DOCSLIB.ORG

Ulaz Slobodan Free Entrance

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ulaz Slobodan Free Entrance Tribute To American Blues Legend Philadelphia Jerry Ricks 4. kolovoza / 4th August, 21.00 h KOSTRENA, terasa Restaurant & Lounge Bar The Bulldog BBQ Black Coffee (HR) Tomislav Goluban (HR) 5. kolovoza / 5th August, 21.00 h MATULJI, krov Sportske dvorane Bonzo Radványi & Ľuboš Beňa (SK) Trio 99th (HR) 6. kolovoza / 6th August, 21.00 h KASTAV, Fortica ULAZ Belgrade Dixieland Orchestra (RS) FREE Jed Becker’s Group (HR) ENTRANCE SLOBODAN Michael Messer (GB) 7. kolovoza / 7th August, 17.00 h KASTAV, Gradska loža Michael Messer (GB) – Blues Workshop 21.00 h VIŠKOVO, Ronjgi Ty Le Blanc 4tet (USA/IT) Riccardo Staraj & Midnight Blues Band (HR) 8. kolovoza / 8th August, 21.00 h ČAVLE, Kaštel Grad Grobnik Guissé·Leonardi·Zumeta (SLO/CU/SEN) Damir Halilić – Hal (HR) www.kastav-touristinfo.hr - tel: +385(0)51 691-425 - www.kastavbluesfest.com www.tz-viskovo.hr www.matulji.hr www.tz-cavle.hr www.tzo-kostrena.hr THE BELGRADE DIXIELAND ORCHESTRA (RS) www.belgradedixielandorchestra.com Tijekom 15-godišnjega je postojanja The Belgrade Dixieland Orchestra relativno brzo izrastao u značajnu umjetničku instituciju srpske prijestolnice i jedinstven proizvod glazbene kulture svoje zemlje. Nastupima su diljem Europe dokazali status vrhunskih glazbenika koji publiku nikada ne ostavljaju ravnodušnom. Članovi su orkestra priznati glazbenici, od kojih brojni rade i kao članovi orkestra RTV Srbije. During their 15 years of existence, the Belgrade Dixieland Orchestra have grown relatively quickly into an important cultural institution in Serbia’s capital and become a unique product of the musical culture of the country. The members of the orchestra have proved their status as excellent musicians with performances across Europe, and continue to delight audiences. They are all renowned musicians, many of whom are part of the Serbian Radio and Television Orchestra. GUISSÉ • LEONARDI • ZUMETA (SEN/SLO/CU) Jedna je od najvećih atrakcija ovogodišnjega Kastav Blues Festivala nastup senegalskih glazbenika braće Guissé, kubanskoga multiinstrumentalista Lazara A. H. Zumete i legendarnoga slovenskoga glazbenika Igora Leonardija. Afrički je blues vrlo popularan u svijetu, a po prvi će put biti predstavljen publici upravo na našem Festivalu. Braća Guissé nastupali su s najvećom zvijezdom afričkog bluesa Alijem Farka Touréom. One of the biggest attractions at this year’s Kastav Blues Festival is the performance of the Guissé brothers from Senegal, the Cuban multi- instrumentalist Lazar A. H. Zumeta, and the legendary Slovenian musician Igor Leonardi. African Blues is very popular in the world, and its Croatian premiere will be at our festival. The Guissé brothers have performed with the greatest star of African blues: Ali Farka Touré. BONZO RADVÁNYI & ĽUBOŠ BEŇA (SK) www.lubosbena.sk Bonzo Radványi i Ľuboš Beňa (SK) najpoznatiji su slovački blues duet. Ľuboš Beňa je 2001. godine dobio nagradu Newcomer of the Year udruženja The Slovak Blues Society, a 2004. i 2008. ponio je titulu Bluesman of the Year. Nastupali su diljem Europe, Rusije i SAD-a. Osim atraktivnim nastupima, koji uključuju i zvukovno pokrivanje formacije banda sviranjem više instrumenata istovremeno (po čemu je Ľuboš Beňa i poznat), ovi su glazbenici poznati i po izvrsnoj interakciji s publikom. Bonzo Radványi and Ľuboš Beňa are the best-known Slovakian blues duo. In 2001, Ľuboš Beňa was voted ‘Newcomer of the Year’ by the Slovak Blues Society, and in 2004 and 2008 he won the title of ‘Bluesman of the Year’. The duo have performed across Europe, Russia and the USA. Apart from their fantastic performances, which include playing simultaneously on multiple instruments to create a full band sound (a distinctive feature of Ľuboš Beňa), these musicians are also known for their excellent interaction with the audience. BLACK COFFEE (HR) www.blackcoffeejazz.com Black Coffee je poznat splitski jazz-sastav, koji djeluje od 1993. godine. O kvaliteti njihova rada svjedoči niz osvojenih Porina i višestruke nominacija za ovu nagradu te brojni koncerti i suradnja s mnogim zvijezdama hrvatske glazbe (Gibonni, Gabi Novak, Arsen Dedić, Tedi Spalato, Divas, Meri Cetinić, Bruno Kovačić, TBF itd.). ‘Black Coffee’ are a well-known jazz band from Split who have been active since 1993. The quality of their work is attested to by a series of Porin Croatian music awards that the band has won or been nominated for, and by their numerous concerts and frequent collaboration with many renowned Croatian artists, such as Gibonni, Gabi Novak, Arsen Dedić, Tedi Spalato, Divas, Meri Cetinić, Bruno Kovačić, TBF and others. TY LE BLANC (USA / ITA) http://www.tyleblanc.com/ Američka glazbenica afričkih i francuskih korijena dolazi iz Louisiane, SAD. Stilski se kreće u domeni američke R&B glazbe s utjecajima bluesa te rocka i popa. Na ovogodišnjem će Kastav Blues Festivalu nastupiti s vrhunskim talijanskim i hrvatskim glazbenicima. This American musician of African and French roots comes from Louisiana, USA. Her style belongs to American R&B with blues, rock and pop influences. At this years’ Kastav Blues Festival, she will perform with excellent Italian and Croatian musicians. TOMISLAV GOLUBAN (HR) www.goluban.com Tomislav Goluban u svom glazbenom izričaju na zanimljiv način spaja blues s hrvatskom tradicionalnom glazbom i jedan je od najeksponiranijih hrvatskih blues-glazbenika. Osvojio je četiri nagrade Porin i tri nagrade Status. U solo/duo varijanti ili uz prateći sastav nastupao je u Americi i u Europi u 18 zemalja. Uređuje emisiju o blues-glazbi na Hrvatskom radiju. Tomislav Goluban, whose music represents an interesting blend of blues and traditional Croatian music, is one of Croatia’s most prominent blues musicians. He has won four Porin and three Status awards. Performing solo, as part of a duo, or with a band, he has given concerts in 18 different countries in America and Europe. He also hosts a show on Croatian radio dedicated to blues music. MICHAEL MESSER (GB) www.michaelmesser.co.uk Britanski glazbenik Michael Messer stalni je gost Kastav Blues Festivala i jedan od najzaslužnijih za visoke programske standarde ostvarene u proteklih osam izdanja. Jedan je od najcjenjenijih slide- gitarista i dvostruki dobitnik nagrade BBC-ja. Njegov najnoviji album, realiziran s indijskim glazbenicima, bilježi izvrsne rezultate na ljestvicama bluesa diljem svijeta. The British musician Michael Messer is a regular guest at the Kastav Blues Festival and is one of the musicians most responsible for the high standards achieved over the last eight editions of the festival.˝t He is one of the world’s most respected slide guitarists and a winner of the BBC award. His latest album, recorded in collaboration with Indian musicians, has achieved excellent positions in blues charts around the world. RICCARDO STARAJ & MIDNIGHT BLUES BAND (HR) www.facebook.com/.../Midnight-Blues-Band-Riccardo-Staraj Riccardo Staraj jedan je od najaktivnijih kvarnerskih blues-glazbenika, a izdao je i nekoliko zbirki pjesama te dvije knjige. Organizator je i pokretač Mošćeničkoga kulturnog ljeta. Realizirao je velik broj događanja na području Kvarnera i Istre, a surađuje s brojnim izvođačima jazza i bluesa, glumcima, performerima, slikarima i fotografima. Od 2012. godine nastupa s Midnight blues bendom, u sklopu čega predstavlja svoje knjige i nosače zvuka. Član je Društva hrvatskih književnika. Riccardo Staraj is one of the most active blues musicians in Kvarner, and has published several collections of poetry and two books. He is the organiser and founder of the Mošćenice Summer of Culture, and has organised a large number of events in Kvarner and Istria. He works together with numerous jazz and blues artists, actors, performers, painters and photographers. Since 2012, he has been performing with the Midnight Blues Band, with whom he presents his books and records. Staraj is member of the Croatian Writer’s Association. TRIO 99th (HR) Povijest sviranja ovoga trija seže u devedesete godine, kad su činili prvu postavu poznatoga riječkoga rokerskog sastava The Stuff, s kojim su godinama svirali po klubovima širom Hrvatske i Slovenije te izdali CD Majmuni iz sjene (Croatia Records). Ljubav prema tradicionalnom bluesu i modernijim blues rock-izričajima (Jimmy Hendrix, Stevie Ray Vaughan, B. B. King, Robben Ford, Eric Clapton, ZZ Top) ponovo je okupila ove vrhunske glazbenike, koji su jamac dobre svirke i nezaboravnoga provoda. This trio have been playing music since the 1990s, when they comprised the first line-up of the well-known Rijeka rock band THE STUFF, with whom they played for years in clubs across Croatia and Slovenia, and published a CD for Croatia Records (‘Majmuni iz sjene’ [‘Monkeys from the Shadow’]). A love for traditional blues and its modern variants (Jimmy Hendrix, Stevie Ray Vaughan, B. B. King, Robben Ford, Eric Clapton, ZZ Top) brought these excellent musicians together, which is a guarantee of a memorable musical evening. JED BECKER'S GROUP (HR) Trio poznatih kvarnerskih glazbenika: Tonči Grabušić na bubnjevima, Damijan Grbac na basu i Emir Grozdanić na gitari. Njihov repertoar čine uspješnice bluesa i blues rocka. A trio composed of well-known Kvarner musicians: Tonči Grabušić on drums, Damijan Grbac on bass, and Emir Grozdanić on guitar. Their repertoire is made up of famous blues and blues-rock songs. DAMIR HALILIĆ – HAL (HR) Riječki glazbenik, pokretač i umjetnički ravnatelj Festivala, objavio je četiri albuma, koje je prepoznala i domaća i strana kritika. Redovito koncertira u Hrvatskoj i inozemstvu te surađuje s najvećim svjetskim imenima fingerstyle-
Load more

Recommended publications
  • Sungardens Magazine 2018
    MAGAZINE reportaža report Dubrovački tradicijski nakit Traditional Dubrovnik Jewllery intervju interview Matija Dedić Sviram najljepši instrument na svijetu I Play the Most Beautiful Instrument in the World Goran Čolak Čovjek koji ne poznaje granice A Man Who Knows No Limits hotel magazine 2018 | besplatni primjerak | your free personal copy | issn 2584-3230 dobrodošli! welcome! Dragi gosti i čitatelji, i ove vam godine želimo dobrodošlicu u svoj prekrasni grad i na stranice svoga časopisa. Prošlogodiš- nje pokretanje Sun Gardens Magazinea pokazalo se kao izvrstan potez i drago nam je zbog toga. Zato smo i ove godine tu za vas. Pripremili smo vam mnoštvo zanimljivih tekstova – ne- koliko intervjua s iznimno interesantnim i uspješnim sugovor- nicima, vodič kroz prošlost i sadašnjost Dubrovačkih ljetnih igara, kao i neke druge primamljive teme. Nemojte nešto pre- skočiti jer vas unutar stranica čeka i tekst o pet stvari koje bi bilo šteta propustiti u Dubrovniku i okolici. Ugodan boravak vam želimo, odmarajte se i opustite, ljeto je uvijek najbolje vrijeme za to. Još ako ste, k tome, i u Dubrovni- ku... što bolje možete poželjeti? Dear guests and readers, this is another year that we welcome you to our beautiful city and the pages of our magazine. Last year’s inauguration of Sun Gardens Magazine turned out to be a brilliant move and we are very pleased about it. This is why we are here for you this year as well. We have prepared a num- ber of intriguing articles – several interviews with very inter- esting and successful people, a guide to the past and the pres- ent of Dubrovnik Summer Festival, and many other riveting topics.
    [Show full text]
  • Dolina Naseg Djetinjstva 4
    4 ASA - 24 SATA DNEVNO ALEN NIZETIC - NOCAS SE RASTAJU PRIJATELJI 4 ASA - ANA ALEN NIZETIC - OSTANI TU 4 ASA - DA TE NE VOLIM ALEN SLAVICA - DAO SAM TI DUSU 4 ASA - DIGNI ME VISOKO ALEN VITASOVIC - BURA 4 ASA - DOLINA NASEG DJETINJSTVA ALEN VITASOVIC - GUSTI SU GUSTI 4 ASA - EVO NOCI EVO LUDILA ALEN VITASOVIC - JENU NOC 4 ASA - FRATELLO ALEN VITASOVIC - NE MOREN BEZ NJE 4 ASA - HAJDEMO U PLANINE ALISA - SANJA 4 ASA - JA NISAM KOCKAR ALKA VUICA - EJ STA MI RADIS 4 ASA - LEINA ALKA VUICA - LAZI ME 4 ASA - LIPE CVATU ALKA VUICA - NEK TI JUTRO MIRISE NA MENE 4 ASA - NA ZADNJEM SJEDISTU MOGA AUTA ALKA VUICA - OLA OLA E 4 ASA - NAKON SVIH OVIH GODINA ALKA VUICA - OTKAD TE NEMA 4 ASA - NIKOGA NISAM VOLIO TAKO ALKA VUICA - PROFESIONALKA 4 ASA - OTKAZANI LET ALKA VUICA - VARALICA 4 ASA - RUZICA SI BILA AMADEUS - CIJA SI NISI 4 ASA - STA SI U KAVU STAVILA AMADEUS - TAKO MALO 4 ASA - STAVI PRAVU STVAR NA PRAVO AMADEUS BAND - CIJA SI NISI MJESTO AMADEUS BAND - CRNA VATRENA 4 ASA - SVE OVE GODINE AMADEUS BAND - IZNAD KOLENA 4 ASA - TRI ZELJE AMADEUS BAND - KADA ZASPIS 4 ASA - ZA DOBRA STARA VREMENA AMADEUS BAND - LAZU TE ACA LUKAS - BAY PAS AMADEUS BAND - NJU NE ZABORAVLJAM ACA LUKAS - ZAPISITE MI BROJ AMADEUS BAND - RUSKI RULET ACO PEJOVIC - JELENA AMADEUS BAND - SKINI TU HALJINU ACO PEJOVIC - NE DIRAJ MI NOCI AMADEUS BAND - SVE SAM SUZE ACO PEJOVIC - NEMA TE NEMA AMADEUS BAND - TAKVI KAO JA ACO PEJOVIC - NEVERNA AMADEUS BAND - VECERAS ACO PEJOVIC - OPUSTENO AMADEUS BAND - VOLIM JE ACO PEJOVIC - PET MINUTA AMBASADORI - DODJI U 5 DO 5 ACO PEJOVIC -
    [Show full text]
  • Prijedlozi Za Nominacije
    glazbena nagrada 2020. 27 Porin knjizica A4 KB crna.indd 1 28/01/20 00:14 SADržaj OPĆE NAGRADE stR. 4-17 sVA GLAZBENA PODRUČJA 1 (KATEGORIJE 1-3) ALBUM GODINE PJESMA GODINE NOVI IZVOĐAČ GODINE POsEBNA GLAZBENA PODRUČJA stR. 18-31 zabavna, POP, ROck, ALternativna i klupskA glazba 2 (KATEGORIJE 4-12) NAJBOLJI ALBUM ZABAVNE GLAZBE NAJBOLJI ALBUM POP GLAZBE NAJBOLJI ALBUM ROCK GLAZBE NAJBOLJI ALBUM ALTERNATIVNE GLAZBE NAJBOLJI ALBUM klupske GLAZBE NAJBOLJA ŽENSKA VOKALNA IZVEDBA NAJBOLJA MUŠKA VOKALNA IZVEDBA NAJBOLJA IZVEDBA GRUPE S VOKALOM NAJBOLJA VOKALNA SURADNJA JAZZ GLAZBA stR. 32-35 (KATEGORIJE 13-15) 3 NAJBOLJI ALBUM JAZZ GLAZBE NAJBOLJA SKLADBA JAZZ GLAZBE NAJBOLJA IZVEDBA JAZZ GLAZBE FOLkLORNA i EtNO GLAZBA stR. 36-39 (KATEGORIJE 16-20) 4 NAJBOLJI ALBUM FOLKLORNE GLAZBE NAJBOLJI ALBUM etno GLAZBE NAJBOLJI ALBUM klapske GLAZBE NAJBOLJI ALBUM TAMBURAŠKE GLAZBE najbolji ALBUM POP-folklorne glazbe 2 27 Porin knjizica A4 KB crna.indd 2 28/01/20 00:14 ARANŽMAN, PRODUKCIJA, sNiMkA stR. 40-57 (iZVAN kLAsiČNE GLAZBE) 5 (KATEGORIJE 21-23) NAJBOLJI ArANŽMAN NAJBOLJA PRODUKCIJA NAJBOLJA SNIMKA kLAsiČNA GLAZBA stR. 58-65 (KATEGORIJE 24-28) 6 NAJBOLJI ALBUM KLASIČNE GLAZBE NAJBOLJA SKLADBA KLASIČNE GLAZBE NAJBOLJA IZVEDBA KLASIČNE GLAZBE NAJBOLJA SNIMKA ALBUMA KLASIČNE GLAZBE NAJBOLJA PrODUKCIJA ALBUMA KLASIČNE GLAZBE sVA GLAZBENA PODRUČJA stR. 66-81 (KATEGORIJE 29-37) 7 najbolji ALBUM za DJECU NAJBOLJI TEMATSKO-POVIJESNI ALBUM NAJBOLJI ALBUM POPULARNE DUHOVNE GLAZBE NAJBOLJI ALBUM S rAZNIM IZVOĐAČIMA 3 NAJBOLJI koncertni ALBUM NAJBOLJI INSTRUMENTALNI ALBUM (IZVAN KLASIČNE I JAZZ GLAZBE) NAJBOLJA INSTRUMENTALNA IZVEDBA (IZVAN KLASIČNE I JAZZ GLAZBE) NAJBOLJI VIDEO BROJ NAJBOLJE LIKOVNO OBLIKOVANJE 4 3 27 Porin knjizica A4 KB crna.indd 3 28/01/20 00:14 OPĆE NAGRADE sVA GLAZBENA PODRUČJA (KATEGORIJE 1-3) ALBUM GODINE 1 PJESMA GODINE NOVI IZVOĐAČ GODINE 4 27 Porin knjizica A4 KB crna.indd 4 28/01/20 00:14 Kategorija 1 / Album GODiNE Ovo je kategorija za albume iz svih glazbenih područja s pretežno (51% ili više) novim snimkama.
    [Show full text]
  • Matija Dedić Saša Šekoranja
    HOTEL MAGAZINE | proljeće/ljeto 2016 spring/summer BESPLATNI PRIMJERAK | YOUR PERSONAL FREE COPY INTERVJU | INTERVIEW MATIJA DEDIĆ Jazz je moja vjera i ljubav | Jazz Is My Faith and Passion SAŠA ŠEKORANJA Cvijećem slavi život | Celebrates Life with Flowers ZAGREB Gornjogradska dvorišta | Upper Town Courtyards Untitled-1 1 20.6.2016. 17:35:22 DOBRO DOŠLI U FORA, LUKSUZAN HOTEL Welcome to a Cool, Luxurious Hotel IVICA MAX KRIZMANIĆ generalni direktor hotela Esplanade / General Manager of the Esplanade Hotel Na spomen Esplanade većina ljudi koji nisu bili u ovom hotelu odmah When the Esplanade Hotel is mentioned, most people who have not been pomisli kako je to jedna stara luksuzna građevina s vrlo striktnim in this hotel will immediately think that it is an old luxurious building with standardima i ukočenim dosadnim ljudima. No, kada pitate nekoga tko je very strict standards and stiff, boring people. But when you ask someone bio ovdje, a mnogi od njih proputovali su cijeli svijet, reći će vam vjerojatno who has been here, and many of those have travelled the world, they nešto poput ovoga: „Esplanade je država za sebe, ondje se uvijek nešto will probably tell you something like this: „The Esplanade is a state of its zanimljivo zbiva“, „Tamo rade fora, inovativne i kreativne stvari, a osoblje own“, there is always something interesting going on there“, „They do je pristupačno, šarmantno, opušteno i spremno na šale“ ili „Esplanade je cool, innovative and creative things there, and the staff are approachable, više od hotela – to je moj dom“. Veseli me kada čujem takve komentare charming, relaxed and ready to joke“ or „the Esplanade is more than a jer upravo takvi želimo biti – hotel koji gotovo uopće nije hotel, želimo hotel – it is my home“.
    [Show full text]
  • YUGO MIDI Izbrane Karaoke Matrice – 196 Skladb Alen Vitasović
    YUGO MIDI izbrane karaoke matrice – 196 skladb Alen Vitasović - Ne moren bez nje Alka Vuica - Ej šta mi radiš Alka Vujica - Laži me Alka Vujica - Otkad te nema Alka Vujica - Varalica Andjela in Dražen Zećić - Ima li nade za nas Azra - A sta da radim Azra - Balkan Bijelo dugme - Da sam pekar Bijelo Dugme - Djurdjevdan Bijelo Dugme - Evo zakleću se Bijelo Dugme - Nakon svih ovih godina Bijelo Dugme - Ne spavaj mala moja Bijelo Dugme - Ružica si bila, sada više nisi Bijelo Dugme - Ružmarin, snjegovi i šaš Bijelo Dugme - Selma Boris Novkovic - Dok svira radio Boris Novković - Tamara Boris Novković - U dobru i zlu Brina - CRO mix Ceca - Beograd Ceca - Dokaz Ceca - Idi dok si mlad Ceca - Kukavica Ceca - Lepi grome moj Ceca - Maškarada Ceca - Pile Ceca - Sta je to u tvojim venama Ceca - Trula višnja Colonia - Budi mi zbogom moja mala Colonia - Cest la vie Colonia - Svijet voli pobjednike Colonia - Svjetla grada Colonia - Ti da bu di bu da Colonia - Vatra i led Colonia - Za tvoje snene oči Crvena Jabuka - Svidja mi se ova stvar Crvena Jabuka- Sanjao sam moju ružicu Crveni Koralji - Mnogo znacis za moj zivot draga Dalibor Brun - Još i danas, Kad odu svi, Ne peru.Dovidjenja MIX Dalibor Brun - Tuzna su zelena polja (mix) Dalmatinska - Poći ču na more (Ja nikog nemam) Dalmomix - Oaza band 3 Dalmomix - Oaza band Daniel Popović - Julie Daniela - Marke nemam Daniela - Nemam s kime doćekati zime Danijela - Da je sladje zaspati Danijela - Grube rijeći Danijela - Neka mi ne svane Danijela - Plesi sa mnom Danijela - Što sam ja, što si ti Danijela - To nije to Danijela - Virus Danijela - Zovem te ja Davor Radolfi - Neka zivim kako zivim Davor Radolfi.
    [Show full text]
  • Sounds of Attraction
    edited by Sounds of Attraction Miha Kozorog, Rajko Muršič Yugoslav and Post-Yugoslav Popular Music edited by Miha Kozorog and Rajko Muršič Miha Kozorog by edited Yugoslav and Post-Yugoslav Post-Yugoslav and Yugoslav Attraction Sounds ofSounds Popular Music Popular SOUNDS OF ATTRACTION: YUGOSLAV AND POST-YUGOSLAV POPULAR MUSIC Sounds of Attraction: Yugoslav and Published by/Založila: Znanstvena Post-Yugoslav Popular Music založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Uredila/Edited by Faculty of Arts) Miha Kozorog, Rajko Muršič Izdal/Issued by: Oddelek za etnologijo Recenzenta/Reviewers in kulturno antropologijo/ Svanibor Pettan Department of Ethnology and Cultural Jernej Mlekuž Anthropology Zbirka/Book series Za založbo/For the publisher Zupaničeva knjižnica, št. 43 Roman Kuhar, dekan Filozofske fakultete Univerze v Ljubljani/The Lektor/Proofreading dean of the Faculty of Arts, University Peter Altshul of Ljubljana Odgovorni urednik zbirke/ Ljubljana, 2017 Editor in chief Boštjan Kravanja Oblikovna zasnova zbirke/Design Vasja Cenčič Uredniški odbor zbirke/ Editorial board Bojan Baskar, Mateja Habinc, Vito Hazler, Jože Hudales, Božidar Jezernik, Delo je ponujeno pod licenco Creative Miha Kozorog, Boštjan Kravanja, Commons Attribution-ShareAlike 4.0 Uršula Lipovec Čebron, Ana Sarah International License (priznanje Lunaček Brumen, Mirjam Mencej, avtorstva, deljenje pod istimi pogoji). Rajko Muršič, Jaka Repič, Peter Simonič Prva izdaja, e-izdaja/ First edition/e-edition Fotografija na naslovnici/Cover photo Urša Valič Publikacija je na voljo na/Publication is available on: Vse pravice pridržane./ https://e-knjige.ff.uni-lj.si All rights reserved. DOI: 10.4312/9789612379643 Raziskovalni program št. P6-0187 je sofinancirala Javna agencija za raziskovalno dejavnost Republike Slovenije iz državnega Publikacija je brezplačna./Publication proračuna.
    [Show full text]
  • Povijest Splitskog Festivala Zabavne Glazbe
    Povijest Splitskog festivala zabavne glazbe Barović, Neno Undergraduate thesis / Završni rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, Faculty of Croatian Studies / Sveučilište u Zagrebu, Fakultet hrvatskih studija Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:111:640189 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: Repository of University of Zagreb, Centre for Croatian Studies Hrvatski studiji sveučilišta u Zagrebu Odsjek za kroatologiju Povijest splitskog festivala zabavne glazbe Završni rad Kandidat: Neno Barović Mentor: prof. dr. sc. Stanislav Tuksar Zagreb, 12. rujna 2019. Sadržaj: 1. Uvod ................................................................................................................................ 2 2. Osnutak festivala ........................................................................................................... 3 3. Dvije godine festivala na bazenu POŠK-a ................................................................... 3 3.1. Razdoblje festivala na Bačvicama ............................................................................... 4 3.2. Selidba na Prokurative ................................................................................................. 6 4. 1970-e godine festivala .................................................................................................. 7 4.1. Doba Miše Kovača i Tereze Kesovije .........................................................................
    [Show full text]
  • Ideologies of Love at Concerts: Yugoslav Popular Music on Post-Yugoslav Stages
    Ideologies of Love at Concerts: Yugoslav Popular Music on Post-Yugoslav Stages Ana Petrov INTRODUCTION: THE AFTERLIFE OF YUGOSLAV POPULAR MUSIC In this article I deal with the ways Yugoslav popular music serves as a means for producing ideologies of love at concerts in the post-Yugoslav era. Less than a decade after the dissolution of Yugoslavia in 1991, sev- eral musicians from the territory of the former country gradually started giving concerts in Belgrade, the capital of the former country. Most of them had been quite popular in Serbia and most of them continued to perform there regularly after 2000; they included the singers Kemal Monteno, Boris Novković, Goran Karan, Massimo Savić, and Josipa Lisac, and groups such as Crvena Jabuka, Hari Mata Hari, and Magazin. There were also many musicians who adamantly refused to perform in Serbia after the wars, the most well-known of them being 41 Oliver Dragojević, Tereza Kesovija and Dino Merlin. However, Tereza Kesovija and Dino Merlin decided to perform in Belgrade in 2011, thus provoking new reactions, especially in the nationalistic discourse, which was particularly (but not only) evident in the case of the sup- porters of Serbian extremist groups. The concerts were even classified as high-risk events. The reactions against these particular musicians were prompted due to both of them having supposedly promoted hate dis- course against Serbs, since they were both directly affected by the war.1 Furthermore, some of the first comeback concerts provoked emotional reactions, most commonly of a nostalgic and Yugo-nostal- gic nature. There were also a few concerts that included a significant number of performers and produced a moderate but clearly expressed (Yugo)nostalgic atmosphere, such as the concert in honour of Đorđe Novković, which I will discuss below.2 This article puts forward the thesis that audience experience is a relevant and appropriate part of certain musical events.3 It draws on research that shows how the perception of the audience’s role has changed.
    [Show full text]
  • Jalta, Jalta Nakon Petnaest Godina Piše: Jagoda Martinčević
    ORIENT EXPRESTO U HGZ–u / hrVAtsKA GLAZBenA historiogrAFIJA U 19. stoLjećU / RAZGOVOR S ALFIJEM KABILJOM / PORIN / 75 GODINA ERE S ONOGA SVIJETA / DIGITALNO DOBA / KALEIDOFON IZ KLASE SANDE MAJUREC / sVJETSKI DANI NOVE GLAZBE SYdneY 2010 / CD IZLOG NOVINE HRVATSKOGA DRUŠTVA SKLADATELJA BROJ 162 SVIBANJ 2010. CIJENA 20 kn ISSN 1330–4747 SAŠA NOVKOVIĆ U zagrebačkom Gradskom kazalištu Komedija premijerno izveden mjuzikl Alfija Kabilja i Milana Grgića: Dražen Čuček, Đani Stipaničev, Sandra Bagarić i Ronald Žlabur JALTA, JALTA NAKON PETNAEST GODINA Piše: Jagoda Martinčević Napokon se i to dogodilo! Nakon punih petnaest godina Zamka nostalgije najpopularniji hrvatski mjuzikl Jalta, Jalta skladatelja Ozarena lica u publici koja pjevuše Kabiljove songove zajedno Alfija Kabilja i libretista Milana Grgića vratio se na scenu premda je majstor hitova Alfi Kabiljo možda s pjevačima, ali i nove generacije u gledalištu i, dakako, mnoš- Gradskog kazališta Komedija. Ljubitelji ove glazbeno–scen- tvo komentara od onih punih ushita do nostalgičnih uzdaha ske forme željno su očekivali povratak kultnog djela koje je, napisao i dva još bolja mjuzikla Kralj je za starom Jaltom, ukratko je opis ozračja koje je autorica ovih od praizvedbe 1971. do 1995. godine, u istoj postavi odigrano gol i Car Franjo Josip u Zagrebu, upravo je redaka doživjela na takozvanoj drugoj premijeri. I kao što to 534 puta, s brojnim gostovanjima u zemlji i u inozemstvu. Jalta, Jalta zadržala auru vječno zelenih uvijek biva s optimizmom pamćenja, doista se nije teško uhva- Unatoč kasnijim mjuzikalskim uspješnicama domaćeg i stra- I titi u zamku nostalgije koja priziva sjećanja, ali istodobno i mjuzikalskih nota koju je teško dostići.
    [Show full text]
  • My Beautiful Dalmatian Song”
    “My Beautiful Dalmatian Song” “MY BEAUTIFUL DALMATIAN SONG”: (RE)CONNECTING SErbIA AND DALMATIA AT CONCERTS OF DALMATIAN PERFOrmERS IN BELGRADE Ana Petrov (Belgrade) Abstract: Less than a decade after the dissolution of Yugoslavia in 1991, some musicians from the former country started giving concerts in new post-Yugoslav spaces, provoking divergent reactions. One particular kind of musician has drawn the attention of audiences in Serbia: musicians from Dalmatia whose music is recognized as “typically Dalmatian”. Even though the texts of many of these songs refer to Dalmatia (and Croatia) itself, to a town in Dalmatia, or to Dalmatian music (such as Dalmatinska lipa pismo moja [‘My Beautiful Dalmatian Song’]), this kind of music was never marked as “nationalistic” or “Croatian” in Serbia and former Yugoslavia. On the contrary, it provokes positive feelings related to universal categories (love, past, youth, summer), and can also trigger specific Yugonostalgic recollections. I here discuss the reception of Dalmatian music in contemporary Serbia by pointing to ways in which the concept of Dalmatian music has changed since Yugoslav times, and by showing how these changes correspond with divergent political contexts that have shaped the ways this music is listened to. I analyse two kinds of concerts held in Belgrade in 2000s: those clearly labelled as Dalmatian, such as More, more: Veče dalmatinskih pesama (‘Sea, sea: An Evening of Dalmatian Songs’), and those given by various singers from Dalmatia. *** This article examines the reception of Dalmatian music and of performers from Dalmatia in contemporary Serbia. By discussing the potential political implications of enjoyment of these concerts, my aim is to show how they provoke multifarious reactions and how they help to encourage a certain (more or less) sentimental remembrance of the past.
    [Show full text]
  • Titostalgia Titostalgija a Studyofnostalgiaforjosip Broz TITOSTALGIA – Mitja Velikonja 9 866 455534 789616 9 Isbn 961-6455-53-4
    Titostalgia mitja velikonja mitja isbn 961-6455-53-4 12,00 eur 12,00 9 789616 455534 TITOSTALGIJA – Študija nostalgije po Josipu Brozu A Study of Nostalgia for Josip Broz Josip for Nostalgia of Study A TITOSTALGIA – TITOSTALGIA 9 789616 455534 789616 9 12,00 eur isbn 961-6455-53-4 isbn mitja velikonja Titostalgija oovitek.inddvitek.indd 1 55.. 11.. 22009009 112:34:032:34:03 doslej izšlo v zbirki mediawatch marjeta doupona horvat, roman kuhar jef verschueren, igor þ. þagar Medijske podobe homoseksualnosti Retorika begunske politike v Sloveniji Media the in Violence sandra b. hrvatin, lenart j. kuèiæ, petrovec dragan breda luthar brankica petkoviæ Politika teletabloidov Medijsko lastništvo Up Her Making valerija vendramin, jerca legan, urša skumavc urša legan, jerca vendramin, valerija darren purcell jernej rovšek drglin, zalka vidmar, h. ksenija hrþenjak, majda Slovenska drþava na internetu Zasebno in javno v medijih Freedom of Non-accountability of Freedom tonèi a. kuzmaniæ mitja velikonja bervar gojko Bitja s pol strešice Evroza Serving the State or the Public the or State the Serving karmen erjavec, sandra b. hrvatin, brankica petkoviæ, sandra b. hrvatin, hrvatin b. sandra barbara kelbl lenart j. kuèiæ, iztok juranèiè, s 1990 Mi o Romih marko prpiè, roman kuhar the in Slovenia in Policy Media Mediji za drþavljane milosavljeviæ marko hrvatin, b. sandra matevþ krivic, simona zatler Svoboda tiska in pravice posameznika brankica petkoviæ, sandra b. hrvatin Left Imaginary the of Victory The In temu pravite medijski trg? kuèiæ j. lenart hrvatin, b. sandra breda luthar, tonèi a. kuzmaniæ, velikonja, mitja dragoš, sreèo sreèo dragoš, mitja velikonja, kuzmaniæ, a.
    [Show full text]
  • THE Gender Performativity of Female Yugoslav Singers in the Sixties1
    The Gender Performativity of Female Yugoslav Singers in the Sixties “SHE WAS AFRAID THAT SOMEBODY WOULD SEE”: THE GENDER PERFORMATIVITY OF FEMALE YUGOSLAV SINGERS IN THE SIXTIEs1 Adriana Sabo (Belgrade) Abstract: This paper focuses on female singers of so-called light music active during the 1960s in Yugoslavia, and on the status of what can be called Mediterranean music in their work. The goal is to explore how the concept of gender performativity, as defined by Judith Butler, can be applied to the performance of music, and to shed some light on the way Mediterranean music has affected gender performativity. Several important aspects of Yugoslav culture at that time will be examined, including the importance of Western influences and the ideological use of popular music, as well as the status of women in the former Yugoslavia and the question of gender (in)equality. The aim of the paper will also be to reveal the norms of femininity that were prevalent in the music industry at that time. *** One important characteristic of cultural life in the Socialist Federal Republic of Yugoslavia from the 1950s onward was its openness to the Western influences that strongly shaped the lives especially of those who lived in large cities.2 Among the most important of these Western influences was the development of the rock music scene and that of the so-called light music that was very popular in Yugoslavia. The assimilation of ‘artifacts’ from Western consumer cultures – from Western Europe as well as Britain and the United States – was used by the government to shape the idea of Yugoslavia’s ‘progressiveness’ and to distance the regime from the ideologies of the other communist countries that formed the Eastern Bloc.
    [Show full text]