Michael Stevens' the Road to Interzone
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Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Naked Lunch for Lawyers: William S. Burroughs on Capital Punishment
Batey: Naked LunchNAKED for Lawyers: LUNCH William FOR S. Burroughs LAWYERS: on Capital Punishme WILLIAM S. BURROUGHS ON CAPITAL PUNISHMENT, PORNOGRAPHY, THE DRUG TRADE, AND THE PREDATORY NATURE OF HUMAN INTERACTION t ROBERT BATEY* At eighty-two, William S. Burroughs has become a literary icon, "arguably the most influential American prose writer of the last 40 years,"' "the rebel spirit who has witch-doctored our culture and consciousness the most."2 In addition to literature, Burroughs' influence is discernible in contemporary music, art, filmmaking, and virtually any other endeavor that represents "what Newt Gingrich-a Burroughsian construct if ever there was one-likes to call the counterculture."3 Though Burroughs has produced a steady stream of books since the 1950's (including, most recently, a recollection of his dreams published in 1995 under the title My Education), Naked Lunch remains his masterpiece, a classic of twentieth century American fiction.4 Published in 1959' to t I would like to thank the students in my spring 1993 Law and Literature Seminar, to whom I assigned Naked Lunch, especially those who actually read it after I succumbed to fears of complaints and made the assignment optional. Their comments, as well as the ideas of Brian Bolton, a student in the spring 1994 seminar who chose Naked Lunch as the subject for his seminar paper, were particularly helpful in the gestation of this essay; I also benefited from the paper written on Naked Lunch by spring 1995 seminar student Christopher Dale. Gary Minda of Brooklyn Law School commented on an early draft of the essay, as did several Stetson University colleagues: John Cooper, Peter Lake, Terrill Poliman (now at Illinois), and Manuel Ramos (now at Tulane) of the College of Law, Michael Raymond of the English Department and Greg McCann of the School of Business Administration. -
À La Recherche D'un Corps. Langage Et Silence Dans L'œuvre De W.S
"A la recherche d'un corps" CE LIVRE EST LE VINGT-CINQUIÈME TITRE DE LA COLLECTION « FICTION & CIE » DIRIGÉE PAR DENIS ROCHE Fiction & Cie Serge Grunberg, - "A la recherche d'un corps" Langage et silence dans l'œuvre de William S. Burroughs essai/Seuil Seuil, 27, rue Jacob, Paris 6e ISBN 2-02-005051-x. @ ÉDITIONS DU SEUIL, 1979. La loi du 11 mars 1957 interdit les copies ou reproductions destinées à une utilisation collective. Toute représentation ou reproduction intégrale nu par- tielle faite par quelque procédé que ce soit, sans le consentement des auteurs ou de leurs ayants cause, est illicite et constitue une contrefaçon sanctionnée par les articles 425 et suivants du Code pénal. Pour Chantal Imitation de William S. Burroughs Ecce William Seward Burroughs, alias l'inspecteur Lee, l'onCle Bill, el hombre invisible, 1,85 m, yeux bleu yage, bleu orgone, bleu-gris pluie du temps. Né le 5 février 1914 à Saint Louis, Missouri, heure précise inconnue, astrologues rentrez vos éphémérides. Son père, Mortimer Perry Burroughs, homme fort discret et porté sur la floriculture, était le fils de William Seward Burroughs première édition, fondateur de ce qui est devenu la Burroughs Corpo- ration. L'argent de la famille s'est déprécié lors de la grande crise de 1929, et il y a longtemps que Burroughs a brûlé dans ses veines l'ultime dollar maison. Il n'a aujourd'hui plus rien à voir avec la Burroughs Corporation, et n'a d'ailleurs pas grand-chose sur son compte de la Chase-Manhattan. Sa mère, Laura Lee, une vraie « Southem Belle », prude et volon- taire, était la fille d'un pasteur méthodiste de Géorgie et nullement une descendante directe du général sudiste Robert E. -
Everything Lost
Everything Lost Everything LosT THE LATIN AMERICAN NOTEBOOK OF WILLIAM S. BURROUGHS GENERAL EDITORS Geoffrey D. Smith and John M. Bennett VOLUME EDITOR Oliver Harris THE OHIO STATE UNIVERSITY PRESS / COLUMBUS Copyright © 2008 by the Estate of William S. Burroughs. All rights reserved. Library of Congress Cataloging-in-Publication Data Burroughs, William S., 1914–1997. Everything lost : the Latin American notebook of William S. Burroughs / general editors: Geoffrey D. Smith and John M. Bennett ; introduction by Oliver Harris. p. cm. Includes bibliographical references. ISBN-13: 978-0-8142-1080-2 (alk. paper) ISBN-10: 0-8142-1080-5 (alk. paper) 1. Burroughs, William S., 1914–1997—Notebooks, sketchbooks, etc. 2. Burroughs, William S., 1914–1997— Travel—Latin America. I. Smith, Geoffrey D. (Geoffrey Dayton), 1948– II. Bennett, John M. III. Title. PS3552.U75E63 2008 813’.54—dc22 2007025199 Cover design by Fulcrum Design Corps, Inc . Type set in Adobe Rotis. Text design and typesetting by Jennifer Shoffey Forsythe. Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanance of Paper for Printed Library Materials. ANSI Z39.49-1992. 9 8 7 6 5 4 3 2 1 coNtents ACKNOWLEDGMENTS vii INTRODUCTION BY OLIVER HARRIS ix COMMENTS ON THE TEXT BY GEOFFREY D. SMITH xxvii NOTEBOOK FACSIMILE 1 TRANSCRIPT AND FAIR COPY (with notes and variant readings) 105 ABOUT THE EDITORS 217 acknoWledgments First and foremost, the editors wish to thank James Grauerholz, literary execu- tor of the William S. Burroughs estate, for permission to publish this seminal holograph notebook. -
NY ACKER Awards Is Taken from an Archaic Dutch Word Meaning a Noticeable Movement in a Stream
1 THE NYC ACKER AWARDS CREATOR & PRODUCER CLAYTON PATTERSON This is our 6th successful year of the ACKER Awards. The meaning of ACKER in the NY ACKER Awards is taken from an archaic Dutch word meaning a noticeable movement in a stream. The stream is the mainstream and the noticeable movement is the avant grade. By documenting my community, on an almost daily base, I have come to understand that gentrification is much more than the changing face of real estate and forced population migrations. The influence of gen- trification can be seen in where we live and work, how we shop, bank, communicate, travel, law enforcement, doctor visits, etc. We will look back and realize that the impact of gentrification on our society is as powerful a force as the industrial revolution was. I witness the demise and obliteration of just about all of the recogniz- able parts of my community, including so much of our history. I be- lieve if we do not save our own history, then who will. The NY ACKERS are one part of a much larger vision and ambition. A vision and ambition that is not about me but it is about community. Our community. Our history. The history of the Individuals, the Outsid- ers, the Outlaws, the Misfits, the Radicals, the Visionaries, the Dream- ers, the contributors, those who provided spaces and venues which allowed creativity to flourish, wrote about, talked about, inspired, mentored the creative spirit, and those who gave much, but have not been, for whatever reason, recognized by the mainstream. -
A Book Lover's Journey: Literary Archaeology and Bibliophilia in Tim
Verbeia Número 1 ISSN 2444-1333 Leonor María Martínez Serrano A Book Lover’s Journey: Literary Archaeology and Bibliophilia in Tim Bowling’s In the Suicide’s Library Leonor María Martínez Serrano Universidad de Córdoba [email protected] Resumen Nativo de la costa occidental de Canadá, Tim Bowling es uno de los autores canadienses más aclamados. Su obra In the Suicide’s Library. A Book Lover’s Journey (2010) explora cómo un solo objeto —un ejemplar gastado ya por el tiempo de Ideas of Order de Wallace Stevens que se encuentra en una biblioteca universitaria— es capaz de hacer el pasado visible y tangible en su pura materialidad. En la solapa delantera del libro de Stevens, Bowling descubre la elegante firma de su anterior dueño, Weldon Kees, un oscuro poeta norteamericano que puso fin a su vida saltando al vacío desde el Golden Gate Bridge. El hallazgo de este ejemplar autografiado de la obra maestra de Stevens marca el comienzo de una meditación lírica por parte de Bowling sobre los libros como objetos de arte, sobre el suicidio, la relación entre padres e hijas, la historia de la imprenta y la bibliofilia, a la par que lleva a cabo una suerte de arqueología del pasado literario de los Estados Unidos con una gran pericia literaria y poética vehemencia. Palabras clave: Tim Bowling, bibliofilia, narrativa, arqueología del saber, vestigio. Abstract A native of the Canadian West Coast, Tim Bowling is widely acclaimed as one of the best living Canadian authors. His creative work entitled In the Suicide’s Library. A Book Lover’s Journey (2010) explores how a single object —a tattered copy of Wallace Stevens’s Ideas of Order that he finds in a university library— can render the past visible and tangible in its pure materiality. -
BOW WINDOWS BOOKSHOP 175 High Street Lewes, Sussex, BN7 1YE
BOW WINDOWS BOOKSHOP 175 High Street Lewes, Sussex, BN7 1YE CATALOGUE ONE HUNDRED AND EIGHTY-EIGHT Literature, Biography, Bibliography, Classics, First Editions 1 - 122 Children's and Illustrated Books 123 - 158 Natural History, Geology, Science, Sport and Pastimes 159 - 199 Travel and Topography 200 - 261 The Arts, Architecture, Collecting 262 - 286 General Subjects, History, Theology, Militaria. 287 - 331 Telephone - +44 (0)1273 480 780 Fax - +44 (0)1273 486 686 Email - [email protected] Website - www.bowwindows.com You will find a large selection of our stock on our website, from where the catalogue can also be downloaded. We are always interested in buying books, from single volumes to large collections. Upper cover image - item 294 Lower cover image - item 17 NOTES ON BUYING FROM BOW WINDOWS BOOKSHOP Please contact us if any of the cataloguing points are unclear or if you would like more information or pictures by email. All books are collated and described as carefully as possible. Payment may be made by following methods: Cheque, drawn on a sterling account. Visa, MasterCard or debit card. Direct transfer to Account No. 40009652 at HSBC Bank, Eastbourne, sort code of 40-20-69. Our IBAN code is GB66 MIDL40206990010176; SWIFTBIC is MIDL GB22. Postage will be charged at cost. Orders from abroad will be sent by airmail unless specified otherwise. Orders may be placed by telephone, email, fax or letter. Our normal shop hours are 9.30 a.m. to 5 p.m. Monday to Saturday inclusive, and an answerphone operates outside of these times. Ric Latham and Jonathan Menezes LITERATURE FIRST EDITIONS, CLASSICS, BIOGRAPHY 1. -
Snedeker: "Closing Time"
Closing Time George Snedeker In his novels, William Burroughs constructs a complex mythological structure. The tropes of evolution and religion are central to novels like Nova Express and The Western Lands. In this essay, I will argue that these novels are political/philosophical representations of contemporary society. Burroughs moves concrete political conflicts to the plane of metatheoretical reflections by means of the construction of grand mythological frameworks. He rarely ever addresses politics directly. Instead, he offers movie-like narratives that the reader is forced to reconnect to everyday reality. Both the cut-ups and his fragmented narratives try to force the reader into the work of reconstructing the existential field of action. There are no blueprints or programs for action to guide our struggles in his novels. Burroughs' radicalism was a radicalism of the imagination. He tried to revive the capacity to dream and imagine alternative worlds, not to get stuck in this highly corrupt universe of thought. How does one think his/her way out of a prisonhouse of language and the symbolic order of domination? This is why there is so much emphasis on individual and collective struggles for personal liberty in his novels. I will argue that Burroughs understood the quest for freedom in both quotidian and global terms. In books like The Wild Boys, Cities of the Red Night and The Place of Dead Roads there is a clear attempt to formulate a collective struggle against the cosmic and social forces of evil. In The Wild Boys, this struggle takes the form of the politics of the imaginary. -
Abstract Art, 29 Abstract Writing, 29, 31, 43, 81, 83, 84, 160
Index Abstract art, 29 254, 260 Abstract writing, 29, 31, 43, 81, 83, Authorship, 2, 30, 43, 47, 62, 65, 109, 84, 160 121, 143, 144, 158, 59, 197, Abstraction, 82, 158 201, 207, 209, 221, 223 Acker, Kathy, 3, 4, 18, 131, 149, 151- Author Function, 7, 27, 56, 57, 206, 197, 199, 207, 209, 210n, 211, 223 218, 219, 222, 225, 230, 232, Authority, 43, 48, 86, 128, 142, 152, 238, 241, 242-243, 250, 251, 167, 243, 250 253, 261 Automatic Writing, 6, 25, 77 and antagonism, 152, 164 Avant-bard, 205-206 biographical details, 151-153, Avant-garde, 4-5, 7, 8, 9, 11, 12-13, 160, 162 17-18, 22-23, 26, 38, 42, 47, 65, and censorship, 167, 188 67, 68, 70, 83, 152, 153, 156, critical reception, 164-165 163, 165, 182, 202-205, 213- and identity, 153n, 163-164 214, 216, 223, 226, 237, 249, influences, 151, 153, 155-156, 251, 252-253, 260, 265 181-182 Ballard, J.G., 70 and plagiarism, 153-154, 157- Balch, Anthony, 58, 63-65, 99, 125, 160, 163, 170, 180-181, 191, 161 193, 196 Barthes, Roland, 11, 15, 38, 40, 100- and tattoos, 190 101, 243, 263 Ah Pook is Here (Burroughs), 116, Beach, Mary, 70, 74, 75, 76, 106 121, 125-126, 127, 130, 145 Beach Books, Text and Documents, Allen, Richard, 200, 205, 218-220, 70, 73, 75 223-224, 226 Beat Generation, 1, 2, 22, 27, 71, 76, Anti-Oedipus, 168-169 88, 91, 159, 204 Antin, David, 163 Beckett, Samuel, 4, 208, 240 Anti-novel, 208, 228, 229, 238, 243 Beiles, Sinclair, 27-28, 47, 70, 234 Appropriation, 13-14, 95, 108, 156, Belle de Jour, 201, 246 160, 162, 163, 165, 175, 183, Bergson, Henri, 219 184, 189, 195, 198, 205, 210, -
Tomberg Rare Books Corrected Proof
catalog one tomberg rare books CATALOG ONE: Rare Books, Mimeograph Magazines, Art & Ephemera PLEASE DIRECT ORDERS TO: tomberg rare books 56 North Ridge Road Old Greenwich, CT 06870 (203) 223-5412 Email: [email protected] Website: www.tombergrarebooks.com TERMS: All items are offered subject to prior sale. Please email or call to reserve. Returns will be accepted for any reason with notification and within 14 days of receipt. Payment is expected with order and may be made by check, money order, credit cards or Paypal. Institutions may be billed according to their needs. Reciprocal courtesies to the trade. ALL BOOKS are first edition (meaning first printing) hardcovers in original dust jackets; exceptions noted. All items are guaranteed as described and in very good or better condition unless stated otherwise. Autograph and manuscript material is guaranteed and may be returned at any time if proven not to be authentic. DOMESTIC SHIPPING is by USPS Priority Mail at the rate of $9.50 for the first item and $3 for each additional item. Medial mail can be requested and billed. INTERNATIONAL SHIPPING will vary depending upon destination and weight. Above: Item 4 Left: Item 19 Cover: Item 19, detail 1. [Artists’ Books]. RJS & KRYSS, T.L. DIALOGUE IN PALE BLUE Cleveland: Broken Press, 1969. First edition. One of 200 copies, each unique and assembled by hand. Consists entirely of pasted in, cut and folded blue paper constructions. Oblong, small quarto. Stiff wrappers with stamped labels. Light sunning to wrappers, one corner crease. Very good. rjs and tl kryss were planning on a mimeo collaboration but the mimeograph broke, leaving them with only paper. -
Encenação Pandaemonium Germanicum
Pandaemonium Germanicum. Revista de Estudos Germanísticos E-ISSN: 1982-8837 [email protected] Universidade de São Paulo Brasil Korfmann, Michael Imperium (2012) de Christian Kracht e a questão da auto(r)encenação Pandaemonium Germanicum. Revista de Estudos Germanísticos, vol. 17, núm. 23, 2014, pp. 83-99 Universidade de São Paulo São Paulo, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=386641450007 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto 83 Korfmann, M. - Imperium (2012) de Christian Kracht Imperium (2012) de Christian Kracht e a questão da auto(r)encenação [Christian Kracht’s novel Imperium and the question of self-enactment ] Michael Korfmann1 Abstract: This paper aims to analyze the novel Imperium by Christian Kracht (2012) within the long tradition of self-enactments of writers and artists in general as a constitutive element of the aesthetic field. Concerning Kracht, this is done first in the narrative text itself as a literary enactment with all its facets and second in Kracht’s bewildering media appearances where his literary writings, in itself dubious, are once more rearranged, put in doubt or enriched. This procedure thus generates uncertainties, ambiguities and disfigurements that are the hallmark of Kracht in the contemporary literary universe. Keywords: Kracht; Imperium; self-enactment; contemporary literature Resumo: O artigo objetiva abordar o romance Imperium de Christian Kracht (2012) dentro da longa tradição estética de autoencenações de escritores e artistas em geral. -
FMCSA DOT Medical Examiner Handbook
Federal Motor Carrier Safety Administration (FMCSA) Medical Examiner Handbook Table of Contents Introduction .................................................................................................................................................. 7 Part I – The Federal Motor Carrier Safety Administration (FMCSA) ............................................................ 8 About the FMCSA .................................................................................................................................... 8 FMCSA Mission Statement .................................................................................................................. 8 About the Office of Medical Programs ..................................................................................................... 8 The Office of Medical Programs Mission Statement ............................................................................ 8 About the National Registry of Certified Medical Examiners ................................................................... 9 The National Registry of Certified Medical Examiners Mission Statement .......................................... 9 The Medical Examiner ......................................................................................................................... 9 Medical Certification ........................................................................................................................... 10 Privacy and the Medical Examination ...................................................................................................