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Cultural Organizations, Networks and Mediators
12 The International Dimension of the Portuguese “Politics of the Spirit” Antnio Ferro, Jlio Dantas, Fidelino de Figueiredo Ângela Fernandes When considering the Portuguese public panorama in the first half of the twentieth century, we should note the close connection between political evolution towards dictatorship and the growing process of institutional- ization of cultural and artistic phenomena. In this process, the presence of Antnio Ferro (Lisbon 1895–1956) is absolutely prominent. As a liter- ary author and a public intellectual, Ferro was a leading figure, and his writings help us understand both the international connections and the national focus of the Portuguese state policy concerning the promotion of the arts, namely in the 1930s. 1 In the newspaper article “Política do espírito” [“Politics of the spirit”], published on November 21st, 1932, Antnio Ferro borrowed Paul Valéry’s title and coined the expression and the key concept underlying what he considered the necessary future political and cultural intervention in Portugal, and soon the motto “poli- tics of the spirit” became the heading of the state program to promote the arts. Indeed, a few months later, Ferro was invited to be the director of the SPN—Secretariado de Propaganda Nacional (the Office for National Propaganda), officially inaugurated in October 1933, and all initiatives promoted during the 30s and the 40s under his leadership were meant to be part of a comprehensive “politics of the spirit” aimed at the support and the enhancement of Portuguese culture. In order to map the international dimension of the Portuguese “poli- tics of the spirit” and also the international (namely European) connec- tions of the Portuguese intellectuals of the time, we shall analyze not only Antonio Ferro’s most relevant writings on this topic but also the testimo- nies of other protagonists of the Portuguese intellectual scenario. -
Memòria Fundació Ernest Lluch Sumari 0
’08 Memòria Fundació Ernest Lluch Sumari 0 1. Presentació 3 2. Òrgans de Govern / Seccions Territorials 6 3. Informe de Gestió 2008 11 3.1.Informe d’activitats 12 3.2.Dades Econòmiques 22 4. Memòria detallada d’activitats 2008 per àmbits territorials 31 4.1. Activitats Catalunya 32 4.2. Secció Aragonesa 66 4.4. Secció Madrilenya 76 4.3. Secció Basca 81 4.5. Secció Valenciana 84 5. Cronologia 89 6. Publicacions 95 1 Presentació Benvolgudes i benvolguts, Des de la seva constitució, el 21 de gener de 2002, els objectius de la Fundació responen, Madrid el 25 de gener de 2008 i des de llavors ha estat a Saragossa, Sant Sebastià, per una part, a la necessitat de mantenir viva la memòria, el pensament i l’obra d’Ernest Santander i Vitoria. En aquesta mateixa direcció cal destacar els esforços esmerçats en la Lluch, i per l’altra, a la voluntat de promoure activitats basant-se en la reflexió intel·lectual, la creació de l’Arxiu Ernest Lluch que s’ubicarà a la que esperem sigui la nova seu de la Fundació producció acadèmica, els compromisos cívics i les aspiracions socials, culturals i esportives aquest proper 2009, la Biblioteca Ernest Lluch de Vilassar de Mar. Un segon eix d’activitats de amb les que Ernest Lluch ens interpel·lava. la Fundació està basat en el desenvolupament dels projectes en el si dels 4 àmbits temàtics que estructuren les activitats de la Fundació. En aquests sentit, cal destacar la consolidació És per aquest motiu, que des dels seus inicis la Fundació promou, organitza i realitza, un del programa de beques i premis, la Conferència Acadèmica Ernest Lluch i els seminaris i cur- ampli ventall d’activitats relacionades amb el bagatge intel·lectual, cultural i acadèmic sos com els realitzats a la Universitat Pompeu Fabra, la Universitat de Barcelona, la Universitat d’Ernest Lluch, en els àmbits en què va excel·lir i pels quals fou reconeguda la seva person- Internacional Menéndez y Pelayo, a Santander, la Universitat del Pais Basc, o la Universitat de alitat i aportació. -
Comparing the Basque Diaspora
COMPARING THE BASQUE DIASPORA: Ethnonationalism, transnationalism and identity maintenance in Argentina, Australia, Belgium, Peru, the United States of America, and Uruguay by Gloria Pilar Totoricagiiena Thesis submitted in partial requirement for Degree of Doctor of Philosophy The London School of Economics and Political Science University of London 2000 1 UMI Number: U145019 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U145019 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Theses, F 7877 7S/^S| Acknowledgments I would like to gratefully acknowledge the supervision of Professor Brendan O’Leary, whose expertise in ethnonationalism attracted me to the LSE and whose careful comments guided me through the writing of this thesis; advising by Dr. Erik Ringmar at the LSE, and my indebtedness to mentor, Professor Gregory A. Raymond, specialist in international relations and conflict resolution at Boise State University, and his nearly twenty years of inspiration and faith in my academic abilities. Fellowships from the American Association of University Women, Euskal Fundazioa, and Eusko Jaurlaritza contributed to the financial requirements of this international travel. -
Eleccions Al Parlament De Catalunya 2012 Barcelona
27/11/12 Eleccions al Parlament de Catalunya 2012 Barcelona Eleccions al Parlament de Catalunya 2012 Candidatures Candidatures proclamades Barcelona Barcelona PARTIT DELS SOCIALISTES DE CATALUNYA (PSC-PSOE) (PSC) CONVERGÈNCIA I UNIÓ (CIU) INICIATIVA PER CATALUNYA VERDS-ESQUERRA UNIDA I ALTERNATIVA (ICV-EUIA) ESQUERRA REPUBLICANA DE CATALUNYA-CATALUNYA SI (ERC-CAT SI) SOLIDARITAT CATALANA PER LA INDEPENDENCIA (SI) PARTIDO ANIMALISTA CONTRA EL MALTRATO ANIMAL (PACMA) CANDIDATURA D’UNITAT POPULAR - ALTERNATIVA D’ESQUERRES (CUP-ALTERNATIVA D’ESQUERRES) PIRATES DE CATALUNYA (PIRATA.CAT) CIUTADANS-PARTIDO DE LA CIUDADANIA (C’S) UNIFICACION COMUNISTA DE ESPAÑA (U.C.E.) ESCONS EN BLANC (EB) PARTIT POPULAR (P.P.) PLATAFORMA PER CATALUNYA (PXC) VIA DEMOCRÁTICA (VD) UNION PROGRESO Y DEMOCRACIA (UPYD) HARTOS.ORG CIUTADANS EN BLANC (FARTS.CAT) CANDIDATURA NÚM. 1 PARTIT DELS SOCIALISTES DE CATALUNYA (PSC-PSOE) (PSC) 1. Sr. Pere Navarro i Morera 2. Sr. Maurici Lucena Betriu 3. Sra. Núria Parlón Gil 4. Sr. Joan Ignasi Elena i García 5. Sra. Rocío Martínez-Sampere Rodrigo 6. Sr. Daniel Fernández González 7. Sra. Eva Maria Granados Galiano 8. Sr. Jaume Collboni Cuadrado 9. Sra. Montserrat Capdevila Tatché 10. Sr. Celestino Corbacho i Chaves 11. Sr. Miquel Iceta Llorens 12. Sr. Jordi Terrades Santacreu 13. Sr. Ferran Pedret i Santos 14. Sra. Alícia Romero Llano 15. Sra. Laia Bonet Rull 16. Sr. Javier López Fernández 17. Sr. Cristòfol Gimeno Iglesias www.parlament2012.cat/ca/Candidatures/Candidatures_proclamades/Barcelona/Barcelona.htm 1/40 27/11/12 Eleccions al Parlament de Catalunya 2012 Barcelona 18. Sr. Sergi Vilamala Bastarras 19. Sra. Maria Soler Sala 20. Sra. Caterina Mieras Barceló 21. -
À La Rencontre De Corinna Bille : Comment Mettre En Valeur Les Auteurs Locaux En Bibliothèque
À la rencontre de Corinna Bille : comment mettre en valeur les auteurs locaux en bibliothèque Travail de Bachelor réalisé en vue de l’obtention du Bachelor HES par : Tania DARBELLAY Mandant : Médiathèque Valais Aline HÉRITIER, responsable de la médiation culturelle Conseillère au travail de Bachelor : Ariane REZZONICO, Chargée d'enseignement HES, Gestion du domaine d'enseignement "Connaissance des sources et recherche d'information" Genève, le 15 juillet 2013 Haute École de Gestion de Genève (HEG-GE) Filière Information documentaire Déclaration Ce travail de Bachelor est réalisé dans le cadre de l’examen final de la Haute école de gestion de Genève, en vue de l’obtention du titre « Bachelor HES en Science de l’information ». L’étudiant accepte, le cas échéant, la clause de confidentialité. L'utilisation des conclusions et recommandations formulées dans le travail de Bachelor, sans préjuger de leur valeur, n'engage ni la responsabilité de l'auteur, ni celle du conseiller au travail de Bachelor, du juré et de la HEG. « J’atteste avoir réalisé seule le présent travail, sans avoir utilisé des sources autres que celles citées dans la bibliographie. » Fait à Sion, le 3 juillet 2013 Tania Darbellay À la rencontre de Corinna Bille : comment mettre en valeur les auteurs locaux en bibliothèque DARBELLAY, Tania i Remerciements En premier lieu, je tiens à remercier la Médiathèque Valais qui a accepté de tenir le rôle de mandant dans ce projet. L’intérêt de Damian Elsig, directeur de la Médiathèque Valais, et d’Aline Héritier, responsable de la médiation culturelle, ont permis la concrétisation de ce travail. -
Jacques Copeau Jacques Copeau: Dramatic Critic and Reformer of the Theatre
JACQUES COPEAU JACQUES COPEAU: DRAMATIC CRITIC AND REFORMER OF THE THEATRE By WILLIAM THOMAS MASON A Thesis Submitted to the 2'aculty of Graduate Studies in Partial Fulfilment of the Hequlrements for the Degree lViaster of Arts McMaster University October 1973 MASTER OF ARTS (1973) McMASTER UNIVERSITY (French) Hamilton, Ontario. TITLE: Jacques Copeau: Dramatic Critic and Reformer of the Theatre AUTHOR: William Thomas Mason, B.A. (McMaster University) M.A. (Johns Hopkins University) SUPERVISOR: Professor B. S. Pocknell PAGES: v, 83 SCOPE AND CONTENTS: An analysis of the development of Jacques Copeau's principles of dramatic art, of their anplica tian ta a renovation of .J.:'rench theatre and of their influence on succeeding theatrical figures -' (ii) Acknowledgements My thanks to Dr. Brian S. Pocknell for hie interest, encouragement and counsel and to McMaster University for its financial assistance. (iii) Table of Contents Introduction: Copeau's career 1 Copeau the cri tic 16 Copeau the reformer 36 Copeau's legacy 61 Appendix: Repertory of the Vieux-Colombier 73 Select Bibliogranhy 76 (iv) Abbreviations ~. Jacques Copeau, So~irs du Vieux-Colombier. C.R.B. Cahiers de la Comnagnie Madeleine Renaud -- Jean-Louis --~- ~-- -----Barraul t. ---R.H.T. Re~Je d'Histoire du Théâtre. (v) I. Introduction: Copeau's career Jacques Copeau's career in the theatre from his days as dramatic critic, "when many of his principles developed, through his years of practical reform as director of the Ihéâtre du Vieux=folombier, to the propagation of his ideals by his former actors and students or by admirers has had such a profound influence on the art of the theatre that he can be ranked with Max Reinhardt in Germany, Adolphe Appia in Switz- erland, Edward Gordon Craig in England and Constantin ~tanis- lavsky in Russia as one of the outstanding leaders in early twentieth-century theatre. -
National Song Binder
SONG LIST BINDER ——————————————- REVISED MARCH 2014 SONG LIST BINDER TABLE OF CONTENTS Complete Music GS3 Spotlight Song Suggestions Show Enhancer Listing Icebreakers Problem Solving Troubleshooting Signature Show Example Song List by Title Song List by Artist For booking information and franchise locations, visit us online at www.cmusic.com Song List Updated March 2014 © 2014 Complete Music® All Rights Reserved Good Standard Song Suggestions The following is a list of Complete’s Good Standard Songs Suggestions. They are listed from the 2000’s back to the 1950’s, including polkas, waltzes and other styles. See the footer for reference to music speed and type. 2000 POP NINETIES ROCK NINETIES HIP-HOP / RAP FP Lady Marmalade FR Thunderstruck FX Baby Got Back FP Bootylicious FR More Human Than Human FX C'mon Ride It FP Oops! I Did It Again FR Paradise City FX Whoomp There It Is FP Who Let The Dogs Out FR Give It Away Now FX Rump Shaker FP Ride Wit Me FR New Age Girl FX Gettin' Jiggy Wit It MP Miss Independent FR Down FX Ice Ice Baby SP I Knew I Loved You FR Been Caught Stealin' FS Gonna Make You Sweat SP I Could Not Ask For More SR Bed Of Roses FX Fantastic Voyage SP Back At One SR I Don't Want To Miss A Thing FX Tootsie Roll SR November Rain FX U Can't Touch This SP Closing Time MX California Love 2000 ROCK SR Tears In Heaven MX Shoop FR Pretty Fly (For A White Guy) MX Let Me Clear My Throat FR All The Small Things MX Gangsta Paradise FR I'm A Believer NINETIES POP MX Rappers Delight MR Kryptonite FP Grease Mega Mix MX Whatta Man -
El Guión Cinematográfico Y Sus Pre-Textos Literarios. La Obra De Rafael Azcona
El Guion Cinematografico y sus Pre- textos Literarios: La Obra de Rafael Azcona Item Type text; Electronic Dissertation Authors Rivero-Zaritzky, Yosalida C. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 17:10:28 Link to Item http://hdl.handle.net/10150/194465 EL GUIÓN CINEMATOGRÁFICO Y SUS PRE-TEXTOS LITERARIOS. LA OBRA DE RAFAEL AZCONA. by Yosálida C. Rivero-Zaritzky ____________________ Copyright © Yosálida C. Rivero-Zaritzky 2006 A Dissertation Submitted to the Faculty of the SPANISH AND PORTUGUESE DEPARTMENT In partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN SPANISH In the Graduate College The University of Arizona 2006 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Yosálida C. Rivero-Zaritzky entitled: El guión cinematográfico y sus pre-textos literarios. La obra de Rafael Azcona. and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: May 04, 2006 Dr. Malcolm A. Compitello _______________________________________________________________________ Date: May 04, 2006 Dr. Amy Williamsen _______________________________________________________________________ Date: May 04, 2006 Dr. Joan Gilabert Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
News at Random
News at random Objekttyp: Group Zeitschrift: The Swiss observer : the journal of the Federation of Swiss Societies in the UK Band (Jahr): - (1950) Heft 1140 PDF erstellt am: 28.09.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch CIk Swiss Obseiw Founded by Paul F. Borhringrr. The Official Organ of the Swiss Colony in Great Britain, EDITED BY A. STAUFFER WITH THE CO-OPERATION OF MEMBERS OF THE SWISS COLONY IN GREAT BRITAIN. Telephone: Clerkenwell 2321/2. Published Twice Monthly at 23, Leonard Street, E.C.2. Telegrams: Freprinco, London. Vol. 35. No. 1140. FRIDAY, JULY 28th, 1950. -
Authorship at the Fogones: Gastronomy and the Artist in Post-Transition Spain Alison Heather Atkins Brick, New Jersey Bachelor O
Authorship at the fogones: Gastronomy and the Artist in Post-Transition Spain Alison Heather Atkins Brick, New Jersey Bachelor of Arts, Spanish and Mathematics, Wake Forest University, 2005 Master of Arts, Spanish Literature, University of Virginia, 2007 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Spanish, Italian & Portuguese University of Virginia August, 2013 Randolph Pope David T. Gies Gustavo Pellón Herbert Braun ii © Copyright by Alison Heather Atkins All Rights Reserved August 2013 iii Abstract This dissertation analyzes the representation of food in Spanish novels and cookbooks from the 1980s and 90s, a period in which Spanish cuisine gained an unprecedented level of international visibility and prominence. Using both cookbooks and novels published during the period, my project examines the tension between everyday and stylized food practices in order to explore how each text engages with questions of authorship and artistic creation. The first two chapters focus on cookbooks authored by alta cocina chefs as well as by gastronomic critics who have compiled signature recipes by the chefs. I consider how these texts engage with contemporary theories of authorship and creativity, establishing a complex relationship with the modern notion of author as individual, autonomous, and unique, a kind of genius figure. In Chapter 1, I analyze the ways in which the prologue writers and compilers of two cookbooks of the early 1980s, Carlos Delgado’s Cien recetas magistrales (1981) and the 1982 Grandes maestros de la nueva cocina vasca present the featured chefs as unique and autonomous creators as part of a process of establishing culinary art as a legitimate art form. -
Annual Report
2019 ANNUAL REPORT Continuing to develop Thor Heyerdahl’s cultural legacy CONTENTS 1. Members of the Board in 2019 4 1.1. Management of the Institute 4 1.2. Auditor 4 2. The Thor Heyerdahl Institute continues to develop the cultural legacy of Thor Heyerdahl 5 2.1. The work of the Board 7 3. Project reports: What happened in 2019? Project overview 8 3.1. Thor Heyerdahl Scholarships 2016-2019: A gift from the Norwegian Government 10 3.2. The Thor Heyerdahl International Day 2019: Tribute to the Ocean - A conference on a global theme. The ocean and environmental challenges 10 3.3. The Institute and international co-operation with universities in Scotland, the USA and England. Cultural collaboration with Andora/Italy and the Italian Embassy in Oslo 13 3.4. Pilot project, a Thor Heyerdahl Centre in Larvik 13 3.5. Larvik Open to the World – lectures in Thor Heyerdahl’s childhood home 16 4. The Institute’s book collection at Larvik Library 18 5. Organisational development 19 6. Future areas of focus (2020-2022) 21 7. Financial status 23 8. Financial statements and notes 2019 24 8.1. Profit and Loss Account 26 8.2. Balance Sheet 27 8.3. Notes 30 8.4. The Thor Heyerdahl Institute, operations 32 8.5. The Thor Heyerdahl Memorial Fund, project accounts 33 8.6. Master’s degree scholarship scheme 33 8.7. Thor Heyerdahl concerts 34 8.8. The Thor Heyerdahl International Day 2019 34 9. Directors’ statement 2019 36 Information about the type of activities and how the Institute operates 36 Organisational development in 2019 36 The financial basis for operations 37 Statement regarding the assumption of continued operations 38 The working environment 38 The external environment 39 Explanation of the annual financial statements 39 Summary of the long-term strategies and plans for 2020-2021 39 Statement regarding the basis for evaluating the future development of the Institute 40 10. -
Indice V Prefazione Di Roger Francillon 3 Avvertenza 7 Introduzione 25 Anelito Preromantico Gli Esordi Lirici in Lingua Tedesca
Indice V Prefazione di Roger Francillon 3 Avvertenza 7 Introduzione 25 Anelito preromantico Gli esordi lirici in lingua tedesca 27 Albrecht von Haller 31 Salomon Gessner 35 Lo spirito e la terra Il cosmopolitismo nella letteratura romanda fra sette e ottocento 39 Isabelle de Charrière 43 Germaine de Staël 47 Benjamin Constant 53 Charles-Victor de Bonstetten 56 Henri-Frédéric Amiel 59 Liberi e svizzeri Scrittori politici di lingua italiana 62 Vincenzo Dalberti 65 Stefano Franscini 69 Chimere dell’assoluto Narrativa svizzera tedesca dell’ottocento 72 Jeremias Gotthelf 84 Gottfried Keller 99 Conrad Ferdinand Meyer 111 Cari Spitteler 117 Rinascita di un’identità La letteratura retoromancia 121 Giachen Caspar Muoth 123 Peider Lansel 127 Idilli lacustri e montani Residui ottocenteschi nella narrativa svizzera italiana 129 Francesco Chiesa 135 Angelo Nessi 139 Giuseppe Zoppi 143 Tra simbolo e realtà La letteratura romanda agli esordi del novecento 146 Charles-Ferdinand Ramuz 155 Gonzague de Reynold 159 Guy de Pourtalès 162 Charles-Albert Cingria 165 Denis de Rougemont 169 Heimatlose Narrativa e poesia svizzere tedesche d’inizio novecento, fra critica sociale e straniamento 171 Jakob Bührer 175 Rudolf Jakob Humm 179 Kurt Guggenheim 183 Meinrad Inglin 188 Ludwig Hohl 192 Hermann Hesse 203 Robert Walser 214 Jakob Schaffner 218 Friedrich Glauser 225 Karl Stamm 227 Basta con le pannocchie al sole Poesia e prosa nella Svizzera italiana dagli anni quaranta 229 Pino Bernasconi 231 Felice Menghini 233 Remo Fasani 236 Amleto Pedroli 239 Ugo Canonica 243