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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Heroic Individualism: the Hero As Author in Democratic Culture Alan I
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 Heroic individualism: the hero as author in democratic culture Alan I. Baily Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Baily, Alan I., "Heroic individualism: the hero as author in democratic culture" (2006). LSU Doctoral Dissertations. 1073. https://digitalcommons.lsu.edu/gradschool_dissertations/1073 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. HEROIC INDIVIDUALISM: THE HERO AS AUTHOR IN DEMOCRATIC CULTURE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Alan I. Baily B.S., Texas A&M University—Commerce, 1999 M.A., Louisiana State University, 2003 December, 2006 It has been well said that the highest aim in education is analogous to the highest aim in mathematics, namely, to obtain not results but powers , not particular solutions but the means by which endless solutions may be wrought. He is the most effective educator who aims less at perfecting specific acquirements that at producing that mental condition which renders acquirements easy, and leads to their useful application; who does not seek to make his pupils moral by enjoining particular courses of action, but by bringing into activity the feelings and sympathies that must issue in noble action. -
Final Draft Jury
Freedom in Conflict On Kant’s Critique of Medical Reason Jonas Gerlings Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 24 February 2017. European University Institute Department of History and Civilization Freedom in Conflict On Kant’s Critique of Medical Reason Jonas Gerlings Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Prof. Dr. Martin van Gelderen, EUI, Lichtenberg-Kolleg – The Göttingen Institute for Advanced Study (Supervisor) Dr. Dr. h.c. Hans Erich Bödeker, Lichtenberg-Kolleg – The Göttingen Institute for Advanced Study Prof. Stéphane Van Damme, European University Institute Senior Lecturer, Dr. Avi Lifschitz, UCL © Jonas Gerlings, 2016 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Jonas Gerlings certify that I am the author of the work Freedom in Conflict – Kant’s Critique of Medical Reason I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
The Deracination of the American Action Hero in Michael Mann's Heat
The University of Notre Dame Australia ResearchOnline@ND Arts Papers and Journal Articles School of Arts 2014 Action without regeneration: The deracination of the American action hero in Michael Mann's Heat Ari M. Mattes The University of Notre Dame, Australia, [email protected] Follow this and additional works at: https://researchonline.nd.edu.au/arts_article Part of the Arts and Humanities Commons This article was originally published as: Mattes, A. M. (2014). Action without regeneration: The deracination of the American action hero in Michael Mann's Heat. Journal of Popular Film and Television, 42 (4), 186-194. http://doi.org/10.1080/01956051.2014.896778 This article is posted on ResearchOnline@ND at https://researchonline.nd.edu.au/arts_article/109. For more information, please contact [email protected]. 1 This is an Accepted Manuscript of an article published in the Journal of Popular Film and Television on 17 December 2014, available online: 10.1080/01956051.2014.896778 2 Action without Regeneration: The Deracination of the American Action Hero in Michael Mann’s Heat ABSTRACT: Michael Mann is one of the most respected auteurs operating in commercial Hollywood cinema, and it is no surprise that his films continue to be the subject of scholarly investigation. This article approaches Mann’s Heat (1995) in the context of broader American mythical impulses, in relation to Richard Slotkin’s “regeneration through violence” paradigm. “Regeneration through violence” has been used by both Lisa Purse, and, especially, Eric Lichtenfeld, as a conceptual framework for investigating commercial Hollywood action films. However, Slotkin’s paradigm fails to account for the fundamentally pessimistic end game of numerous action films such as Heat . -
A Sociocultural Analysis of Asians in Great Britain and a Study of British Responses to Post-War Migrants from the Indian Subcontinent
Felicity HAND CRANHAM TRANSLATED PEOPLE: A SOCIOCULTURAL ANALYSIS OF ASIANS IN GREAT BRITAIN AND A STUDY OF BRITISH RESPONSES TO POST-WAR MIGRANTS FROM THE INDIAN SUBCONTINENT. Vol. II Tesi Doctoral dirigida pel Dr. Andrew Monnickendam Finlay Departament de Filologia Anglesa i Germanistica Facultat de Lletres Universitat Autònoma de Barcelona 1993 •U CONTENTS Vol. I List of Figures and Tables iv List of Illustrations v Acknowledgements vi Notes on Terminology ix 1. Introduction 1 2. Biological Phenomena and Social Myths 15 2.1. Biological Phenomena 15 2.1.1. Multiracial Britain? 15 2.1.2. "Race" Before 1800 24 2.1.3. "Race" After 1800 27 2.2. Social Myths 45 2.2.1. Ethnocentrism 45 2.2.2. Imperialist Attitudes 51 3. The Asians Are Coming 58 3.1. Reconnaisance Troops 58 3.2. Political Voices 73 3.2.1. Moderates 73 3.2.2. Radicals 79 3.2.3. Amritsar 1919 86 3.3. The Anti-Raj Vanguard 100 3.4. Pre-War Pioneers 106 3.5. Hooded Hordes 108 3.5.1. Pulled or Pushed? 108 3.5.2. Establishing the Network 116 3.5.3. The Myth of Return 133 3.5.4. The New Memsahibs 150 3.5.5. Schooling the Migrants 161 3.5.6. Culture Conflict or Compromise? 169 4. Keeping Britain White 183 4.1. The Sweets of Empire 183 4.1.1. The Spread of John Company 183 4.1.2. Early Immigration Controls 195 4.1.3. Raking the Imperial Embers 203 4.2. Repaying the Debt 222 4.2.1. -
View Gender Performance and Transgression As It Relates to a Long-Standing System of Domination and Oppression in Latin America
Gender Transgression and Hegemony: the Politics of Gender Expression and Sexuality in Contemporary Managua Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By John Stephen Petrus, M.A. Graduate Program in Spanish and Portuguese The Ohio State University 2015 Dissertation Committee: Ileana Rodríguez, Advisor Laura Podalsky, Co-Advisor Guisela Latorre Copyright by John Stephen Petrus 2015 Abstract In this dissertation I study transgressive gender expression and performance in contemporary Nicaragua (1979-present) in order learn about how distinctive strategies of gender expression relate to the coloniality of power and knowledge and transnational political ideologies. I show how Nicaraguan performers contend with, mediate, critique, and/or reinforce expectations of gender performance promoted by local and global centers of power. The goal of this project is to provide a better understanding of how coloniality has continued to function with respect to gender performance in very recent years and also to highlight the brave, complex, creative, and astute cultural interventions that are being created by Nicaraguan artists and performers that grapple with oppressive gender systems. I carry out my analysis by reading and engaging intellectually with audio-visual cultural texts from a variety of media including performance art, television programs, short documentaries, low-budget videos, film, and photography produced in the last two decades. Specifically, I analyze the gender performances in the television show International News Network in chapter 1, in recent Nicaraguan film and video productions in chapter 2, in Elyla Sinvergüenza’s performance art in chapter 3, and in annual diversidad sexual events LGBTI Pride and Operación Queer in chapter 4. -
Knowledge PHILOSOPHY for HEROES PART I: KNOWLEDGE
Philosophy for Heroes Part I: Knowledge PHILOSOPHY FOR HEROES PART I: KNOWLEDGE Published by Clemens Lode Verlag e.K., Düsseldorf Book Series Philosophy for Heroes Part I: Knowledge Part II: Continuum Part III: Act Part IV: Epos © 2016 Clemens Lode Verlag e.K., Düsseldorf All Rights Reserved. https://www.lode.de For more information about permission to reproduce selections from this book, write to [email protected]. 2016, First Edition ISBN 978-3-945586-21-1 Edited by: Conna Craig Cover design: Jessica Keatting Graphic Design Image sources: Shutterstock, iStockphoto Icons made by http://www.freepik.com from http://www.flaticon.com is licensed by CC 3.0 BY (http://creativecommons.org/licenses/by/3.0/) Printed on acid-free, unbleached paper. Subscribe to our newsletter. Simply write to [email protected] or visit our website https://www.lode.de. PHILOSOPHY POPULAR SCIENCE PSYCHOLOGY Dedication We are, each of us, privileged to live a life that has been touched by many heroes. They possessed extraordinary gifts, and they shared them with us freely. None of these “ gifts were more remarkable than their ability to discern what needed to be done, and their unfailing courage in doing it and speaking the truth, whatever the personal cost. Let us each strive to accept their gifts and pass them along, asan ongoing tribute to the wise men and women of our human history who taught us all how to be heroes. Do not let the hero in your soul perish in lonely frustration for the life you deserve, but have never been able to reach. -
Tabula Rasa : a Crime Novel of the Roman Empire Pdf, Epub, Ebook
TABULA RASA : A CRIME NOVEL OF THE ROMAN EMPIRE PDF, EPUB, EBOOK Ruth Downie | 352 pages | 09 Oct 2014 | Bloomsbury Publishing PLC | 9781608197088 | English | New York, United States Tabula Rasa : A Crime Novel of the Roman Empire PDF Book About Ruth Downie. This time they have someone to work for the rent, Virana, a pregnant girl Tilla is monitoring. His relationship with Tilla matures, and his medical career progresses, but he never loses the wry humor and Eeyore-esqe penchant for bad luck that makes his voice so compelling. Plot: Very well developed, full of twists and turns, all of them perfectly foreshadowed. A boy, Branan, claims to have seen the body being put into the wall and he is the son of Senecio, the person that Tilla want so badly to get close to because of her family connection. However it is much better if you have read the first books in the series. A Cowboy!! The novel does disappoint a little with its ridiculously quick and urgent 3. Be the first to write a review About this product. While there are certainly some gruesome bits did I mention construction accidents? Susanna is an old friend of Ruso's in Coria. I also enjoyed the dry British humor. This is story-telling of a high order--an immensely enjoyable read. Pima County Public Library. With a finely wrought plot, a densely woven cast of characters and plenty of action, this is a book to savor to the last sentence. Use current location. Summary I absolutely love this series. Larentia is a girl with that mole in the right place. -
A BLANK SLATE? Brain Science and Cultures Florence, April 4Nd - 6Th 2019
Atti del convegno TABULA RASA? Neuroscienze e culture Biblioteca della Fondazione TABULA RASA? Neuroscienze e culture Proprietà letteraria della Fondazione Intercultura I testi di questo volume possono essere riprodotti gratuitamente citando la fonte e purchè per scopi non commerciali. Non se ne possono trarre opere derivate. tabularasa.fondazioneintercultura.org www.fondazioneintercultura.org Finito di stampare nel mese di novembre 2019 Sommario / Table of contents Il convegno / The conference 7 Programma / Programme 11 Tabula rasa? Roberto Ruffino 15 The Blank Slate (video presentation) Steven Pinker 19 Vedere, guardare, immagini nel tempo Lamberto Maffei 29 A Mind-Brain for Culture and Cultural Evolution Peter J. Richerson 43 Mind meets brain. The True Impact of Neuroscience on Philosophy Martin Gessmann 57 There is No Blank Slate: The Role of Geography, Genes, Brain and Behavior in Shaping Culture Nguyen-Phuong-Mai, 69 Culture, Cognition, and Consciousness Milton J. Bennett 83 Culture, Cognition, and Consciousness Ying-yi Hong 93 Universal Values across Cultures Lilach Sagiv 101 Oltre i confini di Babele. Sulla natura biologica del linguaggio umano Andrea Moro 117 Culture, intelligence, and wisdom Igor Grossmann 131 La conservazione della memoria genetica Alberto Piazza 147 Visual theft and the Origin of the Human Social Mind Mark Pagel 157 Nature e culture. Gli “schemi” e l’irriducibile pluralità dell’umano Adriano Favole e Stefano Allovio 173 Culture and Psyche: Towards a more universal psychology Sudhir Kakar 195 We are cultural -
The Late Modern Hero's Quest for Meaning Norman
UPPSALA UNIVERSITY Institution of Theology Social Sciences of Religion E, 30 hp Spring 2012 Instructor: Önver Cetrez & Valerie DeMarinis Grading Teacher: Önver Cetrez & Valerie DeMarinis The Late Modern Hero’s Quest for Meaning – A case study on the psychological construction of meaning and play, ritualization, and, quests in video games in late modern Sweden. Fredrik Norman 850503-7534 [email protected] Abstract This essay focuses on two cases studies that include two game designers’ views of mean- ing-making construction in games and an analysis of their corresponding games. This is placed in relation to the late modern Sweden context. The study examines how the de- signers conceive purposeful play by employing a multi-disciplinary approach consisting of Pruyser’s three-world model, Bell’s ritualization framework, and, Howard’s quest the- ory. Such a study is relevant due to the new ways meaning-making is actively produced within games and contributes to the understanding of meaning-making in late modern Sweden. The two designers work at DICE and Starbreeze Studios and were interviewed using a semi-structured methodology. The data is analyzed with a qualitative narrative technique applying an inductive theoretical lens to analyze the data thematically. Both respondents illustrate patterns of meaning-making in their construction of games where functionality is central and vital to produce purposeful play. The construction of illusion- istic game worlds encloses on feelings of authenticity to the world’s structure. Realistic, autistic, and, object symbolism operate to mold the world structure and are connected to the designers’ genre. The designer from DICE promotes realistic worlds and the designer from Starbreeze Studios autistic representations. -
Research on the Dragon Image in Turkish Miniature Paintings
119 VOL. 3, NO. 1, JUNE 2018: 119-138 https://doi.org/10.22679/avs.2018.3.1.119 RESEARCH ON THE DRAGON IMAGE IN TURKISH MINIATURE PAINTINGS By KYONG-MI KIM* The dragon of the East was an object of worship and an authority to make rain, unlike the West. The dragon image, one of the positively accepted Chinese motifs with the blue-and-white porcelain of the Ming dynasty by the Ottoman Empire in the 16th century, was combined with gigantic saw-edged leaves to create a genre in Saz style. By combining Eastern dragons with plant motifs instead of clouds, dragons were no longer accepted as authority and nobility but as symbols of life and longevity. Unlike Iran and other countries, the image of dragons in Turkish miniature paintings has evolved into a unique style using Turkish calligraphy. The stylistic feature is that a thick black line that gives the impression of calligraphy forms the dragon’s back or a huge saz leaf stalk and forms the axis of the screen. Most of the work was black ink drawing, not painting, and partly lightly painted. In the development stage, the dragon appears as a protagonist on the screen of the early works, but the dragon retreats to the latter half and the saz leaves play a leading role on the screen. A common feature in all paintings, whether early or late, is that they have a militant character and create tension on the screen. From the viewpoint of comparative culture, Turkish dragon miniature drawings of the 16th-century Ot- * KYONG-MI KIM is an assistant professor at Tabula Rasa College, Keimyung University, South Korea. -
Geo Fossil Fuels Tabula Rasa Energy Perdure Petroleum Health, Safety and Environmental Policy
Geo Fossil Fuels Tabula Rasa Energy Perdure Petroleum Health, Safety and Environmental Policy Geo Fossil Fuels Tabula Rasa Energy Perdure Petroleum HEALTH, SAFETY & ENVIRONMENTAL (HSE) POLICY Revised 9/1/19 INTRODUCTION Geo Fossil Fuels, Tabula Rasa Energy, Perdure Petroleum and each of its subsidiaries (collectively referred to herein as the “Company” or “Tabula Rasa Energy”), considers the health and safety of its employees to be one of the most important phases of its operation. The Company's HSE Policy is to maintain a work environment that is safe for all employees and conducive to attaining high work standards. All safety rules and guidelines are based on recognized safe practices, standards, federal, state and local laws and regulations and industry recommended practices. Every employee is responsible for compliance with the Company's safety requirements, and their full cooperation is necessary for accident prevention and loss control. The prevention of accidents is of the utmost importance. Anyone who becomes aware of a potential hazard is expected to attempt to correct the hazard, if possible, and report the hazard to their supervisor. No illegal drugs are allowed on the facilities operated or contracted to the Company. Illegal drugs include marijuana or any other substance which the possession or use is unlawful. Also, anyone who reports for work under the influence of alcoholic beverages, stimulants, depressants, hallucinogens, or other drugs which could endanger the person or others will not be permitted to work. As a further safety precaution, entry into or upon Company's sites is conditioned upon the Company's right to search the person and personal effects of the entrant for illegal drugs.