The Grizzly, February 5, 2009
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The Low Anthem and Blind Pilot |
1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com EMAIL/USERNAME PASS (FORGOT?) Email Password NEW USER? LOGIN MUSIC DEC 02, 2009, 06:07AM Live Review: The Low Anthem and Blind Pilot Matt Poland [/authors/Matt%20Poland] Straight from the Cat’s Cradle in Carrboro, North Carolina. The following audio was included in this article: The following audio was included in this article: A few years after American indie folk’s middecade spike in visibility, which, with overexposed albums including Devendra Banhart’s Rejoicing in the Hands and Joanna Newsom’s Ys, may not have been a musical zenith, the http://www.splicetoday.com/music/live-review-the-low-anthem-and-blind-pilot 1/6 1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com genre has settled back into an unassuming position that seems to fit the music better. The “freak folk” fringe having largely faded, the nourishing, elemental influence of Americana in all its permutations continues to generate quietly exciting new music. This was evident last week at Cat’s Cradle in Carrboro, North Carolina, during an evening of itinerant, wornin, unbeaten songs performed by The Low Anthem and Blind Pilot. Both bands make music that is melancholy but not maudlin, that is steeped in oldtime American music but not anachronistic. The Low Anthem, a Rhode Island trio, began their set with pretty unconventional instrumentation: Ben Knox Miller playing acoustic guitar and singing, Jeffrey Prystowsky on organ, and Jocie Adams playing the crotales— sort of a small xylophone made up of discs instead of planks—with a violin bow, by far the most interesting thing I’ve seen done with a violin bow since I last saw Sigur Rós. -
Historic Coast Culture's Farm‐To‐Fork Chef Series
Historic Coast Culture’s Farm‐to‐Fork Chef Series Presented by the St. Johns Cultural Council Overview Food is a major part of understanding any culture or region. On Florida’s Historic Coast, the culinary scene reflects 450 years of its coastal location and diverse heritage. From the original Spanish settlers, British colonists and the Greeks and Minorcans who emigrated here, visitors can savor a fascinating array of local culinary tastes and farm‐to‐table dishes. Visitors can experience everything from fine dining and quick eats to food festivals, in‐town and farm‐tasting events and culinary classes. Vision Today, farm‐to‐table Culinary is one of Florida’s Historic Coast’s key cultural assets that offers cultural travelers even deeper experiences while they are visiting. To showcase St. Johns County’s farm‐to‐table restaurants and farms, the St. Johns Cultural Council is creating a series of Farm‐to‐Fork Chef Dinners. Each will feature a top local chef from a farm‐to‐table restaurant and a local farm(s). The Chef Series will include both “In‐Town Dinners” at unusual places and “Farm Dinners” in rural settings. These culinary events will also feature local artisans, farm‐to‐table produce, local seafood and/or meats, farm‐to‐table desserts as well as local spirits. Each event will be unique, with a theme chosen by the Chef(s) for the location. These tastings will feel like an intimate dining experience where 30‐40 guests can speak one‐on‐one with the Chef(s) as well as local artisans and farms. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
The Decemberists's the Tain
November 2, 2015 American Folk Rock Cattle Raid: The Decemberists’s The Tain Kendra Leonard (Humble, TX) The Decemberists’s The Tain is a five-part, 18-minute audiovisual piece in which the music and lyrics obliquely comment on the story, crafted in stop-motion animation using paper silhouettes. In this confluence of music and literature, we hear and see an ancient Irish epic become a twentieth-century folk rock narrative. The combination of roots music with an edge and sly, knowing lyrics—together with the animation—offers an imaginative approach to the legend, the action of which is said to have taken place in the first century CE. The Decemberists’s The Tain. It’s worth the whole 18 minutes, I promise. In the original Irish legend—Táin Bó Cúailnge (pronounced “Tane bo coo-lenje”) or The Cattle Raid of Cooley—Queen Medb of Connacht plots to steal the prize bull of Ulster, the neighboring kingdom. But the bull is protected by the great Irish hero Cúchulainn, who has a number of supernatural friends who mostly help him in his quest to save the bull and, ultimately, Ulster. The battles of the Raid generally involve Cúchulainn (“coo hull-an”) against a single foe, but at times he must take on an entire army by himself, as the other warriors of Ulster are cursed and suffer a debilitating illness. The story of the Raid is one of the oldest in Irish literature and has been translated into English several times. In The Decemberists’s video, the artists include a simplified version of the story using intertitles—a technique from silent film where frames of text help viewers understand the action sequences. -
A Conversation with Laura Veirs by Frank Goodman (12/2005, Puremusic.Com)
A Conversation with Laura Veirs by Frank Goodman (12/2005, Puremusic.com) What was it that made it clear just a line or two into Carbon Glacier that this was something really good? It was original, first of all, both the guitar part and the melody. And it was strong, clear, very sure-footed. It was not pretentious, precious, or clever. It was recorded very well. Such were the first impressions, estimations that have only improved with time. And that wasn't even the latest album, Year of Meteors, so after a few songs, we were led there. The diversity was very satisfying, yet the continuity strong. Sounded like a young artist who really had a sense of her evolving self. There was a very free spirit to the tracking and the arrangements, a really good atmosphere. There is a palpable feeling of harmony. That was a relief, since an interview was already booked. It's still a blessed shock, every time an artist that's new to us goes into the player and a beautiful sound comes out of the speakers. And we're still very grateful when that happens. Laura Veirs is a product of the Seattle music community. She is a friend of many musical luminaries of that area, like Bill Frisell, Robin Holcomb, Wayne Horvitz, Danny Barnes, Keith Lowe and many others. She is one of the rare songwriters ever signed to Nonesuch Records. She appears to have come up through the folk channel years ago, very gracefully and convincingly into a more pop sound. This is well-illustrated by a great noisy guitar solo on "Rialto" on the new record, where the melody, handclaps and other friendly sounds keep it anchored in a very beautiful sonic bed. -
The Decemberists Explore a New Sound in MASS Moca Performance on June 15
For Immediate Release 17 January 2018 Contact: Jodi Joseph Director of Communications 413.664.4481 x8113 [email protected] The Decemberists explore a new sound in MASS MoCA performance on June 15 Acclaimed Portland band tours in support of new album, which embraces influences like Roxy Music & New Order to spark a new creative path, due March 16 NORTH ADAMS, MASSACHUSETTS — The Decemberists explore a new sound in a MASS MoCA performance on Friday, June 15 in support of their eighth studio album I’ll Be Your Girl, which will be released on March 16 on Capitol Records. The acclaimed Portland, Oregon-based band worked with producer John Congleton on the record (St. Vincent, Lana Del Rey) and embraced influences such as Roxy Music and New Order to spark a new creative path, as can be heard on the synth-driven lead single “Severed,” which is available today to stream or download. I’ll Be Your Girl will be released on a multitude of formats, including 180gm LP, 180gm Limited Edition Orange LP, 180gm Limited Edition Blue LP (available at indie record stores), 180gm Limited Edition Purple LP (available at Barnes & Noble), softpak CD, cassette, digital download, and a mystery deluxe edition box dubbed I’ll Be Your Girl: The Exploded Version, for which details will be revealed shortly. The band has also announced the first dates of their Your Girl / Your Ghost 2018 World Tour, which comes to MASS MoCA in North Adams on June 15. “When you’ve been a band for 17 years, inevitably there are habits you fall into,” says Colin Meloy. -
Music Collection
collection! 2573 songs, 6:19:50:59 total time, 9.72 GB Artist Album # Songs Total Time The Arcade Fire 2001 Demos 10 51:06 Arcade Fire EP 7 32:52 Funeral 14 1:06:04 The Arcade Fire/David Bowie Live EP 3 14:28 Audioslave Audioslave 9 39:54 Out of Exile 16 1:10:20 The Beatles A Hard Day's Night 13 30:30 Abbey Road 17 47:22 Alternate Abbey Road 7 25:44 Beatles For Sale 14 34:13 Help 15 37:30 Let It Be 10 28:15 Magical Mystery Tour 10 32:51 Past Masters - Volume One 18 42:28 Past Masters - Volume Two 13 40:02 Please Please Me 13 30:23 Revolver 13 32:19 Rubber Soul 14 35:48 Sgt. Pepper's Lonely Hearts Club Band 13 39:50 The White Album CD1 17 46:21 The White Album CD2 14 54:17 With The Beatles 14 33:24 Yellow Submarine 13 40:07 Bob Dylan Blood On The Tracks 10 51:53 Bob Dylan 14 41:07 Highway 61 Revisited 8 45:24 Love And Theft 8 36:34 Nashville 1 2:17 Shot of Love 10 44:55 The Best of Bob Dylan 6 31:31 The Essential Bob Dylan 26 1:47:02 The Freewheeling Bob Dylan 13 50:07 The Rolling Thunder Revue CD1 11 51:02 The Rolling Thunder Revue CD2 11 51:12 Bob Dylan/Johnny Cash Nashville 20 59:45 Buffalo Springfield Retrospective: The Best of Buffalo Springfield 12 40:21 The Cardigans First Band on the Moon 11 39:06 Life 14 48:07 Super Extra Gravity 14 47:57 Clap Your Hands Say Yeah Clap Your Hands Say Yeah 12 38:41 Coldplay A Rush of Blood To The Head 12 58:47 Live 2003 14 1:17:35 Live at Glastonbury 2005 15 1:17:26 Parachutes 10 35:51 X&Y 14 1:05:53 Danny Elfman Big Fish OST 22 57:39 Dave Matthews Band Before These Crowed Streets 11 1:10:21 Busted -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Knowing fans, knowing music : an exploration of fan interaction on Twitter Permalink https://escholarship.org/uc/item/0776z7tk Author McCollum, Nick Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Knowing Fans, Knowing Music: An Exploration of Fan Interaction on Twitter A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Nick McCollum Committee in charge: Professor Nancy Guy, Chair Professor David Borgo Professor Eun-Young Jung 2011 Copyright Nick McCollum, 2011 All rights reserved. The Thesis of Nick McCollum is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2011 iii TABLE OF CONTENTS Signature Page........................................................................................ iii Table of Contents..................................................................................... iv Acknowledgements.................................................................................. v Abstract of the Thesis.............................................................................. vi Chapter I: Introduction............................................................................. 1 About Me: How I Got To This Point (in more than 140 characters)...................................................... -
RHA, Green Quad Celebrate Earth Day ‘Do It in the Dark’ Meant to Environmental Issues
University of South Carolina Scholar Commons April 2008 4-22-2008 The aiD ly Gamecock, TUESDAY, APRIL 22, 2008 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2008_apr Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, APRIL 22, 2008" (2008). April. 6. https://scholarcommons.sc.edu/gamecock_2008_apr/6 This Newspaper is brought to you by the 2008 at Scholar Commons. It has been accepted for inclusion in April by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Mix Sports Nick Godwin and the Opinion..................4 Tim Roth stars in the new Puzzles....................6 Francis Ford Coppola drama Gamecocks will try to Comics.....................6 avoid a sweep against Horoscopes...............6 “Youth Without Youth.” Classifi ed............... 8 See page 7 the in-state rival Furman Paladins. See page 10 dailygamecock.com THE UNIVERSITY OF SOUTH CAROLINA TUESDAY, APRIL 22, 2008 VOL. 126, NO. 73 ● SINCE 1908 RHA, Green Quad celebrate Earth Day ‘Do It In The Dark’ meant to environmental issues. like me too and you end up “The overall goal for ‘Do It In learning stuff.” entertain, educate students on The Dark’ is to celebrate Earth Scott said the idea for serious environmental issues Day and bring awareness to the event was inspired by global warming as well as educate a conference she went to students on everyday green in November called the Haley Dreis solutions,” Scott said. Powershift 2007 in College THE DAILY GAMECOCK The event will include live music Park, Md. -
Portland's Artisan Economy
Portland State University PDXScholar Urban Studies and Planning Faculty Nohad A. Toulan School of Urban Studies and Publications and Presentations Planning 1-1-2010 Brew to Bikes: Portland's Artisan Economy Charles H. Heying Portland State University, [email protected] Follow this and additional works at: https://pdxscholar.library.pdx.edu/usp_fac Part of the Entrepreneurial and Small Business Operations Commons, and the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Citation Details Heying, Charles H., "Brew to Bikes: Portland's Artisan Economy" (2010). Urban Studies and Planning Faculty Publications and Presentations. 52. https://pdxscholar.library.pdx.edu/usp_fac/52 This Book is brought to you for free and open access. It has been accepted for inclusion in Urban Studies and Planning Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Brew to bikes : Portland's artisan economy Published by Ooligan Press, Portland State University Charles H. Heying Portland State University Urban Studies Portland, Oregon This material is brought to you for free and open access by PDXScholar, Portland State University Library (http://archives.pdx.edu/ds/psu/9027) Commitment to Sustainability Ooligan Press is committed to becoming an academic leader in sustainable publishing practices. Using both the classroom and the business, we will investigate, promote, and utilize sustainable products, technolo- gies, and practices as they relate to the production and distribution of our books. We hope to lead and encour- age the publishing community by our example. -
Playnetwork Business Mixes
PlayNetwork Business Mixes 50s to Early 60s Marketing Strategy: Period themes, burgers and brews and pizza, bars, happy hour Era: Classic Compatible Music Styles: Fun-Time Oldies, Classic Description: All tempos and styles that had hits Rock, 70s Mix during the heyday of the 50s and into the early 60s, including some country as well Representative Artists: Elvis, Fats Domino, Steve 70s Mix Lawrence, Brenda Lee, Dinah Washington, Frankie Era: 70s Valli and the Four Seasons, Chubby Checker, The Impressions Description: An 8-track flashback of great music Appeal: People who can remember and appreciate from the 70s designed to inspire memories for the major musical moments from this era everyone. Featuring hits and historically significant album cuts from the “Far Out!,” Bob Newhart, Sanford Feel: All tempos and Son era Marketing Strategy: Hamburger/soda fountain– Representative Artists: The Eagles, Elton John, themed cafes, period-themed establishments, bars, Stevie Wonder, Jackson Brown, Gerry Rafferty, pizza establishments and clothing stores Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Compatible Music Styles: Jukebox classics, Donut Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, House Jukebox, Fun-Time Oldies, Innocent 40s, 50s, Stills, and Nash, Creedence Clearwater Revival, 60s Average White Band, Bachman-Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, 60s to Early 70s Billy Joel, Jefferson Starship, Steve Miller Band, Carly Simon, KC & the Sunshine Band, Van Morrison Era: Classic Feel: A warm blanket of familiar music that helped Description: Good-time pop and rock legends from define the analog sound of the 70s—including the the mid-60s through the early-to-mid-70s that marked one-hit wonders and the best known singer- the end of an era. -
This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene
THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS MAY 2011 Center for Appalachian Studies THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY May 2011 APPROVED BY: ________________________________ Fred J. Hay Chairperson, Thesis Committee ________________________________ Susan E. Keefe Member, Thesis Committee ________________________________ Patricia D. Beaver Member, Thesis Committee ________________________________ Patricia D. Beaver Director, Center for Appalachian Studies ________________________________ Edelma D. Huntley Dean, Research and Graduate Studies Copyright by Shannon A.B. Perry 2011 All Rights Reserved ABSTRACT THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE (2011) Shannon A.B. Perry, A.B. & B.S.Ed., University of Georgia M.A., Appalachian State University Chairperson: Fred J. Hay At the grassroots, Appalachian music encompasses much more than traditional music genres, like old-time and bluegrass. While these prevailing musics continue to inform most popular and scholarly understandings of the region’s musical heritage, many contemporary scholars dismiss such narrow definitions of “Appalachian music” as exclusionary and inaccurate. Many researchers have, thus, sought to broaden current understandings of Appalachia’s diverse contemporary and historical cultural landscape as well as explore connections between Appalachian and other regional, national, and global cultural phenomena. In April 2009, I began participant observation and interviewing in an experimental music scene unfolding in downtown Boone, North Carolina.