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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
ENGLISH 2810: Television As Literature (V
ENGLISH 2810: Television as Literature (v. 1.0) 9:00 – 10:15 T/Th | EH 229 Dr. Scott Rogers | [email protected] | EH 448 http://faculty.weber.edu/srogers The Course The average American watches about 5 hours of television a day. We are told that this is bad. We are told that television is bad for us, that it is bad for our families, and that it is wasting our time. But not all television is that way. Some television shows have what we might call “literary pretensions.” Shows such as Twin Peaks, Homicide: Life on the Street, The Wire, Buffy the Vampire Slayer, Firefly, Veronica Mars, Battlestar Galactica, and LOST have been both critically acclaimed and the subject of much academic study. In this course, we shall examine a select few of these shows, watching complete seasons as if they were self-contained literary texts. In other words, in this course, you will watch TV and get credit for it. You will also learn to view television in an active and critical fashion, paying attention to the standard literary techniques (e.g. character, theme, symbol, plot) as well as televisual issues such as lighting, music, and camerawork. Texts Students will be expected to own, or have access to, the following: Firefly ($18 on amazon.com; free on hulu.com) and Serenity ($4 used on amazon.com) LOST season one ($25 on amazon.com; free on hulu.com or abc.com) Battlestar Galactica season one ($30 on amazon.com) It is in your best interest to buy or borrow these, if only to make it easier for you to go back and re-watch episodes for your assignments. -
Scamming: the Misunderstood Confidence Man
Scamming: The Misunderstood Confidence Man Jean Braucher* Barak Orbach** "Swindling is not a crime known to our law." -Chase v. Whitlock (1842)' "The origin of the diddle is referrable to the infancy of the Human Race. Perhaps the first diddler was Adam." -Edgar Allan Poe (1843)2 "One of the indigenous characters who has figured long in our journals, courts, and cities is the Confidence Man." -Boston Daily Evening Transcript (1857)3 I. INTRODUCTION Scamming-also known as the confidence game, diddling, conning, and swindling-loosely refers to schemes where the confidence man (the "con man") persuades the victim (the "mark") to trust him with her money * The late Roger C. Henderson Professor of Law, the University of Arizona, James E. Rogers College of Law. ** Professor of Law and Director of the Business Law Program, the University of Arizona, James E. Rogers College of Law. Jean Braucher passed away on November 25, 2014 before this Article was completed. She hoped to publish the paper in the Yale Journal of Law & the Humanities. In this instance, all mistakes are indeed mine. The credit goes to my co-author. 1. Chase v. Whitlock, 3 Hill 139, 139 (N.Y. Sup. Ct. 1842). 2. Edgar Allan Poe, Diddling: Considered as One of the Exact Sciences, in 4 THE COMPLETE WORKS OF EDGAR ALLAN POE 267 (1867) [hereinafterPoe, Diddling]. 3. Knick, Literary, BOSTON DAILY EvE. TRANSCRIPT, Apr. 10, 1857, at 2 (reviewing Herman Melville's The Confidence-Man: His Masquerade (1857)). 249 Yale Journal of Law & the Humanities, Vol. 27, Iss. 2 [2015], Art. -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
Books and Coffee Past Presenters
Books and Coffee Past Presenters Year Speaker Author Title 1951 William Braswell Hemingway Across the River and Into the Trees Chester Eisinger Miller Death of a Salesman Paul Fatout -- “Mark Twain” Robert Lowe Pound Letters Barriss Mills Faulkner Collected Stories Herbert Muller Niebuhr Faith in History Albert Rolfs Fatout Ambrose Bierce Louise Rorabacher Orwell Animal Farm Emerson Sutcliffe Kent Declensions in the Air 1952 Welsey Carroll Boswell London Journal Richard Voorhees Greene The Power and the Glory Richard Cordell Irvine The Universe of George Bernard Shaw Harold Watts Mann The Holy Sinner Roy Curtis Hall Leave Your Language Alone! Richard Greene Altick The Scholar Adventurers R. W. Babcock -- “On Reading Shakespeare” Richard Crowder Williams Later Collected Poems 1953 Herbert Muller Ceram Gods, Graves, and Scholars William Hastings Wouk The Cain Mutiny J. H. McKee Ferril I Hate Thursday Arthur Koenig Dostoievsky The Diary of a Writer George Schick Boswell Boswell in Holland Darrel Abel Steinbeck East of Eden H. B. Knoll Walton The Compleat Angler Raymond Himelick Cabell Quiet Please 1954 Paul Fatout Boswell Boswell on the Grand Tour George S. Wykoff Bonavia-Hunt Pemberley Shades Lewis Freed Eliot The Cocktail Party R. M. Bertram Cary The Horse's Mouth Laird Bell Smith Man and His Gods Bernard Schmidt Michener The Bridges at Toki-Ri Victor Gibbens Randolf & Wilson Down in the Holler William Braswell Thurber Thurber Country 1955 Richard Cordell Larson An American in Europe Arnold Drew Jarrell Pictures from an Institution Russell Cosper Kafka The Castle M. W. Tillson Ives Tales of America Maurice Beebe Faulkner A Fable Walter Maneikis Algren The Man with the Golden Arm Virgil Lokke West The Day of the Locusts Robert Ogle White The Second Tree from the Corner 1956 Lewis Freed Alberto Moravia A Ghost at Noon R.W. -
Pre-Analysis Plan for Household Welfare Analysis∗
GE Effects of Cash Transfers: Pre-analysis plan for household welfare analysis∗ Johannes Haushofer,y Edward Miguel,z Paul Niehaus,x and Michael Walker{ July 6, 2017 Abstract This document outlines outcomes and regression specifications for estimating the effects of unconditional cash transfers on the welfare of recipient households as part of the General Equilibrium Effects (GE) project. This project is a randomized evaluation of an unconditional cash transfer program by the NGO GiveDirectly (GD) in Kenya. This is a two-level randomized controlled trial where treatment status is randomized at the village level and treatment intensity is randomized at the sublocation level, the administrative unit above a village. This document is part of a series of five pre-analysis plans filed to the AEA trial registry as part of the GE project, and focuses on estimating treatment effects for households eligible to receive transfers from GD using data collected via household surveys. We specify regression equations, primary outcomes, and a catalog of outcomes that we will study, as well as corrections for multiple testing and data checks. We also discuss how the analyses specified here fit in with the other pre-analysis plans filed as part of this project. Appendix A: Endline household survey instrument Appendix B: Baseline household survey instrument Appendix C: Household data management note ∗AEA Trial Registry: AEARCTR-0000505, https://www.socialscienceregistry.org/trials/505 This updates a previously-filed version (also from July 6, 2017) to clarify the multiple inference corrections that we will conduct. The rest of the document is unchanged, and the analysis to date section remains accurate. -
The Confidence-Man by Herman Melville
Connotations Vol. 29 (2020) The Praise of Cosmopolitanism: The Confidence-Man by Herman Melville DANIEL THOMIÈRES Connotations: A Journal for Critical Debate, Vol. 29 (2020): 77-114. DOI: 10.25623/conn029-thomieres-1 This article is the first entry in a debate on “The Praise of Cosmopolitanism: The Confidence-Man by Herman Melville” (https://www.connotations.de/ debate/herman-melville-and-cosmopolitanism). If you feel inspired to write a re- sponse, please send it to [email protected] Connotations: A Journal for Critical Debate (E-ISSN 2626-8183) by the Connotations Society is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Abstract This essay is an attempt at reconstructing the logic underlying The Confidence-Man by Herman Melville. Its main focus will be on the function of the Cosmopolitan who represents a key dimension which has sadly been very little studied. The novel will be seen as the locus of a philosophical experiment in which Melville tries to determine how far an individual can go in order to be fully free and fulfill his or her inner potential as much as possible. Among the numerous manners of approaching The Confidence-Man, the essay will choose an anti-idealistic tradition going from Heraclitus to Deleuze through Spinoza, Nietzsche and William James and stressing the radically immanent nature of the world in which we live and the problems raised when one wishes to invent a new conception of faith or confidence. Herman Melville’s Cosmopolitan is strangely neglected and regretfully unloved in the literature devoted to The Confidence-Man. -
4010 E-Filing Instructions
Instructions Appendix 2 The following table represents the text that appears when the filer the clicks “Help” on each screen of the web-based application. Screen Schedule # Reference Help Text 1 Account Getting started Sign up If you have not applied for an e-4010 account yet, click the “Apply for an Account” button to be directed to the Account Sign Up screen. Enter information for each item on this screen. The person whose information is entered on this screen is the sole contact person for the filing. For example: • After signing up for an account, a temporary User ID and password will be sent to the e-mail address entered here. • After submitting a filing, a confirmation receipt will be sent to this e-mail address. • This person may be contacted by phone or e-mail if PBGC has questions regarding the filing. If the contact person does not have an assigned title, enter N/A or no title, as the application does not allow for items on this screen to be left blank. The secret question and answer will be used if your User ID/password is lost or forgotten, so make sure it reflects information that you can remember easily but is difficult for an unauthorized person to obtain. To retrieve a forgotten or lost ID or password, you will need to remember both the question you select and the answer to that question. The “manage account” feature can be used to change contact information (phone number, e-mail address, etc.) after an account is established. This feature is accessible from the e-4010 home screen or any of the Schedule Summary screens. -
KX-NS700 V4.4000 Operating Manual (PDF)
Operating Manual Hybrid IP-PBX Model No. KX-NS700 KX-NS700 manuals are specific to the KX-NS700 only. Please refer to the KX-NS700G Quick Reference Guide if you are using the KX-NS700G model. Some specifications/functions described in this manual may be different. Thank you for purchasing this Panasonic product. Please read this manual carefully before using this product and save this manual for future use. In particular, be sure to read "1.1.1 For Your Safety (Page 14)" before using this product. KX-NS700: PFMPR Software File Version 004.40000 or later Document Version 2016-03 Feature Highlights Feature Highlights IP Communication Easy Operation This PBX supports IP communication using A Panasonic telephone that is equipped with a variety of IP telephones, such as the KX-NT300/ a Navigator Key/Jog Dial and a display helps KX-NT500 series with Self Labeling and/or you to access desired features easily. Also, you R Bluetooth wireless headsets, Panasonic IP will be informed of the arrival of an incoming call Softphones, and SIP phones. or a message waiting by the lamp if it is equipped. ENTER IP Proprietary Telephone Navigator Key Jog Dial Message/Ringer Lamp IP Softphone SIP phone Consult your dealer 1.1 Before Operating the Telephones (Page 14) Remote Office Cellular Phone Features This PBX supports the use of SIP phones This PBX supports the use of cellular phones connected from a remote office over an IP network with the PBX. Cellular phones can make and through an SBC (session border controller). receive calls as if they were registered SIP phones can be set up by simply connecting extensions. -
Set Chair for Matthew Fox "Jack" 11 - 1,200 Set Chair for Matthew Fox "Jack." Wooden Director's C
200 Set chair for Matthew Fox "Jack" 11 - 1,200 Set chair for Matthew Fox "Jack." Wooden director's c... 300 200 Set chair for Evangeline Lilly "Kate" 2 - 1,500 Set chair for Evangeline Lilly "Kate." Wooden directo... 300 200 Set chair for Jorge Garcia "Hurley" 3 - 400 Set chair for Jorge Garcia "Hurley." Folding camping ... 300 200 Set chair for Terry O'Quinn "Locke" 4 - 1,700 Set chair for Terry O'Quinn "Locke." Wooden director'... 300 Set chair for Dominic Monaghan "Charlie" 200 5 Set chair for Dominic Monaghan "Charlie." Wooden - 600 dire... 300 200 Set chair for Emilie de Ravin "Claire" 6 - 550 Set chair for Emilie de Ravin "Claire." Wooden direct... 300 200 Set chair for Yunjin Kim "Sun" 7 - 800 Set chair for Yunjin Kim "Sun." Wooden director's cha... 300 Set chair for Naveen Andrews "Sayid" 200 8 Set chair for Naveen Andrews "Sayid." Wooden - 850 director... 300 200 Set chair for Harold Perrineau "Michael" 9 - 375 Set chair for Harold Perrineau "Michael." Wooden dire... 300 200 Set chair for Michael Emerson "Ben" 10 - 1,900 Set chair for Michael Emerson "Ben." Wooden director'... 300 200 Set chair for Nestor Carbonell "Richard Alpert" 11 - 850 Set chair for Nestor Carbonell "Richard Alpert." Wood... 300 200 Set chair for Elizabeth Mitchell "Juliet" 12 - 2,000 Set chair for Elizabeth Mitchell "Juliet." Wooden dir... 300 Set chair for Jeremy Davies "Faraday" 200 13 Set chair for Jeremy Davies "Faraday." Wooden - 950 directo... 300 Chair back from on-set chair for Alan Dale "Widmore" 100 14 Chair back from on-set chair for Alan Dale - 375 "Widmore.".. -
Nouveautés - Mai 2019
Nouveautés - mai 2019 Animation adultes Ile aux chiens (L') (Isle of dogs) Fiction / Animation adultes Durée : 102mn Allemagne - Etats-Unis / 2018 Scénario : Wes Anderson Origine : histoire originale de Wes Anderson, De : Wes Anderson Roman Coppola, Jason Schwartzman et Kunichi Nomura Producteur : Wes Anderson, Jeremy Dawson, Scott Rudin Directeur photo : Tristan Oliver Décorateur : Adam Stockhausen, Paul Harrod Compositeur : Alexandre Desplat Langues : Français, Langues originales : Anglais, Japonais Anglais Sous-titres : Français Récompenses : Écran : 16/9 Son : Dolby Digital 5.1 Prix du jury au Festival 2 cinéma de Valenciennes, France, 2018 Ours d'Argent du meilleur réalisateur à la Berlinale, Allemagne, 2018 Support : DVD Résumé : En raison d'une épidémie de grippe canine, le maire de Megasaki ordonne la mise en quarantaine de tous les chiens de la ville, envoyés sur une île qui devient alors l'Ile aux Chiens. Le jeune Atari, 12 ans, vole un avion et se rend sur l'île pour rechercher son fidèle compagnon, Spots. Aidé par une bande de cinq chiens intrépides et attachants, il découvre une conspiration qui menace la ville. Critique presse : « De fait, ce film virtuose d'animation stop-motion (...) reflète l'habituelle maniaquerie ébouriffante du réalisateur, mais s'étoffe tout à la fois d'une poignante épopée picaresque, d'un brûlot politique, et d'un manifeste antispéciste où les chiens se taillent la part du lion. » Libération - La Rédaction « Un conte dont la splendeur et le foisonnement esthétiques n'ont d'égal que la férocité politique. » CinemaTeaser - Aurélien Allin « Par son sujet, « L'île aux chiens » promet d'être un classique de poche - comme une version « bonza? de l'art d'Anderson -, un vertige du cinéma en miniature, patiemment taillé. -
|What to Expect from Le Comte
| What to e xpect fRom Le Comte ory Rossini’s effeRvescent Le Comte ory is a comic tale of The Work: disguise, seduction, and the victory of virtue. The scene is the French LE COMTE ORY countryside; the time, the Middle Ages, during the Crusades. Count Ory, a music by Gioachino Rossini (1792–1868) young nobleman, will do just about anything to conquer the chaste Countess Adèle—but his page, Isolier, will do even more to win her love. The result an opera in two acts, sung in french is a triangle of intrigue, counter-intrigue, and counter-counter-intrigue libretto by eugène scribe and that features some of the most gorgeous and vocally dazzling music in the charles-Gaspard Delestre-poirson operatic repertoire. first performed on august 20, 1828 In his new Metropolitan Opera production, director Bartlett Sher takes at the paris opéra an inventive approach to this bel canto gem. To bridge the gap between the story’s intimate atmosphere and the vast space of the Met, he has set the ProDUCTIoN opera in a 19th-century theater, where Rossini’s comedy is being performed. maurizio Benini, conductor In the title role, superstar tenor Juan Diego Flórez spins webs of deceit Bartlett sher, production amid the candlelit shadows of a medieval castle. Diana Damrau brings michael Yeargan, set Designer vocal brilliance to the virtuous Adèle, and in the trouser role of Isolier, catherine Zuber, costume Designer Joyce DiDonato proves herself (or himself) the Countess’s protector—and Brian macDevitt, lighting Designer a worthy match for the scheming Ory.