Annual Report 2019
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Ernesto Shikhani Marya Al Qassimi Ivan Villalobos Lizette Chirrime Tchalé Figueira Teresa Balté Reinata Sadimba
Ernesto Shikhani Ivan Villalobos Lizette Chirrime Marya Al Qassimi Tchalé Figueira Teresa Balté Reinata Sadimba Curator & Gallerist Carlos Cabral Nunes 29 March – 3 April 2021 Ernesto Shikhani Untitled (Peace series) Mixed media on paper, 47 x 27 cm, 1990 Ref.: S251 THE CONCEPT For Art Dubai 2021 - Contemporary Section, Perve Galeria aims to make a bridge between different generation artists, coming from Africa, Middle East and South America, with a gender right balance that gives women a wider space to show their artistic practices. The project consists in exhibiting new figurations made on paper and canvas, alongside with distinct formats and medium presentations, to produce a Global Art statement to be showed in Art Dubai, in order to celebrate the art fair that started the Global Art Forum in 2007. At the same time, the project seeks to evoke the 50th anniversary of the UAE, paying homage to the country that gave to the world some of the most remarkable cultural and art events, over the last decades. Located in the historic centre of Lisbon since 2000, Perve Galeria presents exhibitions of modern and contemporary art, since November 2000. The gallery develops and promotes nationally and internationally artistic, cultural and technological projects. One of its primary objectives has been the dissemination of authors coming from the Portuguese speaking countries, not only in the fields of visual arts but also with multimedia art and interactivity. Perve Galeria’s history, includes exhibitions and the organization of multiple national -
Algeria Upstream OG Report.Pub
ALGERIA UPSTREAM OIL & GAS REPORT Completed by: M. Smith, Sr. Commercial Officer, K. Achab, Sr. Commercial Specialist, and B. Olinger, Research Assistant Introduction Regulatory Environment Current Market Trends Technical Barriers to Trade and More Competitive Landscape Upcoming Events Best Prospects for U.S. Exporters Industry Resources Introduction Oil and gas have long been the backbone of the Algerian economy thanks to its vast oil and gas reserves, favorable geology, and new opportunities for both conventional and unconventional discovery/production. Unfortunately, the collapse in oil prices beginning in 2014 and the transition to spot market pricing for natural gas over the last three years revealed the weaknesses of this economic model. Because Algeria has not meaningfully diversified its economy since 2014, oil and gas production is even more essential than ever before to the government’s revenue base and political stability. Today’s conjoined global health and economic crises, coupled with persistent declining production levels, have therefore placed Algeria’s oil and gas industry, and the country, at a critical juncture where it requires ample foreign investment and effective technology transfer. One path to the future includes undertaking new oil and gas projects in partnership with international companies (large and small) to revitalize production. The other path, marked by inertia and institutional resistance to change, leads to oil and gas production levels in ten years that will be half of today's production levels. After two decades of autocracy, Algeria’s recent passage of a New Hydrocarbons Law seems to indicate that the country may choose the path of partnership by profoundly changing its tax and investment laws in the hydrocarbons sector to re-attract international oil companies. -
Abstract African and African
ABSTRACT AFRICAN AND AFRICAN AMERICAN STUDIES HILL, ERNESS A. B.A. SPELMAN COLLEGE, 1998 REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART. THE MACONDE AND THE SHETANI Advisor: Dr. Mustafah Dhada Thesis dated December, 2000 This thesis examines to what extent the shetani icon in Maconde Art has been elevated to the status of deity; and what powers it has been endowed with to transform the lives of its "worshippers." The investigation was based on the observation that, although not a recognized 'god' in the traditional Maconde form of worship, nor that of Mozambique, the shetani’s appearance in Mozambican art was consistent and abundant. The investigative approach used was a comparative analysis of three internationally known Mozambican artists, two of which are Maconde. The researcher found that with all three artists, the shetani was an obvious element in their artistic renderings and in each instance, their individual lives, though not unique, were charged with suffering and unhappiness. The conclusion drawn from this investigation suggests that, although created by a Maconde for the purpose of patronage, the shetani icon has become a 'deity' not only for the Maconde, but for Mozambicans, as well. While not 'worshipped' in the sense that Westerners worship, it has been endowed with powers that transform the lives of those who identify with it. At the very least, it has been endowed with the power to promote their artistic abilities with a view to catalyzing greater creativity. REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART, THE MACONDE AND THE SHETANI A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY ERNESS A. -
Calouste Gulbenkian's Long Path, from His Childhood in Istanbul to The
CALOUSTE GULBENKIAN PRIZE (2017-2021) Regulation 2017 edition INTRODUCTION Calouste Gulbenkian’s long path, from his childhood in Istanbul to the latter years of his life in Lisbon (emblematic cities at the eastern and western edges of Europe), shaped his personality and influenced the Foundation that he decided to create in Portugal as a Portuguese institution. A pioneer in the oil industry, a demanding art collector, a diplomat and philanthropist, Calouste Gulbenkian was a perfect example of the synthesis of the eastern culture of his birth and origins, and the western culture in which he was educated and lived. Other revealing features of his character were his great sensitivity towards the harmony of nature and a particular taste for admiring its beauty. The Calouste Gulbenkian Foundation, an international philanthropic institution, open to the world, seeks to support actions which contribute to the construction of a fairer and more solidary society, where equal opportunities and sustainability help to prepare the citizens of the future. The Calouste Gulbenkian Prize is given annually. It aims to pay tribute to the Founder, recognizing individuals or institutions that have distinguished themselves, due to their relevance and work in the area of Human Rights. FIRST Objective and Term 1. The Calouste Gulbenkian Prize aim to recognise an individual or a private non- profit legal person who have distinguished themselves internationally in the defence and implementation of Human Rights. In 2017, special attention will be given to refugee issues. SECOND Value The value of the Calouste Gulbenkian Prize will be 100,000 € (one hundred thousand euros). THIRD Decision Making Procedure 1. -
Energy Colonialism: the Eu's Gas Grab in Algeria
ENERGY COLONIALISM: THE EU’S GAS GRAB IN ALGERIA IN DEPTH: The role of the Spanish State and Catalonia in gas relations with Algeria ENERGY COLONIALISM: THE EU’S GAS GRAB IN ALGERIA IN DEPTH: The role of the Spanish State and Catalonia in gas relations with Algeria Published by: the Observatory on Debt and Globalisation (ODG) Authors: Hamza Hamouchene and Alfons Pérez Translation from Spanish: Kate Wilson ([email protected]) Design: Toni Sánchez Poy (fl[email protected]) Place and date of publication: Barcelona, September 2016 Contact: [email protected] Cover photo: BBOY Lee With the support of: This publication has been produced with the financial assistance of the European Union. The content of this publication is the sole responsibility of the Observatori del Deute en la Globalització and can under no circumstances be regarded as reflecting the position of the European Union. ENERGY COLONIALISM: THE EU’S GAS GRAB IN ALGERIA 4 Contents Executive Summary ........................................................................................................ 6 1) EU collusion with a corrupt and authoritarian regime ................................................... 7 a) Algeria’s Fossil Fuel Potential ............................................................................................................................. 7 i) Gas in Algeria ..................................................................................................................................................... 7 ii) Liquefied natural gas (LNG) plants -
Contributing to the Oil and Gas Industry in Abu Dhabi
INDEX 01 PARTEX OIL AND GAS: AN OLD PARTNER OF ADNOC IN ABU DHABI WITH A LONG TERM VISION 3 A HISTORY OF SUCCESS WE ARE PROUD OF 5 A LEGACY THAT NEEDS TO BE PRESERVED 5 02 PARTEX IN ABU DHABI 7 HISTORY OF A PARTNERSHIP 9 PARTEX IDENTITY 9 CULTURAL AND EDUCATIONAL INICIATIVES 10 03 PARTEX COMMITMENT TO ABU DHABI OIL AND GAS OPERATIONS 13 TECHNICAL SUPPORT TO OPERATIONS 15 OUR COMMITMENT IN TERMS OF SECONDMENT 15 CONTRIBUTION TO TRAINING 17 04 SHARING OF TECHNOLOGY 19 PARTEX CONTRIBUTION FOR RESERVOIR MANAGEMENT, FIELD DEVELOPMENT PLANNING AND R&D PROJECTS 20 PARTEX BID ON ADVANCED TECHNOLOGY IN CHALLENGING AREAS 22 PARTEX MAIN STUDIES AND PROJECTS IN ABU DHABI 24 KNOWLEDGE TRANSFER FROM OTHER AREAS OF THE WORLD 26 05 PARTEX COMMITMENT TO KNOWLEDGE DEVELOPMENT IN ABU DHABI 29 CONTRIBUTION TO THE PETROLEUM INSTITUTE 30 PARTEX TECHNOLOGY AND R&D ACTIVITIES 31 PARTEX TECHNICAL PUBLICATIONS 32 ABU DHABI PETROLEUM EXHIBITION AND CONFERENCE (ADIPEC) 33 06 PARTEX LONG TERM VISION FOR ABU DHABI OIL AND GAS 35 GASCO CONCESSION RENEWAL 36 ADCO CONCESSION CHALLENGES A VENTURE IN UNITY 38 Onshore oil concession awarded to Petroleum Development (Trucial Coast) Ltd. First commercial oil discovery - Bab field. 1962 Second commercial oil discovery - Bu Hasa field. / 2 PARTEX OIL AND GAS: AN OLD PARTNER OF ADNOC IN ABU DHABI WITH A LONG TERM VISION / 3 PARTEX OIL AND GAS: AN OLD PARTNER OF ADNOC IN ABU DHABI WITH A LONG TERM VISION / 4 75 YEARS A HISTORY OF SUCCESS WE ARE PROUD OF Celebrating the 75 years of active involvement of Partex in the Abu Dhabi oil and gas industry, this document aims to recall the history of a very successful partnership, covering a wide range of technical contribution and support, including the secondment of highly skilled staff to the Abu Dhabi operating companies, in which Partex has participating interests, ADCO and GASCO. -
Maat Grada Kilomba X Ines Grosso 2017.Pdf
SECRETS TO TELL GRADA KILOMBA ÍNDICE / CONTENTS TEXTOS / TEXTS Alfredo Jaar ( PT ) 9 ( EN ) 15 Inês Grosso Quiet as it’s kept (or not) ( PT ) 20 ( EN ) 33 Theresa Sigmund e / and Grada Kilomba Living in a space of timelessness ( PT ) 88 ( EN ) 94 OBRAS / WORKS The Desire Project 44 Plantation Memories 100 Table of Goods 108 Quiet as it’s kept (or not) INÊS GROSSO ( PT ) Receia-se que, se o sujeito colonial falar, o colonizador terá de ouvir. Ela/ele será forçado/a a um confronto desconfortável com «Outras» verdades. Verdades que foram negadas e mantidas no silêncio, como segredos. Gosto muito da frase inglesa «quiet as it’s kept». É uma expressão das comunidades da diáspora africana que anuncia que alguém está prestes a revelar algo que se presume ser segredo. Segredos como a escravatura. Segredos como o colonialismo. Segredos como o racismo.1 Grada Kilomba é uma escritora, uma teórica e uma artista interdisciplinar com um percurso ativo na cena artística berlinense, a cidade onde vive e trabalha. Nascida em Lisboa, as suas raízes estendem-se a São Tomé e Príncipe e a Angola. A sua obra aborda questões em torno dos temas da política de género e de raça e das ideias de trauma e memória, seja no âmbito das problemáticas atuais sobre o colonialismo e o pós-colonialismo no início do século XXI, seja para investigar as relações ambíguas entre memória e esquecimento, o imaginário coletivo e a identidade africana e das suas diásporas. Evocando as tradições orais africanas e o seu poder de perpetuação da palavra, a obra da artista 21 dá voz a narrativas silenciadas com o intuito de reescrever e recontar uma história que foi negada ou omitida. -
2015-07-31 PRIMEIRA.Indd
Jornal fundado em 1 de Outubro de 1925 ANO XC / Nº5080 SEXTA-FEIRA 31 JULHO DE 2015 PREÇO: 0,80€ ASSINATURA ANUAL: 22,50€ DIGITAL: 15€ www.gazetacaldas.com Director: José Luiz de Almeida Silva Director Adjunto: Carlos M. Marques Cipriano facebook.com/gazetacaldas Tel:262870050 / Fax: 262870058/59 [email protected] / [email protected] / [email protected] / [email protected] Assunção Cristas diz que Baixas de Óbidos Tony Carreira, Luís Represas, José Cid e Cuca Roseta na região terão rede de rega pronta em 2017 Grandes nomes do panorama mu- namento atrás dos Bombeiros, na sical português irão actuar na re- festa do Continente. A ministra da Agricultura e do Mar, rede de rega dos blocos de Óbidos e gião nas próximas duas semanas. No próximo fi m-de-semana, no Assunção Cristas, acredita que os da Amoreira (1185 hectares) e a rede O “desfi le” começa hoje no Oeste Festival do Vinho do Bombarral, 1200 hectares de rede de rega das viária. Fest, com as actuações de Agir actuam Luís Represas acompa- Baixas de Óbidos (ligada à barra- Os primeiros contactos de sensibiliza- e Carolina Deslandes na Foz do nhado pela West Europe Orchestra, gem do Arnóia) deverão estar con- ção aos produtores para a construção Arelho. HMB e Kataleya são os ou- José Cid & Big Band e Tiago cluídos em 2017. “Um prazo realis- da barragem do Arnóia começaram tros cabeças de cartaz do festival. Bettencourt. ta”, considera a governante para as em 1976. Foram precisos mais de 40 No domingo haverá um espectá- Em S. Martinho, Cuca Roseta ac- obras no valor de 28 milhões de eu- anos para que o maior investimento culo de Tony Carreira, que actua tua na próxima quinta-feira, 6 de ros e que compreendem a constru- público feito no concelho, se tornasse nas Caldas, no parque de estacio- Agosto. -
Oeiras Em Revista Janeiro 2016
AJUSTAR A LOMBADA 2016 INVERNO . WINTER 14 #1 EM REVISTA Oeiras em Revista Encetamos uma dança perfeita entre o que herdamos, o que já construímos e aquilo que planeamos construir. We begin a perfect dance between what we inherit, what we have already built and what we plan to build. € THE MOST BEAUTIFUL BALCONY ONTO THE TAGUS Propriedade do Município de Oeiras . Distribuição Gratuita Impressão 0,79 AJUSTAR A LOMBADA AJUSTAR À LOMBADA ÍNDICE INDEX 14 A DOIS 10 One-On-One MARINA FERREIRA A DESCOBRIR ‘A ÁGUA NÃO EXISTE PARA SE OLHAR, O PASSADO EXISTE PARA SE VIVER’ Discovering the past ‘The water is not there to be looked at; it is there to be lived’ SAIBA O QUE HÁ DEBAIXO DESTE RIO: DESCUBRA OS TESOUROS SUBMERSOS EM SÃO JULIÃO DA BARRA Learn what's underneath this river: DISCOVER THE UNDERWATER TREASURES OF SÃO JULIÃO DA BARRA 42 PROJETOS 45 DA AUTARQUIA PROJETOS PROJECTS OF THE MUNICIPALITY DA AUTARQUIA O JAMOR ESTÁ PROJECTS OF THE MUNICIPALITY A MUDAR PARA SI PASSEIO MARÍTIMO: THE Jamor is changing for you UMA VARANDA PARA O TEJO The Seaside Promenade: a balcony onto the Tagus 62 ENTRE NÓS Augusto Cid da Baleia”, pelo escultor Escultura “Mergulho Augusto Cid by the sculptor da Baleia” sculpture, “Mergulho Among Us “OEIRAS, A PORTA DOS OCEANOS” INTERVIEW WITH JOAQUIM BOIÇA OEIRAS, THE OCEANS’ GATEWAY Diretor . Diretor PAULO VISTAS Direção Executiva . Executive Directors ELISABETE BRIGADEIRO Editor . Editor CARLA ROCHA Textos . Texts CARLA ROCHA, SIGA-NOS NO FACEBOOK! LUÍS MARIA BAPTISTA, SÓNIA CORREIA, ANA HENRIQUES, CAROLINA SÁ DA BANDEIRA, FILIPA CUSTÓDIO, SANDRA CAÇOILA, CARLOS BELOTO, LUIS Facebook.com/municipiooeiras BATISTA FERNANDES, JOSÉ BETTENCOURT, CRISTÓVÃO FONSECA, INÊS PINTO COELHO, JORGE FREIRE, PATRICIA CARVALHO, TIAGO SILVA, JOÃO LUIS CARDOSO, ISABEL CAÇADOR, HENRIQUE CABRAL, JOSÉ PEDRO GRANADEIRO Fotografia . -
Celebrations
Celebrations Alentejo Portalegre Islamic Festival “Al Mossassa” Start Date: 2021-10-01 End Date: 2021-10-03 Website: https://www.facebook.com/AlMossassaMarvao/ Contacts: Vila de Marvão, Portalegre The historic town of Marvão, in Alto Alentejo, will go back in time to evoke the time of its foundation by the warrior Ibn Maruam, in the ninth century, with an Islamic festival. Historical recreations with costumed extras, an Arab market, artisans working live, a military camp with weapons exhibition, games for children, knights in gun duels, exotic music and dance, acrobats, fire- breathers, snake charmers , bird of prey tamers and circus arts are some of the attractions. Centro de Portugal Tomar Festa dos Tabuleiros (Festival of the Trays) Date to be announced. Website: http://www.tabuleiros.org Contacts: Tomar The Festival of the Trays takes place every four years; the next one will take place in July 2023. Do not miss this unique event! The blessing of the trays, the street decorations, the quilts in the windows and the throwing of flowers over the procession of the trays carried by hundreds of young girls on their heads, is an unforgettable sight. The Procession of the Tabuleiros, heralded by pipers and fireworks, is led by the Banner of the Holy Ghost and the three Crowns of the Emperors and Kings. They are followed by the Banners and Crowns from all the parishes, and the girls carrying the trays. In the rear are the cartloads of bread, meat and wine, pulled by the symbolic sacrificial oxen, with golden horns and sashes. The girls who carry the trays have to wear long white dresses with a coloured sash across the chest. -
Gilberto Mendes
“ Gilber to Mendes ” Gilberto Mendes Ribeirão Preto e São Paulo 1º a 16 de setembro de 2012 1 Gilberto Mendes Gilberto Mendes “ Gilber to Mendes ” Gilberto Mendes 50 anos do Festival Música Nova ÍNDICE 100 anos de John Cage 3 INTRODUÇÃO 90 anos de Gilberto Mendes 8 AGENDA 70 anos de Jorge Antunes 60 anos de Wolfgang Rihm 10 GILBERTO MENDES 60 anos de Rodolfo Coelho de Souza 12 PROGRAMAÇÃO 50 anos de Flo Menezes 13 QUATUOR STANISLAS 14 BEATRIZ ROMAN 15 OSRP 16 ENSEMBLE MÚSICA NOVA 17 LUISA SPLETT 18 STEPHAN FROLEYKS 19 CAROLINE DE COMI MAURÍCIO DE BONIS 20 GUSTAVO COSTA Gilberto Mendes REINBERT EVERS 21 FLO MENEZES 22 EDUARDO SANTANGELO O Festival Música Nova foi Idealizado pelo compositor 23 USP-FILARMÔNICA Gilberto Mendes, nos anos 60, sendo o mais representativo 24 DORIANA MENDES evento de música contemporânea da América Latina. JOSÉ WELLINGTON 25 ENSEMBLE MENTEMANUQUE Realização 26 ORQUESTRA SESC São Paulo & USP / NAP-CIPEM (Núcleo de Pesquisa SINFÔNICA DE Ciências da Performance em Música) FFCLRP-USP BARRA MANSA 28 CAMERATA ABERTA 30 FICHA TÉCNICA 2 Gilberto Mendes 3 “ Gilber to Mendes ” DAS EXIGÊNCIAS desse quadro é a saturação, no centro das atenções. Obras Oliveira e o próprio Mendes, DA MÚSICA no qual o papel social de compositores brasileiros e clamava por um “compromisso predominante da música estrangeiros são apresentadas total com o mundo “som: fenômeno auditivo complexo em que corresponde a uma espécie de ao longo de duas semanas, contemporâneo” com ênfase estão comprometidos a natureza e o homem.” fundo para as ações humanas durante as quais o público no “desenvolvimento interno Manifesto Música Nova (1963) cotidianas: ouvimos música será convidado a imergir nessa da linguagem musical”. -
Ivan Villalobos Reinata Sadimba Cruzeiro Seixas Ernesto Shikhani
Cruzeiro g a l e Seixas r i a Ernesto Shikhani Ivan Villalobos 16 / 05 - 19 / 05 2019 Booth A6 Museu da Carris Rua Primeiro de Maio Javier 101, 1300-472 Lisboa, Portugal Félix Curadoria: Carlos Cabral Nunes José Chambel Reinata Sadimba Tchalé Figueira Perve Galeria in Lisbon, Portugal PT | Fundada no ano 2000, a Perve Galeria está ENG | Located in the historic centre of Lisbon localizada no centro histórico da cidade de Lisboa, since 2000, Perve Galeria presents exhibitions of em Alfama. A Perve Galeria, detida desde 2004, modern and contemporary art, since November para efeitos de gestão comercial, pela empresa 2000. The gallery develops and promotes Perve Global Lda., tem a sua gestão artística nationally and internationally artistic, cultural assegurada pelo Colectivo Multimédia Perve, and technological projects. One of its primary desenvolvendo, desde a sua fundação, de forma objectives has been the dissemination of authors sistemática e continuada, exposições de arte coming from the Portuguese speaking countries, moderna e contemporânea. not only in the fields of visual arts but also with Promove autores de várias latitudes e gerações multimedia art and interactivity. Perve Galeria’s mas, mais especificamente, com artistas history, includes exhibitions and the organization provenientes do espaço de língua portuguesa, of multiple national and international artistic cujos trabalhos são apresentados a nível nacional initiatives, with emphasis on curatorial projects e internacional. such as: International Triennial of Contemporary Organiza em permanência exposições com Art in Prague (Czech Republic, 2008); Interna- artistas provenientes de países europeus, como tional traveling exhibition “Mobility Re-reading também de Angola, Argentina, Brasil, Cabo Verde, the Future” (Poland, Finland, Bulgaria, Czech Moçambique, Índia e Japão.