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Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil
Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil Published in: Lund Archaeological Review 2010 Link to publication Citation for published version (APA): Petersson, B. (2010). Travels to Identity – Viking Rune Carvers of Today. Lund Archaeological Review, Vol. 15- 16(2009-2010), 71-86. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Travels to Identity Viking Rune Carvers of Today BY BODIL PETERSSON Petersson, Bodil. 2009. Travels to Identity: Viking Rune Carvers of Today. Lund Archaeological Abstract Review 15 (2009), pp. 71–86. This text deals with the phenomenon of today’s rune carvers in the Nordic area. -
RMN Newsletter 8 2014
The Retrospective Methods Network Newsletter May 2014 № 8 Edited by Frog Helen F. Leslie and Joseph S. Hopkins Published by Folklore Studies / Dept. of Philosophy, History, Culture and Art Studies University of Helsinki, Helsinki 1 RMN Newsletter is a medium of contact and communication for members of the Retrospective Methods Network (RMN). The RMN is an open network which can include anyone who wishes to share in its focus. It is united by an interest in the problems, approaches, strategies and limitations related to considering some aspect of culture in one period through evidence from another, later period. Such comparisons range from investigating historical relationships to the utility of analogical parallels, and from comparisons across centuries to developing working models for the more immediate traditions behind limited sources. RMN Newsletter sets out to provide a venue and emergent discourse space in which individual scholars can discuss and engage in vital cross- disciplinary dialogue, present reports and announcements of their own current activities, and where information about events, projects and institutions is made available. RMN Newsletter is edited by Frog, Helen F. Leslie and Joseph S. Hopkins, published by Folklore Studies / Department of Philosophy, History, Culture and Art Studies University of Helsinki PO Box 59 (Unioninkatu 38 A) 00014 University of Helsinki Finland The open-access electronic edition of this publication is available on-line at: http://www.helsinki.fi/folkloristiikka/English/RMN/ © 2014, the authors ISSN 2324-0636 (print) ISSN 1799-4497 (electronic) All scientific articles in this journal have been subject to peer review. 2 Contents Editor’s Note ....................................................................................................................................... -
Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil
Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil Published in: Lund Archaeological Review 2010 Link to publication Citation for published version (APA): Petersson, B. (2010). Travels to Identity – Viking Rune Carvers of Today. Lund Archaeological Review, Vol. 15- 16(2009-2010), 71-86. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Travels to Identity Viking Rune Carvers of Today BY BODIL PETERSSON Petersson, Bodil. 2009. Travels to Identity: Viking Rune Carvers of Today. Lund Archaeological Abstract Review 15 (2009), pp. 71–86. This text deals with the phenomenon of today’s rune carvers in the Nordic area. -
The Tourist's Book of Runestones
The tourist’s book of runestones c:\documenti\runstenar\runresa\italyUSA\010106 1 c:\documenti\runstenar\runresa\italyUSA\010106 2 CONTENTS Sweden Italy The USA Runmaster Eriksgata References c:\documenti\runstenar\runresa\italyUSA\010106 3 SWEDEN c:\documenti\runstenar\runresa\italyUSA\010106 4 SOME NAMES Ålstorp Stentoften Getinge Fallo Vestra Strö Runamo Kareby Eksjö Stora Harrie Björkeporp Velanda Nömme Östra Gårdstånga Skällenäs Månstadskulle Björkö Holmby Karlevi Störa Västölet Brahe k:a Hällestad Resmo Södra Kedum Kumlaby Skårby Björn Flisa Ryda Brahe sk:a Dagstorp Seby Levene Ödeshög Örja Sandby Sparlösa Häggestad Holmby Gårdby Slädene Heda Bösarp Bjärby Håle Rök Allhelgona Lerkaka Särestad Kvarntorp Lundagård Bogby Kållands-Åsaka Svanshal Gårdstånga 2 Bägby Skalunda Haddestad Valleberga Köping Råda Kumla Skivarp Tings Flisa Källby-Hallar Gärdlösa Norra Nöbbelöv Transjö Husaby Karleby Gårdstånga 3 Sandsjö Sunnevad Harstad Valkärra Ingelige Hög Leksberg Väderstad Hjärup Nöbbele Karleby Ekeby Vismarlöv Enet Stora Ek Strålsnäs Fosia Sjöbylund Frölunda Grönlund Fuglie Växsjö Mellongarden Sörby Fuglie Hög Aringsås Norra Lundby Högby Bösarp Ivla Dagsnäs Västra Skrukeby Jordberga Bolmaryd Norra Vånga Axstad Tulltorp Rörbro Postgården Bjälbo Östra Bräkentorp Härlingstorp Appuna Vämmenhög Replösa Ballstorp Hov Sjörup Tuna Larvs Hed Vadstena Västra Nöbbelöv Ryssby Bitterna Vestra Stenby Solberga Skaftarp Skånum Kälvesten Orsjö Runstensholm Vårkumla Vinnerstad Rydsgård Nävelsjö Olsbro Fornåsa Skårby Vetlanda Bröstig Örevad Bjärnäs Bäckseda -
Signs and Symbols Represented in Germanic, Particularly Early Scandinavian, Iconography Between the Migration Period and the End of the Viking Age
Signs and symbols represented in Germanic, particularly early Scandinavian, iconography between the Migration Period and the end of the Viking Age Peter R. Hupfauf Thesis submitted for the degree of Doctor of Philosophy, University of Sydney, 2003 Preface After the Middle Ages, artists in European cultures concentrated predominantly on real- istic interpretations of events and issues and on documentation of the world. From the Renaissance onwards, artists developed techniques of illusion (e.g. perspective) and high levels of sophistication to embed messages within decorative elaborations. This develop- ment reached its peak in nineteenth century Classicism and Realism. A Fine Art interest in ‘Nordic Antiquity’, which emerged during the Romantic movement, was usually expressed in a Renaissance manner, representing heroic attitudes by copying Classical Antiquity. A group of nineteenth-century artists, including Dante Gabriel Rossetti, Holman Hunt and Everett Millais founded the Pre-Raphaelite Brotherhood. John Ruskin, who taught aesthetic theory at Oxford, became an associate and public defender of the group. The members of this group appreciated the symbolism and iconography of the Gothic period. Rossetti worked together with Edward Burne-Jones and William Morris. Morris was a great admirer of early Scandinavian cultures, and his ideas were extremely influential for the development of the English Craft Movement, which originated from Pre-Raphaelite ideology. Abstraction, which developed during the early twentieth century, attempted to communicate more directly with emotion rather then with the intellect. Many of the early abstract artists (Picasso is probably the best known) found inspiration in tribal artefacts. However, according to Rubin (1984), some nineteenth-century primitivist painters appreciated pre-Renaissance European styles for their simplicity and sincerity – they saw value in the absence of complex devices of illusio-nist lighting and perspective. -
The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD the Waning Sword Conversion Imagery and EDWARD PETTIT P
The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD The Waning Sword Conversion Imagery and EDWARD PETTIT P The image of a giant sword mel� ng stands at the structural and thema� c heart of the Old ETTIT Celestial Myth in Beowulf English heroic poem Beowulf. This me� culously researched book inves� gates the nature and signifi cance of this golden-hilted weapon and its likely rela� ves within Beowulf and beyond, drawing on the fi elds of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and compara� ve mythology. In Part I, Pe� t explores the complex of connota� ons surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may func� on as a visual mo� f in which pre-Chris� an Germanic concepts and prominent Chris� an symbols coalesce. In Part II, Pe� t inves� gates the broader Germanic background to this image, especially in rela� on to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across � me. Drawing on an eclec� c range of narra� ve and linguis� c evidence from Northern European texts, and on archaeological discoveries, Pe� t suggests that the T image of the giant sword, and the characters and events associated with it, may refl ect HE an elemental struggle between the sun and the moon, ar� culated through an underlying W myth about the the� and repossession of sunlight. ANING The Waning Sword: Conversion Imagery and Celesti al Myth in Beowulf is a welcome contribu� on to the overlapping fi elds of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. -
Le Seiðr Des Anciens Scandinaves Et Le Noaidevuohta Des Sâmes : Aspects Chamaniques Et Influences Mutuelles
Le seiðr des anciens Scandinaves et le noaidevuohta des Sâmes : aspects chamaniques et influences mutuelles Céline Leduc Thèse soumise à la Faculté des études supérieures et postdoctorales dans le cadre des exigences du programme de doctorat en philosophie en Sciences des religions Département des Études anciennes et des Sciences des religions Faculté des Arts Université d’Ottawa © Céline Leduc, Ottawa, Canada, 2015 Résumé La thèse analyse le rituel du seiðr (pratique utilisée entre autres pour la divination, la guérison et la guerre sur des plans surnaturels) des anciens Scandinaves et celui du noaidevuohta (rituel chamanique pratiqué par les Sâmes) chez les Sâmes. Le seiðr était pratiqué surtout par des femmes qui se déplaçaient d’une ferme à l’autre. Il était directement lié au dieu Óðinn, tel que décrit dans l’Ynglinga saga. Quant au noaidevuohta, apparemment l’apanage des hommes, il participait au complexe circumpolaire des chasseurs/éleveurs du renne ou du caribou. Les deux complexes rituels ont été intégrés dans leur culture respective, tout en possèdant des différences. Il est impossible, dans l’état actuel de la recherche, de déterminer s’il y a eu des emprunts de part et d’autre. Selon les conclusions de nos recherches, les deux rituels sont de nature chamanique, s’inscrivant au nouveau paradigme circumpolaire des études contemporaines. En revanche, il n’existe pas de consensus au sujet de la nature chamanique ou non, ni au sujet de l’origine, des rituels en question. Il y a très peu de recherches en langue française sur le sujet, la majorité des études ont été réalisées en langue anglaise ou dans des langues scandinaves. -
Old Icelandic Gná
VÁCLAV BLAŽEK Masaryk University Fields of research: Indo-European studies, especially Slavic, Baltic, Celtic, Anatolian, Tocharian, Indo-Iranian languages; Fenno-Ugric; Afro-Asiatic; etymology; genetic classification; mathematic models in historical linguistics. DOI OLD ICELANDIC GNÁ Gná senojoje islandų kalboje ANNOTATION In the article the Old Icelandic theonym Gná is analyzed from the point of view of se- mantics, word formation, etymology, and semantic typology. Taking in account the partial results, the following hypothesis was formulated: the theonym Gná may reflect proto-Ger- manic *gnō or *gnaihō, which seems to be a lost Germanic continuation of the Indo-Eu- h h h h ropean appellative *d ĝ meH2- “earthˮ or its derivative *d ĝ meH2ikeH2- “belonging to the h h earthˮ. The theonyms designating the earth deities formed from the stem *d ĝ em- appear in nine Indo-European traditions. The analyzed Germanic theonym can represent the tenth tradition. KEYWORDS: theonym, word formation, semantics, etymology. ANOTACIJA Šiame straipsnyje semantikos, žodžių darybos, etimologijos ir semantinės tipologijos požiūriu analizuojamas senosios islandų kalbos teonimas Gná. Atsižvelgiant į dalinius re- zultatus, buvo iškelta hipotezė, kad teonimas Gná gali atspindėti germanų prokalbės *gnō, h h arba *gnaihō, kuris, tikėtina, yra prarastas indoeuropiečių apeliatyvo *d ĝ meH2- ‘žemė’ ar h h jo vedinio *d ĝ meH2ikeH2- ‘priklausantis žemei’ tęsinys germanų kalbose. Žemės dievybes h h pavadinantys teonimai, susiformavę iš kamieno *d ĝ em-, randami devyniose indoeuropie- čių tradicijose. Straipsnyje analizuojamas germanų teonimas gali būti dešimtosios tradicijos atspindys. ESMINIAI ŽODŽIAI: teonimas, žodžių daryba, semantika, etimologija. Straipsniai / Articles 9 VÁCLAV BLAŽEK 1. DOCUMENTATION Old Icelandic Gná designated ‘goddess from the group of Ásynja’. -
This Is the Published Version of a Paper
http://www.diva-portal.org This is the published version of a paper published in Lund Archaeological Review. Citation for the original published paper (version of record): Petersson, B. (2009) Travels to identity: Viking rune carvers of today. Lund Archaeological Review, 15: 71-86 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-42338 Travels to Identity Viking Rune Carvers of Today BY BODIL PETERSSON Petersson, Bodil. 2009. Travels to Identity: Viking Rune Carvers of Today. Lund Archaeological Abstract Review 15 (2009), pp. 71–86. This text deals with the phenomenon of today’s rune carvers in the Nordic area. By using symbols of antiquity in their craftsmanship, the rune carvers revive an act that is histori- cally significant and bears aspects of identity in the past as well as today. Why do people carve and erect runes stones today? When and where is it done? What are the explicit or implicit purposes? The text tries to answer these questions by elucidating the role of a past society in today’s world. It is obvious that the rune carving is mainly done in the Nordic area, but the ideas emanating from the Viking Age are also spread all over the world, as the rune stones are also erected in other countries, for example in Germany, the Netherlands, Poland and Canada. The identity project is mainly about creating an individual lifestyle. It is concluded that the past plays an important role in connecting people and supporting small-scale perspectives, crafts and sustainable development in harmony with the past. -
Old Norse Myths, Literature and Society
Old Norse Myths, Literature and Society Proceedings of the 11th International Saga Conference 2-7 July 2000, University of Sydney Edited by Geraldine Barnes and Margaret Clunies Ross Centre for Medieval Studies, University of Sydney Sydney, Australia July 2000 © 2000, Contributors All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. ISBN 1-86487-3167 Contents David Ashurst 1 Journey to the Antipodes. Cosmological and Mythological Themes in Alexanders Saga Sverre Bagge 14 Rigsflúla and Viking Age Society Richard N. Bailey 15 Scandinavian Myth on Viking-period Stone Sculpture in England Simonetta Battista 24 Interpretations of the Roman Pantheon in the Old Norse Hagiographic Sagas Mai Elisabeth Berg 35 Myth or Poetry, a Brief Discussion of Some Motives in the Elder Edda Claudia Bornholdt 44 The Bridal-Quest Narratives in fii›reks saga and the German Waltharius Poem as an Extension of the Rhenish Bridal-Quest Tradition Trine Buhl 53 Reflections on the use of narrative form in Hrafnkels saga Freysgo›a Phil Cardew 54 Hamhleypur in fiorskfir›inga saga: a post-classical ironisation of myth? Martin Chase 65 The Ragnarƒk Within: Grundtvig, Jung, and the Subjective Interpretation of Myth Carol Clover 74 Saga facts Einar G. Pétursson 75 Brynjólfur biskup Sveinsson, forn átrúna›ur og Eddurnar Alison Finlay 85 Pouring Ó›inn’s Mead: An Antiquarian Theme? Elena Gurevich 100 Skaldic Praise Poetry and Macrologia: some observations on Óláfr fiór›arson’s use of his sources Jan Ragnar Hagland 109 Gerhard Schøning and Saga Literature Anna Mette Hansen 118 The Icelandic Lucidarius, Traditional and New Philology Lotte Hedeager 126 Skandinavisk dyreornamentik: Symbolsk repræsentation af en før-kristen kosmologi Frands Herschend 142 Ship grave hall passage – the Oseberg monument as compound meaning K. -
Old Norse Myths, Literature and Society
Old Norse Myths, Literature and Society Proceedings of the 11th International Saga Conference 2-7 July 2000, University of Sydney Edited by Geraldine Barnes and Margaret Clunies Ross Centre for Medieval Studies, University of Sydney Sydney, Australia July 2000 © 2000, Contributors All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. ISBN 1-86487-3167 Contents David Ashurst 1 Journey to the Antipodes. Cosmological and Mythological Themes in Alexanders Saga Sverre Bagge 14 Rigsflúla and Viking Age Society Richard N. Bailey 15 Scandinavian Myth on Viking-period Stone Sculpture in England Simonetta Battista 24 Interpretations of the Roman Pantheon in the Old Norse Hagiographic Sagas Mai Elisabeth Berg 35 Myth or Poetry, a Brief Discussion of Some Motives in the Elder Edda Claudia Bornholdt 44 The Bridal-Quest Narratives in fii›reks saga and the German Waltharius Poem as an Extension of the Rhenish Bridal-Quest Tradition Trine Buhl 53 Reflections on the use of narrative form in Hrafnkels saga Freysgo›a Phil Cardew 54 Hamhleypur in fiorskfir›inga saga: a post-classical ironisation of myth? Martin Chase 65 The Ragnarƒk Within: Grundtvig, Jung, and the Subjective Interpretation of Myth Carol Clover 74 Saga facts Einar G. Pétursson 75 Brynjólfur biskup Sveinsson, forn átrúna›ur og Eddurnar Alison Finlay 85 Pouring Ó›inn’s Mead: An Antiquarian Theme? Elena Gurevich 100 Skaldic Praise Poetry and Macrologia: some observations on Óláfr fiór›arson’s use of his sources Jan Ragnar Hagland 109 Gerhard Schøning and Saga Literature Anna Mette Hansen 118 The Icelandic Lucidarius, Traditional and New Philology Lotte Hedeager 126 Skandinavisk dyreornamentik: Symbolsk repræsentation af en før-kristen kosmologi Frands Herschend 142 Ship grave hall passage – the Oseberg monument as compound meaning K. -
Pouring Óðinn's Mead
Pouring Ó›inn’s Mead: An Antiquarian Theme? Alison Finlay Birkbeck College, University of London Skalds both pagan and Christian repeatedly invoke the myth of Ó›inn’s mediation of poetry from the supernatural to the human world: Suttungar mjƒ› gaf Ó›inn Ásunum ok fleim mƒnnum er yrkja kunnu (Skáldskaparmál 5). The kenning of the earliest skald Bragi, drykkja Fiƒlnis fjalla ‘drink of the mountain-Fiƒlnir (Ó›inn; giant)’ follows the same pattern as that of the Christian Arnórr jarlaskáld, hrosta brim Alfƒ›ur ‘All-father’s (Ó›inn’s) mash- surf (beer)’ (Whaley, 220). The taste for cataloguing attributed to Snorri by Roberta Frank (1981) may have prompted over-elaboration in his version of the myth, but also reflects the formulaic practice of the skalds, whose intention amounts to the association of their craft – represented as a liquid of virtually any kind – with the supernatural, signified either by Ó›inn, or by the dwarfs or giants, whether named or generalized, who are given roles in Snorri’s story. These kennings occur no more and no less in verses attributed to the poets of the poets’ sagas than those of their supposed contemporaries. The proportion of seven attributed to Kormákr to one to Bjƒrn Hítdœlakappi reflects the greater preponderance of mythological references in ninth-century poetry. These 85 86 Alison Finlay invocations of the myth do nothing to identify the poetic persona of the speaker or to articulate beliefs about the nature of poetry and the process of composition underlying the mythic conception of poetry as a supernaturally-produced intoxicating drink.