Pinisi Journal of Art, Humanity & Social Studies
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Arabic Language and Literature 1979 - 2018
ARABIC LANGUAGEAND LITERATURE ARABIC LANGUAGE AND LITERATURE 1979 - 2018 ARABIC LANGUAGE AND LITERATURE A Fleeting Glimpse In the name of Allah and praise be unto Him Peace and blessings be upon His Messenger May Allah have mercy on King Faisal He bequeathed a rich humane legacy A great global endeavor An everlasting development enterprise An enlightened guidance He believed that the Ummah advances with knowledge And blossoms by celebrating scholars By appreciating the efforts of achievers In the fields of science and humanities After his passing -May Allah have mercy on his soul- His sons sensed the grand mission They took it upon themselves to embrace the task 6 They established the King Faisal Foundation To serve science and humanity Prince Abdullah Al-Faisal announced The idea of King Faisal Prize They believed in the idea Blessed the move Work started off, serving Islam and Arabic Followed by science and medicine to serve humanity Decades of effort and achievement Getting close to miracles With devotion and dedicated The Prize has been awarded To hundreds of scholars From different parts of the world The Prize has highlighted their works Recognized their achievements Never looking at race or color Nationality or religion This year, here we are Celebrating the Prize›s fortieth anniversary The year of maturity and fulfillment Of an enterprise that has lived on for years Serving humanity, Islam, and Muslims May Allah have mercy on the soul of the leader Al-Faisal The peerless eternal inspirer May Allah save Salman the eminent leader Preserve home of Islam, beacon of guidance. -
Iraqi Literary Response to the US Occupation
Countering the Sectarian Metanarrative: Iraqi Literary Response to the US Occupation Chad Day Truslow Waynesboro, Virginia B.A. in International Relations & History, Virginia Military Institute, 2008 M.A. in Business Administration, Liberty University, 2014 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of Middle Eastern and South Asian Languages and Cultures University of Virginia December, 2019 1 Abstract Sectarian conflict is a commonly understood concept that has largely shaped US foreign policy approach to the region throughout the modern Middle East. As a result of the conflict between Shia and Sunni militias in Iraq and the nature of Iraqi politics since 2003, many experts have accepted sectarianism as an enduring phenomenon in Iraq and use it as a foundation to understand Iraqi society. This paper problematizes the accepted narrative regarding the relevance of sectarian identity and demonstrates the fallacy of approaching Iraq through an exclusively “sectarian lens” in future foreign policy. This paper begins by exploring the role of the Iraqi intellectuals in the twentieth century and how political ideologies influenced and replaced traditional forms of identity. The paper then examines the common themes used by mid-twentieth century Iraqi literati to promote national unity and a sense of Iraqi identity that championed the nation’s heterogeneity. The paper then surveys the Iraqi literary response to the 2003 invasion in order to explain how some of the most popular Iraqi writers represent sectarianism in their works. The literary response to the US invasion and occupation provides a counter- narrative to western viewpoints and reveals the reality of the war from the Iraqi perspective. -
University of Calicut Ma Post Afzal Ul Ulama Degree In
UNIVERSITY OF CALICUT REGUALATION AND SYLLABUS FOR MA POST AFZAL UL ULAMA DEGREE IN ARABIC (CHOICE BASED CREDIT SEMESTER SYSTEM-PG) CBCSS PG 2019 Board of Studies Afzal ul Ulama (PG) University of Calicut 1 | P a g e Introduction The Post Graduate Programme in Post AfzalulUlama Degree in Arabic under credit semester system is designed to equip the student with the requirements of modern times. This programme is a well thought out amalgam of classical and modern elements of the Arabic Language and Literature. Though it retains the important characteristics of traditional MA courses emphasis has been given to introduce methods that help the students keep pace with the ever changing trends in the world of Language and Literature. The students will be taught different aspects of Arabic as a living language in the world with its geopolitical significances. The practical aspects of the Arabic Language as translation (both theory and practice), simultaneous interpretation, modern terminology and applied grammar are given due importance in the syllabi. As for literature, its modern branches i.e. Novel, Short Story, Dram, Poetry and Modern Essays have been given adequate representation. 1. Short title These regulations shall be called “Regulations for Choice Based Credit Semester System for Post-Graduate Curriculum - 2019 for affiliated Colleges and for SDE / Private Registration” (CBCSS-PG) 2019. 2. Scope, Application & Commencement 2.1 The regulations provided herein shall apply to all the regular Post Graduate programmes offered by the affiliated colleges (Government/Aided/Unaided/Self-financing) of the University of Calicut, Autonomous Colleges and all the Post Graduate programmes offered by the School of Distance Education / Private Registration with effect from the 2019 batch admission. -
ARABIC THOUGHT and ISLAMIC SOCIETIES This Page Intentionally Left Blank ARABIC THOUGHT and ISLAMIC SOCIETIES
ROUTLEDGE LIBRARY EDITIONS: POLITICS OF ISLAM ARABIC THOUGHT AND ISLAMIC SOCIETIES This page intentionally left blank ARABIC THOUGHT AND ISLAMIC SOCIETIES AZIZ AL-AZMEH Volume 1 First published in 1986 This edition first published in 2013 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 1986 Aziz Al-Azmeh All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN: 978-0-415-64437-2 (Set) eISBN: 978-0-203-07906-5 (Set) ISBN: 978-0-415-83072-0 (Volume 1) eISBN: 978-0-203-38146-5 (Volume 1) Publisher’s Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original copies may be apparent. Disclaimer The publisher has made every effort to trace copyright holders and would welcome correspondence from those they have been unable to trace. Arabic Thought and Islamic Societies EXETER ARABIC AND ISLAMIC SERIES Arabic Thought and Islamic Societies Aziz Al-Azmeh ARABIC THOUGHT and ISLAMIC SOCIETICS AZIZ AL-AZMEH CROOM HELM London Sydney Dover, New Hampshire @ 1986 Aziz Al-Azmeh Croom Helm Ltd, Provident House, Burrell Row, Beckenham, Kent BR3 I AT Croom Helm Australia Pty Ltd, Suite 4, 6th Floor, 64-76 Kippax Street, Surry Hills, NSW 2010, Australia British Library Cataloguing in Publication Data Al-Azmeh, Aziz Arabic thought and Islamic societies. -
Impassive Modernism in Arabic and Hebrew Literatures
UNIVERSITY OF CALIFORNIA Los Angeles Against the Flow: Impassive Modernism in Arabic and Hebrew Literatures A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Shir Alon 2017 © Copyright by Shir Alon 2017 ABSTRACT OF THE DISSERTATION Against the Flow: Impassive Modernism in Arabic and Hebrew Literatures by Shir Alon Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2017 Professor Gil Hochberg, Co-Chair Professor Nouri Gana, Co-Chair Against the Flow: Impassive Modernism in Arabic and Hebrew Literatures elaborates two interventions in contemporary studies of Middle Eastern Literatures, Global Modernisms, and Comparative Literature: First, the dissertation elaborates a comparative framework to read twentieth century Arabic and Hebrew literatures side by side and in conversation, as two literary cultures sharing, beyond a contemporary reality of enmity and separation, a narrative of transition to modernity. The works analyzed in the dissertation, hailing from Lebanon, Palestine, Israel, Egypt, and Tunisia, emerge against the Hebrew and Arabic cultural and national renaissance movements, and the establishment of modern independent states in the Middle East. The dissertation stages encounters between Arabic and Hebrew literary works, exploring the ii parallel literary forms they develop in response to shared temporal narratives of a modernity outlined elsewhere and already, and in negotiation with Orientalist legacies. Secondly, the dissertation develops a generic-formal framework to address the proliferation of static and decadent texts emerging in a cultural landscape of national revival and its aftermaths, which I name impassive modernism. Viewed against modernism’s emphatic features, impassive modernism is characterized by affective and formal investment in stasis, immobility, or immutability: suspension in space or time and a desire for nonproductivity. -
The Information Presented Here Is As of 10/24/2012. ARABIC STUDIES (Div
The information presented here is as of 10/24/2012. ARABIC STUDIES (Div. I, with some exceptions as noted in course descriptions) Coordinator, Associate Professor CHRISTOPHER BOLTON Assistant Professors NAAMAN, VARGAS. Affiliated Faculty: Professors: DARROW, D. EDWARDS, ROUHI. Associate Professors: BERNHARDS- SON, PIEPRZAK. Visiting Assistant Professor: EL-ANWAR. Senior Lecturer: H. EDWARDS. Middle Eastern Studies is a vibrant and growing discipline in the United States and around the world. Students wishing to enter this rich and varied discipline can begin with a major in Arabic Studies at Williams. The major is designed to give students a foundation in the Arabic language and to provide the opportunity for the interdisciplinary and multi-disciplinary study of the Arab, Islamic, and Middle Eastern arenas. The Major in Arabic Studies Students wishing to major in Arabic Studies must complete nine courses, including the following four courses: ARAB 101-102 Elementary Arabic ARAB 201 Intermediate Arabic I ARAB 202 Intermediate Arabic II Students must also take five courses in Arabic and Middle Eastern Studies in affiliated departments. At least two of these courses should be from the arenas of language and the arts (DIV I) and at least two from politics, religion, economics, and history (DIV II). At least two of these courses must be at an advanced level (300 or 400 level). These might include: ARAB 216/COMP 216 Protest Literature: Arab Writing Across Three Continents ARAB 219/COMP 219/AMST 219 Arabs in America: A Survey ARAB 223/COMP 223 -
135120 Alfuady 2020 E.Docx
International Journal of Innovation, Creativity and Change. www.ijicc.net Volume 13, Issue 5, 2020 Modernization and Resistance: Healing the Social Ills in Leila Aboulela’s Lyrics Alley aAli Abdullah Saaed Alfuady, bLecturer Ahmed Sa'ad Aziz (Ph.D.), cLecturer Suhaib Majeed Kadhem, a,b,cDepartment of English/College of Arts/ University of Al-Qadisiyah /Iraq, Email: [email protected], [email protected], [email protected] Following the postcolonial Sudanese writer, Tayeb Salih’s perspective in his famous novel, Season of Migration to the North (1969), Leila Aboulela exposes the binary identity that her characters gain it through migration and transportation. This paper examines the traditional resistance to modernity in Aboulela’s Lyrics Alley (2011). It investigates how Sudanese parochial norms resist the Western modernity and how to rejuvenate and modernize such tradition. As she attempts to create a real image of the Sudanese postcolonial situation, Aboulela shows out the deep- rooted norms of Sudan that set up a barrier between Sudanese tradition and Western modernity. Sudanese think of education as a shame for women and a waste of time for men. Education is considered “as being a great evil that come to them with the armies of occupation” (Tayeb Salih 1969: 19). The novel points out the feminist voice which strives to get her moral choice, her privacy and her personal freedom. It brings out the importance of education to narrow the gap between Sudan and the West that may help Sudanese cope with modern world. The paper critically questions women’s position in the conservative Sudanese family and the fragmented identity that fails to stand in front of the patriarchal hegemony. -
Contemporary Iraqi War Fiction: a Comparative Analysis Of
Contemporary Iraqi War Fiction: A Comparative Analysis of Selected Works by Sinan Antoon and Batool Khedairi by Anwar Noori Bilal Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master in English Language and literature Department of English Faculty of Human Sciences Supervised by Dr. Laila Helmi Associate Professor Department of English Faculty of Human Sciences Beirut Arab University 2018 Contemporary Iraqi War Fiction: A Comparative Analysis of Selected Works by Sinan Antoon and Batool Khedairi Abstract This thesis is a comparative study of contemporary Iraqi war fiction, with special focus on two Iraqi writers, Sinan Antoon and Batool Khedairi. Both writers succeeded, through their works, in revealing hidden realities that are subversive of the dominant narrative. By applying Butler’s and Haslam’s concepts of dehumanization, and Nussbaum’s concepts of objectification in addition to Aghacy’s study of masculinity to the chosen works, the study argues that Iraqis are dehumanized by both war and dictatorship. Iraqis’ bodies are exterminated and mutilated through a process of dehumanization and objectification. Gender roles, where the body plays a major role, are seriously affected not only by war but also by the Iraqi regime that changed its policies towards women more than once and used them as tools for its ends. Art was another target of war and dictatorship; it was abused as a political weapon to impose a new identity on Iraqis. Despite some differences in tackling women’s sickness and women’s sexuality, and adopting different artistic schools in the issue of art, together, Antoon and Khedairi were successful in giving voice to the Iraqi pain. -
Literary Networks and the Making of Egypt's Nineties Generation By
Writing in Cairo: Literary Networks and the Making of Egypt’s Nineties Generation by Nancy Spleth Linthicum A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Near Eastern Studies) in the University of Michigan 2019 Doctoral Committee: Associate Professor Carol Bardenstein, Chair Associate Professor Samer Ali Professor Anton Shammas Associate Professor Megan Sweeney Nancy Spleth Linthicum [email protected] ORCID iD: 0000-0001-9782-0133 © Nancy Spleth Linthicum 2019 Dedication Writing in Cairo is dedicated to my parents, Dorothy and Tom Linthicum, with much love and gratitude for their unwavering encouragement and support. ii Acknowledgements First and foremost, I would like to thank my committee for their invaluable advice and insights and for sticking with me throughout the circuitous journey that resulted in this dissertation. It would not have been possible without my chair, Carol Bardenstein, who helped shape the project from its inception. I am particularly grateful for her guidance and encouragement to pursue ideas that others may have found too far afield for a “literature” dissertation, while making sure I did not lose sight of the texts themselves. Anton Shammas, throughout my graduate career, pushed me to new ways of thinking that I could not have reached on my own. Coming from outside the field of Arabic literature, Megan Sweeney provided incisive feedback that ensured I spoke to a broader audience and helped me better frame and articulate my arguments. Samer Ali’s ongoing support and feedback, even before coming to the University of Michigan (UM), likewise was instrumental in bringing this dissertation to fruition. -
Philosophical Fiction? on J. M. Coetzee's Elizabeth Costello
Philosophical Fiction? On J. M. Coetzee’s Elizabeth Costello Robert Pippin University of Chicago i he modern fate of the ideal of the beautiful is deeply intertwined with the beginnings of European aesthetic modernism. More specifically, from the point of view of modernism, commitment to the ideal of the beautiful is often understood to be both Tirrelevant and regressive. This claim obviously requires a gloss on “modernity” and “modern- ism.” Here is a conventional view. European modernism in the arts can be considered a reaction to the form of life coming into view in the mid-nineteenth century as the realization of early Enlightenment ideals: that is, the supreme cognitive authority of modern natural science, a new market economy based on the accumulation of private capital, rapid urbanization and industri- alization, ostensibly democratic institutions still largely controlled by elites, the privatization of religion and so the secularization of the public sphere. The modernist moment arose from some sense that this form of life was so unprecedented in human history that art’s very purpose or rationale, its mode of address to an audience, had to be fundamentally rethought. Nothing about the purpose or value of art, as it had been understood, could be taken for granted any longer, and the issue was: what kind of art, committed to what ideal, could be credible in such a world (if any)? A response to such a development was taken by some to require a novelty, experimentation and formal radicality so extreme as to seem unintelligible to its “first responders.” Modernism was to be an anti-Romanticism, rejecting lyrical expression of the inner in favor of impersonal- ity, or of multiple, fractured authorial personae, attempting an ironic distancing, experimental 2 republics of letters innovation, and, in so-called high modernism, assuming an elite position, sometimes with mul- tiple, obscure allusions, defiantly resistant to commercialization or a public role. -
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See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/329572822 Interpretation in Muslim Philosophy Book · January 2012 CITATIONS READS 0 323 1 author: Abduljaleel Alwali United Arab Emirates University 3 PUBLICATIONS 0 CITATIONS SEE PROFILE All content following this page was uploaded by Abduljaleel Alwali on 11 December 2018. The user has requested enhancement of the downloaded file. Interpretation in Muslim Philosophy By Prof. Abdul Jaleel Kadhim Al Wali Philosophy Department Faculty of Humanities and Social Sciences United Arab Emirates University Al Ain Abu Dhabi UAE Phone: +971-50-663-6703 [email protected] Abstract Muslim philosophers had been preoccupied with the question of interpretation since the Islamic Philosophy was first developed by its founder Al Kindi till its interpretative maturity by Ibn Rushd who represents the maturity of rationalism in Islamic Arab philosophy. Rational option was the most suitable for Arab Muslim civilization as it expresses the vitality of civilization and its ability to interact with other contemporary civilizations and trends. Islamic philosophy interpretation themes are various as they adopted the following terms: 1. Interpreting the approval of the Greek philosophy in Muslim culture. 2. Interpreting the relationship between religion and philosophy. 3. Interpreting the relationship between Mind and Mind ( Plato and Aristotle ) 4. Interpreting the relationship between nature and Metaphysics. The goals of interpretation for Muslim philosophers are different as Al Kind pointed that they are oriented towards the Greek philosophy in general and towards religion and philosophy in particular while Al Farabi pointed that they are oriented towards the Greek philosophy in general and towards Plato and Aristotle. -
Modern Arabic Literature Between the Nation and the World: the Bilingual Singularity of Kahlil Gibran
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online 1 Modern Arabic Literature between the Nation and the World: The Bilingual Singularity of Kahlil Gibran Ghazouane Arslane Queen Mary University of London Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy 2019 2 I, Ghazouane Arslane, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Ghazouane Arslane Date: 23/12/2019 3 Table of Contents Abstract ............................................................................................................................ 4 Note on Translation,