Viking Heritage 1-2002

Total Page:16

File Type:pdf, Size:1020Kb

Viking Heritage 1-2002 VV king king HeritageHeritagemagazine 1/2002 DESTINATION DESTINATION VIKING VIKING NORTH SEA BALTIC SEA Viking Heritage Magazine 1/02 IN THIS ISSUE Glimpses of Viking-Age women in runic Editorial inscriptions 3–6 Here at Viking Heritage we often get the question "What was the Freyja – a goddess of love and war 7–8 role of women in the Viking Age?" This is not surprising, because Images of Women and Femininity on when studying the Vikings usually only men are seen; the strong, Gotlandic Picture Stones 9–11 wild seafarers and warriors remain at the forefront. But half of the Report from the Viking Project in Ale population, the women, are harder to catch a glimpse of, their County, Sweden 11 conditions of life are in shadow. In this first issue of the year, we Where have all the Vikings gone… are happy to present you with some very interesting articles that CCC-Paper 12–14 will discuss and shed some light in these otherwise quite hidden The woman on the wagon – Pagan corners of the Viking Age. Scandinavian burials in a Christian perspective CCC-Paper 15–18 The second theme of this issue deals with the time of transition The Gotlandic farm – a history of 2000 years CCC-Paper 19–21 when the Viking Age meets the European Middle Ages and what this meeting brings forth. This is a time of great change that also Vasalles or seniores? The old nobility and new power structures in post- includes a new view of women - and men! conquest Estonia CCC-Paper 22–24 Viking Longboat Races 2001 – World For the new year, Viking Heritage intends to go on making Championships 25 interesting magazines that will keep you updated about what is Under the Hammer 26–27 happening in the Viking world, both 1000 years ago and today! For this we need your co-operation and contributions, so always feel Curriculum Vitae 28–29 free to contact us! Ask Us 30 New book 31–32 The editorial staff here at Viking Heritage wishes you all enjoyable About the artist Lou Harrison 32 reading! Marita E Ekman Heritage News Editor Heritage News 33–34 E-mail: [email protected] Recipes from Valhalla 35 “Wounded I hung on a wind-swept gallows For nine long nights, Pierced by a spear, pledged to Odin, Offered, myself to myself The wisest know not from whence spring The roots of that ancient rood … Runes you will find, and readable staves, Very strong staves, Very stout staves, Staves that Bolthor stained, Made by mighty powers, Graven by the prophetic god” From Hávamál Drawing by Lou Harrison: See page 32. (Words of “The High One”) About the front page Runestone from Litslena parish, Sweden. “Ingegerd had the stone erected in memory of Torlak, her good husband, and in memory of Jorund and Åbjörn. Balle cut the runes.” Photo Marit Åhlén, Runverket, The National Heritage Board. Miljömärkt med Svanen. Lic nr 341 487 http://viking.hgo.se 2 Viking Heritage Magazine 1/02 Glimpses of Viking-Age women in runic inscriptions By Marit Åhlén Sweden is famous for its rune stones, or Viking-Age memorials, most of them dated to the 11th century. Rune stones are not grave memorials. They were erected in remembrance of a dead relative near a road in the vicinity of the home farm, at an assembly place like a thing place or other places where many people passed. Rune stones are something of a Swedish speciality. About 3,000 carved rune stones are known; over 2,500 of them are from Sweden. As mentioned, most rune stones were erected in the 11th century. But by then a runic alphabet had been used for writing for a long time. The oldest runic script was created in the 1st or 2nd century AD, probably inspired by Latin capitals. This oldest runic alphabet had 24 signs. As far as we know, these runes were used mainly for short inscriptions on weapons and jewellery. This alphabet, called the Proto-Nordic, was used until the 9th century. As example of such an inscription I cite the text of a fibula from the 5th century. It was found in Gotland. The inscription is a “Åbjörn and Ingjald and Häming had the stone erected in memory of Björn, their father”. Bälinge parish. Photo Marit Åhlén, The National Heritage Board. The Proto-Nordic, also called the Primitive Norse, runic alphabet (from about the year 0 until the 9th century). craftsman’s signature: “Merila made me”. A Viking-Age alphabet with 16 signs replaced the old Proto-Nordic one. Of course the Viking-Age runic alphabet is used for inscriptions on rune stones cut th The Viking-Age runic alphabets in the 11 century. Runes are generally perceived as letters cut into stone, but in fact most runic inscriptions were carved on wooden sticks. The term rune carving refers to Runic alphabet used in the Middle Ages (from 1100 AD). signs carved into a soft material with a 3 http://viking.hgo.se Viking Heritage Magazine 1/02 sharp knife. Hardly any wood of such an up after him, active lads after their father. age remains, and thus most such carvings They raised the stones and worked the staff are lost forever. also, the mighty one, as marks of honour. Likewise Gyrid loved her husband. So in The rune stone texts mourning she will have it mentioned. The texts of the Viking-Age rune stones Gunnar cut the stone.” Ulf’s widow Gyrid are built up according to a formula. The mourns the loss of her husband. names of those who had the monument It is unusual that feelings are shown in raised and the name of the dead person runic texts. When feelings are expressed and their family relationship form the you find not sorrow but pride. East of main part. The majority of the rune Uppsala Stenhild raised a stone in stones were erected in memory of men. memory of Vidbjörn, her husband “a Their sons, brothers or father had the traveller to Greece”. She is eager to tell that stone raised. Sometimes a wife, daughter, Vidbjörn had taken part in an expedition sister or mother took part in the to a far country. commemorative act. As example of a Another Viking from Uppland who typical 11th century rune stone I give you went east was Ragnvald. He came back as the text of a stone north of Uppsala: an esteemed man. On a boulder he had “Åbjörn and Ingjald and Häming had the an inscription cut in memory of his stone erected in memory of Björn, their mother: “Ragnvald had the runes cut in father”. But, as I just mentioned, women memory of Fastvi, his mother, Onäm’s can be among those who had the daughter. She died in Ed. God help her monument raised. soul.” But Ragnvald had been commander of a troop of the famous band of Norse Women in the inscriptions soldiers, known as Varangians. Therefore “Ingegerd had the stone erected in memory he does not stop after having of Torlak, her good husband, and in “Stenhild had this stone erected in commemorated his mother. To show off memory of Jorund and Åbjörn. Balle cut memory of Vidbjörn, a traveller to he adds one more inscription to the the runes.” The widow Ingegerd put up a Greece, her husband. God and God’s boulder: “Ragnvald let the runes be cut. He mother help his soul. Åsmund Kåre’s rune stone east of Enköping in memory was in Greece, was leader of the host.” son carved.” Photo Marit Åhlén of her husband and two more men, In the Uppsala University Park there probably their sons. Between the lines are nine rune stones gathered from the you can read that she is now left all alone. on the western shore of Lake surrounding parishes. One of these rune If they had had more children they would Vallentunasjön i Uppland. Across the lake stones was erected by a mother in have been named together with Ingegerd. on the eastern side there are two more memory of her daughter. Both of them “Ulfkel and Gye and Une, they had this rune stones in memory of Ulf erected in a were obviously widows. “Gullög had the stone raised in memory of Ulf, their good Viking-Age thing place. From the text we bridge made for the spirit of Gillög, her father. He lived in Skålhamra. May God learn that even the construction of the daughter, and whom Ulf was married to. and God’s mother help his spirit and soul; thing place is part of the commemorative Öpir cut.” The building of a bridge is grant him light and paradise.” The rune act. “Ulfkel and Arnkel and Gye, they made frequently mentioned in runic texts. stone bearing this text in which three here a thing place. There shall no mightier Sometimes it is stated that the building sons commemorate their father Ulf stands memorials be found than those Ulf’s sons set was performed for the dead person’s soul. Thus building a bridge must have been a pious deed in the 11th century. In southern Uppsala there is a rune carving in a rock. “Sigvid, Gillög’s son, raised the runes in memory of Ragnelv, his mother-in-law.” Gillög was a pretty common name. There are some 20 examples from Viking-Age rune stones in Uppland. So there is no reason to assume that the two names Gillög refers to the same person. The reason why I chose to cite this inscription is the uncommon The bolder with two carvings in Ed’s parish.
Recommended publications
  • Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil
    Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil Published in: Lund Archaeological Review 2010 Link to publication Citation for published version (APA): Petersson, B. (2010). Travels to Identity – Viking Rune Carvers of Today. Lund Archaeological Review, Vol. 15- 16(2009-2010), 71-86. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Travels to Identity Viking Rune Carvers of Today BY BODIL PETERSSON Petersson, Bodil. 2009. Travels to Identity: Viking Rune Carvers of Today. Lund Archaeological Abstract Review 15 (2009), pp. 71–86. This text deals with the phenomenon of today’s rune carvers in the Nordic area.
    [Show full text]
  • RMN Newsletter 8 2014
    The Retrospective Methods Network Newsletter May 2014 № 8 Edited by Frog Helen F. Leslie and Joseph S. Hopkins Published by Folklore Studies / Dept. of Philosophy, History, Culture and Art Studies University of Helsinki, Helsinki 1 RMN Newsletter is a medium of contact and communication for members of the Retrospective Methods Network (RMN). The RMN is an open network which can include anyone who wishes to share in its focus. It is united by an interest in the problems, approaches, strategies and limitations related to considering some aspect of culture in one period through evidence from another, later period. Such comparisons range from investigating historical relationships to the utility of analogical parallels, and from comparisons across centuries to developing working models for the more immediate traditions behind limited sources. RMN Newsletter sets out to provide a venue and emergent discourse space in which individual scholars can discuss and engage in vital cross- disciplinary dialogue, present reports and announcements of their own current activities, and where information about events, projects and institutions is made available. RMN Newsletter is edited by Frog, Helen F. Leslie and Joseph S. Hopkins, published by Folklore Studies / Department of Philosophy, History, Culture and Art Studies University of Helsinki PO Box 59 (Unioninkatu 38 A) 00014 University of Helsinki Finland The open-access electronic edition of this publication is available on-line at: http://www.helsinki.fi/folkloristiikka/English/RMN/ © 2014, the authors ISSN 2324-0636 (print) ISSN 1799-4497 (electronic) All scientific articles in this journal have been subject to peer review. 2 Contents Editor’s Note .......................................................................................................................................
    [Show full text]
  • Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil
    Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil Published in: Lund Archaeological Review 2010 Link to publication Citation for published version (APA): Petersson, B. (2010). Travels to Identity – Viking Rune Carvers of Today. Lund Archaeological Review, Vol. 15- 16(2009-2010), 71-86. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Travels to Identity Viking Rune Carvers of Today BY BODIL PETERSSON Petersson, Bodil. 2009. Travels to Identity: Viking Rune Carvers of Today. Lund Archaeological Abstract Review 15 (2009), pp. 71–86. This text deals with the phenomenon of today’s rune carvers in the Nordic area.
    [Show full text]
  • The Tourist's Book of Runestones
    The tourist’s book of runestones c:\documenti\runstenar\runresa\italyUSA\010106 1 c:\documenti\runstenar\runresa\italyUSA\010106 2 CONTENTS Sweden Italy The USA Runmaster Eriksgata References c:\documenti\runstenar\runresa\italyUSA\010106 3 SWEDEN c:\documenti\runstenar\runresa\italyUSA\010106 4 SOME NAMES Ålstorp Stentoften Getinge Fallo Vestra Strö Runamo Kareby Eksjö Stora Harrie Björkeporp Velanda Nömme Östra Gårdstånga Skällenäs Månstadskulle Björkö Holmby Karlevi Störa Västölet Brahe k:a Hällestad Resmo Södra Kedum Kumlaby Skårby Björn Flisa Ryda Brahe sk:a Dagstorp Seby Levene Ödeshög Örja Sandby Sparlösa Häggestad Holmby Gårdby Slädene Heda Bösarp Bjärby Håle Rök Allhelgona Lerkaka Särestad Kvarntorp Lundagård Bogby Kållands-Åsaka Svanshal Gårdstånga 2 Bägby Skalunda Haddestad Valleberga Köping Råda Kumla Skivarp Tings Flisa Källby-Hallar Gärdlösa Norra Nöbbelöv Transjö Husaby Karleby Gårdstånga 3 Sandsjö Sunnevad Harstad Valkärra Ingelige Hög Leksberg Väderstad Hjärup Nöbbele Karleby Ekeby Vismarlöv Enet Stora Ek Strålsnäs Fosia Sjöbylund Frölunda Grönlund Fuglie Växsjö Mellongarden Sörby Fuglie Hög Aringsås Norra Lundby Högby Bösarp Ivla Dagsnäs Västra Skrukeby Jordberga Bolmaryd Norra Vånga Axstad Tulltorp Rörbro Postgården Bjälbo Östra Bräkentorp Härlingstorp Appuna Vämmenhög Replösa Ballstorp Hov Sjörup Tuna Larvs Hed Vadstena Västra Nöbbelöv Ryssby Bitterna Vestra Stenby Solberga Skaftarp Skånum Kälvesten Orsjö Runstensholm Vårkumla Vinnerstad Rydsgård Nävelsjö Olsbro Fornåsa Skårby Vetlanda Bröstig Örevad Bjärnäs Bäckseda
    [Show full text]
  • Signs and Symbols Represented in Germanic, Particularly Early Scandinavian, Iconography Between the Migration Period and the End of the Viking Age
    Signs and symbols represented in Germanic, particularly early Scandinavian, iconography between the Migration Period and the end of the Viking Age Peter R. Hupfauf Thesis submitted for the degree of Doctor of Philosophy, University of Sydney, 2003 Preface After the Middle Ages, artists in European cultures concentrated predominantly on real- istic interpretations of events and issues and on documentation of the world. From the Renaissance onwards, artists developed techniques of illusion (e.g. perspective) and high levels of sophistication to embed messages within decorative elaborations. This develop- ment reached its peak in nineteenth century Classicism and Realism. A Fine Art interest in ‘Nordic Antiquity’, which emerged during the Romantic movement, was usually expressed in a Renaissance manner, representing heroic attitudes by copying Classical Antiquity. A group of nineteenth-century artists, including Dante Gabriel Rossetti, Holman Hunt and Everett Millais founded the Pre-Raphaelite Brotherhood. John Ruskin, who taught aesthetic theory at Oxford, became an associate and public defender of the group. The members of this group appreciated the symbolism and iconography of the Gothic period. Rossetti worked together with Edward Burne-Jones and William Morris. Morris was a great admirer of early Scandinavian cultures, and his ideas were extremely influential for the development of the English Craft Movement, which originated from Pre-Raphaelite ideology. Abstraction, which developed during the early twentieth century, attempted to communicate more directly with emotion rather then with the intellect. Many of the early abstract artists (Picasso is probably the best known) found inspiration in tribal artefacts. However, according to Rubin (1984), some nineteenth-century primitivist painters appreciated pre-Renaissance European styles for their simplicity and sincerity – they saw value in the absence of complex devices of illusio-nist lighting and perspective.
    [Show full text]
  • The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD the Waning Sword Conversion Imagery and EDWARD PETTIT P
    The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD The Waning Sword Conversion Imagery and EDWARD PETTIT P The image of a giant sword mel� ng stands at the structural and thema� c heart of the Old ETTIT Celestial Myth in Beowulf English heroic poem Beowulf. This me� culously researched book inves� gates the nature and signifi cance of this golden-hilted weapon and its likely rela� ves within Beowulf and beyond, drawing on the fi elds of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and compara� ve mythology. In Part I, Pe� t explores the complex of connota� ons surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may func� on as a visual mo� f in which pre-Chris� an Germanic concepts and prominent Chris� an symbols coalesce. In Part II, Pe� t inves� gates the broader Germanic background to this image, especially in rela� on to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across � me. Drawing on an eclec� c range of narra� ve and linguis� c evidence from Northern European texts, and on archaeological discoveries, Pe� t suggests that the T image of the giant sword, and the characters and events associated with it, may refl ect HE an elemental struggle between the sun and the moon, ar� culated through an underlying W myth about the the� and repossession of sunlight. ANING The Waning Sword: Conversion Imagery and Celesti al Myth in Beowulf is a welcome contribu� on to the overlapping fi elds of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology.
    [Show full text]
  • Le Seiðr Des Anciens Scandinaves Et Le Noaidevuohta Des Sâmes : Aspects Chamaniques Et Influences Mutuelles
    Le seiðr des anciens Scandinaves et le noaidevuohta des Sâmes : aspects chamaniques et influences mutuelles Céline Leduc Thèse soumise à la Faculté des études supérieures et postdoctorales dans le cadre des exigences du programme de doctorat en philosophie en Sciences des religions Département des Études anciennes et des Sciences des religions Faculté des Arts Université d’Ottawa © Céline Leduc, Ottawa, Canada, 2015 Résumé La thèse analyse le rituel du seiðr (pratique utilisée entre autres pour la divination, la guérison et la guerre sur des plans surnaturels) des anciens Scandinaves et celui du noaidevuohta (rituel chamanique pratiqué par les Sâmes) chez les Sâmes. Le seiðr était pratiqué surtout par des femmes qui se déplaçaient d’une ferme à l’autre. Il était directement lié au dieu Óðinn, tel que décrit dans l’Ynglinga saga. Quant au noaidevuohta, apparemment l’apanage des hommes, il participait au complexe circumpolaire des chasseurs/éleveurs du renne ou du caribou. Les deux complexes rituels ont été intégrés dans leur culture respective, tout en possèdant des différences. Il est impossible, dans l’état actuel de la recherche, de déterminer s’il y a eu des emprunts de part et d’autre. Selon les conclusions de nos recherches, les deux rituels sont de nature chamanique, s’inscrivant au nouveau paradigme circumpolaire des études contemporaines. En revanche, il n’existe pas de consensus au sujet de la nature chamanique ou non, ni au sujet de l’origine, des rituels en question. Il y a très peu de recherches en langue française sur le sujet, la majorité des études ont été réalisées en langue anglaise ou dans des langues scandinaves.
    [Show full text]
  • Old Icelandic Gná
    VÁCLAV BLAŽEK Masaryk University Fields of research: Indo-European studies, especially Slavic, Baltic, Celtic, Anatolian, Tocharian, Indo-Iranian languages; Fenno-Ugric; Afro-Asiatic; etymology; genetic classification; mathematic models in historical linguistics. DOI OLD ICELANDIC GNÁ Gná senojoje islandų kalboje ANNOTATION In the article the Old Icelandic theonym Gná is analyzed from the point of view of se- mantics, word formation, etymology, and semantic typology. Taking in account the partial results, the following hypothesis was formulated: the theonym Gná may reflect proto-Ger- manic *gnō or *gnaihō, which seems to be a lost Germanic continuation of the Indo-Eu- h h h h ropean appellative *d ĝ meH2- “earthˮ or its derivative *d ĝ meH2ikeH2- “belonging to the h h earthˮ. The theonyms designating the earth deities formed from the stem *d ĝ em- appear in nine Indo-European traditions. The analyzed Germanic theonym can represent the tenth tradition. KEYWORDS: theonym, word formation, semantics, etymology. ANOTACIJA Šiame straipsnyje semantikos, žodžių darybos, etimologijos ir semantinės tipologijos požiūriu analizuojamas senosios islandų kalbos teonimas Gná. Atsižvelgiant į dalinius re- zultatus, buvo iškelta hipotezė, kad teonimas Gná gali atspindėti germanų prokalbės *gnō, h h arba *gnaihō, kuris, tikėtina, yra prarastas indoeuropiečių apeliatyvo *d ĝ meH2- ‘žemė’ ar h h jo vedinio *d ĝ meH2ikeH2- ‘priklausantis žemei’ tęsinys germanų kalbose. Žemės dievybes h h pavadinantys teonimai, susiformavę iš kamieno *d ĝ em-, randami devyniose indoeuropie- čių tradicijose. Straipsnyje analizuojamas germanų teonimas gali būti dešimtosios tradicijos atspindys. ESMINIAI ŽODŽIAI: teonimas, žodžių daryba, semantika, etimologija. Straipsniai / Articles 9 VÁCLAV BLAŽEK 1. DOCUMENTATION Old Icelandic Gná designated ‘goddess from the group of Ásynja’.
    [Show full text]
  • This Is the Published Version of a Paper
    http://www.diva-portal.org This is the published version of a paper published in Lund Archaeological Review. Citation for the original published paper (version of record): Petersson, B. (2009) Travels to identity: Viking rune carvers of today. Lund Archaeological Review, 15: 71-86 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-42338 Travels to Identity Viking Rune Carvers of Today BY BODIL PETERSSON Petersson, Bodil. 2009. Travels to Identity: Viking Rune Carvers of Today. Lund Archaeological Abstract Review 15 (2009), pp. 71–86. This text deals with the phenomenon of today’s rune carvers in the Nordic area. By using symbols of antiquity in their craftsmanship, the rune carvers revive an act that is histori- cally significant and bears aspects of identity in the past as well as today. Why do people carve and erect runes stones today? When and where is it done? What are the explicit or implicit purposes? The text tries to answer these questions by elucidating the role of a past society in today’s world. It is obvious that the rune carving is mainly done in the Nordic area, but the ideas emanating from the Viking Age are also spread all over the world, as the rune stones are also erected in other countries, for example in Germany, the Netherlands, Poland and Canada. The identity project is mainly about creating an individual lifestyle. It is concluded that the past plays an important role in connecting people and supporting small-scale perspectives, crafts and sustainable development in harmony with the past.
    [Show full text]
  • Old Norse Myths, Literature and Society
    Old Norse Myths, Literature and Society Proceedings of the 11th International Saga Conference 2-7 July 2000, University of Sydney Edited by Geraldine Barnes and Margaret Clunies Ross Centre for Medieval Studies, University of Sydney Sydney, Australia July 2000 © 2000, Contributors All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. ISBN 1-86487-3167 Contents David Ashurst 1 Journey to the Antipodes. Cosmological and Mythological Themes in Alexanders Saga Sverre Bagge 14 Rigsflúla and Viking Age Society Richard N. Bailey 15 Scandinavian Myth on Viking-period Stone Sculpture in England Simonetta Battista 24 Interpretations of the Roman Pantheon in the Old Norse Hagiographic Sagas Mai Elisabeth Berg 35 Myth or Poetry, a Brief Discussion of Some Motives in the Elder Edda Claudia Bornholdt 44 The Bridal-Quest Narratives in fii›reks saga and the German Waltharius Poem as an Extension of the Rhenish Bridal-Quest Tradition Trine Buhl 53 Reflections on the use of narrative form in Hrafnkels saga Freysgo›a Phil Cardew 54 Hamhleypur in fiorskfir›inga saga: a post-classical ironisation of myth? Martin Chase 65 The Ragnarƒk Within: Grundtvig, Jung, and the Subjective Interpretation of Myth Carol Clover 74 Saga facts Einar G. Pétursson 75 Brynjólfur biskup Sveinsson, forn átrúna›ur og Eddurnar Alison Finlay 85 Pouring Ó›inn’s Mead: An Antiquarian Theme? Elena Gurevich 100 Skaldic Praise Poetry and Macrologia: some observations on Óláfr fiór›arson’s use of his sources Jan Ragnar Hagland 109 Gerhard Schøning and Saga Literature Anna Mette Hansen 118 The Icelandic Lucidarius, Traditional and New Philology Lotte Hedeager 126 Skandinavisk dyreornamentik: Symbolsk repræsentation af en før-kristen kosmologi Frands Herschend 142 Ship grave hall passage – the Oseberg monument as compound meaning K.
    [Show full text]
  • Old Norse Myths, Literature and Society
    Old Norse Myths, Literature and Society Proceedings of the 11th International Saga Conference 2-7 July 2000, University of Sydney Edited by Geraldine Barnes and Margaret Clunies Ross Centre for Medieval Studies, University of Sydney Sydney, Australia July 2000 © 2000, Contributors All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. ISBN 1-86487-3167 Contents David Ashurst 1 Journey to the Antipodes. Cosmological and Mythological Themes in Alexanders Saga Sverre Bagge 14 Rigsflúla and Viking Age Society Richard N. Bailey 15 Scandinavian Myth on Viking-period Stone Sculpture in England Simonetta Battista 24 Interpretations of the Roman Pantheon in the Old Norse Hagiographic Sagas Mai Elisabeth Berg 35 Myth or Poetry, a Brief Discussion of Some Motives in the Elder Edda Claudia Bornholdt 44 The Bridal-Quest Narratives in fii›reks saga and the German Waltharius Poem as an Extension of the Rhenish Bridal-Quest Tradition Trine Buhl 53 Reflections on the use of narrative form in Hrafnkels saga Freysgo›a Phil Cardew 54 Hamhleypur in fiorskfir›inga saga: a post-classical ironisation of myth? Martin Chase 65 The Ragnarƒk Within: Grundtvig, Jung, and the Subjective Interpretation of Myth Carol Clover 74 Saga facts Einar G. Pétursson 75 Brynjólfur biskup Sveinsson, forn átrúna›ur og Eddurnar Alison Finlay 85 Pouring Ó›inn’s Mead: An Antiquarian Theme? Elena Gurevich 100 Skaldic Praise Poetry and Macrologia: some observations on Óláfr fiór›arson’s use of his sources Jan Ragnar Hagland 109 Gerhard Schøning and Saga Literature Anna Mette Hansen 118 The Icelandic Lucidarius, Traditional and New Philology Lotte Hedeager 126 Skandinavisk dyreornamentik: Symbolsk repræsentation af en før-kristen kosmologi Frands Herschend 142 Ship grave hall passage – the Oseberg monument as compound meaning K.
    [Show full text]
  • Pouring Óðinn's Mead
    Pouring Ó›inn’s Mead: An Antiquarian Theme? Alison Finlay Birkbeck College, University of London Skalds both pagan and Christian repeatedly invoke the myth of Ó›inn’s mediation of poetry from the supernatural to the human world: Suttungar mjƒ› gaf Ó›inn Ásunum ok fleim mƒnnum er yrkja kunnu (Skáldskaparmál 5). The kenning of the earliest skald Bragi, drykkja Fiƒlnis fjalla ‘drink of the mountain-Fiƒlnir (Ó›inn; giant)’ follows the same pattern as that of the Christian Arnórr jarlaskáld, hrosta brim Alfƒ›ur ‘All-father’s (Ó›inn’s) mash- surf (beer)’ (Whaley, 220). The taste for cataloguing attributed to Snorri by Roberta Frank (1981) may have prompted over-elaboration in his version of the myth, but also reflects the formulaic practice of the skalds, whose intention amounts to the association of their craft – represented as a liquid of virtually any kind – with the supernatural, signified either by Ó›inn, or by the dwarfs or giants, whether named or generalized, who are given roles in Snorri’s story. These kennings occur no more and no less in verses attributed to the poets of the poets’ sagas than those of their supposed contemporaries. The proportion of seven attributed to Kormákr to one to Bjƒrn Hítdœlakappi reflects the greater preponderance of mythological references in ninth-century poetry. These 85 86 Alison Finlay invocations of the myth do nothing to identify the poetic persona of the speaker or to articulate beliefs about the nature of poetry and the process of composition underlying the mythic conception of poetry as a supernaturally-produced intoxicating drink.
    [Show full text]