Flowers in Greek Mythology
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Ovid's Metamorphoses and the Transformation of Metamorphosis In
Ovid’s Metamorphoses and the transformation of metamorphosis in Christoph Ransmayr’s novel Die letzte Welt David Gallagher Department of German University of London, Royal Holloway October 2007 Working Paper 07-2 Center for Austrian Studies The Center for Austrian Studies serves scholars who study the politics, society, technology, economy, and culture of Habsburg Central Europe, modern Austria, and other Habsburg successor states. It encourages comparative studies involving Austria or the Habsburg lands and other European states. The CAS Working Papers in Austrian Studies series seeks to stimulate discussion in the field and to provide a vehicle for circulating work in progress. It is open to all papers prior to final publication, but gives priority to papers by affiliates of the Center or by scholars who have given seminars or attended conferences at the Center. The executive editor of the series is Gary B. Cohen. This paper was edited by Josh Kortbein. If you would like to have a paper considered for inclusion in the series, please contact the editor at: Center for Austrian Studies 314 Social Sciences Building 267 19th Avenue South Minneapolis, MN 55455 Tel.: 612-624-9811 Fax: 612-626-9004 e-mail: [email protected] ©2007, Center for Austrian Studies, University of Minnesota. Permission to reproduce must generally be obtained from CAS. Copying is permitted within the fair use guidelines of the U.S. Copyright Act of 1976. CAS permits the following additional educational uses without permission or payment of fees: academic libraries may place copies of Working Papers on reserve for students enrolled in specific courses; teachers may reproduce multiple copies for students in their courses. -
The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Sappho: Sappho’S ‘After-Life’ in Early Modern England, 1550-1735
1 SAPPHO: SAPPHO’S ‘AFTER-LIFE’ IN EARLY MODERN ENGLAND, 1550-1735 SAPPHO (fl. 630 BCE), GREEK POET. For a brief biography of Sappho, selections from her own works, an introduction to her early modern reception, reputation, and translation, as well as further texts concerning her early modern ‘after-life,’ see the print anthology, pp. 153-87. EDITIONS: For early modern and modern translations of Sappho’s verse, see the essay ‘Sappho’ in “Classical Writers, their Early Modern Reputations and Translations” (Online Companion). ANACREONTEA (FIRST PUBLISHED, 1554). The Anacreontea is a volume of approximately sixty lyric poems that was long attributed to the Greek poet Anacreon (c. 575-490 BCE), and was certainly believed to constitute his work in the early modern period. The first edition of the Anacreontea appeared in 1554 from the press of Henri Estienne; its verse was translated into a number of languages throughout the Renaissance and into the eighteenth century. For a brief biography of Anacreon and selections from his verse (i.e., largely from the Anacreontea), see the print anthology, pp. 187-90. EDITIONS: For selected early modern and modern translations of Anacreon and the Anacreontea, see the accompanying essay ‘Anacreon’ in “Classical Writers, their Early Modern Reputations and Translations” (Online Companion). 1 THE WORKS OF PETRONIUS ARBITER […] TO WHICH IS ADDED SOME OTHER OF THE ROMAN POETS (1714) SAPPHO’S VINDICATION By Anacreon2 Come golden-locks, come god of love,3 And take me up from this low crowd, Carry me through the orbs above, 1 st Petronius Arbiter Petronius Arbiter (fl. 1 c. -
Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
The Myth of Melampus
EÖTVÖS LORÁND TUDOMÁNYEGYETEM BÖLCSÉSZETTUDOMÁNYI KAR Abstract VERONIKA KULIN Interpreting the Seer – The Myth of Melampus NYELVTUDOMÁNYI DOKTORI ISKOLA A doktori iskola vezetője: Tolcsvai Nagy Gábor DSc, akadémikus, egyetemi tanár ÓKORTUDOMÁNYI DOKTORI PROGRAM A doktori program vezetője: Déri Balázs PhD, egyetemi tanár A BIZOTTSÁG TAGJAI: Elnök: Déri Balázs PhD, egyetemi tanár Belső bíráló: Bolonyai Gábor PhD, egyetemi docens Külső bíráló: Nagy Árpád Miklós PhD, egyetemi docens Titkár: Földváry Miklós PhD, habilitált egyetemi adjunktus Tag: Pataki Elvira PhD, egyetemi adjunktus Póttag: Kárpáti András PhD, habilitált egyetemi docens Póttag: Gesztelyi Tamás DSc, habilitált egyetemi docens TÉMAVEZETŐ: Horváth Judit PhD, ny. egyetemi docens Budapest, 2016 I. Introduction My dissertation starts from two fundamental questions. The first refers to seers in Ancient Greece: what was the role of seers in Greek society? What was the nature of their knowledge? Did they have authority, and if so, what was it based on? In the 2nd half of the 20th century, Greek religious studies have been largely dominated by the concept of a “polis religion”. Since in Greek culture there was no central institution or set of institutions that organised religious life, nor any dogmatic system or holy scripture that created a fixed framework for religious belief and practice, historians of religion have regarded the polis as an institution which assumed the role played by the Church in Christianity (compare Kindt 2012: 3–4 and Bremmer 2010). In consequence, all religious phenomena that did not fit into the frames of institutionalized polis religion were dismissed as insignificant, marginal or “sectarian”. Magic and mystery-religion took second place, and so did seers and divination. -
An Anthology of Mediocre Metamorphoses
An Anthology of Mediocre Metamorphoses Dear audience, dear Jonathan, We gathered today under this drowsy grey skey to celebrate together - I see parents, family, friends, strangers and most important, Jonathan, who worked for the past four years on the marvellous publication, called ‘366’ that will be presented today. I was a close witness of the process towards this book, from the first set of drawings to the final, alluring design as a boxed book. Therefore I cannot stress enough how joyful and honoured I am to be standing here, in front of you, on this festive occasion. I wrote a text today about my two favourite books of the moment (and in extent of all times), the Metamorphoses by Ovid on the one hand and 366 by Jonathan Paepens on the other hand, complementing each towards the culmination of an anthology, which I will recite for you today, as in now. This text is titled An Anthology of Mediocre Metamorphoses, a name which can benefit from some etymological context. An anthology is a collection of poems or epigrams of various writers, arranged as an abundant and reverbing flowerpiece. The word itself derives from the two ancient greek components, as in Anthos -which translates to flower and Logos -which means word. An anthology therefore is a flourishing set of words and phrases, carefully composed and tied together as a beautiful bouquet. Mediocre entitles the state of being in a middle state but actually finds its roots in the antique language, ultimately combining the Latin medius with the Greek ocris, which literally means halfway up a mountain. -
HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH and HISTORY in CELTIC-HELLENIC CONTACTS Timothy P.Bridgman
STUDIES IN CLASSICS Edited by Dirk Obbink & Andrew Dyck Oxford University/The University of California, Los Angeles A ROUTLEDGE SERIES STUDIES IN CLASSICS DIRK OBBINK & ANDREW DYCK, General Editors SINGULAR DEDICATIONS Founders and Innovators of Private Cults in Classical Greece Andrea Purvis EMPEDOCLES An Interpretation Simon Trépanier FOR SALVATION’S SAKE Provincial Loyalty, Personal Religion, and Epigraphic Production in the Roman and Late Antique Near East Jason Moralee APHRODITE AND EROS The Development of Greek Erotic Mythology Barbara Breitenberger A LINGUISTIC COMMENTARY ON LIVIUS ANDRONICUS Ivy Livingston RHETORIC IN CICERO’S PRO BALBO Kimberly Anne Barber AMBITIOSA MORS Suicide and the Self in Roman Thought and Literature Timothy Hill ARISTOXENUS OF TARENTUM AND THE BIRTH OF MUSICOLOGY Sophie Gibson HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH AND HISTORY IN CELTIC-HELLENIC CONTACTS Timothy P.Bridgman Routledge New York & London Published in 2005 by Routledge 270 Madison Avenue New York, NY 10016 http://www.routledge-ny.com/ Published in Great Britain by Routledge 2 Park Square Milton Park, Abingdon Oxon OX14 4RN http://www.routledge.co.uk/ Copyright © 2005 by Taylor & Francis Group, a Division of T&F Informa. Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photo copying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
The Common Wine Cult of Christ and the Orphic Dionysos: the Wine and Vegetation Saviour Deity Dionysos As Model for the Dying and Rising Christ
REL 4990, MA thesis. Culture and Ideas, History of Religion. Autumn 2010. Maritha E. Gebhardt. Page: 1 The common wine cult of Christ and the Orphic Dionysos: the wine and vegetation saviour deity Dionysos as model for the dying and rising Christ. MA Thesis, Master's Programme in Culture and Ideas, History of Religion, Department of Culture and Oriental Languages, Autumn 2010, by Maritha Elin Gebhardt. Synopsis: In 2005 the Hebrew University Excavation Project unearthed a small incense burner from the fourth century C.E. in the Jewish capital of the Galilee, Sepphoris, depicting a crucified figure, Bacchic satyrs and maenads, and the Christian representation of the sacrifice of Isaac in symbolic form as a ram caught in the thicket of a bush. Five years later the book Orphism and Christianity in Late Antiquity, by Herrero de Jáuregui, refers to two large funerary cloths, one depicts a Dionysiac scene similar to the murals from the Villa dei Misteri and the other one show scenes from the life of Jesus and Mary, both found in the same tomb in Egypt. Both of these depictions testify to the continued syncretism of the Orphic and the Christian symbols and that people in the Hellenistic era found the figure of Christ similar to the Bacchic Orpheus. In my thesis I claim that the dying and rising saviour deity of Dionysos is the forerunner to the dying and rising saviour deity of Christ. I claim that I will prove this by showing that the cult of Christ is a wine cult. The epiphany of Jesus was as a human guest at a party, turning water into wine at the wedding-feast at Cana in John 2:1-11, likewise the epiphany of the wine-god Dionysos is in a similar scene as the Cana-miracle, where he turns water into wine (Achilleus Tatius' De Leucippes et Clitophontis amoribus 2.2:1-2.3:1). -
Ammianus Marcellinus on the Geography of the Pontus Euxinus
Histos () – AMMIANUS MARCELLINUS ON THE GEOGRAPHYOF THE PONTUS EUXINUS “Das eitle Bemühen um Allwissenheit, wie es der Fluch aller encyclo- pädischen Bildung ist, und vor allem der Fluch jener unseligen, auch auf dem geistigen Gebiet, in der Trümmerwelt einer grössern Vergang- enheit kümmerlich hausenden Generationen war, zeigt sich bei Ammian … auf diesem Gebiet …” This quotation of more than a century ago by Theodor Mommsen expresses a harsh verdict on Ammianus Marcellinus’ acquaintance with the geogra- phy of the world as it was known in his days (it is geographical knowledge which is meant by “diesem Gebiet”). In this field Ammianus had a “schein- haftes Bescheidwissen” and empty words had to conceal his “Unkenntniss”, according to the same Mommsen. Mommsen’s article, written in reaction to V. Gardthausen’s Die geographischen Quellen Ammians , which expressed a more positive opinion, had a great impact. Soon Mommsen’s unfavourable view of Ammianus’ knowledge of geography was widely accepted and has for a long time not been seriously disputed. The Res Gestae of the fourth-century historian Ammianus Marcellinus started where Tacitus had left off, that is in the year C.E. with the reign of Nerva, and ended at the year . The work originally consisted of books, but the first books have unfortunately been lost. The extant books cover only some twenty-five years of Roman history, namely the years from to . Thus Ammianus wrote the history of his own time, of which he himself was not only a part but also an eyewitness, since he was present at several important events of this period. -
Composición, Estado De Conservación Y Propuestas De Manejo
FAUNA DEL IBERÁ Composición, estado de conservación y propuestas de manejo Marzo de 2004 Coordinador General Tomás Waller Editor Aníbal Parera Equipo de trabajo Alejandro Giraudo (especies de valor especial de conservación y bases de datos) Gustavo Aprile (restauración de fauna) Andrés Bortoluzzi (bases de datos) Marcela Uhart (consultor sobre restauración de fauna) Gustavo Solís (consultor sobre restauración de fauna) Martín Méndez (consultor sobre genética) Tomás Waller Aníbal Parera Se agradece la colaboración de: Francisco Erize, Daniel Ligier, Ditmar Kurtz, Flavio Moschione, Ricardo Banchs, Alfredo Balcarce, Rosendo Fraga, Mariano Codesido, Juan Carlos Chebez, Aníbal Andrés Parera, Javier Pereira y Bernardo Lartigau Preparado por la Para el Proyecto GEF/PNUD ARG02/G35: Manejo y Conservación de la Biodiversidad en los Humedales de los Esteros del Iberá Asociación Civil Ecos Corrientes - PNUD y Gobierno de la Provincia de Corrientes RESUMEN EJECUTIVO En el marco del Proyecto GEF/PNUD ARG02/G35 “Manejo y Conservación de la Biodiversidad en los Humedales de los Esteros del Iberá”, y en el contexto del proceso orientado al desarrollo y ejecución de un Plan de Manejo para dicha unidad de conservación, se realizó un diagnóstico de la fauna de vertebrados tetrápodos (no peces) del Iberá, revisándose su composición y estado de conservación. Asimismo se definieron criterios para la selección de especies destacadas, que permitan a los tomadores de decisiones ordenar sus prioridades y obtener indicadores de éxito para medidas de conservación que pudieran instrumentarse en el futuro. Dichas especies destacadas fueron consideradas por su valor de conservación (EVEC), su significado socio-económico para la comunidad local (EVSE), y otros aspectos relevantes en el marco de una estrategia de conservación: especies exóticas introducidas y especies extintas del área en cuestión. -
Book Xiii Neil Hopkinson
OVID BOOK XIII edited by NEIL HOPKINSON Fellow of Trinity College, Cambridge ab published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb22ru, UK www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011±4211, USA www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de AlarcoÂn 13, 28014 Madrid, Spain Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in 10/12 Baskerville and New Hellenic Greek [ao] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Ovid, 43 bc±ad 17 or 18 [Metamorphoses. Liber 13] Metamorphoses. Book xiii /Ovid;editedbyNeilHopkinson. p. cm. ± (Cambridge Greek and Latin classics) Text in Latin; introduction and commentary in English. Includes bibliographical references and index. isbn 0 521 55421 7 (hardback) isbn 0 521 55620 1 (paperback) 1. Mythology, Classical ± Poetry. 2. Metamorphosis ± Poetry. i.Hopkinson, N. ii.Title.iii. Series. pa6519.m6 a13 2000 8730.01±dc21 99-087439 isbn 0 521 55421 7 hardback isbn 0 521 55620 1 paperback CONTENTS Preface page vii Map viii±ix Introduction 1 1 Metamorphosis 1 2 Structure and themes 6 3 Lines 1±398: the Judgement of Arms 9 4 Lines 408±571: Hecuba 22 5 Lines 576±622: Memnon 27 6 Lines 632±704: Anius and his daughters 29 7 Lines 13.730±14.222: Acis, Galatea and Polyphemus; Scylla, Glaucus and Circe 34 The text and apparatus criticus 44 P.