'Burgh Court 'Books : 1602-3'; Minutes of Town Council: 1637-88 Aberdeen prtnteb for tbe IRew Spal^ino (Tlub M cm xxiv iJ>^\ Ufl3 V n:be IRew SpalMno Club. The Spalding Club founded 2jrd December, iSsg. Reconstituted as The Ne^u Spalding Club nth November, iSS6. patron : HIS MAJESTY THE KING. |>c(si&ent : THE MARQUESS OF ABERDEEN AND TEMAIR, K.T., G.C.M.G., D.C.L., LL.D. Oicespcesibente: The Duke of Richmond and Gordon, K.G., The Lord Forbes. G.C.V.O., C.B. The Lord Sempill. The Earl of Strathmore and Kinghorne. The Principal of the University OF The Earl ok Kintore, G.C.M.G., LL.D. Aberdeen. The Earl of Rosebery and Midlothian, Sir Thomas Burnett of Leys, Bart. K.G., K.T., LL.D. (Sriiinac^ flDembere oT douncll : John Malcolm Bulloch, LL.D., London. Colonel J. G. Wolrige-Goidon of Hallhead and John George Burnett of Powis. Esslemont. A. Henderson, Cults. Sir George A. Cooper of Hursley Park, Bart. •Jobn *J. F. Kellas Johnstone, Aberdeen. •Patrick Cooper, Advocate, Aberdeen. William Kelly, A.R.S.A., LL.D., Architect, Aber- *James Edward Crombie, LL.D., Parkhill. deen. *Professor W. L, Davidson, LL.D., Aberdeen. William Mackay, LL.D., Solicitor, Inverness. Professor John Wight Duff, Litt.D., Newcastle- Sir George M. Paul, LL.D., Deputy Keeper of the on-Tyne. -
You Can Download This Book Here in Pdf Format
CONTENTS CONTENTS ADAM DRINAN The Men of the Rocks 294 BERNARD PERGUSSON Across the Chindwin 237 JAMES PERGUSSON Portrait of a Gentleman 3" G S FRASER The Black Cherub 82 SIR ALEXANDER GRAY A Father of SociaUsm loi Scotland 3i9 NEIL M GUNN Up from the Sea 114 The Little Red Cow 122 GEORGE CAMPBELL HAY Ardlamont 280 To a Loch Fyne Fisherman 280 The Smoky Smirr o Rain 281 MAURICE LINDSAY The Man-in-the-Mune 148 Willie Wabster 148 Bum Music 149 ERIC LINKLATER Rumbelow 132 Sealskin Trousers 261 HUGH MACDIARMID Wheesht, Wheesht 64 Blind Man's Luck 64 Somersault 5^ vi CONTENTS Sabine 65 O Wha's been Here 197 Bonnie Broukit Baim 198 COLIN MACDONALD Lord Leverhulme and the Men of Lewis 189 COMPTON MACKENZIE The North Wind 199 MORAY MCLAREN The Commercial Traveller 297 DONALD G MACRAE The Pterodactyl and Powhatan's Daughter 309 BRUCE MARSHALL A Day with Mr Migou 38 GEORGE MILLAR Stone Walls . 170 NAOMI MITCHISON Samund's Daughter 85 EDWIN MUIR In Orkney 151 In Glasgow 158 In Prague 161 The Good Town 166 WILL OGILVIE The Blades of Harden 259 ALEXANDER SCOTT The Gowk in Lear 112 GEORGE SCOTT-MONCRIEFF Lowland Portraits 282 vii CONTENTS SYDNEY GOODSIR SMITH ; ACKNOWLEDGMENTS Thanks are due, and are hereby tendered, to the following authors and publishers for permission to use copyright poems and extracts from the volumes named hereunder : John Allan and Messrs Methuen & Co Ltd for Farmer's Boy ; George Blake and William CoUins, Sons and Co Ltd for The Ship- builders ; Jonathan Cape Ltd for three poems from Collected Poems by Lilian Bowes Lyon ; James -
The Shattered Mirror: Identity, Authority, and Law, 58 Wash
Washington and Lee Law Review Volume 58 | Issue 1 Article 3 Winter 1-1-2001 The hS attered Mirror: Identity, Authority, and Law Lawrence M. Friedman Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Civil Rights and Discrimination Commons, and the Law and Society Commons Recommended Citation Lawrence M. Friedman, The Shattered Mirror: Identity, Authority, and Law, 58 Wash. & Lee L. Rev. 23 (2001), https://scholarlycommons.law.wlu.edu/wlulr/vol58/iss1/3 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. The Shattered Mirror: Identity, Authority, and Law Lawrence M. Friedman* At Stanford Law School, there are a stunning number of student organiza- tions. Some of them have been around for a while. Others come and go. We have or have had organizations of black students, Hispanic students, Native American students, Asian and Pacific Islander students, gay and lesbian students, Jewish students, Christian students, women students, older students, students interested in high technology, students interested in entertainment law. Most of these groups are identity groups. A few are groups organized around some field of law. When I went to law school, almost fifty years ago, there were (ifI am remembering correctly) none of these organizations. To be sure, there were very few women or minority students in law school at that time. -
Score Alfred Music Publishing Co. Finn
Title: 25th Annual Putnam County Spelling Bee, The - score Author: Finn, William Publisher: Alfred Music Publishing Co. 2006 Description: Score for the musical. Title: 42nd Street - vocal selections Author: Warren, Harry Dubin, Al Publisher: Warner Bros. Publications 1980 Description: Vocal selections from the musical. Contains: About a Quarter to Nine Dames Forty-Second Street Getting Out Of Town Go Into Your Dance The Gold Digger's Song (We're In The Money) I Know Now Lullaby of Broadway Shadow Waltz Shuffle Off To Buffalo There's a Sunny Side to Every Situation Young and Healthy You're Getting To Be a Habit With Me Title: 9 to 5 - vocal selections The musical Author: Parton, Dolly Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Nine to Five Around Here Here for You I Just Might Backwoods Barbie Heart to Hart Shine Like the Sun One of the Boys 5 to 9 Change It Let Love Grow Get Out and Stay Out Title: Addams Family - vocal selections, The Author: Lippa, Andrew Publisher: Hal Leonard Publishing Corporation 2010 Description: Vocal selections from the musical. includes: When You're an Addams Pulled One Normal Night Morticia What If Waiting Just Around the Corner The Moon and Me Happy / Sad Crazier than You Let's Not Talk About Anything Else but Love In the Arms Live Before We Die The Addams Family Theme Title: Ain't Misbehavin' - vocal selections Author: Henderson, Luther Publisher: Hal Leonard Publishing Corporation Description: Vocal selections from the musical. Contains: Ain't Misbehavin (What Did I Do to Be So) Black and Blue (Get Some) Cash For Your Trash Handful of Keys Honeysuckle Rose How Ya Baby I Can't Give You Anything But Love It's a Sin To Tell A Lie I've Got A Felling I'm Falling The Jitterbug Waltz The Joint is Jumping Keepin' Out of Mischief Now The Ladies Who Sing With the Band Looking' Good But Feelin' Bad Lounging at the Waldorf Mean to Me Off-Time Squeeze Me 'Tain't Nobody's Biz-ness If I Do Title: Aladdin and Out - opera A comic opera in three acts Author: Edmonds, Fred Hewitt, Thomas J.