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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
ENGLISH 2810: Television As Literature (V
ENGLISH 2810: Television as Literature (v. 1.0) 9:00 – 10:15 T/Th | EH 229 Dr. Scott Rogers | [email protected] | EH 448 http://faculty.weber.edu/srogers The Course The average American watches about 5 hours of television a day. We are told that this is bad. We are told that television is bad for us, that it is bad for our families, and that it is wasting our time. But not all television is that way. Some television shows have what we might call “literary pretensions.” Shows such as Twin Peaks, Homicide: Life on the Street, The Wire, Buffy the Vampire Slayer, Firefly, Veronica Mars, Battlestar Galactica, and LOST have been both critically acclaimed and the subject of much academic study. In this course, we shall examine a select few of these shows, watching complete seasons as if they were self-contained literary texts. In other words, in this course, you will watch TV and get credit for it. You will also learn to view television in an active and critical fashion, paying attention to the standard literary techniques (e.g. character, theme, symbol, plot) as well as televisual issues such as lighting, music, and camerawork. Texts Students will be expected to own, or have access to, the following: Firefly ($18 on amazon.com; free on hulu.com) and Serenity ($4 used on amazon.com) LOST season one ($25 on amazon.com; free on hulu.com or abc.com) Battlestar Galactica season one ($30 on amazon.com) It is in your best interest to buy or borrow these, if only to make it easier for you to go back and re-watch episodes for your assignments. -
Heroic Individualism: the Hero As Author in Democratic Culture Alan I
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 Heroic individualism: the hero as author in democratic culture Alan I. Baily Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Baily, Alan I., "Heroic individualism: the hero as author in democratic culture" (2006). LSU Doctoral Dissertations. 1073. https://digitalcommons.lsu.edu/gradschool_dissertations/1073 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. HEROIC INDIVIDUALISM: THE HERO AS AUTHOR IN DEMOCRATIC CULTURE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Alan I. Baily B.S., Texas A&M University—Commerce, 1999 M.A., Louisiana State University, 2003 December, 2006 It has been well said that the highest aim in education is analogous to the highest aim in mathematics, namely, to obtain not results but powers , not particular solutions but the means by which endless solutions may be wrought. He is the most effective educator who aims less at perfecting specific acquirements that at producing that mental condition which renders acquirements easy, and leads to their useful application; who does not seek to make his pupils moral by enjoining particular courses of action, but by bringing into activity the feelings and sympathies that must issue in noble action. -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
Final Draft Jury
Freedom in Conflict On Kant’s Critique of Medical Reason Jonas Gerlings Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 24 February 2017. European University Institute Department of History and Civilization Freedom in Conflict On Kant’s Critique of Medical Reason Jonas Gerlings Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Prof. Dr. Martin van Gelderen, EUI, Lichtenberg-Kolleg – The Göttingen Institute for Advanced Study (Supervisor) Dr. Dr. h.c. Hans Erich Bödeker, Lichtenberg-Kolleg – The Göttingen Institute for Advanced Study Prof. Stéphane Van Damme, European University Institute Senior Lecturer, Dr. Avi Lifschitz, UCL © Jonas Gerlings, 2016 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Jonas Gerlings certify that I am the author of the work Freedom in Conflict – Kant’s Critique of Medical Reason I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
The Deracination of the American Action Hero in Michael Mann's Heat
The University of Notre Dame Australia ResearchOnline@ND Arts Papers and Journal Articles School of Arts 2014 Action without regeneration: The deracination of the American action hero in Michael Mann's Heat Ari M. Mattes The University of Notre Dame, Australia, [email protected] Follow this and additional works at: https://researchonline.nd.edu.au/arts_article Part of the Arts and Humanities Commons This article was originally published as: Mattes, A. M. (2014). Action without regeneration: The deracination of the American action hero in Michael Mann's Heat. Journal of Popular Film and Television, 42 (4), 186-194. http://doi.org/10.1080/01956051.2014.896778 This article is posted on ResearchOnline@ND at https://researchonline.nd.edu.au/arts_article/109. For more information, please contact [email protected]. 1 This is an Accepted Manuscript of an article published in the Journal of Popular Film and Television on 17 December 2014, available online: 10.1080/01956051.2014.896778 2 Action without Regeneration: The Deracination of the American Action Hero in Michael Mann’s Heat ABSTRACT: Michael Mann is one of the most respected auteurs operating in commercial Hollywood cinema, and it is no surprise that his films continue to be the subject of scholarly investigation. This article approaches Mann’s Heat (1995) in the context of broader American mythical impulses, in relation to Richard Slotkin’s “regeneration through violence” paradigm. “Regeneration through violence” has been used by both Lisa Purse, and, especially, Eric Lichtenfeld, as a conceptual framework for investigating commercial Hollywood action films. However, Slotkin’s paradigm fails to account for the fundamentally pessimistic end game of numerous action films such as Heat . -
A Sociocultural Analysis of Asians in Great Britain and a Study of British Responses to Post-War Migrants from the Indian Subcontinent
Felicity HAND CRANHAM TRANSLATED PEOPLE: A SOCIOCULTURAL ANALYSIS OF ASIANS IN GREAT BRITAIN AND A STUDY OF BRITISH RESPONSES TO POST-WAR MIGRANTS FROM THE INDIAN SUBCONTINENT. Vol. II Tesi Doctoral dirigida pel Dr. Andrew Monnickendam Finlay Departament de Filologia Anglesa i Germanistica Facultat de Lletres Universitat Autònoma de Barcelona 1993 •U CONTENTS Vol. I List of Figures and Tables iv List of Illustrations v Acknowledgements vi Notes on Terminology ix 1. Introduction 1 2. Biological Phenomena and Social Myths 15 2.1. Biological Phenomena 15 2.1.1. Multiracial Britain? 15 2.1.2. "Race" Before 1800 24 2.1.3. "Race" After 1800 27 2.2. Social Myths 45 2.2.1. Ethnocentrism 45 2.2.2. Imperialist Attitudes 51 3. The Asians Are Coming 58 3.1. Reconnaisance Troops 58 3.2. Political Voices 73 3.2.1. Moderates 73 3.2.2. Radicals 79 3.2.3. Amritsar 1919 86 3.3. The Anti-Raj Vanguard 100 3.4. Pre-War Pioneers 106 3.5. Hooded Hordes 108 3.5.1. Pulled or Pushed? 108 3.5.2. Establishing the Network 116 3.5.3. The Myth of Return 133 3.5.4. The New Memsahibs 150 3.5.5. Schooling the Migrants 161 3.5.6. Culture Conflict or Compromise? 169 4. Keeping Britain White 183 4.1. The Sweets of Empire 183 4.1.1. The Spread of John Company 183 4.1.2. Early Immigration Controls 195 4.1.3. Raking the Imperial Embers 203 4.2. Repaying the Debt 222 4.2.1. -
Lost Tabula Rasa Transcript
Lost tabula rasa transcript click here to download Transcripts for Lost episodes up to and including "Enter 77" are based on the transcriptions by Lost-TV member Spooky with aid of DVR, and at times, closed captions for clarification. She and Lost-TV have generously granted us permission to share/host these transcripts at Lostpedia. Later transcripts were created by the. "Tabula Rasa" is the third episode of Season 1 of Lost. At the beach, Jack becomes increasingly suspicious of Kate, the fugitive being escorted back to America by the marshal. Flashbacks center on Kate's time in Australia prior to the crash, when she lived with a farmer named Ray. See main article: "Tabula Rasa" (Transcript). Episode number: Original air date: October 6th, Flashback: Kate Austen. Written by: Damon Lindelof. Directed by: Jack Bender. Plot: Jack and Hurley discover an alarming secret about Kate, as the marshal's life hangs in the balance. Meanwhile Kate, Charlie, Sawyer. Buffy Episode # Tabula Rasa Transcript - www.doorway.ru Lost Transcript Index. 09/24/05 The complete collection from season one to six is hosted by Lostpedia on wikia for your enjoyment. Season 1. 1x1 - Pilot, Part 1. 1x2 - Pilot, Part 2. 1x3 - Tabula Rasa. 1x4 - Walkabout. 1x5 - White Rabbit. 1x6 - House of the Rising Sun. 1x7 - The Moth. 1x8 - Confidence Man. Criminal Minds s03e19 - Tabula Rasa Episode Script. SS is dedicated to The Simpsons and host to thousands of free TV show episode scripts and screencaps, cartoon framegrabs and movie scripts. SGA "Tabula Rasa" Transcript. From StargateWiki. Jump to: navigation, search. "Tabula Rasa" Transcript. -
View Gender Performance and Transgression As It Relates to a Long-Standing System of Domination and Oppression in Latin America
Gender Transgression and Hegemony: the Politics of Gender Expression and Sexuality in Contemporary Managua Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By John Stephen Petrus, M.A. Graduate Program in Spanish and Portuguese The Ohio State University 2015 Dissertation Committee: Ileana Rodríguez, Advisor Laura Podalsky, Co-Advisor Guisela Latorre Copyright by John Stephen Petrus 2015 Abstract In this dissertation I study transgressive gender expression and performance in contemporary Nicaragua (1979-present) in order learn about how distinctive strategies of gender expression relate to the coloniality of power and knowledge and transnational political ideologies. I show how Nicaraguan performers contend with, mediate, critique, and/or reinforce expectations of gender performance promoted by local and global centers of power. The goal of this project is to provide a better understanding of how coloniality has continued to function with respect to gender performance in very recent years and also to highlight the brave, complex, creative, and astute cultural interventions that are being created by Nicaraguan artists and performers that grapple with oppressive gender systems. I carry out my analysis by reading and engaging intellectually with audio-visual cultural texts from a variety of media including performance art, television programs, short documentaries, low-budget videos, film, and photography produced in the last two decades. Specifically, I analyze the gender performances in the television show International News Network in chapter 1, in recent Nicaraguan film and video productions in chapter 2, in Elyla Sinvergüenza’s performance art in chapter 3, and in annual diversidad sexual events LGBTI Pride and Operación Queer in chapter 4. -
Knowledge PHILOSOPHY for HEROES PART I: KNOWLEDGE
Philosophy for Heroes Part I: Knowledge PHILOSOPHY FOR HEROES PART I: KNOWLEDGE Published by Clemens Lode Verlag e.K., Düsseldorf Book Series Philosophy for Heroes Part I: Knowledge Part II: Continuum Part III: Act Part IV: Epos © 2016 Clemens Lode Verlag e.K., Düsseldorf All Rights Reserved. https://www.lode.de For more information about permission to reproduce selections from this book, write to [email protected]. 2016, First Edition ISBN 978-3-945586-21-1 Edited by: Conna Craig Cover design: Jessica Keatting Graphic Design Image sources: Shutterstock, iStockphoto Icons made by http://www.freepik.com from http://www.flaticon.com is licensed by CC 3.0 BY (http://creativecommons.org/licenses/by/3.0/) Printed on acid-free, unbleached paper. Subscribe to our newsletter. Simply write to [email protected] or visit our website https://www.lode.de. PHILOSOPHY POPULAR SCIENCE PSYCHOLOGY Dedication We are, each of us, privileged to live a life that has been touched by many heroes. They possessed extraordinary gifts, and they shared them with us freely. None of these “ gifts were more remarkable than their ability to discern what needed to be done, and their unfailing courage in doing it and speaking the truth, whatever the personal cost. Let us each strive to accept their gifts and pass them along, asan ongoing tribute to the wise men and women of our human history who taught us all how to be heroes. Do not let the hero in your soul perish in lonely frustration for the life you deserve, but have never been able to reach. -
Tabula Rasa : a Crime Novel of the Roman Empire Pdf, Epub, Ebook
TABULA RASA : A CRIME NOVEL OF THE ROMAN EMPIRE PDF, EPUB, EBOOK Ruth Downie | 352 pages | 09 Oct 2014 | Bloomsbury Publishing PLC | 9781608197088 | English | New York, United States Tabula Rasa : A Crime Novel of the Roman Empire PDF Book About Ruth Downie. This time they have someone to work for the rent, Virana, a pregnant girl Tilla is monitoring. His relationship with Tilla matures, and his medical career progresses, but he never loses the wry humor and Eeyore-esqe penchant for bad luck that makes his voice so compelling. Plot: Very well developed, full of twists and turns, all of them perfectly foreshadowed. A boy, Branan, claims to have seen the body being put into the wall and he is the son of Senecio, the person that Tilla want so badly to get close to because of her family connection. However it is much better if you have read the first books in the series. A Cowboy!! The novel does disappoint a little with its ridiculously quick and urgent 3. Be the first to write a review About this product. While there are certainly some gruesome bits did I mention construction accidents? Susanna is an old friend of Ruso's in Coria. I also enjoyed the dry British humor. This is story-telling of a high order--an immensely enjoyable read. Pima County Public Library. With a finely wrought plot, a densely woven cast of characters and plenty of action, this is a book to savor to the last sentence. Use current location. Summary I absolutely love this series. Larentia is a girl with that mole in the right place. -
Valley of Caged Immigrants: Punishment, Protest, and the Rise of the Port Isabel Detention Center1
VALLEY OF CAGED IMMIGRANTS: PUNISHMENT, PROTEST, AND THE RISE OF THE PORT ISABEL DETENTION CENTER1 DOI: https://doi.org/10.25058/20112742.n33.09 Jennifer Cullison2 Orcid ID: orcid.org/0000-0002-5267-1143 University of Nevada, USA [email protected] How to cite this article: Cullison, J. (2020). Valley of Caged Immigrants: Punishment, Protest, and the Rise of the Port Isabel Detention Center. Tabula Rasa, 33, 1-41. DOI: https://doi.org/10.25058/20112742.n33.09 Received: June 23, 2018 Accepted: August 27, 2018 Abstract: Despite popular understanding of immigrant detention in the US as effectively nonexistent before the 1980s, in reality the practice grew significantly over the early postwar era and especially in Texas’s Rio Grande Valley (RGV). Immigrant detention in the RGV became vital in the expanding network of the INS, other federal agencies, and for-profit institutions called here the Border Industrial Complex. Indeed, beginning in 1961 with its first full-fledged, permanent immigrant detention center, the Port Isabel Detention Center (PIDC), South Texas became a major piece of the Border Industrial Complex in its work to control, immobilize, and banish border crossers. Over the early postwar period, immigrant caging (or immigrant detention and immigrant incarceration based on immigration legal code) in the RGV transitioned from a temporary, situational response to a perpetual crisis. With growing Congressional support for immigration enforcement, by the 1970s, not only the INS, but also the US Marshals Service and the US Bureau of Prisons had greater numbers of people caged per immigration legal code. 1 This article is a product of a dissertation research project on the expansion of immigrant detention in the US, titled “The Growth of Immigrant Caging in Postwar America: National Immigration Policy Choices, Regional Shifts Toward Greater Carceral Control, and Continuing Legal Resistance in the U.S.