The Philosophy of Fractals Rick Delmonico the Fractal Nature of Living Systems
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Ecology, Harvest, and Use of Harbor Seals and Sea Lions: Interview Materials from Alaska Native Hunters
Ecology, Harvest, and Use of Harbor Seals and Sea Lions: Interview Materials from Alaska Native Hunters Technical Paper No. 249 Terry L. Haynes and Robert J. Wolfe, Editors Funded through the National Oceanic and Atmospheric Administration, National Marine Fisheries Service, Subsistence Harvest and Monitor System (No. 50ABNF700050) and Subsistence Seal and Sea Lion Research (NA66FX0476) Alaska Department of Fish and Game Division of Subsistence Juneau, Alaska August 1999 The Alaska Department of Fish and Game conducts all programs and activities free from discrimination on the basis of sex, color, race, religion, national origin, age, marital status, pregnancy, parenthood, or disability. For information on alternative formats available for this and other department publications, please contact the department ADA Coordinator at (voice) 907-465-4120, (TDD) 1-800-478-3648 or (FAX) 907-586-6595. Any person who believes s/he has been discriminated against should write to: ADF&G, P.O. Box 25526, Juneau, Alaska 99802-5526; or O.E.O., U.S. Department of the Interior, Washington, D.C. 20240. TABLE OF CONTENTS Page INTRODUCTION....................................................................................................... 1 ALEUTIAN ISLANDS ............................................................................................... 11 Akutan................................................................................................................. 11 Atka .................................................................................................................... -
Object Oriented Programming
No. 52 March-A pril'1990 $3.95 T H E M TEe H CAL J 0 URN A L COPIA Object Oriented Programming First it was BASIC, then it was structures, now it's objects. C++ afi<;ionados feel, of course, that objects are so powerful, so encompassing that anything could be so defined. I hope they're not placing bets, because if they are, money's no object. C++ 2.0 page 8 An objective view of the newest C++. Training A Neural Network Now that you have a neural network what do you do with it? Part two of a fascinating series. Debugging C page 21 Pointers Using MEM Keep C fro111 (C)rashing your system. An AT Keyboard Interface Use an AT keyboard with your latest project. And More ... Understanding Logic Families EPROM Programming Speeding Up Your AT Keyboard ((CHAOS MADE TO ORDER~ Explore the Magnificent and Infinite World of Fractals with FRAC LS™ AN ELECTRONIC KALEIDOSCOPE OF NATURES GEOMETRYTM With FracTools, you can modify and play with any of the included images, or easily create new ones by marking a region in an existing image or entering the coordinates directly. Filter out areas of the display, change colors in any area, and animate the fractal to create gorgeous and mesmerizing images. Special effects include Strobe, Kaleidoscope, Stained Glass, Horizontal, Vertical and Diagonal Panning, and Mouse Movies. The most spectacular application is the creation of self-running Slide Shows. Include any PCX file from any of the popular "paint" programs. FracTools also includes a Slide Show Programming Language, to bring a higher degree of control to your shows. -
THE ART of DREAMING by Carlos Castaneda
THE ART OF DREAMING By Carlos Castaneda [Version 1.1 - Originally scanned, proofed and released by BELTWAY ] [If you correct any errors, please increment the version number and re-release.] AUTHOR'S NOTE: Over the past twenty years, I have written a series of books about my apprenticeship with a Mexican Yaqui Indian sorcerer, don Juan Matus. I have explained in those books that he taught me sorcery but not as we understand sorcery in the context of our daily world: the use of supernatural powers over others, or the calling of spirits through charms, spells, or rituals to produce supernatural effects. For don Juan, sorcery was the act of embodying some specialized theoretical and practical premises about the nature and role of perception in molding the universe around us. Following don Juan's suggestion, I have refrained from using shamanism, a category proper to anthropology, to classify his knowledge. I have called it all along what he himself called it: sorcery. On examination, however, I realized that calling it sorcery obscures even more the already obscure phenomena he presented to me in his teachings. In anthropological works, shamanism is described as a belief system of some native people of northern Asia-prevailing also among certain native North American Indian tribes-which maintains that an unseen world of ancestral spiritual forces, good and evil, is pervasive around us and that these spiritual forces can be summoned or controlled through the acts of practitioners, who are the intermediaries between the natural and supernatural realms. Don Juan was indeed an intermediary between the natural world of everyday life and an unseen world, which he called not the supernatural but the second attention. -
Open Etoth Dissertation Corrected.Pdf
The Pennsylvania State University The Graduate School The College of Arts and Architecture FROM ACTIVISM TO KIETISM: MODERIST SPACES I HUGARIA ART, 1918-1930 BUDAPEST – VIEA – BERLI A Dissertation in Art History by Edit Tóth © 2010 Edit Tóth Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 The dissertation of Edit Tóth was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Dissertation Adviser Chair of Committee Sarah K. Rich Associate Professor of Art History Craig Zabel Head of the Department of Art History Michael Bernhard Associate Professor of Political Science *Signatures are on file in the Graduate School ii ABSTRACT From Activism to Kinetism: Modernist Spaces in Hungarian Art, 1918-1930. Budapest – Vienna – Berlin investigates modernist art created in Central Europe of that period, as it responded to the shock effects of modernity. In this endeavor it takes artists directly or indirectly associated with the MA (“Today,” 1916-1925) Hungarian artistic and literary circle and periodical as paradigmatic of this response. From the loose association of artists and literary men, connected more by their ideas than by a distinct style, I single out works by Lajos Kassák – writer, poet, artist, editor, and the main mover and guiding star of MA , – the painter Sándor Bortnyik, the polymath László Moholy- Nagy, and the designer Marcel Breuer. This exclusive selection is based on a particular agenda. First, it considers how the failure of a revolutionary reorganization of society during the Hungarian Soviet Republic (April 23 – August 1, 1919) at the end of World War I prompted the Hungarian Activists to reassess their lofty political ideals in exile and make compromises if they wanted to remain in the vanguard of modernity. -
Islander. VOL
The Islander. VOL. 1. HONOLULU, FRIDAY, OCTOBER 15, 1875. NO. 33 :rilE 1:'1.ANDER. acconnts tOl' the gl'eat number of nominal Chl'istians A 'Veekly Journal" devoted. .to Hllwaiian ioterests. Particular attention is whose Christianity cannot be discovered by any fmits, glVCQ 10 Scientific Researches; especiall}' among the Pacitl..: lalalU.ls. Home and to be more than nominal. "vVe agree most strongly Foreign Newli form a prominent feature of the paper.. It aima at lIiscu!!Isiug everything of ioterellt and imporlllUce a.nd ma.king itself us nec~8sary to tlie ,vith Arnold, that the prevailing theology needs im nome ali to the lIIan of lHl:!llne~s or the g~lIera.l student.. The list of contributors prr'vement j 'call the bet.ter something, new or old, we cmlJraces the belit literary talent of the islands. cal'e not, it is the lesson of Christ's words and life and o:::r CommUDlCalions to be addreAsed to THOS •. G. TnRUM, Busioess Agent, Honolulu, death, and it is best exemplified at the present day not Price Two Dollnr. and Fifty Cent. a year, or Twenly-nve Cenl. per Month. by creeds and dogmas, but, by the lives of those who Cash ahvaYlJ in advance. Single Copie~ TenCent:J. "visit the fatlierless and widows in their aflliction and who keep themselves unspotted from the world." THE ISLANDER. Sometimes the clergymen of the day preach this 'fUE Gazette of this week criticises at some length, gospel and sometimes they do not" 'Ve have heard and unfavorably, AI;nold's papero'ntbe " New Theol from church pulpits, purely selfish moti~es'appealed ogy" published in our last numbel". -
Beneath the Water Tower
BENEATH THE WATER TOWER THE GRAYLINGWELL HERITAGE PROJECT 1 We have made every effort to include only images which are out of copyright, or which were donated to the project to use as it chooses. Although we have taken great care in selecting images for this publication, we may have inadvertently used an image for which you claim copyright. We apologise if this is the case. ISBN 978-1-907852-34-3 ‘Beneath the Water Tower’: Graylingwell Heritage Project (Printed publication) ISBN 978-1-907852-35-0 ‘Beneath the Water Tower’: Graylingwell Heritage Project (e-book version) All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. © Graylingwell Heritage Project 2015 College Lane, Chichester West Sussex PO19 6PQ An accessible version of this publication is available via our website: www.graylingwellheritage.co.uk 2 BENEATH THE WATER TOWER THE GRAYLINGWELL HERITAGE PROJECT EDITORIAL TEAM Gillian Edom Rachel Johnston Sarah Rance-Riley Katherine Slay Maureen Wright 1 Graylingwell Hospital from the south-west, pre 1930 2 FOREWORD ‘I think that we always ought to be cautious about any sort of rose-tinted-glasses look at the mental hospitals…’ - Dr Niall McCrae The Graylingwell Heritage Project has been a Pallant House Gallery has worked closely with the community based heritage and arts programme local community and patients still on the Graylingwell located in Chichester, West Sussex. The project site to deliver a series of arts workshops that have went ‘live’ in January 2014 after receiving a offered a voice to many people and created an funding grant from the Heritage Lottery Fund. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Atti Rss 2010
PREMESSA AGLI ATTI DELLO OTTAVO REGIONAL SEAPOWER SYMPOSIUM DI VENEZIA del Capo di Stato Maggiore della Marina Il Capo di Stato Maggiore della Marina Il Regional Seapower Symposium (RSS) di Venezia è l’evento che da ormai quattordici anni rappresenta uno dei principali strumenti utilizzati dalla Marina Militare per contribuire allo sviluppo della partnership internazionale e contribuire alla sicurezza marittima globale. Se è vero che il numero ed il livello dei partecipanti costituiscono un’indicazione attendibile dell’importanza di un evento, l’ottava edizione del RSS - che ha visto rappresentanti di 44 Marine che operano nel Mediterraneo Allargato e 20 Organizzazioni Internazionali e realtà militari e civili incontrarsi nella cornice lagunare – può senza dubbio essere definita un successo. Partendo dalla convinzione che il Dialogo e la Cooperazione conferiscano alla Maritime Security un valore aggiunto, rappresentandone un vero e proprio fattore abilitante, i lavori delle sessioni hanno analizzato, da differenti prospettive, il contributo di questo fondamentale binomio a concetti di grande attualità nello scenario marittimo internazionale: la Maritime Situational Awareness, le Maritime Security Operations e la Maritime Capacity Building. L’efficace combinazione di tali concetti consente di conseguire la Maritime Security in senso lato, fattore – quest’ultimo - che sta influenzando e condizionando l’organizzazione operativa delle Marine di tutto il mondo. Le discussioni, gli interventi e gli eventi collaterali di questo Simposio hanno evidenziato l’importanza di una partnership forte ed attiva - sul versante internazionale come su quello nazionale - per un’efficace risposta e contrasto alle sfide che l’attuale ambiente marittimo in continua evoluzione ci pone: la pirateria, il terrorismo e tutte le altre attività illecite che trovano in mare il proprio spazio di manovra rappresentano gli esempi più attuali. -
General Guide to the Science and Cosmos Museum
General guide to the Science and Cosmos Museum 1 Background: “Tenerife monts” and “Pico” near of Plato crater in the Moon PLANTA TERRAZA Terrace Floor 5 i 2 1 4 6 3 ASCENSOR 4 RELOJ DE SOL ECUATORIAL Elevator Analemmatic sundial i INFORMACIÓN 5 BUSTO PARLANTE Information “AGUSTÍN DE BETANCOURT” Agustín de Betancourt 1 PLAZA “AGUSTÍN DE talking bust BETANCOURT” Agustín de Betancourt 6 ZONA WI-FI Square Wi-Fi zone 2 ANTENA DE RADIOASTRONOMÍA Radioastronomy antenna 3 TELESCOPIO Telescope PLANTA BAJA Ground Floor WC 10 9 8 11 7 1 6 5 4 12 2 3 ASCENSOR Cosmos Lab - Creative Elevator Laboratory 1 EXPOSICIÓN 7 PLANETARIO Exhibition Planetarium 2 TALLER DE DIDÁCTICA 8 SALIDA DE EMERGENCIA Didactic Workshop Emergency exit 3 EFECTOS ÓPTICOS 9 MICROCOSMOS Optical illusions 10 SALÓN DE ACTOS 4 SALA CROMA KEY Assembly hall Chroma Key room 11 EXPOSICIONES TEMPORALES 5 LABERINTO DE ESPEJOS Temporary exhibitions Mirror Labyrinth 12 ZONA DE DESCANSO 6 COSMOS LAB - LABORATORIO Rest zone CREATIVO CONTENIDOS Contents 7 LA TIERRA The Earth 23 EL SOL The Sun 33 EL UNIVERSO The Universe 45 CÓMO FUNCIONA How does it work 72 EL CUERPO HUMANO The human body 5 ¿POR QUÉ PIRÁMIDES? Why pyramids? 1 Sacred places have often been con- ceived of as elevated spaces that draw the believer closer to the divi- nity. For this reason, once architec- tural techniques became sufficiently refined, mosques or cathedrals rai- sed their vaults, minarets, towers and spires to the sky. However, for thousands of years, the formula fa- voured by almost every culture was the pyramid. -
Pattern, the Visual Mathematics: a Search for Logical Connections in Design Through Mathematics, Science, and Multicultural Arts
Rochester Institute of Technology RIT Scholar Works Theses 6-1-1996 Pattern, the visual mathematics: A search for logical connections in design through mathematics, science, and multicultural arts Seung-eun Lee Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Lee, Seung-eun, "Pattern, the visual mathematics: A search for logical connections in design through mathematics, science, and multicultural arts" (1996). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. majWiif." $0-J.zn jtiJ jt if it a mtrc'r icjened thts (waefii i: Tkirr. afaidiid to bz i d ! -Lrtsud a i-trio. of hw /'' nvwte' mfratWf trawwi tpf .w/ Jwitfl- ''','-''' ftatsTB liovi 'itcj^uitt <t. dt feu. Tfui ;: tti w/ik'i w cWii.' cental cj lniL-rital. p-siod. [Jewy anJ ./tr.-.MTij of'irttion. fan- 'mo' that. I: wo!'.. PicrdoTrKwe, wiifi id* .or.if'iifer -now r't.t/ry summary Jfem2>/x\, i^zA 'jX7ipu.lv z&ietQStd (Xtrma iKc'i-J: ffocub. The (i^piicaiom o". crWx< M Wf flrtu't. fifesspwn, Jiii*iaiin^ jfli dtfifi,tmi jpivxei u3ili'-rCi luvjtv-tzxi patcrr? ;i t. drifters vcy. Symmetr, yo The theoretical concepts of symmetry deal with group theory and figure transformations. Figure transformations, or symmetry operations refer to the movement and repetition of an one-, two , and three-dimensional space. (f_8= I lhowtuo irwti) familiar iltjpg . -
Cao Flyer.Pdf
Chaos and Order - A Mathematic Symphony Journey into the Language of the Universe! “The Universe is made of math.” — Max Tegmark, MIT Physicist Does mathematics have a color? Does it have a sound? Media artist Rocco Helmchen and composer Johannes Kraas try to answer these questions in their latest educational/entertainment full- dome show Chaos and Order - A Mathematic Symphony. The show captivates audiences by taking them on a journey into a fascinating world of sensuous, ever-evolving images and symphonic electronic music. Structured into four movements — from geometric forms, algo- rithms, simulations to chaos theory — the show explores breath- taking animated visuals of unprecedented beauty. Experience the fundamental connection between reality and mathematics, as science and art are fused together in this immer- sive celebration of the one language of our universe. Visualizations in Chaos and Order - A Mathematic Symphony Running time: 29, 40, or 51 minutes Year of production: 2012 Suitable for: General public 1st Movement - 2nd Movement - 3rd Movement - 4th Movement - Information about: Mathematical visualizations, fractals, music Form Simulation Algorithm Fractal Mesh cube N-body simulation Belousov- Mandelbrot set Public performance of this show requires the signing of a License Agreement. Static cube-array Simulated galaxy- Zhabotinsky cellular Secant Fractal Symmetry: superstructures automata Escape Fractal Kaleidoscope Rigid-body dynamics Evolutionary genetic Iterated function Chaos and Order - A Mathematic Symphony Voronoi -
The Angry Woman Poems
The University of North Carolina at Greensboro JACKSON LIBRARY «p\ no.8?3 B * I 1 I'= V Gift of: Mary Margaret Feeney COLLEGE COLLECTION PENNEY, HART MARGARET. The Angry Woman Poems. (1971) Directed by: Dr. Robert Watson. Pp. 53 This thesis consists of poems written and/or re- vised between September, 1969 and March, 1971, while the author was enrolled In the Master of Pine Arts in Creative Writing program of the University of North Carolina at Greensboro. The poems are divided into two sections intended to be mirror images of each other. Groups of poems have also been arranged to reflect upon each other thematlcally and structurally. Some of the poems included have been published or accepted for publication in the following magazines: Brown Bag. Cafe Solo. Ply gj Night. The Greenfield review. The Greensboro Review, and II T.iC fa. ? THE ANGiY WOMAK PCLKS by Mary Feeney A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts Greensboro 1971 Approved by KnwA ILL. Thesis Adviser This thesis has been approved by the following committee of the faculty of the Graduate School at The University of North Carolina at Greensboro. Thesis Adviser ^ZjuA ^X, Committee Members U Cty» &W$Q&L IJeW, Y\JXic\ ii THE AWGl.Y WOMAN POEM TABLh OP CONTOIS Page . THE AKGxY WOMAN POLKS Song for the Year's tnd 2 Cde to Pranqoise Dorle'ac 4 Rush Chant 6 Silver 7 Temperance 8 You Stew 9 Directive 10 Ky Vacuum Cleaner Speaks of Inner Space 11 Projection 12 Convention 13 15 Pas de Deux 16 Writing Back Waste 17 The Military-Industrial Complex Meets Tonight 18 Poem ("I Knew My Mind...") 19 Poem ("I Watched the Moon...") 20 II.