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'A Grave for New York' and 'New York
A Grave for New York and New York 80: Formulating an Arab Identity through the Lens of New York Michelle Hartman From the skyscrapers of mid-town Manhattan to the Brooklyn Bridge, from the Statue of Liberty to the prostitutes of Time Square, from Harlem to Wall Street, images of New York City are some of the most potent representations of the United States around the world. This paper explores how two Arab authors use New York City as a lens through which they for- mulate an Arab identity in and for their literary texts and I am concerned in particular with the way in which gender and race are used in these formulations. The two works I discuss are Adonis’s Qabr min ajl new york (A Grave for New York)1 and Yusuf Idris’s New York 802, published in Arabic in 1971 and 1980 respectively, and both written in Arabic, for an Arab audience. There is no doubt that either work is anything but a scathing critique of New York, used as a metonym for the United States, and in particular its claim to technology and ‘advancement.’ Both pieces clearly advocate resistance to American hegemony in the world and harshly condemn the capitalist greed with which the United States has become syn- onymous throughout the world thus manifesting the political commitment of their authors and conveying a message of Third World solidarity. Michelle Hartman, Assistant Professor Institute of Islamic Studies McGill University, Montreal, Canada 223 Works that deal with relationships between Arabs and Europeans or Arabs and Americans (assumed of course to be distinct categories) are discussed by scholars of Arabic litera- ture as part of the large body of literature dealing with what is usually referred to as the ‘east-west encounter.’ A Grave for New York and New York 80 both certainly fall into this cate- gory and both can also be read more specifically as works that deal with the United States. -
Westminsterresearch
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Sudanese literature in English translation: an analytical study of the translation with a historical introduction to the literature. Thorraya Soghayroon School of Social Sciences, Humanities and Languages This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2010. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Sudanese Literature in English Translation: An Analytical Study of the Translation with a Historical Introduction to the Literature Thorraya Soghayroon A Thesis Submitted in Partial Fulfilment of the Requirements of the University of Westminster for the Degree of Doctor of Philosophy July 2010 Abstract This thesis sets out to record, analyze, and assess modern Sudanese literature within its historical, cultural, and political context. It highlights the diversity and distinctiveness of that literature, the wide range of its themes, and the resilience and complex background of its major practitioners. -
The Oxford Anthology of English Poetry: Volume 2: Blake to Heaney Pdf, Epub, Ebook
THE OXFORD ANTHOLOGY OF ENGLISH POETRY: VOLUME 2: BLAKE TO HEANEY PDF, EPUB, EBOOK John Wain | 800 pages | 15 May 2003 | Oxford University Press | 9780192804228 | English | Oxford, United Kingdom The Oxford Anthology of English Poetry: Volume 2: Blake to Heaney PDF Book Brand new Book. Return to Book Page. Encompassing a broad range of subjects, styles, and moods, English poetry of the late eighteenth We have recently updated our Privacy Policy. Enabling JavaScript in your browser will allow you to experience all the features of our site. Nick H rated it it was amazing Oct 12, Quantity Add to basket. The richness and variety of this tradition are represented in this collection by all the great and familiar names, but also some of the less well-known poets who have often provided startling exceptions to the poetry of their age. Ten Poems About Cats. Anthony Holden. Various Poets. How Han rated it it was ok Jul 08, Sign in to Purchase Instantly. John Wain. Carolyne Larrington. Oxford University Press is a department of the University of Oxford. Stephen Conlon. Ten Poems About London. Preferred contact method Email Text message. Reset password. The result is a rich and multi-coloured tapestry of the depth, diversity, and energy of poetry written in Britain and Ireland. Academic Skip to main content. Other Editions 1. Laura rated it liked it Jun 14, About John Wain. Call us on or send us an email at. Bobby rated it really liked it Feb 26, We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. -
My Children, Teaching, and Nimrod the Word
XIV Passions: My Children, Teaching, and Nimrod The word passion has most often been associated with strong sexual desire or lust. I have felt a good deal of that kind of passion in my life but I prefer not to speak of it at this moment. Instead, it is the appetite for life in a broader sense that seems to have driven most of my actions. Moreover, the former craving is focused on an individual (unless the sexual drive is indiscriminant) and depends upon that individual for a response in order to intensify or even maintain. Fixating on my first husband—sticking to him no matter what his response, not being able to say goodbye to him —almost killed me. I had to shift the focus of my sexual passion to another and another and another in order to receive the spark that would rekindle and sustain me. That could have been dangerous; I was lucky. But with the urge to create, the intense passion to “make something,” there was always another outlet, another fulfillment just within reach. My children, teaching, and Nimrod, the journal I edited for so many years, eased my hunger, provided a way to participate and delight in something always changing and growing. from The passion to give birth to and grow with my children has, I believe, been expressed in previous chapters. I loved every aspect of having children conception, to the four births, three of which I watched in a carefully placed mirror at the foot of the hospital delivery room bed: May 6, 1957, birth of Leslie Ringold; November 8, 1959, birth of John Ringold; August 2, 1961: birth of Jim Ringold; July 27, 1964: birth of Suzanne Ringold (Harman). -
John Wain.Pdf
JOHN W AIN: EL REI'ORNO DE LA TRADICION PICARESCA A LA NOVELA INGLESA En la década de los cincuenta un nombre nuevo aparece en el panorama literario inglés: John Wain. Siendo profesor de literatura inglesa en la Universidad de Reading, a la edad de 28 años, publica su primera novela, Hurry On Down, (1953), que inmediatamente atrae la atención de gran parte de la crítica del momento. Por su protagonista rebelde y crítico del sistema, algunos enmarcan esta obra y a su autor entre los denominados "Angry young Men", 1 grupo de jóvenes escritores que protestan airadamente contra los defectos de su sociedad y cuyo principal representante es el dramaturgo John Osborne con su obra Look Rack in Anger (1956). Otros críticos, sin embargo, asocian aJobo Wain con un grupo de novelistas y poetas anterior conocido como "The Movement",2 y que reúne a nombres tan notables como los de Kingsley Amis, Philip Larkin, Donald Davie, Elizabeth Jennings o ThomGunn. Al margen de la conveniencia o no de adscribir la figura de John Wain a un movimiento literario concreto, 10 cierto es que es uno de los pioneros de las nuevas tendencias que surgen en la literatura inglesa de los años cincuenta. Hurry On Down es una de las primeras novelas de la posguerra que vuelve hacia los cánones realistas tradicionales, después de casi medio siglo de experimentación modernista. Y 10 que es más significativo, con su publicación en octubre de 1953 tiene lugar el retorno de la tradición picaresca a la literatura inglesa. Este camino, que en parte había sido ya iniciado por la obra de William Cooper, Scenes From Provincial Life (1950), 1,_ Cf. -
Harold Pinter: the Dramatist and His World
Harold Pinter: The Dramatist and His World Background Nobel winner, Harold Pinter (1930- 2008) was born in London, England in a Jewish family. Some of the most recognizable features in his plays are the use of understatement, small talk, distance, and silence. These devices are employed to convey the substance of a character’s thoughts. At the outbreak of World War II, Pinter was evacuated from the city to Cornwall; to be wrenched from his parents was a traumatic event for Pinter. He lived with 26 other boys in a castle on the coast. At the age of 14, he returned to London. "The condition of being bombed has never left me," Pinter later said. At school one of Pinter's main intellectual interests was English literature, particularly poetry. He also read works of Franz Kafka and Ernest Hemingway, and started writing poetry for little magazines in his teens. The seeds of rebellion in Pinter could be spotted early on when he refused to do the National Service. As a young man, he studied acting at the Royal Academy of Dramatic Art and the Central School of Speech and Drama, but soon left to undertake an acting career under the stage name David Baron. He travelled around Ireland in a Shakespearean company and spent years working in provincial repertory before deciding to turn his attention to playwriting. Pinter was married from 1956 to the actress Vivien Merchant. For a time, they lived in Notting Hill Gate in a slum. Eventually Pinter managed to borrow some money and move away. Although Pinter said in an interview in 1966, that he never has written any part for any actor, his wife Vivien frequently appeared in his plays. -
A Comparative Study of Modernism in the Poems of Forough Farrokhzad and Adunis
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 6, No. 7, pp. 1377-1382, July 2016 DOI: http://dx.doi.org/10.17507/tpls.0607.07 A Comparative Study of Modernism in the Poems of Forough Farrokhzad and Adunis Ahmad Lamei Giv Department of Persian Language and Literature, Faculty of Literature and Humanities, University of Birjand, Birjand, Iran Majid Shahbazi Department of Persian Language and Literature, Faculty of Literature and Humanities, University of Birjand, Birjand, Iran Abstract—Clash of the West with East countries (Iran, Lebanon and Syria) was a factor in changing the structure of Eastern societies, resulting in the emergence of political and social developments like constitutional movements. There are undeniable similarities between Arabic and Persian poetry because of the long historical ties, similar political and social contexts, close cultural backgrounds and the influence of European culture on their literatures. After the literary revolution occurred under the influence of European culture and literature, attention to modernism is a common approach used by Persian and Arabic poets. In both Arabic and Persian literature, Modern poet expresses his surrounding issues according to the needs of the community. Attention to the culture of the West is a common point closing Forough Farrokhzad and Adunis as two contemporary poets. Due to the different cultural and intellectual situations as well as the degree of their familiarity with the West, they have differences and similarities in the methods and the effects of modernization in the West. Using a descriptive-analytical approach, this article will show that Forough and Adunis have used modern manifestations such as secularism, feminism, nihilism, freedom, deconstruction, city and nationalism in their poems due to their relations with the West under the influence of cultural-political developments in their own societies. -
Book Reviews
Book Reviews Desmond Pacey, ed. The Letters of Frederick Philip Grove, Toronto and Buffalo: University of Toronto Press, 1976. pp. 584. $25.00. On January 15, 1941, a 23-year-old professor of English at Brandon College wrote to Frederick Philip Grove in Simcoe, Ontario, requesting information needed for a radio talk on the former Manitoba novelist. Just out from Cambridge, the young scholar had been asked to participate in "The University of the Air" series, to which the University of Manitoba was contributing a number of "Manitoba Sketches." "I was asked to cover the field of Manitoba literature," the professor recalls, "[and] as the only Manitoba literature I had then read was Grove's novels, I made [his] novels the SUbject of my talk." It is likely that Grove did not hear this talk, broadcast over local Manitoba stations, but this exchange of letters marked the beginning of Desmond Pacey's formal study of Grove, which culminated in his book-length study of the novelist in 1945. In the thirty-five years that have elapsed since that first letter, Pacey has been singularly dedicated to keeping Grove's name before the public, and though he has been upstaged recently by the sleuthing of Douglas Spettigue in regards to Grove's life, his body of critical assessments about his fiction still stands as a requisite for the Grove scholar. It is therefore fitting that Pacey should have capped his career with this monumental collection of Grove's letters, completed just before his untimely death on July 4, 1975, which to my knowledge is, aside from the Selected Letters of Malcolm Lowry, the only collection of letters ever published on a major Canadian literary figure. -
An Inquiry Into the “Compensation” Mechanism and Its Processes in The
Journal of Arabic Language & Literature, Vol. 11, No.2 Serial Number. 21 5 Archive of SID An Inquiry into the “Compensation” Mechanism and its Processes in the Literature of Adunis and Shamlou Mehdi Nowdehi PhD Candidate in Arabic Language and Literature, Hakim Sabzevari University, Sabzevar, Iran Abbas Ganjali2 Associate Professor in Arabic Language and Literature Hakim Sabzevari University,Sabzevar, Iran Seyyed Mahdi Nouri Keyzeghani Assistant Professor, in Arabic Language and Literature,Hakim Sabzevari University, Sabzevar, Iran Received:6 May2017 Accepted:7 February2018 Extended abstract 1 Introduction Aside from style and imagination, literature constitutes two other important elements, i.e. thought and sense; the former relates to philosophy while the latter is relevant to psychology. It means that the nature of literature is philosophical and the gist of its influence is a psychological matter. Accordingly, psychological examination of literature is based on psychological theories, particularly that of Adler’s approach; and Adler deems the sense of humiliation as effective in the formation of arts and literature which is relatively overlooked by analysts and it is of substantial importance. To this aim, the present study has selected two well-known contemporary poets, Adunis and Shamlou, in order to explore common psychological themes in their poetry. 2 Review of Literature and Theoretical Framework Psychologists such as Adler, Jung, Freud, Eric Fromm, Lacan, etc. carried out psychological analyses on arts and literature. However, Adler’s psychological approach to both subjects has been more comprehensive by referring to the significance regarding the effect of “sense of flaw” in the formation of the literary works of a poet. -
The Nobelist for Literature: a Pleasure Unknown to Americans by BEAU FRIEDLANDER Friday, Oct
The Nobelist for Literature: A Pleasure Unknown to Americans By BEAU FRIEDLANDER Friday, Oct. 07, 2011 ENLARGE PHOTO+ Every year the London-based gambling company Ladbrokes sets odds for customers who want to bet on the next winner of the Nobel Prize in Literature. The list often features a litany of unlikely (at least to American ears) names like Ngugi wa Thiong'o (A Kenyan writer who has not been awarded the prize) and Gao Xingjian (the Chinese Nobel Laureate who won in 2000). There are also familiar names on the list like Alice Munro and Philip Roth. This year was a little different. Music legend Bob Dylan was Ladbrokes' favorite (five-to-one) beating out Syrian poet Adunis (six-to-one) and this year's recipient of the Nobel Prize in Literature, Swedish poet Tomas Tranströmer, who was an outlier at ten-to-one odds. A perennial also-ran on the Ladbrokes' list, Tranströmer is the author of 15 collections of poetry and a memoir entitled Memory Looks at Me. The Nobel Committee's announcement was greeted by thunderous applause from reporters assembled in Stockholm, Tranströmer's hometown. The Nobel Committee cited Transtroemer's work for the way it created "condensed, translucent images" that "gives us fresh access to reality." Although he suffered a stroke in 1990 that left him partially paralyzed and unable to speak, Tranströmer has continued to write poetry and play piano, including pieces composed for left hand specifically for him. His most recent volume of poetry entitled The Great Enigma was published in 2004. Tranströmer's fame outside of the United States comes in part from his own ardent support of poetry in translation. -
Galaxy: International Multidisciplinary Research Journal
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal Bi-Monthly Refereed and Indexed Open Access eJournal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 8, Issue-III, June 2017 ISSN: 0976-8165 Tragic Vision Represented in the Plays of John Osborne Sunil N. Wathore Asst. Prof. & HoD. English Arts & Science College, Pulgaon, Dist. Wardha, Rashtrasant Tukadoji Maharaj Nagpur University, Nagpur. Article History: Submitted-18/05/2017, Revised-11/06/2017, Accepted-23/06/2017, Published-05/07/2017. Abstract: John James Osborne, an English playwright, ex-journalist, screenwriter and actor, known for his excoriating prose and intense critical stance towards established social and political norms was born on 12th December, 1929 in Fulham, London. Osborne’s tragic vision arises out of perception of the problems of existence in the face of nothingness. Osborne’s heroes live in the world of nothingness which is resulted due to the prevailing customs and traditions and other evil forces, cause a rebellion against them. A full length study of Osborne’s tragic vision of life, that emerges out of his tragedies would not only add to the greater appreciation of Osborne but also help to assess his achievement and assign the rightful place to Osborne in the history of Modern British Drama. Osborne’s artistic vision seems to have been conditioned and shaped by two important forces -those are heredity and environment on one side and his own personal experiences on the other. -
Extended Abstract
Journal of Arabic Language & Literature, Vol. 11, No.2 Serial Number. 21 5 An Inquiry into the “Compensation” Mechanism and its Processes in the Literature of Adunis and Shamlou Mehdi Nowdehi PhD Candidate in Arabic Language and Literature, Hakim Sabzevari University, Sabzevar, Iran Abbas Ganjali2 Associate Professor in Arabic Language and Literature Hakim Sabzevari University,Sabzevar, Iran Seyyed Mahdi Nouri Keyzeghani Assistant Professor, in Arabic Language and Literature,Hakim Sabzevari University, Sabzevar, Iran Received:6 May2017 Accepted:7 February2018 Extended abstract 1 Introduction Aside from style and imagination, literature constitutes two other important elements, i.e. thought and sense; the former relates to philosophy while the latter is relevant to psychology. It means that the nature of literature is philosophical and the gist of its influence is a psychological matter. Accordingly, psychological examination of literature is based on psychological theories, particularly that of Adler’s approach; and Adler deems the sense of humiliation as effective in the formation of arts and literature which is relatively overlooked by analysts and it is of substantial importance. To this aim, the present study has selected two well-known contemporary poets, Adunis and Shamlou, in order to explore common psychological themes in their poetry. 2 Review of Literature and Theoretical Framework Psychologists such as Adler, Jung, Freud, Eric Fromm, Lacan, etc. carried out psychological analyses on arts and literature. However, Adler’s psychological approach to both subjects has been more comprehensive by referring to the significance regarding the effect of “sense of flaw” in the formation of the literary works of a poet. Adler based his intellectual approach on sense of humiliation.