DOCSLIB.ORG

Ján Kadár & Elmar Klos, the SHOP on MAIN STREET/OBCHOD NA KORZE, 1966 125 Minutes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ján Kadár & Elmar Klos, the SHOP on MAIN STREET/OBCHOD NA KORZE, 1966 125 Minutes February 24, 2009 (XVIII:7) Ján Kadár & Elmar Klos, THE SHOP ON MAIN STREET/OBCHOD NA KORZE, 1966 125 minutes Directed by Ján Kadár and Elmar Klos Produced by Jordan Balurov, Milos Broz, Jaromír Lukás Original Music by Zdenek Liska Cinematography by Vladimír Novotný Film Editing by Diana Heringova and Jaromír Janácek Written by Ladislav Grosman (screenplay), Ladislav Grosman (story), Ján Kadár (writer) and Elmar Klos (writer) Ida Kaminska...Rozalie Lautmann Jozef Króner...Antonin Brtko Hana Slivková...Evelyna Brtková Martin Hollý...Imro Kuchar Adám Matejka...Piti Báci Frantisek Zvarík...Marcus Kolkotsky Mikulas Ladizinsky...Marian Peter Martin Gregor...Jozef Katz, bárber Alojz Kramar...Balko, the bandmaster Gita Misurová...Andoricová Frantisek Papp...Andoric Shop on Main Street (1965), Obzalovany/Accused (1964), Smrt si Helena Zvaríková...Rose Kolkotsky rika Engelchen/Because We Don’t Forget (1963), Tri prání/Three Tibor Vadas...Tobacconist Wishes (1958), Tam na konecne/At the Terminus (1957), Únos Eugen Senaj...Blau, the Jewish relief treasurer (1953), Prazský hrad (1947), Dvakrát kaucuk (1946), Chvála révy Luise Grossová...Eliasova, Danko's mother (1941), Ctyri lidé, jedna rec (1939), Andrej Hlinka o sobe (1938), Historie fíkového listu (1938), Silnice zpivá (1937), and V dome Oscar, Best Foreign Language Film strasí duch (1937). Ján Kadár (April 1, 1918, Budapest, Austria-Hungary (now Ida Kaminska (September 4, 1899, Odessa, Russian Empire Hungary)— June 1, 1979, Los Angeles) has 19 directing credits, [now in Ukraine]— May 21, 1980, New York City) has 9 acting including: Freedom Road (1979), The Other Side of Hell (1978), credits:, The Angel Levine (1970), Czarna suknia (1967), Obchod The Blue Hotel (1977), Lies My Father Told Me (1975), The na korze/The Shop on Main Street (1965), Ulica Graniczna/ Angel Levine (1970), Touha zvaná Anada/Adrift (1969), Obchod Border Street (1948), On a heym/Without a Home (1939), Tkies na korze/The Shop on Main Street (1965), Obzalovany/Accused khaf/A Vilna Legend (1924), Zayn vaybs man (1916), Gots shtrof (1964), Smrt si rika Engelchen/Because We Don’t Forget (1963), (1913), Mirele Efros (1912. She received a best actress Oscar Tri prání/Three Wishes (1958), Tam na konecne/At the Terminus nomination for her work in The Shop on Main Street. (1957), Mladé dny/Days of Youth (1956), Spartakiáda (1956), Hudba z Marsu/Music From Mars (1955), Únos (1953), Jozef Króner (March 20, 1924, Staskov, Czechoslovakia Katka/Cathy (1949), Sú osobne zodpovední (1946), and Na (now Slovak Republic)— March 12, 1998, Bratislava, Slovakia) troskách vyrastá zivot/Life Is Rising from the Ruins (1945). has 49 acting credits, some of which are Ani smrt nebere/When You Ain’t Got Nothing (1996), Vásnivy polibek/A Passionate Kiss Elmar Klos (January 26, 1910, Brünn, Moravia, Austria-Hungary (1994), Árnyék a havon/Shadow on the Snow (1991), Lovec [now Brno, Czech Republic]— July 31, 1993, Prague, Czech senzací (1988), Die Jäger/Deadly Game (1982), Egymásra Republic) has 22 Directing Credits, some of which are Bizon nézve/Another Way (1982), Teketória/The Entanglement (1977), (1989), Touha zvaná Anada/Adrift (1969), Obchod na korze/The L’Homme qui ment/The Man Who Lies (1968), Muz, ktery stoupl v Kadár & Klos—THE SHOP ON MAIN STREET/OBCHOD NA KORZE—2 cene (1967), Obchod na korze/The Shop on Main Street (1965), Ztracenci/The Lost Children (1956), Cervený mak (1955), Frona Jánosík (1963), Polnocná omsa (1962), Posledná bosorka/The (1954), Nad námi svítá (1953), Velké dobrodruzství (1952), Malý Last Witch (1957), and Katka/Cathy (1949). partyzán (1950), Spalicek/The Czech Year (1947), and Vlast vítá (1945). Hana Slivková (August 21, 1923—January 3, 1984) haas 10 acting credits, some of which are: Ruzové sny/Rose Tinted Dreams (1976), Letokruhy/The Years of Life (1973), Génius/The Genius (1970), Slávnost v botanickej záhrade (1969), Tri dcéry/Three Daughters (1968), Cezar a detektivi (1967), Stud/Shame (1967), Volanie démonov (1967), Znamení raka (1967), Obchod na korze/The Shop on Main Street (1965). Martin Hollý (June 8, 1904, Moravská Ostrava, Protectorate of Bohemia and Moravia—October 1, 1965) has 19 directing and 6 acting credits. The acting credits are: Námestie svätej Alzbety (1966), Obchod na korze/The Shop on Main Street (1965), Trio Angelos (1963), Havrania cesta (1962), Bratia (1961), Jeste svatba nebyla (1954). Adám Matejka (November 21, 1905—April 21, 1988) has 10 acting credits, some of which are Terezu bych kvuli zádné holce neopustil/I Wouldn’t Leave Tereza for Any Other Girl (1976), Zlocin slecny Bacilpysky (1970), Noc nevesty/The Nun’s Night (1967), Obchod na korze/The Shop on Main Street (1965), Velká samota/The Great Solitude (1960), Szent Péter esernyöje/St. Peter’s Umbrella (1958), and Statocný zlodej (1958). Frantisek Zvarík (July 17, 1921, Vrútky by Martin, Czechoslovakia (now Slovakia)— August 18, 2008, Bratislava, Slovakia), has 16 acting credits: Werther (1986), Kára plná bolesti (1985), Poéma o svedomí I-II/An Epic About Conscience I- II (1978), “Spadla z oblakov”/“She Came Out of the Blue Sky” (1978), Súkromná vojna (1977), Cervené víno I-II (1976), Vel'ká noc a vel'ky den/Big Night and Big Day (1975), 322 (1969), Niet inej cesty (1968), Kulhavý dábel (1968), Vreckari/The Pickpockets (1967), Obchod na korze/The Shop on Main Street (1965), Posledná bosorka/The Last Witch (1957), Jurásek (1957), Certova stena/The Devil’s Wall (1949), Tri kamarádi (1947), and Varúj...!/Warning (1947). Jan Kadar & Elmar Klos, from World Film Directors, V. II. Edited by John Wakeman. The H. W. Wilson Company, NY, Mikulas Ladizinsky (October 13, 1923—May 3, 1987) has 14 1988. acting credits: Akli Miklós (1986), Cervené víno I-II (1976), Génius/The Genius (1970), Sladké hry minulého léta (1970), Jan Kadár (April 1, 1918 - June 1, 1979), Czech director and Michael Kohlhaas - Der Rebell/Man on Horseback (1969), 322 scenarist, made his most notable films in collaboration with Elmar (1969), Vtackovia, siroty a blazni/Birds, Orphans and Fools Klos (January 26, 1910 - July 19 or 31, 1993), Czech director, (1969), Niet inej cesty (1968), Drak sa vracia/The Return of the scenarist and administrator. Klos was born at Brno and studied Dragon (1968), Marosko (1968), Stopy na Sitne (1968), Zbehovia law at Charles University in Prague. He started his movie career a pútnici/The Deserter and the Nomads (1968), Sedm havranu in the late 1920s, when he collaborated with his scriptwriter uncle (1967), and Obchod na korze/The Shop on Main Street (1965). on several pictures and took a few minor acting roles. Some accounts suggest that as a young man he was briefly in Vladimír Novotný (October 14, 1914, Tabor, Bohemia, Austria- Hollywood. In the 1930s, when the Czech film industry was the Hungary—April 14, 1997, Prague, Czechoslavakia) has 23 liveliest and most prolific in Eastern Europe, he helped to cinematography credits, some of which are Jak utopit doktora organize and run the documentary studios established in Zlin Mrácka aneb Konec vodniku v Cechách/How to Drown Dr. M. or (now Gottwaldov) by the Bata shoe company, which had its the End of Water Spirits in Bohemia (1974), Tri chlapi na cestách headquarters there. (1973), Dívka na kosteti/The Girl on the Broomstick (1972), À During World War II and the German occupation Klos quelques jours près/A Matter of Days (1969), Touha zvaná and Oscar Vávra led the group that prepared secret plans for the Anada/Adrift (1969), Happy End (1966), Obchod na korze/The postwar nationalization of the Czech cinema, and in 1945 Klos Shop on Main Street (1965), Limonádový Joe aneb Konská became one of its chief administrators. In 1946-1947 he served as opera/Lemonade Joe (1964), Pohled do ocí (1961), Muz z prvního head of the short films studio at Bratislava in Slovakia before století/Man in Outer Space (1961), Probuzení/Awakening (1960), shifting to the famous Barrandov feature film studios in Prague as Kadár & Klos—THE SHOP ON MAIN STREET/OBCHOD NA KORZE—3 head of the creative art staff. He himself wrote a number of scripts flash of more than just propagandist truth, maybe a glimpse of art. there, including the notable psychological drama Dead Among the The collaboration of Vlatislav Blazek on the scenario may have Living, directed by Borivoj Zeman. contributed to the success, or the presence of a charming new actress, Bozena Obravá. Anyway, the fact remains that the film was one of the few products of the early socialist-realist school which did not makes one’s hands ache.” Unfortunately, by the time Katka was released, the authorities had reversed an earlier policy—they now frowned on agricultural workers moving into the industrial cities, and consequently frowned on Katka as well. Kadár was recalled to Barrandov, where his next film was his first collaboration with Klos, Únos (The Highjacking/Kidnap,1952), for which the two men are credited as joint directors and joint scenarists (with another writer). It tells the story of the highjacking of a Czechoslovak plane to West Germany, where its innocent passengers are offered inducements and even blackmailed by German and American officials to betray their country and stay in the West. Only one of the Czechs succumbs—a zoot-suited young man with a trumpet who is seduced by the sound of an American swing band playing in a nearby restaurant. This cold-war movie is described by Skvorecky as “one of those shallow and malicious films where the authors pretend that everything in the world is either black or white, or that anyone who for any reason opposed anything that was going on in Czechoslovakia at that time...was a traitor.” Having tripped over the shifting party line with Katka, Kadár had presumably hoped to earn forgiveness with Únos; for some mysterious reason, however, his second feature was accused of “Bourgeois objectivism”—until it found a champion in the great Soviet director Vselovod Pudovkin, whereupon the Czech authorities changed their tack and gave it a state prize.
Load more

Recommended publications
  • Copyrighted Material
    Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle
    [Show full text]
  • Star Channels, Jan. 5-11, 2020
    JANUARY 5 - 11, 2020 staradvertiser.com HEARING VOICES In an innovative, exciting departure from standard television fare, NBC presents Zoe’s Extraordinary Playlist. Jane Levy stars as the titular character, Zoey Clarke, a computer programmer whose extremely brainy, rigid nature often gets in the way of her ability to make an impression on the people around her. Premiering Tuesday, Jan. 7, on NBC. Delivered over 877,000 hours of programming Celebrating 30 years of empowering our community voices. For our community. For you. olelo.org 590191_MilestoneAds_2.indd 2 12/27/19 5:22 PM ON THE COVER | ZOEY’S EXTRAORDINARY PLAYLIST A penny for your songs ‘Zoey’s Extraordinary Playlist’ ...,” narrates the first trailer for the show, “... her new ability, when she witnesses an elabo- what she got, was so much more.” rate, fully choreographed performance of DJ premieres on NBC In an event not unlike your standard super- Khaled’s “All I Do is Win,” but Mo only sees “a hero origin story, an MRI scan gone wrong bunch of mostly white people drinking over- By Sachi Kameishi leaves Zoey with the ability to access people’s priced coffee.” TV Media innermost thoughts and feelings. It’s like she It’s a fun premise for a show, one that in- becomes a mind reader overnight, her desire dulges the typical musical’s over-the-top, per- f you’d told me a few years ago that musicals to fully understand what people want from formative nature as much as it subverts what would be this culturally relevant in 2020, I her seemingly fulfilled.
    [Show full text]
  • Beneath the Surface *Animals and Their Digs Conversation Group
    FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • Barmscoll/Nagy J / J 2 Nagy,Ferenc, 1903-1979
    BARMsColl/Nagy J / J 2 Nagy, Ferenc, 1903-1979. Papers, 1940-1979. 39 linear ft. (a.21,500 Items In 93 boxes & 7 overslded folders) Biography: Ferenc Nagy was a founder of the Hungarian Smallholders' Party, and Prime Minister of Hungary from 1946 until 1947 when he was forced to resign by the Communists. The rest of his life was spent In the United States where he was active as an author, lecturer and leader of Hungarian emigre political organizations. Arrangement: Cataloged correspondence. Box 1; Arranged Correspondence, Boxes 1-22; Arranged Lecture Correspondence, Boxes 23-35; Arranged Manuscripts. Boxes 36- 44; Subject Files, Boxes 45-74; Clippings, Boxes 75-80; Printed Materials, Boxes 81-93. Oversize Material: Subject Files; Clippings; Printed Materials. Summary: The Ferenc Nagy Papers consist of correspondence, manuscripts, subject files and printed materials relating to Nagy's career and family. The earliest materials cover the period 1945 to 1947 when Nagy was leader of the Hungarian Smallholders' Party, and later Prime Minister of Hungary. Of special interest are first-hand accounts and commentaries on the circumstances surrounding his resignation in 1947. Materials from the years 1948-1954 concern Nagy's leadership of emigre organizations Including the Hungarian National Council, the Committee for a Free Europe, the Assembly of Captive European Nations and the International Peasant Union. Correspondence files contain one letter each from presidents Harry S. Truman, Richard M. Nixon, and Jimmy Carter, also voluminous correspondence with Hungarian emigre politicians Pal Auer, Gyorgy Bessenyey, Bela Fabian, Pal Fabry, Karoly Peyer, Bela Varga and others. Nagy was much in demand as a public speaker and author and the Papers Include completed texts and drafts of many of his speeches and articles.
    [Show full text]
  • Czechdocs2017-Web.Pdf
    Dear friends of documentary fi lms, This catalogue and its online version at www.czechdocs.net contain the profi les of the most recent and upcoming documentaries in Czech production or co-production. Almost 20 of them have already had their premiere, the rest of them are in various stages of production and will be released by the end of 2018. In 2016, Czech documentaries were doing really well within the local distribution, 23 of them premiered in cinemas, and also abroad, as many of them were successfully presented and awarded at prestigious international fi lm festivals. Among the Czech docs screened abroad there were for example two fi lms by Helena Třeštíková: Mallory (at Hot Docs in Canada and Hong Kong IFF) and Doomed Beauty (Busan IFF). Other successful Czech representatives on the international scene were the co-production fi lm Under the Sun by Vitaly Mansky or 5 October by Martin Kollár (screened in Rotterdam). The Normal Autistic Film by Miroslav Janek, the Czech winner from Jihlava IDFF 2016, had its international premiere at DOK Leipzig, managed to get a sales agent and sell the rights to the U.S. distributor. Both Czech Film Center and Institute of Documentary Film continually make efforts to make Czech documentaries visible on the international scene. Czech documentaries are being presented at East Doc Platform in Prague within the Czech Docs… Coming Soon event, or at key international markets abroad – at IDFA, in Cannes, at Berlinale, in Clermont-Ferrand, or at goEAST within the delegations led by IDF and CFC representatives. Moreover, Czech Film Center becomes part of State Cinematography Fund, the main institution supporting the development and production of Czech fi lms in general.
    [Show full text]
  • V.Choy Overrules Asuci Council on Reg Fee Firing
    UNIVERSITY OF IRVINE UniversityVOL. 7/NO. 2O/FRIDAY. JANUARY 10, 1975 NewCALIFORNIA. ■■B International Women'sYear 1975 by Lavon Gieselman The United Nations has proclaimed 1975 as International Women's Year. The three-fold theme of IWY is as follows: equality of the sexes,totalintegrationof womeninto the social and economic efforts of nations, and recogni- tion of women's contributions towards strengthening world peace. UN goalsare to promotetooliticalawareness of the plight of women They lace severe deprivationof basic opportunities. Thegrowth of women's potential will be seen as beneficial to the developmentof a country's potential. Women's Year came into being because despite decades of progress in eliminating discrimination against women, in no country have they attained lull equality. Growing global recognitionof the importance of women in nation building is another factor contri- buting to the initiation of Women's Year. A chief concern confronting women is the Student Power With Strings Attached? lack of opportunity and inadequate prepara- tion for the full participationof women intheir respective societies. The general tendency in most cultures is to place greater value on males than females: hence, among the 700 million illiterates in the world, the majority are women.In.some areas, ASUCI may high as 85 percent. HOY OVERRULES run as 80 to V.C that The UN's commission on the Status of Women promotes women's rights in the political, economic, civil and educational fields The commission correlates women's REG FEE FIRING on page 7 COUNCIL ON continued by Lance Robhins awesome responsibility, as Setting the Scene each member's votes affect NOBEL LAUREATE the very lives of people and de- The most powerful com- within mittee at UCI met last week partmental programs ses- Student Affairs.
    [Show full text]
  • Un 3011 De Cine L'oferta Cinematogràfica El Dia
    Suman Editorial Un 20 N, Crònica per Jordi Vidal Reynés 12 i 13 de Sitges, La pel-lícula de la historia, per Cristina Pujol 28 a 30 per RM. Rotger 4 Cinema i pintura, per José Tirado 14 a 19 Morts menors, Crepuscles roents a Fort Stark, per Toni Roca 31 Per Gabriel Genovart 5 Q 9 Crònica de cine, per M. Martorell 20 a 21 Bandes de so, L'artista per H. González 10 Els anys seixanta, al cinema 32 per M. López Crespi 22 a 24 Molt mes que un simple assassinat, Philip K. Dick, Cinema a Per J.C. Romaguera 11 per S. Sansó 25 a 27 "SA NOSTRA" 33 a 35 I TEMPS MODERNS I Papers de cinema Director Hssessors Fotos Edició mensual Jaumc Vidal Francisca Niell, Arxiu Centre de Cultura Novembre 2002. Num. 87 Antoni Figuera, Secretan íedacció ImprimsiH Andrcu Ramis, Miquel Pasqual Gráficas Planisi, S.A. Edita Joscp Caries Romaguera. Centre de Cultura RsseasBrament linguistic Dipòsit Legal: P.M. 648-1994 "SA NOSTRA" Jeroni Salom Carrer Conccpció, 12 07012 Palma Traductions Telèfon 971 72 52 10 Mancl-Claudi Santos Rix 971 71 37 57 [email protected] "Temps Modems" no comparteix, necessàriament, l'opinió dels seus coHaboradors. Podeu trobar "Temps Modems" al Centre de Cultura 'SA NOSTRA" de Mao, Eivissa, Ciutadclla i Palma, llibreria Embat, llibreria Ereso i als cines Chaplin, Portopí i Renoir, llibreria Espirafocs (Inca). Editorial BITTE EIN KINO Les páranles, com és sabut, son ment, aquells que venen de fora i estigui ubicada a la part forana per grans enemies de la realitat s'instablen al costat de nosaltres, allò de la descentralització.
    [Show full text]
  • The Shop on Main Street (Obchod Na Korze)
    The Shop on Main Street (Obchod na korze) Author: Ladislav Grosman First Published: 1965 Translations: German (Der Laden auf dem Korso, 1967); Hebrew (Chanut be rehov har- ash, 1969); English (The Shop on Main Street, 1970); Swedish (Butiken vid storgatan, 1981); Polish (Sklep przy głównej ulicy, 1993). Film Adaptation: Obchod na korze (The Shop on Main Street/The Shop on the High Street); feature film, screenplay Ladislav Grosman, Ján Kadár and Elmar Klos; film di- rectors Ján Kadár and Elmar Klos, premiered the 7th of October, 1965. About the Author: Ladislav Grosman (1921–1981), came from a Slovak Jewish family, went through various labour camps during World War II and eventually, escaped be- fore being transported to the extermination camps and thus had to hide-out for the rest of the war. After 1945, he studied in Prague and worked as an editor and screen- writer, publishing in both Slovak and Czech. In October 1968 Grosman emigrated to Is- rael where he taught at Bar-Ilan University. Jewish and especially Holocaust topics played an important role in his works. Further Important Publications: Nevěsta (1969, The Bride, short stories); Hlavou proti zdi (1976, Head against the Wall, short stories); Z pekla štěstí (1994, The Devil’s Own Luck); Povídky (2018, Short Stories, ed. J. Opelík, summary edition). Content and Interpretation The geographical setting of the story is an unspecified provincial city in Eastern Slo- vakia. The author took this image from his hometown of Humenné. The temporal set- ting seems to be the summer of 1942 when the first wave of Jewish transports from Slovakia was organised, but the novel doesn’t have any precise historical date.
    [Show full text]
  • 28 “NEW MELODIES of NEWER YEARS..." (Hungarian Literature
    28 “NEW MELODIES OF NEWER YEARS..." (Hungarian literature during the first decades of the XXth century) Endre (Andrew) Ady Born of a Protestant family of ancient nobility in northern Transylvania (1877), he received a good education and chose the career of a journalist in the eastern Hungarian town of Nagyvarad. Here he met and fell in love with a married woman who became his great love, inspiring muse and tragic destiny, the “Leda” of his sensuous love poems. On Leda’s invitation Ady went to Paris, where the modern trends of French art and poetry changed his outlook on life. On his return he settled in Budapest and published “New Verses” (1906). The collection had a shattering effect on the stagnating Hungarian literary life of this complacent era. The violent attacks of the critics of the “establishment” only enhanced Ady’s popularity with the young. He published several collections in the following years, each causing a storm of praise and attack for its prophetic, scolding patriotism, sensuous, sinful longing for love and for the poet’s imaginative but obscure symbolism. The excesses of his stormy youth gradually destroyed Ady’s health. He broke with Leda and found pure, youthful, true love in a girl much younger than himself whom he married. He was deeply shocked by the Great War, its senseless horrors and its destruction of human values. He died during the tragic month of January, 1919. Ady created a symbolic language of his own to interpret his dynamic message. His exceptionally rich language uses picturesque, half-forgotten archaic words, racy folk-dialect, city slang and colourful composite words of his own creation Frequently a sequence of allegoric images becomes the vehicle for his thoughts.
    [Show full text]
  • 1 University of Calgary Department of Communication, Media and Film
    1 University of Calgary Department of Communication, Media and Film Film Studies FILM 305.03 L01 Topic in Film Genres: The Western Winter 2017 January 9—April 12 Lab (screening): Mondays 17:00-19:45, Lecture Wednesdays 17:00-18:50 Instructor: Dr. Murray Leeder Office: SS 220 Office Phone: 220-3381 E-Mail: [email protected] Office Hours: Monday 16:00 – 17:00, Friday 11:00 – 12:00 Course Description One of the oldest and most durable film genres, the Western is also perhaps the genre most closely linked to American identity, and yet its appeal has never been confined to the United States. This course’s focus on the Western will allow us explore how we can define genre and how genres change and evolve over time, as well as issues of gender, ideology, race and national identity. Additional Information Attendance at lectures, screenings and tutorials, and informed participation are essential components of this course and will help determine your final grade. Students must come to class prepared to discuss the required reading. Objectives of the Course In addition to interrogating the Western in particular, this course is also designed to deliver the fundamentals of genre analysis in general. The student will also learn about elements of American society through the frame of the Western, as well as globalization through analysis of its international popularity. Internet and electronic communication device information This course observes a strict laptop and cell phone policy. Laptops are for note-taking only during lectures. Likewise, texting and cell phone use is not permitted during class time: turn off these devices when you arrive at the classroom to avoid embarrassment and annoyance.
    [Show full text]
  • UNIVERZITA KARLOVA Bakalářská Práce 2020 Záviš Dobiašovský
    UNIVERZITA KARLOVA FAKULTA SOCIÁLNÍCH VĚD Institut komunikačních studií a žurnalistiky Katedra žurnalistiky Bakalářská práce 2020 Záviš Dobiašovský UNIVERZITA KARLOVA FAKULTA SOCIÁLNÍCH VĚD Institut komunikačních studií a žurnalistiky Katedra žurnalistiky Kritický ohlas Obchodu na korze Ladislava Grosmana a jeho filmové adaptace Bakalářská práce Autor práce: Záviš Dobiašovský Studijní program: Žurnalistika Vedoucí práce: PhDr. Jana Čeňková, Ph.D. Rok obhajoby: 2020 Prohlášení 1. Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny a literaturu. 2. Prohlašuji, že práce nebyla využita k získání jiného titulu. 3. Souhlasím s tím, aby práce byla zpřístupněna pro studijní a výzkumné účely. V Praze dne 25. 7. 2020 Záviš Dobiašovský Bibliografický záznam DOBIAŠOVSKÝ, Záviš. Kritický ohlas Obchodu na korze Ladislava Grosmana a jeho filmové adaptace. Praha, 2020. 69 s. Bakalářská práce (Bc). Univerzita Karlova, Fakulta sociálních věd, Institut komunikačních studií a žurnalistiky. Katedra žurnalistiky. Vedoucí práce PhDr. Jana Čeňková, Ph.D. Rozsah práce: 134 746 znaků s mezerami Abstrakt Bakalářská práce se zaměřuje na novelu Ladislava Grosmana Obchod na korze a stejnojmenný film režisérů Jána Kadára a Elmara Klose. Vzhledem k tématu díla se práce v teoretické části věnuje historickým okolnostem vzniku Slovenského štátu a represím židovského obyvatelstva. Následně dílo zasazuje do kontextu československé válečné literatury a filmu v 60. letech 20. století a představuje osobnost Ladislava Grosmana a tvůrčí dvojici režisérů Jána Kadára a Elmara Klose. V praktické části se práce věnuje analýze kritického ohlasu novely a filmu v dobovém tisku v kontextu československé kultury. Výběrově se pak věnuje i kritickému ohlasu v době po roce 1989. Kritický ohlas práce čerpá z kritik a recenzí v tištěných periodikách mezi lety 1965-1970 a následně po roce 1989, které vycházely v kulturně zaměřených periodikách a přílohách denního tisku.
    [Show full text]