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Northern Terminus: the African Canadian History Journal
orthern Terminus: N The African Canadian History Journal Mary “Granny” Taylor Born in the USA in about 1808, Taylor was a well-known Owen Sound vendor and pioneer supporter of the B.M.E. church. Vol. 17/ 2020 Northern Terminus: The African Canadian History Journal Vol. 17/ 2020 Northern Terminus 2020 This publication was enabled by volunteers. Special thanks to the authors for their time and effort. Brought to you by the Grey County Archives, as directed by the Northern Terminus Editorial Committee. This journal is a platform for the voices of the authors and the opinions expressed are their own. The goal of this annual journal is to provide readers with information about the historic Black community of Grey County. The focus is on historical events and people, and the wider national and international contexts that shaped Black history and presence in Grey County. Through essays, interviews and reviews, the journal highlights the work of area organizations, historians and published authors. © 2020 All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means – electronic, mechanical, photocopying, microreproduction, recording or otherwise – without prior written permission. For copies of the journal please contact the Archives at: Grey Roots: Museum & Archives 102599 Grey Road 18 RR#4 Owen Sound, ON N4K 5N6 [email protected] (519) 376-3690 x6113 or 1-877-473-9766 ISSN 1914-1297, Grey Roots Museum and Archives Editorial Committee: Karin Noble and Naomi Norquay Cover Image: “Owen Sound B. M. E. Church Monument to Pioneers’ Faith: Altar of Present Coloured Folk History of Congregation Goes Back Almost to Beginning of Little Village on the Sydenham When the Negros Met for Worship in Log Edifice, “Little Zion” – Anniversary Services Open on Sunday and Continue All Next Week.” Owen Sound Daily Sun Times, February 21, 1942. -
Hidden Messages in Spirituals Intermediate (Grades 6-8) 1-2 Class Periods
Lesson Plan 1 Hidden Messages in Spirituals Intermediate (grades 6-8) 1-2 class periods Program Segments Coded Lyrics Worksheet Freedom’s Land Coded Lyrics Worksheet - Teacher Notes Student Spiritual Lyrics (teacher should pre-cut and put in box for NYS Core Curriculum - Literacy in History/Social Studies, students to draw from) Science and Technical Subjects, 6-12 “Swing Low, Sweet Chariot” Song video (optional) Reading http://www.youtube.com/watch?v=Thz1zDAytzU • Craft and Structure (meaning of words) Writing Procedures • Test Types and Purposes (organize ideas, develop topic with 1. Watch the Underground Railroad: The William Still Story segment facts) on spirituals. • Production and Distribution of Writing (develop, organize 2. Explain how spirituals are different from hymns and psalms appropriate to task) because they were a way of sharing the hard condition of being a • Research to Build and Present Knowledge (short research slave. Be sure to discuss the significant dual meanings found in project, using term effectively) the lyrics and their purpose for fugitive slaves (codes, faith). 3. Play the song using an Internet site, mp3 file, or CD. (stopping NCSS Themes periodically to explain parts of the song) I. Culture and Cultural Diversity 4. Have students fill out the Coded Lyrics Worksheet while discussing II. Time, Continuity and Change the meanings as a class. III. People, Places, and Environments 5. Play the song again, uninterrupted. IV. Individual Development and Identity 6. Ask each student to choose a unique line from a box of pre-cut V. Individuals, Groups and Institutions VIII. Science, Technology, and Society Student Spiritual Lyrics. -
Slavery in New Jersey Lesson Plan
Elementary School | Grades 3–5 SLAVERY IN NEW JERSEY ESSENTIAL QUESTIONS What was the Underground Railroad and how did it help enslaved people gain their right of freedom? What role did the people of New Jersey play in the Underground Railroad and the struggle against slavery? OBJECTIVES Students will: → Describe the Underground Railroad and its significance in the abolition of chattel slavery. → Investigate Harriet Tubman’s role as a leader in the Underground Railroad. → Explore New Jersey’s role in the Underground Railroad and map key stops along the route. LEARNING STANDARDS See the standards alignment chart to learn how this lesson supports New Jersey State Standards. TIME NEEDED 45 minutes MATERIALS → AV equipment to show a video → On Track or Off the Rails? handout (one per student or one copy to read aloud) → On Track or Off the Rails Cards handout (copied and cut apart so each student gets one of each card) → Underground Railroad Routes in New Jersey handout (one per student or pair) → New Jersey Stops on the Underground Railroad handout (one per student) VOCABULARY abolitionist enslaver Quaker enslaved plantation Underground Railroad 72 Procedures 2 NOTE ABOUT LANGUAGE When discussing slavery with students, it is suggested the term “enslaved person” be used instead of “slave” to emphasize their humanity; that “enslaver” be used instead of “master” or “owner” to show that slavery was forced upon human beings; and that “freedom seeker” be used instead of “runaway” or “fugitive” to emphasize justice and avoid the connotation of lawbreaking. Write “Underground Railroad” on the board. Ask students if 1 they have ever heard this term and what they know about it. -
SYMBOLISM in AFRO-AMERICAN SLAVE SONGS THESIS Presented
3 4 I SYMBOLISM IN AFRO-AMERICAN SLAVE SONGS IN THE PRE-CIVIL WAR SOUTH THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jeannie Chaney Sebastian, B. S. Denton, Texas December, 1976 Sebastian, Jeannie C., Symbolism in Afro-American Slave Songs in the Pre-Civil War South. Master of Science (Speech Communication and Drama), December, 1976. This thesis examines the symbolism of thirty-five slave songs that existed in the pre-Civil War South in the United States in order to gain a more profound insight into the values of the slaves. The songs chosen were representative of the 300 songs reviewed. The methodology used in the analysis was adapted from Ralph K. White's Value Analysis: The Nature and Use of the Method. The slave songs provided the slaves with an opportunity to express their feelings on matters they deemed important, often by using Biblical symbols to "mask" the true meanings of their songs from whites. The major values of the slaves as found in their songs were independence, justice, determination, religion, hope, family love, and group unity. 1976 LINDA JEAN CHANEY SEBASTIAN ALL RIGHTS RESERVED TABLE OF CONTENTS Page LIST OF TABLES . iv Chapter I. INTRODUCTION . 0 . 1 II. THE HISTORICAL BACKGROUND OF SLAVERY AND SLAVE SONGS . .. 26 III. VALUE ANALYSIS OF THE SLAVE SONGS . 64 IV. THE CONCLUSION . 0 . 91 APPENDIX . 0 0 0 . 98 BIBLIOGRAPHY . S. 0 0 0 .114 iii LIST OF TABLES Table Page I. Frequency Charts . -
Signal Songs of the Underground Railroad | 1
SIGNAL SONGS OF THE UNDERGROUND RAILROAD | 1 SIGNAL SONGS OF THE UNDEGROUND RAILROAD with Dr. Phyllis Wade Recommended for Ages 7-14 Grades 2 to 8 A Reproducible Learning Guide for Educators This guide is designed to help educators prepare for, enjoy, and discuss Signal Songs of the Underground Railroad It contains background, discussion questions and activities appropriate for ages 7 to 14. Programs Are Made Possible, In Part, By Generous Gifts From: The Nora Roberts Foundation Siewchin Yong Sommer Discovery Theater ● P.O. Box 23293, Washington, DC ● www.discoverytheater.org Like our Facebook Page ● Follow us on Twitter: Smithsonian Kids ● Follow us on Instagram: SmithsonianAssociates SIGNAL SONGS OF THE UNDERGROUND RAILROAD | 2 ABOUT THE ARTIST How do you describe a former banker who has performed for a U.S. president, been a member of one of the first Christian rock bands in America, and earned a master’s degree in education while raising two teenagers and serving as the dean of students at the Eastman School of Music in Rochester, New York? Dr. Wade provides a partial answer by saying that she “crammed a four-year college education into eight years,” a boast that speaks to the unconventional approach taken to her life’s work. Guided by an insatiable curiosity and driven by a passionate love of music, Dr. Wade completed a bachelor’s degree in voice at Roberts Wesleyan College while taking the occasional semester off to tour with her rock group, The Sons of Thunder. This thirst for travel subsequently took her to Kenya where she sang for church groups in and around he city of Nairobi. -
Steal Away May 2020 Arr
For the West Side Singers Steal Away May 2020 arr. E. Hofacker African American Spiritual molto legato, appasionato 60 solo on melody then m1 Steal a-way steal a-way, steal a-way to Je - su - s. Steal a-way, Sop/Alto Steal a way, steal a way, steal a way to Je su s. Steal a way, Steal a-way, steal a-way, steal a - way to Je su s. Steal a-way, Ten/Bass Steal a-way, steal a-way, steal a - way to Je su s. Steal a-way, 2 6 oo - - - - - - steal a-way home. I ain't got long to stay here. SA. steal a-way home. I ain't got long to stay here. oo - - - - - - TB steal a-way home. I ain't got long to stay here. Steal a-way, steal a-way, steal a-way home. I ain't got long to stay here. Steal a-way, steal a-way, 11 - - - - - - - - - - - - - - - - - - - - SA. Steal a-way, steal a-way home. - - - - - - - - - Steal a way, steal a way home. steal a - way to Je su s. oo - - - - - - - - - TB steal a - way to Je su s. oo - - - - - - - - - 3 Like thunder 15 - - - - - - - - - - - - - - - - - - - - I ain't got long to stay here. - - - - - - - My Lord He SA. Like thunder I ain't got long to stay My Lord He Like thunder - - - - - - I ain't got long to stay here. My Lord He TB Like thunder - - - - - - I ain't got long to stay here. My Lord He 19 - - - - - - - - - - - - - - - - - - - - SA. calls me, He calls me by the thunder. The trum-pets sound wi - calls me, He calls me by the thu nder. -
Welcome to Our First ACTJAM Big Sing!
Welcome to our first ACTJAM Big Sing! This fall we looked at the history of racism in our country from different perspectives. Four hundred years of history in the book Stamped. A closeup of the civil rights movement and Jim Crow south of 1961 in the movie Hidden Figures. Now we turn to Black music and the stories told through song about the struggle for freedom and of hope. Since we can’t be together in person, we’re doing the next best thing -- a do-it-yourself BIG SING. It’s like a do-it-yourself walking tour of a city. There’s a map and a route. There’s a description to read about each sight. Finally, there’s a ticket to get you inside. Amy will be our guide through this Big Sing. She’s chosen the songs, mapped our route and written a short description of each selection. After you’ve read it, click on the YouTube link(s) to listen to the recording that Amy selected. That’s your ticket ‘in’ to the song. If it’s familiar –sing along! Hello Bethel! I’m so honored to lead this tour of Black music and its influence on music and culture in the U.S. First, a bit of history. When slaves were brought to our shores starting in 1619, they brought with them their spiritualities and religions. Once here, they mixed their African musical inspirations with the stories of Jesus and his Jewish ancestors, especially the stories of Israel’s struggles, enslavement and freedom in the promised land. -
SING to FREEDOM: Music and Stories of the Underground Railroad with Kim and Reggie Harris
SING TO FREEDOM: Music and Stories of the Underground Railroad with Kim and Reggie Harris Purpose, Rationale, and Objectives for the Workshop 2 The Kennedy Center’s Definition of Arts Integration 3 Learning Activities 4-17 1--Introduce Traditional African American Spirituals and Code Songs 4-5 “Let Us Break Bread Together On Our Knees” 2--Vocal and Physical Warm Up 6-8 “Follow the Drinking Gourd” 3--Listen, Interpret, and Sing a Code Song 9-12 “No More Auction Block for Me” 4—Listen, Interpret, and Sing a Code Song 13-15 “Go Down Moses” 5—Song Writing: Adapting and Updating Code Songs 16-22 Final Teacher Reflection/Closing Song 23 Supplementary Materials 24 - Basic Chronology of Slavery in America 24 - Content Standards Addressed in the Workshop 25-26 - Glossary of Secret Code Words and Phrases 27-29 - Websites 30-31 - Books and Materials for Teachers 32 - Books and Materials for Students 33 - Supplementary Lessons 34 This workshop was developed by Kim and Reggie Harris in association with the John F. Kennedy Center for the Performing Arts. ©December 2010 www.kimandreggie.com [email protected] P.O. Box 18871, Philadelphia, PA 19119 Please feel free to contact us with any questions, comments, and ideas!! Sing to Freedom 1 Purpose of the Workshop The Underground Railroad was a multi-racial, multi-faith freedom movement in Antebellum America from approximately 1830-1860*. Secret code songs were an important part of the planning and implementation of escapes from slavery by African Americans and their allies for freedom. The purpose of this workshop is to explore the history of this time period and to help teachers to give students information and context on how music and culture are instrumental in history. -
Death and Madness in the Bondwoman's Narrative Natalie L
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2008 A sentimental tale: death and madness in The Bondwoman's Narrative Natalie L. Meyer Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Meyer, Natalie L., "A sentimental tale: death and madness in The Bondwoman's Narrative" (2008). Retrospective Theses and Dissertations. 15302. https://lib.dr.iastate.edu/rtd/15302 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. A sentimental tale: death and madness in The Bondwoman’s Narrative by Natalie L. Meyer A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee: Constance J. Post, Major Professor Jane Davis Amy Slagell Iowa State University Ames, Iowa 2008 UMI Number: 1453118 UMI Microform 1453118 Copyright 2008 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 ii TABLE OF CONTENTS I. INTRODUCTION 1 II. HENRY LOUIS GATES JR.’S THE DISCOVERY OF HANNAH CRAFTS 3 III. -
Conducting the Coded Message Songs of Slavery: Context
CONDUCTING THE CODED MESSAGE SONGS OF SLAVERY: CONTEXT, CONNOTATIONS, AND PERFORMANCE PREPARATION A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Rebecca Lynn Raber In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Major Department: Music July 2018 Fargo, North Dakota North Dakota State University Graduate School Title CONDUCTING THE CODED MESSAGE SONGS OF SLAVERY: CONTEXT, CONNOTATIONS, AND PERFORMANCE PREPARATION By Rebecca Lynn Raber The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF MUSICAL ARTS SUPERVISORY COMMITTEE: Dr. Michael Weber Chair Dr. Jo Ann Miller Dr. Robert Groves Dr. William Martin Dr. Ashley Baggett Approved: November 16, 2018 Dr. John Miller Date Department Chair ii ABSTRACT The coded message songs of slavery are a mysterious and fascinating entity. Within the lyrics of these seemingly innocuous plantation songs are coded messages for escape, messages that provided secret information to enslaved workers on Antebellum plantations. Over the course of more than 250 years of slavery on American soil, countless enslaved Africans found freedom through the use of coded message songs and the Underground Railroad. What are these songs? Which lyrics provided this secret information? How can a study of this music provide a better musical experience for conductors, singers, and listeners? This disquisition offers answers to these important questions, as well as a presentation of this body of repertoire from the choral conductor’s perspective. First, I provide a brief historical context for the music of slavery. -
Re-Creating the Past: Building Historical Simulations with Hypermedia to Learn History. PUB DATE 2002-04-00 NOTE 23P.; Support Provided by the James S
DOCUMENT RESUME ED 478 730 SO 035 075 AUTHOR Polman, Joseph L. TITLE Re-Creating the Past: Building Historical Simulations with Hypermedia To Learn History. PUB DATE 2002-04-00 NOTE 23p.; Support provided by the James S. McDonnell Foundation. Paper presented at the Annual Meeting of the American Educational Research Association (83rd, New Orleans, LA, April 1-5, 2002). PUB TYPE Reports Research (143) Speeches/Meeting Papers (150) EDRS PRICE EDRS Price MF01/PC01 Plus Postage. DESCRIPTORS Computer Assisted Instruction; *Computer Simulation; Elementary Education; *Historical Interpretation; History Instruction; *Hypermedia; Social Studies; Task Analysis; *Thinking Skills IDENTIFIERS Underground Railroad ABSTRACT This paper aligns with educators and historians who argue that certain aspects of expert historical thinking are excellent tools for democratic citizenship. The paper focuses on specifically contextualized understanding of the past, as opposed to presentist attitudes, which assume the past is just like the present. It presents a framework for analyzing contextualized historical thinking about events in terms of consideration of location, the perspectives of participants, placement within the flow of time, an understanding of the cultural tools and norms of the period, and the overall climate of opinion. Based on these elements, as well as other hallmarks of educational tasks in history, the paper sketches a task analysis, based on cognitive and sociocultural approaches to mind, of a number of activity structures commonly used in history instruction and some newer computer-based activities. It relates the task analysis to an empirical study from an intervention and study of children creating a hypermedia simulation of travel on the Underground Railroad. -
A Guide to the Underground Railroad in New Jersey
N EW J ERSEY’ S U NDERGROUND R AILROAD H ERITAGE “Steal Away, Steal Away...” A Guide to the Underground Railroad in New Jersey N EW J ERSEY H ISTORICAL C OMMISSION Introduction Steal away, steal away, steal away to Jesus Steal away, steal away home, I ain’t got long to stay here — Negro spiritual ome of those daring and artful runaway slaves who entered New Jersey by way of the Underground Railroad (UGRR) no doubt sang the words of old Negro spirituals like "Steal Away" before embarking on their perilous journey north. The lyrics of these S precious black folk songs indeed often had double meanings, serving as code songs that conveyed plans to escape the yoke of bondage. The phrase "steal away" thus meant absconding; "Jesus" and "home" symbolized the yearned for freedom in the North; and the words "I ain’t got long to stay here" meant that flight northward was imminent. Running away as a form of protest by slaves against their bondage is as old as African enslavement itself on American soil. The first European settlement on land that would ultimately become part of the United States of America, a Spanish colony established in 1526 in the area of present-day were connected to the Underground Railroad, that secret South Carolina, witnessed the flight of its slaves; it is said they network of persons and places—sometimes well organized and fled to neighboring Indians. The presence of African slaves in other times loosely structured—that helped southern runaway the British colonies of North America, whose history begins slaves reach safety in the northern states and Canada.