Cruzeiro g a l e Seixas r i a Ernesto Shikhani Ivan Villalobos

16 / 05 - 19 / 05 2019 Booth A6

Museu da Carris Rua Primeiro de Maio Javier 101, 1300-472 Lisboa, Félix Curadoria: Carlos Cabral Nunes José Chambel Reinata Sadimba Tchalé Figueira Perve Galeria in Lisbon, Portugal PT | Fundada no ano 2000, a Perve Galeria está ENG | Located in the historic centre of Lisbon localizada no centro histórico da cidade de Lisboa, since 2000, Perve Galeria presents exhibitions of em Alfama. A Perve Galeria, detida desde 2004, modern and contemporary art, since November para efeitos de gestão comercial, pela empresa 2000. The gallery develops and promotes Perve Global Lda., tem a sua gestão artística nationally and internationally artistic, cultural assegurada pelo Colectivo Multimédia Perve, and technological projects. One of its primary desenvolvendo, desde a sua fundação, de forma objectives has been the dissemination of authors sistemática e continuada, exposições de arte coming from the Portuguese speaking countries, moderna e contemporânea. not only in the fields of visual arts but also with Promove autores de várias latitudes e gerações multimedia art and interactivity. Perve Galeria’s mas, mais especificamente, com artistas history, includes exhibitions and the organization provenientes do espaço de língua portuguesa, of multiple national and international artistic cujos trabalhos são apresentados a nível nacional initiatives, with emphasis on curatorial projects e internacional. such as: International Triennial of Contemporary Organiza em permanência exposições com Art in Prague (Czech Republic, 2008); Interna- artistas provenientes de países europeus, como tional traveling exhibition “Mobility Re-reading também de Angola, Argentina, Brasil, Cabo Verde, the Future” (Poland, Finland, Bulgaria, Czech Moçambique, Índia e Japão. Republic and Portugal, 2008-09); “Lusofonias” O seu trabalho estende-se à edição e à produção (Lisbon, Dakar, New Delhi, 2009-17); the 2nd audiovisual e multimédia, tendo desenvolvido Global Art Meeting with the participation of more edições artísticas em livro e aplicações artísticas than 150 artists from 3 continents (Portugal, 2008- interativas para CD-Rom e DVD e vídeo- 09); “The Surrealists 1949-2009” (Portugal, 2009) documentários sobre a vida e obra de artistas and “555-Ciclo Gutenberg” (Portugal, 2010). In como Pancho Guedes, Artur Bual, Mário Cesariny, 2013 the gallery launched a new museological Cruzeiro Seixas, Manuel Figueira, Nadir Afonso, space in Lisbon: Freedom House - Mário Cesariny Reinata Sadimba, Ernesto Shikhani, Mia Couto, that is a versatile artistic project, built in honor Luiz Pacheco, entre outros. of the poet and surrealist painter Mário Cesariny As informações sobre projetos, exposições, de Vasconcelos, that hosts the artistic and coleção de obras de arte e artistas, encontram-se documentary estate, bequeathed by the artist, disponíveis no website, em: www.pervegaleria.eu along with some collections that began to be A Perve Galeria desempenha equitativamente um gathered from the beginning of the 90’s. Among papel decisivo na promoção da divulgação dos the collections are the most emblematic ones espaços de trabalho (ateliers), eventos, artistas e dedicated to Surrealism, African Primitive Art, curadores através da disponibilização dos meios Erotic Art and Lusophony. The professionalism técnicos e materiais de que dispõe e através da of Perve Galeria is evident in its already 17 years realização, a posteriori, de exposições temáticas of presence in the art market. During 17 years dedicadas aos autores envolvidos e ao trabalho of regular activity, there were many initiatives resultante das residências, exposições essas, developed in Portugal and abroad, as in the case que contemplam igualmente, a partir de 2019, of Senegal, Brazil, UAE and India. The gallery a componente de experimentação curatorial a also promotes the diffusion of contemporary art desenvolver pelos curadores. through the edition of screen-prints and the edition No histórico da sua actividade de produção of signed and numbered art books. Information consta a realização de variadíssimas iniciativas about this and other initiatives, exhibitions, art que gravitam em torno da criação artística collections, artists and artistic editions it is experimental contemporânea. available at www.pervegaleria.eu, where you can check the regular activity of this Art Gallery. There are also available the exhibition catalogues, press clipping and exhibition images. 3 Cruzeiro Seixas born in 1920 , Portugal

Cruzeiro Seixas was born in 1920 in Amadora, in Portugal. Attended the School Antonio Arroio, in Lisbon. In 1948 joins “the Surrealists,” with Mário Cesariny, Pedro Oom, Henrique Risques Pereira, António Maria Lisboa, Mário Henrique Leiria, Fernando José Francisco, Fernando Alves dos Santos and Carlos Calvet. In the 50 leaves Portugal towards Africa settling in Angola. With the step of the colonial war abandons Africa and returns to Portugal where he produced illustrations for “Erotic and Satirical Portuguese Poetry Anthology” of Natália Correia and in 1967, with Mário Cesariny exhibits “Surrealist Painting” at Divulgação Gallery in Porto. In 1969, again with Cesariny, integrates the International Surrealist exhibition in the Netherlands and during the 70’s show his work in numerous collectives of The International Surrealist Movement, especially those related to Phases Group which whom had joined. Cruzeiro Seixas (1920, Portugal) In the following decades, after cutting ties with Untitled, Oil on cardboard, Cesariny, moves away from the commercial and 32,5 x 23,5 cm, institutional art circuits. Fixes in Algarve and circa1962, continues to present his work in solo and group CS166 exhibitions. In 2006 Perve Gallery presented “Cesariny, Cruzeiro Seixas and Fernando José Francisco and the exquisite corpse walk.” This exhibition marked the reunion of the three artists. Original works carried out between 1941 and 2006 were presented. He is represented in the Museu do Chiado collection (Lisbon); Modern Art Centre of the Calouste Gulbenkian Foundation (Lisbon); Institute of National Library and the Book; Machado de Castro National Museum (Coimbra); Francisco Tavares Proença Júnior Museum (Castelo Branco); António Prates Foundation (Ponte de Sor), Cupertino de Miranda Foundation (V. N. Famalicão), Eugenio Granell Fundación (Galicia), among others.

Cruzeiro Seixas (1920, Portugal) Untitled, Indian ink on paper, 19 x 14cm, 1955 CS045

4 Cruzeiro Seixas (1920, Portugal) Untitled, Oil on cardboard, 32,5 x 23,5 cm, circa1962, CS166

Cruzeiro Seixas (1920, Portugal) Cruzeiro Seixas (1920, Portugal) Untitled, India Ink and Coal on paper, Untitled, Indian ink on paper, 26 x 20,5cm, 19 x 14cm, n.d. 1955 CS039 CS045

5 Cruzeiro Seixas (1920, Portugal) Untitled, India Ink and Coal on paper, 16,5 x 23 cm z n.d. CS182

Cruzeiro Seixas (1920, Portugal) Untitled, India Mixed media on paper, 16,5 x 23 cm n.d. 6 CS180 Cruzeiro Seixas (1920, Portugal) Character studying Halley’s comet India ink on paper, 29 x 19 cm 1978 CS118

7 Ivan Villalobos born in 1975 , Chile Born in 1975, in Chile, Ivan Veliz Villalobos studied advertising and graphics drawing before embracing art. For more than 10 years, art and framing has been his main professional activity. He is the founder of Taller República, a multipurpose space located in Providencia (Chile) devoted to the world of framing, exhibitions, and sale of art, and represents the second branch of art in which he has been showing his creativity. Taller República features paintings made by the author himself, by neighbors, emerging young people and recognized artists such as Nemesio Antúnez, Ivan Villalobos (1975, Chile) Turn of sight Mario Toral and Alejandro Balbontín. Regarding Mixed technique, ballpoint pen his own artistic creation, the unconscious with acrylic, on 40% uv acid-free is a driving force of his painting, full of a rich passepartout and sealer, imagery where everything is in constant and 52 x 35 cm, continuous transformation. 2018 Ref.: IVAN003

Ivan Villalobos (1975, Chile) The dance, Mixed media, ballpoint pen with acrylic, on acid-free passepartout and 40% uv sealant, 46 x 46 cm 2018 Ref.: IVAN018 8 Ivan Villalobos (1975, Chile) Fish and Sky, Mixed media, ballpoint pen with acrylic, on acid-free passepartout and 40% uv sealant, 45 x 51 cm 2018 Ref.: IVAN022

9 Ivan Villalobos (1975, Chile) Ivan Villalobos (1975, Chile) Universe 6, Universe 1, Mixed media, ballpoint pen with acrylic, on Mixed media, ballpoint pen with acrylic, on acid-free passepartout and 40% uv sealant, acid-free passepartout and 40% uv sealant, 46 x 46 cm 46 x 46 cm 2018 2018 Ref.: IVAN015 Ref.: IVAN014

Ivan Villalobos (1975, Chile) Untitled Mixed technique, ballpoint pen with acrylic, on 40% uv acid-free passepartout and sealer, 22 x 24 cm, 2018 Ref.: IVAN010 10 Ivan Villalobos (1975, Chile) The world of Doña Florinda Mixed technique, ballpoint pen with acrylic, on 40% uv acid-free passepartout and sealer, 61 x 46 cm, 2018 Ref.: IVAN008

Ivan Villalobos (1975, Chile) Horse horse Mixed technique, ballpoint pen with acrylic, on 40% uv acid-free passepartout and sealer, 57 x 45 cm, 2018 Ref.: IVAN006 11 Javier Félix born in 1976, Colombia

The core of my work is the human body, sometimes insinuated, as a fragment or metamorphosed: it is at the same time sensitive field and of plastic experimentation. The figuration serves as a pivot to establish dialogues and conversations with dissimilar elements and in some cases polar realities; At these intersections, both aesthetic and conceptual (and, often, transcultural) mixtures and syncretisms are produced. I pay special attention to the transition between the graphic, the pictorial and the sculptural: to the interaction of the three and the two dimensions in the same body of work. Digital graphics and photography often play a catalytic role in the game of absence and presence of the object, although most of my works are formed as a mixture of one or more techniques. In my work, the existential and the comic are conjugated in a hybrid language that is above all experimental and ludic.

Javier Felipe González E. -Javier Félix- Colombian artist from Bogotá (b. 1976), lives and works in Valencia, Spain.

Training 1993-1995. BFA. Faculty of Fine Arts. Universidad Nacional de Colombia. Bogotá, Colombia. 1996-1998. BFA Degree. Plastic Artist, Faculty of Fine Arts. Universidad de los Andes, Bogotá, Colombia. 1998-1999. Painting, Sculpture and Mixed Media Workshops with Claire Gavronsky and Rose Shakinovsky.Lorenzo D’Medici Institute. Florence, . 2001- 2003. Native American Art and Culture, Institute of American Indian Arts, IAIA, New Mexico, USA. 2009. Master in Visual Arts and Multimedia. Faculty of Fine Arts, Universidad Politécnica de Valencia, UPV. Valencia, Spain.

Exhibitions -1994 Exhibition of Artists Cano, Universidad Nacional de Colombia. Bogotá, Colombia. -1994 Selected students, Auditorio León de Greiif, UNAL, Bogotá, Colombia. -1997 XVIII Hall Regional Artists, Old Santa Fe Station Bogotá, Colombia. -1998 “META- PLASTIC.” Solo Exhibition. Wiedemann House Gallery, Bogotá, Colombia. -1998 “Do IT” by Hans-Ulbrich Obrist. Collaboration with Juan Fernando Herran, Casa de la Moneda, Bogota, Colombia. -1999 Selected Artists, Comune di Firenze, Florence, Italy. -1999, Short Films, NYU Auditorium, New York, USA. -2000 “5 puntos cardinales” Casa Cuadrada Gallery, Bogota, Colombia. -2001 Exhibition of Artists IAIA Museum, Santa Fe, New Mexico, USA. -2002 Exhibition of Artists IAIA Museum, Santa Fe, New Mexico, USA.. -2003. Collective Exhibition, IAIA Museum, Santa Fe, New Mexico, USA. -2008 “Observatory” digital art exhibition, Centre del Carmen, Valencia, Spain. -2008 Photographers, Photography Show, Gallery Railowski. Valencia, Spain -2011 “Currents 2011” New Media, IAIA Digital Dome. Santa Fe, New Mexico. USA. -2013, “Indigenous Brilliance”, Arte nativo contemporáneo, Olocau, Valencia, Spain. (Artist and Curator)-2015 “Dónde tus ojos me lleven” Feeding Art Gallery, Madrid, Spain. 2015 “Una ventana a Malasaña” Feeding Art Gallery, Madrid, Spain. “Deconstrucciones de Javi Felix” Nidok Art Gallery, Barcelona, Spain. -2017. Arte Contra el Olvido. Boadilla de Rioseco, Castilla León, Spain. -2018. New York Armory Arts Weeks Galería Stricoff , New York, Chelsea, USA. -2018. Studio Art Fair International, Lisbon, Portugal.

2012-2014 CEO/Founder of www.Obsidiana.tv

12 Javier Félix (1976, Colombia) Identikit 2, Oil on wood, ceramic, acrylic paint on wood, maple design, wood carving, 80 x 50 x 10 cm, 2018 Ref. JVF009

Javier Félix (1976, Colombia) Anatema, Mixed media / drawing on acrylic (methacrylate) 22 x 22 x 25 cm, 2015 Ref.: JVF004

13 Javier Félix (1976, Colombia) IV. Layered drawings, Wood mounts from erotic studies with applications of transparencies and three-dimensional wood carvings, 120 x 60 cm 2016 - 2018 Ref.: JVF010

Javier Félix (1976, Colombia) “Alfabeto 1”, Oil on canvas, 120 x 60 cm 2015 Ref.: JVF015

14 Javier Félix (1976, Colombia) Block B (Ode to civilized men), Mixed media / assembly, Talla en madera, pintura al óleo, collage, arcilla cocida, ready made, montado en marco de madera. 60cm x 45cm x 9 cm, 2018 Ref.: JVF001

15 José Chambel born in 1969, São Tomé and Príncipe José Chambel lives and works in Portugal. He studied at the Instituto Photography, from 1992 to 1994. His photographic work is in a language of documentary nature, developing projects where he explores the light through black and white, with themes centered on the preservation of cultural, tangible and intangible heritage, in Portugal, São Tomé and Principe and Cape Verde. Among the various projects that José Chambel carried out are “Industrial Archeology” (Portugal), “Tchilóli” (São Tomé and Príncipe), “Tabanka” (Cape Verde) and “Capital” (Ilha do Príncipe). His work is represented in several public and private collections, such as the collection of Portuguese Center of Photography, the Cultural Center of São João da Madeira, the Ormeo Junqueira Botelho Foundation and the Lusofonias Collection. José Chambel has been exhibiting regularly since 1993, participated in several biennials and collective exhibitions in Portugal and abroad, such as “Alpha and Omega”, Portuguese Institute of Photography (1996); V Biennial of Photography of Vila Franca de Xira (1997); Cultural Center of São João da Madeira (1998); Portuguese Cultural Center, São Tomé and Príncipe (2000); International Biennial of Photography of Curitiba, Brazil (2001); Gallery Imagolúcis, Porto (2001); Museum of Tabanca, Assomada, Cape Verde (2001); FotoFesta, , (2004); Museum of Image, Braga (2005); Humberto Mauro Cultural Center, Brazil (2005); Cineport II, Lagos (2006); Gallery Space Q, Porto (2013); Artists from Lusophone Countries, Casino Estoril (2013); “Resistance and Freedom - Independence in Art Of the Lusophonies “, Independence Palace, Lisbon (2015), and CAPITAL - Santo António do Príncipe, Goa State Central Library, Patto, Panjim (2016). In Portugal, his work has been represented by Perve Galeria since 2015. In spite of being deeply rooted in his heritage, José Chambel represents a promising and talented generation that is committed to play a significant role in today’s African society, encouraging a rethinking of the image of Africa. In 2019 José Chambel was present at section Bawwaba in Art Dubai, a new gallery section created to shed light on artist interrogations of the notion of the Global South.

16 José Chambel (1969, São Tomé and Príncipe) Untitled Danço Congo hahnemuehle Baryta FB 60 x 80cm 2016

17 José Chambel (1969, São Tomé and Príncipe) Untitled hahnemuehle Baryta FB 60 x 80cm 2018

José Chambel (1969, São Tomé and Príncipe) Untitled Danço Congo hahnemuehle Baryta FB 40 x 50cm 2018

18 José Chambel (1969, São Tomé and Príncipe) Untitled hahnemuehle Baryta FB 60 x 80cm 2016

José Chambel (1969, São Tomé and Príncipe) Untitled Danço Congo hahnemuehle Baryta FB 50 x 60cm 2016

19 José Chambel (1969, São Tomé and Príncipe) Sem título hahnemuehle Baryta FB 50 x 60cm 2018

20 José Chambel (1969, São Tomé and Príncipe Untitled Tchilóli hahnemuehle Baryta FB 40 x 50cm 1997

21 Reinata Sadimba born in 1945, Mozambique Reinata Sadimba, the most important Mozambican sculptor and greatest icon of African art, was born in 1945 in a small village on the plateau, of the Makonde race, Mozambique. Daughter of farmers she first received the traditional Makonde education that included making objects in clay. As a child, her mother introduced her to handmade ceramic utilitarian objects, to which she escaped from a life of marital abuse, becoming one of the most creative and prolific artists in her country, by making use of these early influences. Following the departure of her husband, and the death of six of her eight children during the war of independence, Reinata Sadimba began to make clay figures (traditionally men’s work among the Makonde). With the end of the civil war in 1992, she returned Reinata Sadimba (1945, Mozambique) from , where she had emigrated to, and Untitled, Ceramics and graphite, settles in Maputo, where her career makes a 38 x 31x 33 cm, 2006 remarkable advance thanks to the support of Ref.: R036 Augusto Cabral, then director of the Natural History Museum of Mozambique. Through pottery, the artist could then freely express her affections and views on the world. Reinata Sadimba’s pieces deeply reflect the Makonde matrilineal universe, reconfigured by a painful personal experience and a fertile imagination, addressing, in both a traditional and modern fashion, the topics of social and individual identity - particularly of women -, as well as the primordial connection to the land. Although the Makonde’s attribute the main part in society to women, in Mozambique, and in Tanzania, sculpturing is still a “man’s job”. Maybe that is the reason why no one took Reinata Sadimba’s art too seriously at first. However, in 1975 she initiates a deep transformation in her ceramics becoming known worldwide by her “weird and fantastic forms”. Reinata Sadimba is now considered one of the Reinata Sadimba (1945, Mozambique) most important women artists of the entire Untitled, Ceramics and graphite, African Continent. She has received several 26 x 18 x 21 cm, n. d., prizes, exhibited her work in Belgium, , Ref.: R038 Portugal or Denmark and her work is represented in several institutions from the National Museum of Mozambique, to the Portuguese Ethnographic Museum, Culturgest’s Modern Art Collection or Lusophony’s Collection and in numerous private collections around the world.

22 Reinata Sadimba (1945, Mozambique) Reinata Sadimba (1945, Mozambique) Untitled, Ceramics and graphite, Untitled, Ceramics and graphite, 47 x 23 x 26 cm, 2006 32 x 20 x 17 cm, n.d. Ref.: R064 Ref.: R072

Reinata Sadimba (1945, Mozambique) Untitled, Ceramics and graphite, 7 x 11 x 12 cm (cada, each), 2017 Ref.: R108

23 Reinata Sadimba (1945, Mozambique) Untitled, Ceramics, 18 x 54 x 16 cm, 2006 Ref.: R076

Reinata Sadimba (1945, Mozambique) Reinata Sadimba (1945, Mozambique) Untitled, Ceramics, Untitled, Ceramics, 27 x 20 x 21 cm, 2006 42 x 25 x 20 cm, 2006 Ref.: R079 Ref.: R080

24 Reinata Sadimba (1945, Mozambique) Untitled, Ceramics, 40 x 25 x 17 cm, 2006 Ref.: R095

25 Reinata Sadimba (1945, Mozambique) Reinata Sadimba (1945, Mozambique) Untitled, Ceramics, Untitled, Ceramics, 38 x 26 x 15 cm, 2006 48 x 34 x 21 cm, 2006 Ref.: R097 Ref.: R085

Reinata Sadimba (1945, Mozambique) Untitled, Ceramics and graphite, 15 x 44 x 23 cm 2006 Ref.: R118

26 Reinata Sadimba (1945, Mozambique) Untitled, Ceramics and graphite, 31 x 29 x 27 cm, 2017 Ref.: R087

27 Tchalé Figueira born in 1953, Cape Verde

Tchalé Figueira was born in 1953 in Mindelo, on São Vicente island, Cape Verde. He moved to Switzerland in 1974 to study at the Basel School of Design, where he took his Fine Arts degree in 1979. Since 1985, he is living and working in Mindelo, his hometown, where in 2014, he opened his own gallery, “Ponta d’ Praia”. Tchalé Figueira is not only a visual artist, he is also a musician and a poet. He published Tous les naufrages du monde (All the shipwrecks of the world), in 1992, Là où les sentiments se rencontrent (Where the Feelings Meet) in 1998, and then L’azur et la mer (The Blue and the Sea) in 2001. He is also a fiction writer and published his novels Solitário and Ptolomeu e a sua Viagem de circumnavegação in 2005. In 2010 he edited the book Contos de Basileia and, in 2013, the novel A Índia que procuramos. His artworks as a painter are characterized by bright colors and distorted figures that are located in an abstract scenario, a mixture of real life and imagination. Figueira denounces political and social issues, usually by representing them in an exasperate way, taking inspiration from the dynamics of local life. His work has been shown all over the world, in Europe, Africa, the United States and Brazil. In 2008, he received the Fondation Blachère award at the Dakar Biennial.

Tchalé Figueira (1953 , Cape Verde) Untitled from the series “War is Stupid”, Mixed technique on cardboard, 48 x 65 cm, 2018 Ref.: TCH10, TCH12, TCH14

28 Tchalé Figueira (1953 , Cape Verde) Untitled from the series “War is Stupid”, Mixed technique on cardboard, 48 x 65 cm, 2018 Ref.: TCH20

Tchalé Figueira (1953 , Cape Verde) Untitled from the series “War is Stupid”, Mixed technique on cardboard, 48 x 65 cm, 2018 Ref.: TCH09

29 Tchalé Figueira (1953 , Cape Verde) Untitled from the series “War is Stupid”, Mixed technique over canvas, 170 x 164 cm, n.d. Ref.: TCH24

30 Ernesto Shikhani

Ernesto Shikhani was born in 1934 and died in 2010 in Mozambique. He began to devote himself to sculpture under the stewardship of the Portuguese master sculptor Lobo Fernandes at the Art Center. In 1963, he became Professor’s Silva Pinto assistant. He was contemporary of the recognized Mozambican artists Malangatana and Alberto Chissano. His work is not subsidiary of any style, more than its roots, there are signs of a very personal path. Presenting himself as strongly nationalist, faced many obstacles, always chasing ideals of freedom. His latest paintings show traces and colors often aggressive, vibrant with radiant light. Their shapes are lush and detailed. Ernesto Shikhani From 1970, he begins to concentrate on sculpture he kept on doing (1934-2010, Mozambique) until the late 1990 decade, when he is diabetes’ diagnosed. His first “Untitled”, India ink on paper, solo exhibition took place in 1968 in Mozambique’s capital city. 42 x 30 cm, 1985 In 1973, he received a scholarship from the Calouste Gulbenkian Ref ª S031 Foundation in Lisbon, where he held a solo exhibition. It is important to mention that the art grant was taken from him after the Political Police of the dictatorship found the exhibition to be subversive, which force him to leave back those artworks in Portugal with a close friend until they were found by Perve Galeria, more than 30 years later. In 1976 he moved to live in the 2nd most important city in Mozambique, the city of Beira, where he remained for a few years doing some of his most important large scale public artwork’s monuments such as the bass-relief mural, made in concrete, about the Portuguese colonialism in Mozambique, installed in the Weddings Palace. Ernesto Shikhani Until 1979, he has directed drawing classes at the Auditorium- (1934-2010, Mozambique) Gallery in the city of Beira, Mozambique. In 1982, he was given a “Untitled”, Tempera and india ink on six-month scholarship in the former USSR. paper, In 2004, Perve Galeria held a retrospective exhibition of his 40 years 50 x 34 cm, 1992 of painting and sculpture. Also showed was a video documentary directed by Cabral Nunes between 1999 and 2004. This short 15 minutes film addresses his plastic art and his existential path in a very personal level and it is a rare document about Shikhani, which was in fact a very shy artist. The documentary shows also interviews with him and a few critics along with images of his amazing public art. In 2015, five years after the death of Ernesto Shikhani, marking also the 40th anniversary of independence of his country, Mozambique, Perve Galeria made a solo exhibition, showing five decades of his artistic production. More than 50 works (paintings, drawings and sculptures) were displayed, highlighting an unusual sculpture pattern and a set of original paintings on paper that reports to his initial creative phase (1960’s decade). Ernesto Shikhani His work is represented in the National Museum of Art of (1934-2010, Mozambique) Mozambique, African Art Collection of Caixa Geral de Depósitos “Untitled”, Mixed media on (Lisbon), Centre for Surrealism Studies / Cupertino de Miranda paper, 35 x 25 cm, 1996 - Foundation (Famalicão) and several private collections within and Ref ª S142 outside of his country. 31 Ernesto Shikhani Ernesto Shikhani (1934-2010, Mozambique) (1934-2010, Mozambique) “Untitled”, Tempera and india ink on paper, “Untitled”, Mixed media on paper, 50 x 34 cm, 1998 35 x 25 cm, 1998 Ref ª S081 Ref ª S223

Ernesto Shikhani Ernesto Shikhani (1934-2010, Mozambique) (1934-2010, Mozambique) “Untitled”, Mixed media on paper, “Untitled”, India ink and sepia on paper, 40 x 30 cm, 2001 100 x 70 cm, 1996 Ref ª S138 Ref ª S148

32 Ernesto Shikhani (1934-2010, Mozambique) “Untitled”, India ink and sepia on paper, 60 x 40 cm, 2005 Ref ª S157

33 Ernesto Shikhani Ernesto Shikhani (1934-2010, Mozambique) (1934-2010, Mozambique) “Untitled”, Mixed media on paper, “Untitled”, Mixed media on paper, 40 x 30 cm, 2001 65 x 50 cm, 1973 Ref ª S126 Ref ª S322

Ernesto Shikhani (1934-2010, Mozambique) “Untitled”, Mixed media on paper, 50 x 65 cm 1973 Ref ª S293 34 Ernesto Shikhani (1934-2010, Mozambique) “Untitled”, Mixed media on platex, 121 x 47 cm, 1972 Ref ª S326 FICHA TÉCNICA conceito e curadoria concept and curation Carlos Cabral Nunes direcção executiva executive direction Nuno Espinho produção executiva e comunicação executive production and comunication Graça Rodrigues design gráfico graphic design CCN e Nelson Chantre direcção artística art direction Colectivo Multimédia Perve

Ivan Villalobos (1975, Chile) impressão e copyright Cambio de Jinete, print & copyright Mixed technique, ballpoint pen with acrylic, on 40% uv acid- Perve Global - Lda. free passepartout and sealer, 52 x 35 cm, 2018 Ref.: IVAN003

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