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Ernesto Shikhani Marya Al Qassimi Ivan Villalobos Lizette Chirrime Tchalé Figueira Teresa Balté Reinata Sadimba
Ernesto Shikhani Ivan Villalobos Lizette Chirrime Marya Al Qassimi Tchalé Figueira Teresa Balté Reinata Sadimba Curator & Gallerist Carlos Cabral Nunes 29 March – 3 April 2021 Ernesto Shikhani Untitled (Peace series) Mixed media on paper, 47 x 27 cm, 1990 Ref.: S251 THE CONCEPT For Art Dubai 2021 - Contemporary Section, Perve Galeria aims to make a bridge between different generation artists, coming from Africa, Middle East and South America, with a gender right balance that gives women a wider space to show their artistic practices. The project consists in exhibiting new figurations made on paper and canvas, alongside with distinct formats and medium presentations, to produce a Global Art statement to be showed in Art Dubai, in order to celebrate the art fair that started the Global Art Forum in 2007. At the same time, the project seeks to evoke the 50th anniversary of the UAE, paying homage to the country that gave to the world some of the most remarkable cultural and art events, over the last decades. Located in the historic centre of Lisbon since 2000, Perve Galeria presents exhibitions of modern and contemporary art, since November 2000. The gallery develops and promotes nationally and internationally artistic, cultural and technological projects. One of its primary objectives has been the dissemination of authors coming from the Portuguese speaking countries, not only in the fields of visual arts but also with multimedia art and interactivity. Perve Galeria’s history, includes exhibitions and the organization of multiple national -
Where Crime Compounds Conflict
WHERE CRIME COMPOUNDS CONFLICT Understanding northern Mozambique’s vulnerabilities SIMONE HAYSOM October 2018 WHERE CRIME COMPOUNDS CONFLICT Understanding northern Mozambique’s vulnerabilities Simone Haysom October 2018 Cover photo: iStock/Katiekk2 Pemba, Mozambique: ranger with a gun looking at feet of elephants after poachers had killed the animals for illegal ivory trade © 2018 Global Initiative Against Transnational Organized Crime. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing from the Global Initiative. Please direct inquiries to: The Global Initiative Against Transnational Organized Crime WMO Building, 2nd Floor 7bis, Avenue de la Paix CH-1211 Geneva 1 Switzerland www.GlobalInitiative.net Contents Summary and key findings ..............................................................................................................................................1 Background .........................................................................................................................................................................................2 The militants and funding from the illicit economy .......................................................................................4 Methodology .....................................................................................................................................................................................5 Corrosion, grievance and opportunity: A detailed picture -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Staging Lusophony: politics of production and representation in theater festivals in Portuguese-speaking countries Permalink https://escholarship.org/uc/item/70h801wr Author Martins Rufino Valente, Rita Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Staging Lusophony: politics of production and representation in theater festivals in Portuguese-speaking countries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Rita Martins Rufino Valente 2017 © Copyright by Rita Martins Rufino Valente 2017 ABSTRACT OF THE DISSERTATION Staging Lusophony: politics of production and representation in theater festivals in Portuguese-speaking countries by Rita Martins Rufino Valente Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair My dissertation investigates the politics of festival curation and production in artist-led theater festivals across the Portuguese-speaking (or Lusophone) world, which includes Latin America, Africa, Europe, and Asia. I focus on uses of Lusophony as a tactics to generate alternatives to globalization, and as a response to experiences of racialization and marginalization stemming from a colonial past. I also expose the contradictory relation between Lusophony, colonialism, and globalization, which constitute obstacles for transnational tactics. I select three festivals where, I propose, the legacies of the colonial past, which include the contradictions of Lusophony, become apparent throughout the curatorial and production processes: Estação da Cena Lusófona (Portugal), Mindelact – Festival Internacional de Teatro do Mindelo (Cabo Verde), and Circuito de Teatro em Português (Brazil). -
Dialogue: a Journal of Mormon Thought
DIALOGUE PO Box 1094 Farmington, UT 84025 electronic service requested DIALOGUE 52.3 fall 2019 52.3 DIALOGUE a journal of mormon thought EDITORS DIALOGUE EDITOR Boyd Jay Petersen, Provo, UT a journal of mormon thought ASSOCIATE EDITOR David W. Scott, Lehi, UT WEB EDITOR Emily W. Jensen, Farmington, UT FICTION Jennifer Quist, Edmonton, Canada POETRY Elizabeth C. Garcia, Atlanta, GA IN THE NEXT ISSUE REVIEWS (non-fiction) John Hatch, Salt Lake City, UT REVIEWS (literature) Andrew Hall, Fukuoka, Japan Papers from the 2019 Mormon Scholars in the INTERNATIONAL Gina Colvin, Christchurch, New Zealand POLITICAL Russell Arben Fox, Wichita, KS Humanities conference: “Ecologies” HISTORY Sheree Maxwell Bench, Pleasant Grove, UT SCIENCE Steven Peck, Provo, UT A sermon by Roger Terry FILM & THEATRE Eric Samuelson, Provo, UT PHILOSOPHY/THEOLOGY Brian Birch, Draper, UT Karen Moloney’s “Singing in Harmony, Stitching in Time” ART Andi Pitcher Davis, Orem, UT BUSINESS & PRODUCTION STAFF Join our DIALOGUE! BUSINESS MANAGER Emily W. Jensen, Farmington, UT PUBLISHER Jenny Webb, Woodinville, WA Find us on Facebook at Dialogue: A Journal of Mormon Thought COPY EDITORS Richelle Wilson, Madison, WI Follow us on Twitter @DialogueJournal Jared Gillins, Washington DC PRINT SUBSCRIPTION OPTIONS EDITORIAL BOARD ONE-TIME DONATION: 1 year (4 issues) $60 | 3 years (12 issues) $180 Lavina Fielding Anderson, Salt Lake City, UT Becky Reid Linford, Leesburg, VA Mary L. Bradford, Landsdowne, VA William Morris, Minneapolis, MN Claudia Bushman, New York, NY Michael Nielsen, Statesboro, GA RECURRING DONATION: Verlyne Christensen, Calgary, AB Nathan B. Oman, Williamsburg, VA $10/month Subscriber: Receive four print issues annually and our Daniel Dwyer, Albany, NY Taylor Petrey, Kalamazoo, MI Subscriber-only digital newsletter Ignacio M. -
Abstract African and African
ABSTRACT AFRICAN AND AFRICAN AMERICAN STUDIES HILL, ERNESS A. B.A. SPELMAN COLLEGE, 1998 REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART. THE MACONDE AND THE SHETANI Advisor: Dr. Mustafah Dhada Thesis dated December, 2000 This thesis examines to what extent the shetani icon in Maconde Art has been elevated to the status of deity; and what powers it has been endowed with to transform the lives of its "worshippers." The investigation was based on the observation that, although not a recognized 'god' in the traditional Maconde form of worship, nor that of Mozambique, the shetani’s appearance in Mozambican art was consistent and abundant. The investigative approach used was a comparative analysis of three internationally known Mozambican artists, two of which are Maconde. The researcher found that with all three artists, the shetani was an obvious element in their artistic renderings and in each instance, their individual lives, though not unique, were charged with suffering and unhappiness. The conclusion drawn from this investigation suggests that, although created by a Maconde for the purpose of patronage, the shetani icon has become a 'deity' not only for the Maconde, but for Mozambicans, as well. While not 'worshipped' in the sense that Westerners worship, it has been endowed with powers that transform the lives of those who identify with it. At the very least, it has been endowed with the power to promote their artistic abilities with a view to catalyzing greater creativity. REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART, THE MACONDE AND THE SHETANI A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY ERNESS A. -
Ethnomathematics and Education in Africa
Copyright ©2014 by Paulus Gerdes www.lulu.com http://www.lulu.com/spotlight/pgerdes 2 Paulus Gerdes Second edition: ISTEG Belo Horizonte Boane Mozambique 2014 3 First Edition (January 1995): Institutionen för Internationell Pedagogik (Institute of International Education) Stockholms Universitet (University of Stockholm) Report 97 Second Edition (January 2014): Instituto Superior de Tecnologias e Gestão (ISTEG) (Higher Institute for Technology and Management) Av. de Namaacha 188, Belo Horizonte, Boane, Mozambique Distributed by: www.lulu.com http://www.lulu.com/spotlight/pgerdes Author: Paulus Gerdes African Academy of Sciences & ISTEG, Mozambique C.P. 915, Maputo, Mozambique ([email protected]) Photograph on the front cover: Detail of a Tonga basket acquired, in January 2014, by the author in Inhambane, Mozambique 4 CONTENTS page Preface (2014) 11 Chapter 1: Introduction 13 Chapter 2: Ethnomathematical research: preparing a 19 response to a major challenge to mathematics education in Africa Societal and educational background 19 A major challenge to mathematics education 21 Ethnomathematics Research Project in Mozambique 23 Chapter 3: On the concept of ethnomathematics 29 Ethnographers on ethnoscience 29 Genesis of the concept of ethnomathematics among 31 mathematicians and mathematics teachers Concept, accent or movement? 34 Bibliography 39 Chapter 4: How to recognize hidden geometrical thinking: 45 a contribution to the development of an anthropology of mathematics Confrontation 45 Introduction 46 First example 47 Second example -
Mathematics in African History and Cultures
Paulus Gerdes & Ahmed Djebbar MATHEMATICS IN AFRICAN HISTORY AND CULTURES: AN ANNOTATED BIBLIOGRAPHY African Mathematical Union Commission on the History of Mathematics in Africa (AMUCHMA) Mathematics in African History and Cultures Second edition, 2007 First edition: African Mathematical Union, Cape Town, South Africa, 2004 ISBN: 978-1-4303-1537-7 Published by Lulu. Copyright © 2007 by Paulus Gerdes & Ahmed Djebbar Authors Paulus Gerdes Research Centre for Mathematics, Culture and Education, C.P. 915, Maputo, Mozambique E-mail: [email protected] Ahmed Djebbar Département de mathématiques, Bt. M 2, Université de Lille 1, 59655 Villeneuve D’Asq Cedex, France E-mail: [email protected], [email protected] Cover design inspired by a pattern on a mat woven in the 19th century by a Yombe woman from the Lower Congo area (Cf. GER-04b, p. 96). 2 Table of contents page Preface by the President of the African 7 Mathematical Union (Prof. Jan Persens) Introduction 9 Introduction to the new edition 14 Bibliography A 15 B 43 C 65 D 77 E 105 F 115 G 121 H 162 I 173 J 179 K 182 L 194 M 207 N 223 O 228 P 234 R 241 S 252 T 274 U 281 V 283 3 Mathematics in African History and Cultures page W 290 Y 296 Z 298 Appendices 1 On mathematicians of African descent / 307 Diaspora 2 Publications by Africans on the History of 313 Mathematics outside Africa (including reviews of these publications) 3 On Time-reckoning and Astronomy in 317 African History and Cultures 4 String figures in Africa 338 5 Examples of other Mathematical Books and 343 -
Ivan Villalobos Reinata Sadimba Cruzeiro Seixas Ernesto Shikhani
Cruzeiro g a l e Seixas r i a Ernesto Shikhani Ivan Villalobos 16 / 05 - 19 / 05 2019 Booth A6 Museu da Carris Rua Primeiro de Maio Javier 101, 1300-472 Lisboa, Portugal Félix Curadoria: Carlos Cabral Nunes José Chambel Reinata Sadimba Tchalé Figueira Perve Galeria in Lisbon, Portugal PT | Fundada no ano 2000, a Perve Galeria está ENG | Located in the historic centre of Lisbon localizada no centro histórico da cidade de Lisboa, since 2000, Perve Galeria presents exhibitions of em Alfama. A Perve Galeria, detida desde 2004, modern and contemporary art, since November para efeitos de gestão comercial, pela empresa 2000. The gallery develops and promotes Perve Global Lda., tem a sua gestão artística nationally and internationally artistic, cultural assegurada pelo Colectivo Multimédia Perve, and technological projects. One of its primary desenvolvendo, desde a sua fundação, de forma objectives has been the dissemination of authors sistemática e continuada, exposições de arte coming from the Portuguese speaking countries, moderna e contemporânea. not only in the fields of visual arts but also with Promove autores de várias latitudes e gerações multimedia art and interactivity. Perve Galeria’s mas, mais especificamente, com artistas history, includes exhibitions and the organization provenientes do espaço de língua portuguesa, of multiple national and international artistic cujos trabalhos são apresentados a nível nacional initiatives, with emphasis on curatorial projects e internacional. such as: International Triennial of Contemporary Organiza em permanência exposições com Art in Prague (Czech Republic, 2008); Interna- artistas provenientes de países europeus, como tional traveling exhibition “Mobility Re-reading também de Angola, Argentina, Brasil, Cabo Verde, the Future” (Poland, Finland, Bulgaria, Czech Moçambique, Índia e Japão. -
Malangatana, Nationalist Movements and Modern African Art in Mozambique: an Introduction to “Artes Plásticas E Movimento Nacionalista Em Moçambique”
MARIO PEREIRA Malangatana, Nationalist Movements and Modern African Art in Mozambique: An Introduction to “Artes Plásticas e Movimento Nacionalista em Moçambique” Malangatana Ngwenya (1936-2011) was the most important painter from Mozam- bique and one of the most prominent artists of his generation from Africa. His celebrated artistic career, beginning in the late 1950s, spanned six decades in a country that experienced constant, intense and profound historical change. Malangatana and the arresting, colorful images he created were integral, active participants in these transformations. Indeed, the figure of Malangatana and the power of his art, especially his paintings, enjoyed the rare ability to commu- nicate ideas, dreams, emotions and meanings far beyond the studio space and international art galleries. He touched so many so deeply that Mia Couto could describe him, after his death, as the soul of the country. Despite (or perhaps because of ) his artistic greatness, which was recognized almost immediately in Mozambique, his instant fame, which quickly spread to a number of other African countries, his prolific artistic production in a variety of media over the course of a lifetime, which was collected and exhibited throughout Africa, Europe and America, critical art historical and theoretical scholarship on Malangatana and his images remains relatively underdeveloped.1 When the David Winton Bell Gallery at Brown University held a major retrospective exhibition of his work in 2002, it provided visitors with the unique experience of viewing in the United States representative works from throughout Malangatana’s career.2 The breathtaking exhibition featured canonical early works, such as 25 de Setembro, Juízo Final and Monstros Grandes Devorando Monstros Pequenos, and the presence of the char- ismatic artist at the opening. -
A Way of Life Considering and Curating the Sainsbury African
A Way of Life Considering and Curating the Sainsbury African Galleries Christopher James Spring A Context Statement submitted in partial fulfilment of the requirements For the award of Doctorate in Professional Studies by Public Works Institute for Work Based Learning Middlesex University United Kingdom 2015 1 Table of Contents Abstract 3 Summary and Introduction 3 Part 1: Laying the Foundations 13 Part 2: The Sainsbury African Galleries 30 Part 3: The Forum 44 An ending, a beginning 73 Bibliography 77 Appendices 1. The MoM in reviews of the African Galleries 83 2. The African Galleries Reviewed 84 3. Chris Spring bibliography 86 4. Fieldwork 91 5. Exhibitions 91 6. Major Acquisitions 92 7. Festivals and Conferences 93 List of Images ‘Two Towers’, 2008, p.4, Kester and the Throne, p.10, The Tree of Life, p.11, Register, 1988, p.19, House in Farafra Oasis, 1991, p.22, ‘Big Masquerade’ by Sokari Douglas Camp, 1995, (copyright SDC and the Trustees of the BM) p.23, ‘Meriel’, 1998, p.25, Weaver in Mahdia, 1997, p.28, ‘Vessel’ by Magdalene Odundo, 2000, (copyright MO and Trustees of the BM), p.33, Kenya cricket shirt, 2001, p.39, The African Galleries Introduction, 2004, p.46, Mahdaoui’s ‘Joussour’, 1997 (copyright Nja Mahdaoui), p.48, In Temacine, 2013, p.49, Ifitry, Morocco, 2013, p.50, ‘Hujui Kitu’ kanga, 2003,(copyright Trustees of the BM),p.53, Kester on the Throne, 2000, (copyright Kester and Christian Aid) The Throne of Weapons, 2002,(copyright Kester and the Trustees of the BM),p.54, Tree of Life in Peace Park, 2004,(copyright David -
Economia Política Da Descentralização Em Moçambique
A Economia Política da Descentralização Política A Economia em Moçambique O IESE é uma instituição Aparecendo na mão do leitor no momento mais oportuno, como contribuição comprometida com investigação ao debate da trajectória do desenvolvimento de Moçambique, o livro Análise AUTORES social e económica pluralista, da Economia Política da Descentralização em Moçambique aborda a Bernhard Weimer questão da descentralização da administração pública como um elemento interdisciplinar e heterodoxa, João Carrilho com enfoque no rigor e qualidade da reforma do Estado e da consolidação da paz. Argumentando em favor de responsar à politica de descentralização dos últimos 20 anos, o livro oferece académica e na relevância e ao leitor, na base de evidências, uma análise crítica dos determinantes compromisso social do seu trabalho, A Economia Política políticos, económicos, administrativos, fiscais e institucionais da abordagem aberta à colaboração e cooperação moçambicana à descentralização. e dedicada a contribuir para o desenvolvimento de redes de Os autores analisam quatro factores considerados crucias para a compreensão da Descentralização investigadores e organizações de da economia política da descentralização em Moçambique. Primeiro, examinam Factores Estruturantes, nomeadamente históricos, que explicam a economia investigação associadas sobre política caracterizada pela exportação de matéria-prima e recursos naturais, em Moçambique Moçambique e o seu enquadramento bem como a prática política e económica de rent seeking num sistema político- na África Austral e no mundo. administrativo clientelista associado com o partido dominante que produz regularmente crises e violência. Segundo, os autores discutem as Regras de Dinâmicas, Efeitos, Desafios www.iese.ac.mz Jogo da descentralização, formais e informais, com enfoque nos aspectos legais e institucionais da desconcentração, devolução e descentralização fiscal, nos níveis macro, meso e micro do sistema político-administrativo. -
Throne Names, Pen Names, Horse Names, and Field Names: a Look at the Significance of Name Change in the Ethiopian Political Sphere
Mehari 1 Throne Names, Pen Names, Horse Names, and Field Names: A Look at the Significance of Name Change in the Ethiopian Political Sphere Krista Mehari Academic Director: Heran Sereke-Brhan Project Advisor: Bahru Zewde Hope College Psychology Addis Ababa, Ethiopia Submitted in partial fulfillment of the requirements for Ethiopia: Sacred Traditions and Visual Culture, SIT Study Abroad, Spring Semester 2007 Mehari 2 Table of Contents I. Abstract…………………………………………………………………………………..p. 3 II. Introduction……………………………………………………………………………...p. 4 III. Methodology……………………………………………………………………………p. 5 IV. Throne Names…………………………………………………………………………..p. 7 V. Horse Names…………………………………………………………………………….p. 10 VI. Pen Names……………………………………………………………………………....p. 12 VII. Field Names……………………………………………………………………………p. 14 VIII. Conclusion…………………………………………………………………………….p. 19 IX. References………………………………………………………………………………p. 21 X. Primary Sources………………………………………………………………………….p. 21 XI. Appendices……………………………………………………………………………...p. 22 Mehari 3 Abstract This study examines the motivations for name changes and the purposes the chosen names accomplish, specifically relating to the Ethiopian political sphere. Throne names and horse names were used solely by the emperors and the ruling class. Those name changes exalted the bearer by either stating his authority or connecting him to divine power. Pen names and field names were used by people not in power to hide their identity from people with the power to harm them. Although the purpose of those name changes was to disguise, the names that