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United States Involvement with Nazi War Crimes
NYLS Journal of International and Comparative Law Volume 11 Number 3 SYMPOSIA: 1990 Article 4 1990 UNITED STATES INVOLVEMENT WITH NAZI WAR CRIMES Elizabeth Holtzman Follow this and additional works at: https://digitalcommons.nyls.edu/ journal_of_international_and_comparative_law Part of the Law Commons Recommended Citation Holtzman, Elizabeth (1990) "UNITED STATES INVOLVEMENT WITH NAZI WAR CRIMES," NYLS Journal of International and Comparative Law: Vol. 11 : No. 3 , Article 4. Available at: https://digitalcommons.nyls.edu/journal_of_international_and_comparative_law/vol11/iss3/ 4 This Article is brought to you for free and open access by DigitalCommons@NYLS. It has been accepted for inclusion in NYLS Journal of International and Comparative Law by an authorized editor of DigitalCommons@NYLS. UNITED STATES INVOLVEMENT WITH NAZI WAR CRIMES ELIZABETH HOLTZMAN * I very much appreciate the opportunity to be a panelist with such distinguished people and to address such an extraordinarily important subject. I think I can contribute most to this discussion by recounting a little bit of the history of the United States' involvement with Nazi war crimes. Until the mid 1970s, with one or two small exceptions,' the United States government was not particularly interested in the presence of Nazi war criminals in this country.' Indeed, at the very time that it was prosecuting the Nuremberg cases, the United States was sheltering such Nazi war criminals as Klaus Barbie from accountability for war crimes committed in France. In addition, a United States government report found that government officials committed crimes in their effort to protect Klaus Barbie.4 In another case, this one having its situs in Belgium, the United States government again violated either its own laws or foreign laws in protecting Nazi war criminals from local accountability. -
The Shop on Main Street (Obchod Na Korze)
The Shop on Main Street (Obchod na korze) Author: Ladislav Grosman First Published: 1965 Translations: German (Der Laden auf dem Korso, 1967); Hebrew (Chanut be rehov har- ash, 1969); English (The Shop on Main Street, 1970); Swedish (Butiken vid storgatan, 1981); Polish (Sklep przy głównej ulicy, 1993). Film Adaptation: Obchod na korze (The Shop on Main Street/The Shop on the High Street); feature film, screenplay Ladislav Grosman, Ján Kadár and Elmar Klos; film di- rectors Ján Kadár and Elmar Klos, premiered the 7th of October, 1965. About the Author: Ladislav Grosman (1921–1981), came from a Slovak Jewish family, went through various labour camps during World War II and eventually, escaped be- fore being transported to the extermination camps and thus had to hide-out for the rest of the war. After 1945, he studied in Prague and worked as an editor and screen- writer, publishing in both Slovak and Czech. In October 1968 Grosman emigrated to Is- rael where he taught at Bar-Ilan University. Jewish and especially Holocaust topics played an important role in his works. Further Important Publications: Nevěsta (1969, The Bride, short stories); Hlavou proti zdi (1976, Head against the Wall, short stories); Z pekla štěstí (1994, The Devil’s Own Luck); Povídky (2018, Short Stories, ed. J. Opelík, summary edition). Content and Interpretation The geographical setting of the story is an unspecified provincial city in Eastern Slo- vakia. The author took this image from his hometown of Humenné. The temporal set- ting seems to be the summer of 1942 when the first wave of Jewish transports from Slovakia was organised, but the novel doesn’t have any precise historical date. -
Final Report of the Nazi War Crimes & Japanese
Nazi War Crimes & Japanese Imperial Government Records Interagency Working Group Final Report to the United States Congress April 2007 Nazi War Crimes and Japanese Imperial Government Records Interagency Working Group Final Report to the United States Congress Published April 2007 1-880875-30-6 “In a world of conflict, a world of victims and executioners, it is the job of thinking people not to be on the side of the executioners.” — Albert Camus iv IWG Membership Allen Weinstein, Archivist of the United States, Chair Thomas H. Baer, Public Member Richard Ben-Veniste, Public Member Elizabeth Holtzman, Public Member Historian of the Department of State The Secretary of Defense The Attorney General Director of the Central Intelligence Agency Director of the Federal Bureau of Investigation National Security Council Director of the U.S. Holocaust Memorial Museum Nationa5lrchives ~~ \T,I "I, I I I"" April 2007 I am pleased to present to Congress. Ihe AdnllniSlr:lllon, and the Amcncan [JeOplc Ihe Final Report of the Nazi War Crimes and Japanese Imperial Government Rcrords Interagency Working Group (IWG). The lWG has no\\ successfully completed the work mandated by the Nazi War Crimes Disclosure Act (P.L. 105-246) and the Japanese Imperial Government DisdoSUTC Act (PL 106·567). Over 8.5 million pages of records relaH:d 10 Japanese and Nazi "'ar crimes have been identifIed among Federal Go\emmelll records and opened to the pubhc. including certam types of records nevcr before released. such as CIA operational Iiles. The groundbrcaking release of Lhcse ft:cords In no way threatens lhe Malio,,'s sccurily. -
Hermine Braunsteiner Was Born on July 16, 1919 in Vienna As a Daughter of a Qualified Butcher Friedrich Braunsteiner and His Wife Maria
Hermine Ryan-Braunsteiner Origins, education, occupation Hermine Braunsteiner was born on July 16, 1919 in Vienna as a daughter of a qualified butcher Friedrich Braunsteiner and his wife Maria. She was the youngest of seven children in this catholic family. She spent her childhood with her siblings and parents in Vienna. They lived in three room professional apartment belonging to the brewery her father worked for, as a carter or driver. Her mother earned their living as a laundrywoman. The family home was ‘apolitical’ and was marked by good family relationships and strict catholic upbringing. In the years 1925-1933 Braunsteiner attended a public elementary school and after finishing it she got admitted to high school where she spent the next four years. She was a good student and wanted to achieve something. Her dream was to work as a nurse, but unfortunately she had to give it up because she could not find a place to learn. Due to financial reasons she had to help at home; after working at home for six months she started a job at the brewery in May 1934. Then she worked as a cook at baron Bachhofen. Thanks to her salary she was able to support her family. When her father died from cancer and mother stopped getting the annuities, she became the only provider for the family. Hermine Braunsteiner was ambitious and she wanted to achieve something more in her life, so to free herself from the difficult life situation in Vienna she left for the Netherlands to her sister. She wanted to find a job there to improve her financial situation; unfortunately, she didn’t get a job permit and went back to Vienna after three months. -
UNIVERZITA KARLOVA Bakalářská Práce 2020 Záviš Dobiašovský
UNIVERZITA KARLOVA FAKULTA SOCIÁLNÍCH VĚD Institut komunikačních studií a žurnalistiky Katedra žurnalistiky Bakalářská práce 2020 Záviš Dobiašovský UNIVERZITA KARLOVA FAKULTA SOCIÁLNÍCH VĚD Institut komunikačních studií a žurnalistiky Katedra žurnalistiky Kritický ohlas Obchodu na korze Ladislava Grosmana a jeho filmové adaptace Bakalářská práce Autor práce: Záviš Dobiašovský Studijní program: Žurnalistika Vedoucí práce: PhDr. Jana Čeňková, Ph.D. Rok obhajoby: 2020 Prohlášení 1. Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny a literaturu. 2. Prohlašuji, že práce nebyla využita k získání jiného titulu. 3. Souhlasím s tím, aby práce byla zpřístupněna pro studijní a výzkumné účely. V Praze dne 25. 7. 2020 Záviš Dobiašovský Bibliografický záznam DOBIAŠOVSKÝ, Záviš. Kritický ohlas Obchodu na korze Ladislava Grosmana a jeho filmové adaptace. Praha, 2020. 69 s. Bakalářská práce (Bc). Univerzita Karlova, Fakulta sociálních věd, Institut komunikačních studií a žurnalistiky. Katedra žurnalistiky. Vedoucí práce PhDr. Jana Čeňková, Ph.D. Rozsah práce: 134 746 znaků s mezerami Abstrakt Bakalářská práce se zaměřuje na novelu Ladislava Grosmana Obchod na korze a stejnojmenný film režisérů Jána Kadára a Elmara Klose. Vzhledem k tématu díla se práce v teoretické části věnuje historickým okolnostem vzniku Slovenského štátu a represím židovského obyvatelstva. Následně dílo zasazuje do kontextu československé válečné literatury a filmu v 60. letech 20. století a představuje osobnost Ladislava Grosmana a tvůrčí dvojici režisérů Jána Kadára a Elmara Klose. V praktické části se práce věnuje analýze kritického ohlasu novely a filmu v dobovém tisku v kontextu československé kultury. Výběrově se pak věnuje i kritickému ohlasu v době po roce 1989. Kritický ohlas práce čerpá z kritik a recenzí v tištěných periodikách mezi lety 1965-1970 a následně po roce 1989, které vycházely v kulturně zaměřených periodikách a přílohách denního tisku. -
About the Project
Introduction About the Project This handbook is the fruit of the cooperation of a Polish-Czech-German team of re- searchers that has been working together for more than ten years. Starting on the in- itiative of Prof. em. Reinhard Ibler in May 2010, when specialists in Jewish literature, history, and culture from the universities of Giessen, Lodz, and Prague first met, the project has produced nine workshops and six publications to date. Researchers from Adam Mickiewicz University, Poznan joined the project in 2015. Our group consists mainly of Slavicists and comparative literature researchers who decided to explore the East-Central European literatures about the Holocaust and persecution of Jews during World War II, first by a chronological approach and second in terms of aesthetics.1 Throughout our meetings, we noticed a gap between the literary production of the Slavonic countries where the Holocaust mainly took place and recognition of these works outside this community. We want to increase the visibility and show the versa- tility of these literatures in the academic representation of the Holocaust in the arts. Mainly émigré authors (like Jerzy Kosinski, for his Painted Bird, 1965) received interna- tional attention because there was no language barrier right from the beginning. The underrepresentation is clear from the numbers: the Reference Guide to Holocaust Lit- erature (Young, Riggs, 2002) presents 225 authors but only two of them were of Czech origin, three of Slovak. For Polish the situation looks slightly better: 23 authors. In Ho- locaust Literature. An Encyclopedia of Writers and Their Work (Kremer, 2003), out of 312 entries, we count 31 Polish, 3 Czech, and not a single Slovak entry. -
Ján Kadár & Elmar Klos, the SHOP on MAIN STREET/OBCHOD NA KORZE, 1966 125 Minutes
February 24, 2009 (XVIII:7) Ján Kadár & Elmar Klos, THE SHOP ON MAIN STREET/OBCHOD NA KORZE, 1966 125 minutes Directed by Ján Kadár and Elmar Klos Produced by Jordan Balurov, Milos Broz, Jaromír Lukás Original Music by Zdenek Liska Cinematography by Vladimír Novotný Film Editing by Diana Heringova and Jaromír Janácek Written by Ladislav Grosman (screenplay), Ladislav Grosman (story), Ján Kadár (writer) and Elmar Klos (writer) Ida Kaminska...Rozalie Lautmann Jozef Króner...Antonin Brtko Hana Slivková...Evelyna Brtková Martin Hollý...Imro Kuchar Adám Matejka...Piti Báci Frantisek Zvarík...Marcus Kolkotsky Mikulas Ladizinsky...Marian Peter Martin Gregor...Jozef Katz, bárber Alojz Kramar...Balko, the bandmaster Gita Misurová...Andoricová Frantisek Papp...Andoric Shop on Main Street (1965), Obzalovany/Accused (1964), Smrt si Helena Zvaríková...Rose Kolkotsky rika Engelchen/Because We Don’t Forget (1963), Tri prání/Three Tibor Vadas...Tobacconist Wishes (1958), Tam na konecne/At the Terminus (1957), Únos Eugen Senaj...Blau, the Jewish relief treasurer (1953), Prazský hrad (1947), Dvakrát kaucuk (1946), Chvála révy Luise Grossová...Eliasova, Danko's mother (1941), Ctyri lidé, jedna rec (1939), Andrej Hlinka o sobe (1938), Historie fíkového listu (1938), Silnice zpivá (1937), and V dome Oscar, Best Foreign Language Film strasí duch (1937). Ján Kadár (April 1, 1918, Budapest, Austria-Hungary (now Ida Kaminska (September 4, 1899, Odessa, Russian Empire Hungary)— June 1, 1979, Los Angeles) has 19 directing credits, [now in Ukraine]— May 21, 1980, -
AUGUST 30, 1985 Open House at Am David
r,/ ~inside: r From The Editor, page 4 I Around Town, page 8 THE ONLY ENGLISH JEWISH WEEKLY IN RI AND SOl'THEAST MASS VOLUME LXXII, NUMBER 39 FRIDAY, AUGUST 30, 1986 30t PER COPY Special Report: 5745: ADL Mission To Eastern Europe .__ __A Year In Review~-~ by Lesley Weiss rights records. The president also has the From June 30 - July 12, 1985, the Anti ezaggerated view that American Jews con Defamation League of B'nai B'rith spon trol the status of MFN which contributes sored a mission to Eastern Europe to visit towards the tolerant treatment of the with the remnants of the Jewish com small Jewish community that remains in munities in those countries, meet with Romania. His benign treatment is helped their leadership and American Embassy by the recognition that the Jewish com officials. munity is shrinking rapidly and poses no The purl)Ol,e oft he m ission was to ascer great threat to the government. tain the condition of Jewry behind the iron Rabbi Moshe Rosen, Chief Rabbi of curtain and lend organizational and Romania, is the patriarch of the com emotional support to the remaining small munity and head of the Federation of Jewish communities. We also hoped to Jewish Communities. The Federation aids gain an understanding of the current Jewi. in 68 communities with funds from problems facing !he Jewish communities the Joint Distribution Committee which to share the information with the AOL in provides free hot meals, kosher kitchens, the U.S. and France. winter fuel, clothing, medical services and The members of the ADL delegation pharmaceuticals. -
INFORMATION ISSUED by the Aoooatm of MOSH Rmkbs in Oleat BRITAK
Volume XXXVI No. 8 August 1981 INFORMATION ISSUED BY THE AOOOATm Of MOSH RmKBS IN OlEAT BRITAK flats and hc«nes who live entirely on their own. Where do we go from here? Mr. Spiro asked. The Association's sources of income are reducing FORTY YEARS ON in real terms. Should we allow our activities to shrink as age catches up with us, or should we go AJR General Meeting forward mindful of the fact that there will be a continuing demand for our social work for at least another 10 to 15 years? After taking stock care The fortieth anniversary of the foundation of lems. He also expressed thanks to Mrs. Margot fully, it is against this background that we have the AJR was a milestone much in the minds of Pottlitzer who, until a few months ago, had decided that we must go forward. The tasks before the participants at the lively and well-attended rendered invaluable services as Associate Editor; us will not go away and it is our responsibility to General Meeting held at Hannah Karminski House new arrangements, he said, were under consider tackle them rather than to stand aside—a policy on 16 June. The anniversary provided a sense of ation. which has never been ours. We rapidly came to perspective, enabling members to look back at The Financial Report was delivered by Mr. L. the conclusion that we must broaden the member what had been accomplished in the past, and to Spiro, the Hon. Treasurer. He recalled that two ship base of the AJR. -
Author's Note for the Huntress by Kate Quinn
Author’s Note for The Huntress By Kate Quinn The Soviet Union was the only nation involved in the Second World War to put women in the sky as fighter and bomber pilots. Primarily women in their late teens and early twenties, they were products of the Soviet aviation drive of the 1930s, and they were championed by Marina Raskova, the Amelia Earhart of the USSR, who unabashedly used Stalin’s favor to get three all- female regiments funded and trained. The day bombers and the fighter pilots (among the latter, Lilia Litviak, seen in cameo at the Engels training camp, was killed in an aerial dogfight during the war, but became history’s first female ace) eventually integrated with male personnel. The night bombers remained all-female throughout their entire term of service and were fiercely proud of this fact. The ladies of the Forty-Sixth “Taman” Guards Night Bomber Aviation Regiment went to war in the outdated Polikarpov U-2, an open-cockpit cloth-and-plywood biplane, achingly slow and highly flammable, built without radio, parachute, or brakes. (It was redesignated the Po-2 after 1943; I was unable to pinpoint an exact date for the change, and so continued to use the term U-2 for clarity.) The women flew winter and summer, anywhere from five to eighteen runs per night, relying on stimulants that destroyed their ability to rest once off-duty. They flew continuously under these conditions for three years, surviving on catnaps and camaraderie, developing the conveyor belt land-and-refuel routine that gave them a far more efficient record than comparable night bomber regiments. -
Eastern Europe
Eastern Europe Soviet Union* D,URING the period under review (July 1, 1962, to December 31, 1963) Frol Koslov, second secretary of the party presidium and Nikita S. Khrushchev's heir-apparent, suffered a stroke which made it impossible for him to participate in the work of the presidium, although he remained a nominal member. Khrushchev continued his policy, which for want of a better term many observers called liberalization. Victims of Stalin's purges were rehabilitated, among them Solomon Lozovsky, General Ian Gamarnik, Marshal Mikhail Tukhachevsky, General Vassily K. Blucher, and General Jonah Yakyr. Some of these early Bolsheviks were shown in a new film, Lives of Great Men. Against sharp opposition from the Stalinists, Khrushchev authorized the publication of Alexander Solzhenitzyn's novel, One Day in the Life of Ivan Denisovitch, describing the horrors of Stalin's labor camps. But Khrushchev also repeatedly upbraided writers and artists who, en- couraged by the new climate of tolerance, apparently exceeded the limits of permitted freedom. In March 1963 in a speech to about 500 writers, artists and other intellectuals, Khrushchev singled out among others Ilya Ehrenburg, Evgeny Evtushenko, Victor Nekrasov, and the sculptor Ernest Neizvestny, all prominently connected with the liberal wing. The Soviet leader spoke scornfully about "intellectuals who forget their duty to the people and their Socialist fatherland . ." and become "lovers of decadent Western abstractionism . and formalism. ..." Ehrenburg was also at- tacked with particular severity by the chief ideologist of the party, Leonid Ilyichev, for asserting that the Russians knew of Stalin's crimes but kept silent out of fear for their lives. -
Publikation Als Download (PDF)
Einsicht 14 Bulletin des Fritz Bauer Instituts , Frühe Strafverfolgung Fritz Bauer Institut und Formung von Erinnerung Geschichte und MMitit BeiträgenBeiträgen vonvon AAlexalexa SStiller,tiller, EinsichtWirkung 14 Herbst des 2015Holocaust JJörgörg EEchternkampchternkamp uundnd TThomashomas WWideraidera 1 Editorial Thomas Widera beschreibt die Endphase des NS-Regimes und den Beginn der sowjetischen Besatzungsherrschaft in Dresden. Er skizziert die Internierung der letzten noch in der Stadt leben- den Juden, die vor ihrer Deportation nach Auschwitz ebenso wie Tausende Kriegsgefangene, Zwangsarbeiter und KZ-Häftlinge in Rüstungsbetrieben ausgebeutet wurden. Am 13./14. Februar 1945 zerstörten alliierte Bombenangriffe das Dresdner Zentrum. Kurze DVD, 210 Min., ausführliches Booklet, ausführliches 210 Min., DVD, 4018, € 14,90 Best. Nr.: Booklet, 180 Min., DVD, 4042, € 19,90 Best. Nr.: + s/w, Farbe 85 Min., DVD, 4039, € 14,90 Best. Nr.: Zeit später rückten Einheiten der Roten Armee in die Stadt ein und DER LETZTE DER UNGERECHTEN EIN GESPÜR FÜR DEN FRIEDEN PO-LIN – SPUREN DER ERINNERUNG errichteten die Militäradministration. Widera verdeutlicht, dass die Benjamin Murmelsteins Kampf gegen die Endlösung. Eindrücke in der Schweiz und aus Deutschland Die verlorene Welt der Schtetl in historischen Filmaufnahmen. Zerstörung der Stadt die Erinnerung an die NS-Zeit prägte, für die Ein Film von Claude Lanzmann zum 8. Mai 1945. Erzählt von Hanna Schygulla Liebe Leserinnen und Leser, Leiden der NS-Opfer blieb hingegen kaum Raum – was teilweise 19 Filme von Gabriel Heim und Alexander Kluge Ein Film von Jolanta Dylweska bis heute fortwirkt. mit dieser Ausgabe der Einsicht knüpfen Raphael Gross schließlich stellt die Prozesse von Nürnberg in wir an das Frühjahrsbulletin an, in dem einen größeren sowohl rechtshistorischen wie moralhistorischen wir die »Endphasenverbrechen« des Kontext.