Sale 475 Thursday, March 15, 2012 11:00 AM

Fine Literature & Fine Books in All Fields

Auction Preview Tuesday March 13, 9:00 am to 5:00 pm Wednesday, March 14, 9:00 am to 5:00 pm Thursday, March 15, 9:00 am to 11:00 am

Other showings by appointment

133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE

PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/ realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information.

IMAGES AT WWW.PBAGALLERIES.COM

All the items in this catalogue are pictured in the online version of the catalogue at www. pbagalleries.com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale.

CONSIGN TO PBA GALLERIES

PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. There is no charge for appraisals of items intended for auction, and we accept both individual items, as well as, entire collections and estates. Please contact Bruce MacMakin for more information at [email protected]

BOOK APPRAISALS AT PBA GALLERIES

PBA Galleries now holds regularly scheduled book appraisals at our Kearny Street Gallery. Save the first Tuesday of each month to bring your books, manuscripts, maps, photographs and prints to the PBA Galleries’ Appraisal Events. Though no appointment is necessary, please call to let us know if you will be attending. The verbal appraisals are free. Join us from 11:00 a.m. to 6:00 p.m., at PBA Galleries, 133 Kearny St., Preview & Auction Gallery, Fourth Floor, San Francisco (between Post and Sutter Streets).

GET ON THE PBA EMAIL MAILING LIST

PBA Galleries sends out notices of our auctions, schedule updates, sale highlights and other information via email. To be placed on this mailing list, email us at [email protected]

RECEIVE NOTIFICATION OF YOUR SPECIFIC WANTS

At the PBA Galleries website, you can sign up for CATEGORY WATCH, and receive email notification when books or other items in your areas of interest are coming up for auction, or for individual titles or books by specific authors. Go to www.pbagalleries.com.

PBA WILL PACK AND SHIP YOUR ITEMS TO YOU

PBA Galleries has a full-service shipping department, and will pack and ship items to you that you purchase at auction upon payment. The preferred method of shipping is United Parcel Service, and added charges will apply for use of other services.

NOTE: MOST LOTS OFFERED IN THIS SALE HAVE A MINIMUM RESERVE OF ONE HALF OF THE PRESALE LOW ESTIMATE. SOME LOTS HAVE HIGHER RESERVES, BUT ALWAYS BELOW THE LOW ESTIMATE. Administration Roger Wagner, Chairman Scott Evans, President Shannon Kennedy, Vice President, Client Services Angela Jarosz, Administrative Assistant Megan Hipsley, Shipping Clerk

Consignments, Appraisals & Cataloguing Bruce E. MacMakin, Senior Vice President George K. Fox, Vice President, Market Development & Senior Auctioneer Gregory Jung, Senior Specialist Erin Escobar, Specialist

Marketing Maureen Gross, Vice President of Marketing

Photography & Design Chad Mueller, Photographer

Spring Auctions, 2012

March 15, 2012 - Fine Literature and Books in All Fields

March 29, 2012 - Americana - Travel - Cartography

April 12, 20112 - Fine & Rare Books

Schedule is subject to change. Please contact PBA or pbagalleries.com for further information. Consignments are being accepted for the 2011 Auction season. Please contact Bruce MacMakin at [email protected].

Front Cover: Lot 221 Back Cover: Clockwise from upper left: Lots 201, 193, 289, 410 Bond # 14425383

Section I: Fine Literature, Lots 1-226

Section II: Fine Books in All Fields, Lots 227-446

Section I: Fine Literature

1. Anderson, Sherwood. Dark Laughter. Quarter paper vellum and black boards, spine lettered in black, front cover lettered in red, page edges untrimmed. No. 136 of 350 hand-numbered copies. First Edition. New York: Boni & Liveright, 1925 Signed by the author on the limitation page. Slight rubbing to spine; near fine. (200/300)

2. Anderson, Sherwood. Many Marriages. Dark blue cloth lettered in orange, jacket. First Edition. Rye, New York: B.W. Huebsch, 1923 Signed by the author on the half-title. Spine ends and corners chipped, head well so, ¼x1” piece missing from rear panel; very faint stain to front cover, light offset to endpapers, near fine in very good jacket. (200/300)

3. Angelou, Maya. I Know Why the Caged Bird Sings. Black cloth, lettered in gilt, jacket. First Edition. New York: Random House, [1969] Jacket edge worn; minor wear to volume; very good. (200/300)

4. (Black Sparrow Press) Cooney, Seamus. A Checklist of the First One Hundred Publications of the Black Sparrow Press. Introduction by Robert Kelly. Cloth-backed boards, acetate jacket. No. 76 of 200 copies. First Edition. Los Angeles: Black Sparrow Press, 1971 Signed by both Cooney and Kelly, as issued. The scarce first bibliography of the press. Fine. (200/300)

5. (Black Sparrow Press) Five volumes published by the Black Sparrow Press. Includes: Owens, Rochelle. Salt & Core. No. 93 of 150 copies. 1968. * Posner, David. The Dialogues. No. 99 of 150 handbound hardcover copies numbered and signed by the poet.1969. * Bowles, Jane. Out In The World: Selected Letters of Janes Bowles 1935-1970. Edited by Millicent Dillon. Copy K of 26 lettered copies handbound in boards and signed by the editor. 1985. * Fante, John West of Rome: Two Novellas. One of 400 hardcover trade copies. 1986. * Wieners, John. Selected Poems 1958-1984. Edited by Raymond Foye. Foreword by Allen Ginsberg. No. 32 of 200 numbered copies handbound in boards and signed by John Wieners, Raymond Foye and Allen Ginsberg. 1986. Together, 5 volumes. Cloth &/or boards. First Editions. Los Angeles & Santa Barbara: Black Sparrow Press, Various dates Near fine to fine condition. (200/300) Page 1 FIRST AMERICAN EDITION 6. [Bronte, Emily]. Wuthering Heights. 288 pp. BOUND AFTER: Warren, Samuel. Now and Then. 290 pp. NY: Harper & Brothers, 1848. 2 volumes bound together. (12mo) 18x11 cm. (7x4½”), modern full green levant morocco ruled in gilt, spine tooled & lettered in gilt, raised bands, marbled endpapers. New York: Harper & Brothers, 1848 First American Edition of Emily Bronte’s Wuthering Heights, published the year after the very rare London edition. The author is wrongly identified on the title-page as being that of “Jane Eyre”. Jane Eyre had also been published first in 1847 and was immediately successful, leading to some speculation that Wuthering Heights was an earlier work by “Currer Bell” (i.e. Charlotte Bronte). The sisters did not acknowledge their identities to their American publishers until later. Dampstained throughout and intermittent foxing; handsome modern binding. (2000/3000)

ORIGINAL RECORDING OF CHARLES BUKOWSKI 7. Bukowski, Charles. Original reel-to-reel recordings of “90 Minutes in Hell”. Two seven inch reels of audio recording tape, in generic white boxes. [Hollywood]: 1966 In 1966, Santa Monica poet and bookstore owner Steve Richmond dropped off a tape recorder and some blank tapes at Charles Bukowski’s Hollywood apartment. Bukowski recorded 90 minutes of his poetry onto two reel-to-reel tapes and gave them to back to Richmond. In 1977, Steve Richmond finally issued a 2-record LP set of this recording session - “90 Minutes in Hell.” The records were released under Richmond’s bookstore name, Earth Books, in Santa Monica. In approximately 1990, Steve Richmond sold the two original tapes to Water Row Books and the idea came up to re-issue the LP set. The tapes’ boxes were labeled at Water Row Books and were sent to the professional recording studio, Blue Jay Studios, in Carlisle, Massachusetts, to validate the contents and condition of the tapes. These master tapes were found to be in good condition to use to re-issue the LP set but plans for the reissue fell through and these tapes resided in the Water Row warehouse for over twenty years. There are two individual reel-to-reel tapes, each contained in a separate white generic box. One box has the notation “Side 1 & 2” and the other box has “Side 3 & 4” - both notations written by Steve Richmond. On each box there is also a label and stamp with Water Row Books address information and a written label: Charles Bukowski 90 Minutes in Hell #1 and Charles Bukowski 90 Minutes in Hell #2. Both boxes have minor soiling, slight age wear, and some foxing; both of the 7-inch ¼” reel-to-reel tapes appear in fine condition, the sound quality and condition of both tapes was verified by a professional sound engineer at Blue Jay Studios in 1990. The sound engineer did make one CD-R transfer of each of the original tapes, these two CD-Rs are included. (700/1000)

8. Bukowski, Charles, Neeli Cherry & Paul Vangelisti (editors). Anthology of L.A. Poets. With black and white group photo of the poets, including Bukowski. 8vo. Printed wrappers. First Edition. [Los Angeles]: Laugh Literary / Red Hill Press, 1972 Poets include Bukowski, Gerald Locklin, Jack Hirschman, etc. A touch of wear; near fine. (100/150)

9. Bukowski, Charles. At Terror Street and Agony Way. [6], 89 pp. With embossed facsimile Bukowski letter at front and rear, as issued. 8vo. Red wrappers, white card-stock paper cover label lettered in black. First Edition, Second Issue. One of 747 copies. Los Angeles: Black Sparrow Press, 1968 Krumhansl 27b. Light wear to wrapper edges; near fine (300/500)

Page 2 10. Bukowski, Charles. Barfly. Red cloth-backed black boards, paper spine label, acetate cover. No. 149 of 200 copies. First Edition. Ontario, Canada & Santa Barbara: The Paget Press, [1984] Signed by Bukowski on tipped-in leaf facing colophon. Krumhansl 90.c. Light wear to jacket; bottom edge of boards rubbed; near fine. (300/500)

11. Bukowski, Charles. The Movie: “Barfly”. Illustrated from photos. 8vo. Decorative black cloth (with white patterns)-backed pictorial boards, paper spine label, acetate cover. Copy 114 of 400 numbered copies. First Edition. Santa Rosa: Black Sparrow Press, 1987 Signed by Bukowski in the colophon. Krumhansl 103.c. Minor shelf wear to bottom edge of boards, dust spotting to top edge of page block; near fine. (200/300)

12. Bukowski, Charles and Sheri Martinelli. Beerspit Night and Cursing: The Correspondence of Charles Bukowski and Sheri Martinelli, 1960-1967. 380, [2] pp. Patterned cloth-backed pictorial boards, paper spine label, clear acetate jacket. No. 469 of 526 copies. First Edition. Santa Rosa: Black Sparrow Press, 2001 With an original serigraph print by Bukowski inserted at front. Fine (150/200)

13. Bukowski, Charles. Bone Palace Ballet: New Poems. (8vo) cloth-backed boards, acetate jacket. No. 139 of 400 numbered copies. Santa Rosa: Black Sparrow Press, 1997 With an original serigraph print by Bukowski inserted at front. Fine. (100/150)

RARE PORTFOLIO OF BUKOWSKI PHOTOGRAPH BY MICHAEL MONTFORT 14. Bukowski, Charles. Carlton Way Suite. Twelve Photographs of Charles Bukowski by Michael Montfort. Twelve original gallery quality black & white photographs taken by legendary Bukowski photographer Michael Montfort, 16x20”. Each photograph is signed in black by both Charles Bukowski and Michael Montfort and lettered “B” (one with a small man with bottle drawing by Bukowski). The photographs are enclosed in the protective black plastic bag as issued and housed within a black tied portfolio case with the original printed / inked label on green card stock. Copy “B” of 2 copies (with only 5 total ever produced). First Edition. [Los Angeles]: [Privately produced by the photographer], 1982 The rare Carlton Way Suite deluxe photo portfolio set of Bukowski in various settings in Los Angeles / San Pedro, including: pumping gas in his VW bug, one driving with cigarette, a few at home, one in his room tossing clothes around, one petting a cat, one at typewriter eating, carrying laundry, two at graveyard (one he is lying down, other in front of headstone “Beers”), etc. Cover label states this is copy “B” of a limited edition of 26 copies, but in fact only 2 were originally produced. In 1982, Michael Montfort made just the two sets due to the expensive production costs involved. One is marked copy “A” and the other (this copy) copy “B”. Some years later, a similar portfolio was produced in a limitation of 3 further copies, which would be considered the second edition, with slight production differences with red ink signatures, etc. A very scarce and important Bukowski item. Fine. (12000/18000) You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 3 15. Bukowski, Charles. Cold Dogs in the Courtyard. Original decorative tan saddle stitched wrappers, printed in black. One of 500 copies. First (and only) Edition. [Chicago]: [Literary Times-Cyfoeth], [1965] Scarce and early Bukowski chapbook, before his Black Sparrow Press days. Krumhansl 16. A few light stains to wrappers; very good. (200/300)

16. Bukowski, Charles. Confessions of a Man Insane Enough to Live with Beasts. [47], [5 (blank)] pp. Mimeographed text on various colored paper. 21.5x13.5 cm. (8½x5½”), original saddle stitched pictorial light pink wrappers. One of 500 copies. First Edition. Bensenville, IL: Mimeo Press / Publishers of Ole, 1965 Bukowski’s first book of prose. Dorbin A8; Krumhansl 17. Fine. (300/500)

Lot 14

Page 4 ONE OF ONLY 125 COPIES 17. Bukowski, Charles. The Curtains are Waving and People Walking Through the Afternoon Here and in Berlin and in New York City and in Mexico. [9] pp. 6x6, original saddle-sewn tan- brown wrappers, front lettered in black and blue-gray. No. 91 of 125 copies (3 of which were not for sale) printed by Graham Mackintosh on Fabriano paper. First Edition. Los Angeles: Black Sparrow Press, 1967 Signed by Bukowski in the colophon and with a sketch of four little men on facing page. Scarce early and sought after Bukowski title. Krumhansl 26. Fine. (1500/2000)

18. Bukowski, Charles. A Depressive State of Affairs for Kings, Witches and Elevator Boys. [In] 4 Poets, Synaesthesia Press Chapbook #2. Wrappers. No. 7 of 11 “Special Copies”. [Tempe, AZ]: Synaesthesia Press, [1995] Bound in variant covers and with a facsimile manuscript of “The House of Horrors” by Charles Bukowski tipped in. A letter from the publisher Jim Camp to Bookseller Jeffrey Weinberg laid in. Fine. (150/200)

19. Bukowski, Charles and Steve Richmond. The Earth Rose 1: Fuck Hate. 4 pages on a folded sheet. 43x28 cm. (17x11”). Santa Monica: Earth Rose, 1966 Includes Bukowski’s poem “Freedom” as well as contributions by Steve Richmond and John Buckner. Published by Steve Richmond, leading to obscenity charges and arrest in Santa Monica for the him. This copy is signed by both Bukowski and Richmond. Most copies encountered are signed by Steve Richmond only. Light edge wear, a few short tears; very good. (400/600)

20. (Bukowski, Charles) Tullos, Will and Evelyn Thorne. Epos: A Quarterly of Poetry - Five issues with contributions by Charles Bukowski. Includes issues from Summer 1961, Fall 1962, Summer 1963, Spring 1965, & Summer 1965. All in original wrappers. Crescent City, Florida: 1961-1965 Each volume includes contributions by Charles Bukowski. Some light wear and soiling; very good or better. (250/350)

21. Bukowski, Charles. Ham on Rye. Cloth-backed decorative boards, paper spine label, original acetate cover. No. 14 of 350 hand-numbered copies. First Edition. Santa Barbara: Black Sparrow Press, 1982 Signed by Bukowski at the colophon. Bukowski’s retelling of his childhood and considered by many to be one of his greatest works. Krumhansl 74.d. Spine leaning and slightly faded; dust spotting to top edge of page block; very good or better. (500/800)

22. Bukowski, Charles. Hollywood - Uncorrected Proof, Number 3 of 10. 272 leaves. Printed on rectos only. 11x8½”, spiral bound. “Uncorrected Manuscript” proof copy. Santa Rosa: Black Sparrow Press, 1989 Signed by Bukowski on title leaf, numbered 3/10 and initialed by John Martin at upper corner of title leaf. Rare. Some light wear; very good. (400/700)

Page 5 TYPESCRIPT COPY OF A BUKOWSKI MAGAZINE APPEARANCE 23. Bukowski, Charles. I Meet The Master - Copy of original typescript. 24 photocopied pages of original corrected typescript, paper clipped. Some of the corrections appear to be in the photocopy and a few appear to be holograph corrections. 11x8½”, enclosed in a large manila envelope with Bukowski’s return address in San Pedro and with the address of the recipient, underground comix legend and artist, S. Clay Wilson in San Francisco. There is a large circle in red ink around Wilson’s address in Bukowski’s hand with message: “Return c/o Dick’s If Not Home.” San Pedro, CA: [1984] Typescript copy of Bukowski’s story about his hero and fellow writer, John Fante, published in OUI magazine, in two parts, in the December 1984 and January 1985. The artwork that accompanied the published story in OUI was by S. Clay Wilson, to whom the envelope is addressed. The story was later collected in Portions from a Wine-Stained Notebook: Uncollected Stories and Essays, 1944-1990 (2008). A touch of wear; near fine. (700/1000)

24. Bukowski, Charles. Love is a Dog from Hell. 8vo. Light purple corduroy-backed pictorial boards, paper label, acetate cover. No. 242 of 300 copies. First Edition. Santa Barbara: Black Sparrow Press, 1977 Signed by Bukowski in the colophon. Krumhansl 60.c. Spine a touch faded, dust stain to top edge of page block; near fine. (300/500)

25. Bukowski, Charles. Love is a Dog From Hell. (8vo) tan wrappers, paper label on front. Advance Review Copy. Santa Barbara: Black Sparrow Press, 1977 Light soiling to wrappers; near fine. (100/150)

26. Bukowski, Charles. A New War. (8vo) boards, plain paper jacket. Copy ‘Z’ of 26 lettered copies. First Edition. Santa Rosa: Black Sparrow Press, 1997 Issued as the Black Sparrow Press New Year’s Greeting for 1997. Fine. (150/200)

27. Bukowski, Charles. The Night Torn Mad with Footsteps: New Poems. With original color silkscreen by Buk tipped in at front. (8vo), cloth-backed boards, acetate dust jacket. First Edition. Santa Rosa: Black Sparrow Press, 2001 A posthumous work of previously uncollected poems. One leaf (pp.79/80) diagonally creased and with a short tear at edge; very good. (100/150)

28. Bukowski, Charles. Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit. (8vo) yellow wrappers with paper label on front. Advance Review Copy. Santa Barbara: Black Sparrow Press, 1979 Minor wear; near fine. (100/150)

Page 6 29. Bukowski, Charles. Poems Written Before Jumping Out an 8 Story Window. 8vo. Pictorial light blue wrappers. Second printing. [Salt Lake City]: Litmus, [1975] Expanded edition with added letters from Bukowski to publisher Charles Potts. Just a touch of edge wear; erasure on front flyleaf; near fine. (150/200)

30. Bukowski, Charles. The Roominghouse Madrigals. (8vo), yellow cloth-backed pictorial boards, paper spine label, acetate cover. No. 50 of 400 copies. First Edition. Santa Rosa: Black Sparrow Press, 1988 Signed by Bukowski at the colophon. Krumhansl 108.c. Bottom edge lightly rubbed, dust spotting to top edge of page block; near fine. (300/500)

31. Bukowski, Charles. Run with the Hunted: A Charles Bukowski Reader. [8], 497 pp. Edited by John Martin. 8vo. Cloth-backed boards, acetate jacket. Copy No. 59 of 300 numbered copies. First Edition. [New York]: HarperCollins, [1993] Signed by Bukowski at the limitation and with his typical sketch of the little man and bottle. There were also 26 lettered copies. Title page imprint states “HarperCollins” but imprint on front cover is “Black Sparrow Press.” A few small spots to edges of page block; near fine. (200/300)

32. Bukowski, Charles. Stories und Romane. Das ausbruchsichere Paradies. Faktotum. Der Mann mit der Ledertasche. Anmerkungen eines Dirty Old Man. 810, [2] pp. Text in German, translated by Carl Weissner. Frontispiece portrait from photograph by Joan Levine. Blue cloth stamped in orange, acetate wrapper, slipcase. First Edition in German. Frankfurt, Germany: Zweitausendeins, 1977 Signed by Bukowski on the title-page. Carl Weissner’s translations of Post Office, Factotum, South of No North, and Notes of a Dirty Old Man. It also contains the first appearance in book form of the story “Bop, Bop Against That Curtain,” which was illustrated by R. Crumb and originally appeared in Arcade Magazine in 1975. Fine in very good or better slipcase. (200/300)

RARE PIRATED EDITION OF BUKOWSKI’S FIRST PUBLISHED WORK 33. Bukowski, Charles. 20 Tanks From Kasseldown - Baroque Bookshop Pirated Edition. Broadside. 43x28 cm. (17x11”). Number 15 of 25 copies. Signed by Bukowski. [Hollywood]: [Baroque Bookshop], No date A pirated edition of Bukowswki’s first published work. Produced, with Bukowski’s assistance, by Red Sodofsky, proprietor of the Baroque Bookshop in Hollywood. Originally published in 1946 in Black Sun Portfolio III. Fine. (400/600)

34. Bukowski, Charles. 2 Poems. [4] pp. 21.3x13.5 cm. (8¼x5½”), brown wrappers. No. 68 of 96 numbered copies. [Los Angeles]: [Black Sparrow Press], [1967] Signed on colophon by Bukowski. Krumhansl 25. A few small spots on rear wrapper; near fine. (400/700)

Page 7 35. Bukowski, Charles. Thirteen volumes of works by Bukowski in languages other than English. Includes: Die Ochsentour. With photos by Michael Montfort. Germany, [1980]. * Svastica. Italy, 1994. * Nicht Mit Sechzig, Honey. Germany, 1986. * Nouveaux Contes de la Folio Ordinaire. France, [1982]. Misto Quente: A Juventure de Henry Chinaski. Brasil, 1985. * Faktotum. Sweden, [1979]. * Badkarsmusik. Sweden, [1984]. * Post Office. Italy, [1981]. * Factotum. Italy, [1981]. * Shakespeare Non L’Avrebbe Mai Fatto. Italy, [1982]. * Das Schlimmste Kommt Noch Oder Fast Eine Jugend. Germany, 1983. * Der Mann mit der Lederstasche Post Office. Germany, [1982]. * La Senda del Perdedor. Spain, 1985. * Eine Kinoreklame in der Wuste. Cloth, dust jacket. Germany, 1982. Together 14 volumes, all but the final volume in the original wrappers. Various places: Various dates Fine. (200/300)

THE ESSENTIAL BUKOWSKI REFERENCE BOOKS 36. (Bukowski, Charles) Dorbin, Sanford. A Bibliography of Charles Bukowski. With the tipped-in facsimile frontispiece of Bukowski’s rare broadside “His Wife, The Painter.” (8vo) linen-backed boards, paper spine label, acetate jacket. No. 274 of 350 copies. First Edition. Los Angeles: Black Sparrow Press, 1969 Signed by Charles Bukowski and Sanford Dorbin in the colophon. Small “Compliments of the Author slip laid in. Bukowski’s important first bibliography. Fine. (200/300)

37. (Bukowski, Charles) Krumhansl, Aaron. A Descriptive Bibliography of the Primary Publications of Charles Bukowski. Cloth-backed boards, acetate jacket. No. 307 of 750 copies. First Edition. Santa Rosa: Black Sparrow Press, 1999 Broadside poem, “Crime & Punishment”, laid in, as issued. Fine. (100/150)

38. (Bukowski, Charles) Barker, David. Charles Bukowski Spit in My Face - One of 10 copies with a watercolor. Full-page illustration by the author. Wrappers. First Edition. Salem, Oregon: 1982 One of only 10 copies with an original water color drawing by David Barker, this being copy number 2. Signed by Barker on the drawing and at the limitation statement. Fine. (150/250)

39. Burroughs, John. “Waiting” - manuscript poem signed by John Burroughs. Six stanzas of 4 lines each, handwritten in ink by Burroughs, signed at the bottom. On sheet 23x14 cm. (9x5½”), matted and framed under glass with a photogravure portrait of Burroughs, overall 32x37.5 cm. (12½x14½”). No place: No date One of the naturalist/author’s better known poems, beginning “Serene, I fold my hands and wait...”. Near fine, not examined out of frame. (400/600)

Page 8 ONE OF 133 COPIES SIGNED BY BURROUGHS AND GYSIN 40. Burroughs, William S. The Cat Inside. Illustrations from ink paintings by Brion Gysin. (Folio) vellum-backed boards, spine lettered in silver. No. 52 of 133 copies printed by the Grenfell Press on J. Green paper. New York: Grenfell Press, 1986 Signed by Burroughs and Gysin in the colophon. The final collaboration between Burroughs and Gysin, signed by Gysin shortly before his death. Prospectus laid in. Vellum lightly spotted, fine. (2000/2500)

41. Burroughs, William S. Ghost of Chance. Pictorial boards, slipcase. No. 111 of 125 copies. First Edition from this publisher. New York / London: High Risk Books, [1991] Originally published by the Whitney Museum. Signed by Burroughs on the title page. A touch of wear to slipcase; fine. (250/350)

42. Burroughs, William S., with Brion Gysin, Sinclair Beiles, & Gregory Corso. Minutes to Go. Blue paper wrappers. First Edition. [Paris]: Two Cities Editions, [1960] Spine sunned, light wear; near fine. (250/350)

43. Burroughs, William S. The Seven Deadly Sins. With frontispiece photo of Burroughs aiming a shotgun taken by Robert Mapplethorpe. Several color reproductions of Burroughs’ paintings, illustrating the “seven deadly sins,” plus text by Burroughs. (Small folio) black cloth, with a thin plywood “shotgun” painting by Burroughs affixed on the front cover, lettered in gilt and red. First Trade Edition. New York: Lococo - Mulder, [1992] Light wear to cloth; very good. (150/200) Lot 40 44. Burroughs, William S. & Charles Gatewood. Sidetripping. Illustrations from photographs. (4to) wrappers. First Edition. [New York]: [Strawberry Hill Books], [1975] Signed by Charles Gatewood. Corners lightly bumped. light wear; very good. (100/150)

45. Burroughs, William S. & Brion Gysin. The Third Mind. White wrappers. “Unrevised and unpublished proofs”. New York: Viking Press, [1978] Scarce. Some soiling to white paper wrappers; very good. (250/350)

Page 9 46. (Cahill, James, publisher) Eight volumes published by James Cahill. Includes: Crumley, James. The Mexican Tree Duck. Slipcase. No. 2 of 150 signed & numbered copies. 1st edition, preceding trade edition by 1 month. 1993. * Powers, Tim. The Skies Discrowned. Afterword by James P. Blaylock. Color frontispiece by Phil Parks. Jacket. Presentation copy of 300 copies by the Powers, Blaylock & Parks. 1st hardcover edition. * Butler, Robert Olen. They Whisper. Slipcase. No. 2 of 150 copies signed by the author. 1st signed/limited edition. 1993. * Block, Lawrence. The Specialists. Jacket, slipcase. No. 5 of 200 specially bound copies signed by the author. 1st edition. 1996. * Cussler, Clive. Pacific Vortex! Jacket. 1st limited trade hardcover edition. 2000. * White, Randy Wayne. Twelve Mile Limit. 2 copies. Slipcases. Nos. 52 and 82 of 600 specially bound copies signed by the author. 1st signed/limited edition, simultaneous with the 1st trade hardcover edition. 2002. * Cussler, Clive & Craig Dirgo. The Sea Hunters 2: More True Adventures with Famous Shipwrecks. Slipcase. No. 112 of 600 specially bound copies signed by the author. 1st signed/limited edition. 2002. Together, 6 volumes. Hardcover. Huntington Beach & Aliso Viejo, CA: James Cahill Publishing, Various dates All in fine condition. (400/600)

47. Capote, Truman. Breakfast at Tiffany’s. Yellow cloth, dust jacket. First Edition. New York: Random House, [1958] Basis for the classic 1961 Blake Edwards film starring Audrey Hepburn. Jacket with “10/58” date code on the front flap. Jacket spine faded, as usual, slight chips at head, rubbing at foot; a few light fox marks to front cover, darkened patches to front endpapers from removed label; very good or better in like jacket. (600/900)

48. Capote, Truman. The Grass Harp. Illustrated double title page. Beige linen, dust jacket. First Edition, First Printing. New York: Random House, [1951] Author’s fourth book. First printing with rough linen binding. Jacket price clipped, light soiling and edge wear; label residue on rear endpaper; near fine in a very good jacket. (200/300)

49. Cary, Joyce. The African Witch. Black cloth, dust jacket. First Edition. London: Victor Gollancz, 1936 Signed by the author on the title page. Jacket spine sunned, minor wear; fine in a near fine jacket. (150/250)

50. Clancy, Tom. The Hunt for Red October. Red cloth, dust jacket. First Edition. Annapolis, MD: Naval Institute Press, [1984] Clancy’s first, and still most famous, book. First state of the first edition, with 18 lines of print on the copyright page, no statement of edition with no series of numbers, no price on jacket, Clive Cussler review on rear jacket panel is the third review down, ISBN is on lower rear jacket panel and cloth cover. Jacket with faint foxing along spine, slight wear at spine ends and corners; volume with a touch of rubbing to spine ends and corners; near fine in like jacket. (200/300)

51. Clavell, James. Tai-Pan: A Novel of Hong Kong. Half cloth & boards, jacket. First Edition. New York: Atheneum, 1966 Presentation copy with full-page signed inscription on the front flyleaf from Clavell to Colonel Jack Gross, dated January 1967; autograph letter signed by Clavell to Gross laid in. Jacket with some minor soiling and wear; front hinge tender; very good in like jacket. (200/300)

Page 10 52. Cobb, Humphrey. Paths of Glory. Red cloth, dust jacket. First Edition. New York: Viking Press, 1935 The author’s only work. The basis for the 1957 film of the same name directed by Stanley Kubrick and starring Kirk Douglas, Adolph Menjou, George Macready, and Ralph Meeker. Minor wear to jacket; slight spine lean; near fine. (200/300)

53. Crais, Robert. Two volumes by Robert Crais. Includes: Stalking the Angel. [1989]. * Free Fall. [1993. Together, 2 volumes. Half cloth & boards, jackets. First Editions. New York: Bantam Books, [1989 & 1993] Two novels featuring Elvis Cole, a wisecracking Los Angeles private detective. Both in fine condition. (200/300)

54. Crews, Harry. Madonna at Ringside. 8vo. Red cloth, lettered in gilt. Number 31 of 275 copies. First Edition. Northridge, CA: Lord John Press, 1991 Signed by Crews on leaf at front. Fine. (200/300)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 11 SEVERAL LOTS OF R. CRUMB RARITIES 55. Crumb, R. The Complete Crumb Comics - Volumes 1-17. Volumes 1-17 plus 4 duplicate volumes. (4to) pictorial boards. First Editions, varying limitations, all signed by R. Crumb. Westlake Village, CA / Seattle: Fantagraphics Books, 1987-2005 Includes: Volume 1. October 1987. Early Years of Bitter Struggle. 1958-1962. Introduction by Marty Pahls. Copy # 001419. No notice of limitation. Volumes were number-stamped by hand in no special order. Signed by R. Crumb. Additionally Crumb has added inscription: “A 60’s Kinda Guy.” Few copies received extra inscription by Crumb. * Another copy of Volume 1, this volume is in special cloth on boards binding. One of 150 numbered copies signed by Crumb. This is copy #71. * Volume 2. May 1988. Some More Early Years of Bitter Struggle. 1959-1964. Introduction by Marty Pahls. Special Edition: One of 50 numbered copies signed by Crumb on a variant blue illustrated card. This is copy #47. * Another copy of Volume 2. One of 600 numbered copies signed by Crumb. This is copy #40. * Volume 3. 1988. Starring Fritz The Cat. 1960-1966. Introduction by Marty Pahls. One of 100 special numbered copies signed by Crumb on variant card with illustration of a guitar. This is copy #86. * Another copy of Volume 3. One of 50 special numbered copies signed by Crumb on a variant blue card. This is copy #32. * Another copy of Volume 3. One of 400 numbered copies signed by Crumb. This is copy # 92. * Volume 4. Dec 1988. Mr. Sixties. 1966-1967. Reproduces Zap #0 and Zap #1. One of 600 numbered copies signed by Crumb. This is copy #263. * Volume 5. 1990. Happy Hippy Comix. 1967-1969. One of 600 numbered copies signed by Crumb. This is copy #170. * Volume 6. 1990. On The Crest Of A Wave. Includes the notoriously X-Rated “Joe Blow” story. One of 600 numbered copies signed by Crumb. This is copy #12. * Volume 7. 1991. Hot ‘N Heavy. 1970-1971. One of 400 numbered copies signed by Crumb. This is copy # 283. * Volume 8. 1992. Featuring The Death of Fritz the Cat. 1972. One of 400 numbered copies signed by Crumb. This is copy #325. * Volume 9. 1992. R. Crumb Versus the Sisterhood. One of 400 numbered copies signed by Crumb. This is copy #395. * Volume 10. 1994. Crumb Advocates Violent Overthrow. One of 400 numbered copies signed by Crumb. This is copy #12. * Volume 11. 1995. Mr. Natural Commited Lot 55 To A Mental Institution!! One of 400 numbered copies signed by Crumb. This is copy #243. * Volume 12. 1996. We’re Livin’ in the “Lap o’ Luxury”! 1976-1979. One of 400 numbered copies signed by Crumb. This is copy #375. Crumb has also added the inscription: “It Beats Working at MacDonald’s I Guess.” * Volume 13. 1998. The Season Of The Snoid. 1976-1980. One of 300 numbered copies signed by Crumb. This is copy #257. * Volume 14. 2001. The Early ‘80s and Weirdo Magazine. Early 1980s. Features the earliest Weirdo Comics edited by Crumb. One of 250 numbered copies signed by Crumb. This is copy #118. * Volume 15. 2001. Featuring Mode O’Day and Her Pals. Mid-1980s. Introduction by Peter Bagge (cartoonist and previous editor of Weirdo). One of 300 numbered copies signed by Crumb. This is copy #185. * Volume 16. 2002. The Mid-1980s: More Years of Valiant Struggle. One of 300 numbered copies signed by Crumb. This is copy #108. * Volume 17. 2005. Cave Wimp, Mode O’Day, Aline ‘N’ Bob, R. Crumb Goes To The Academy Awards. One of 200 numbered copies signed by Crumb. This is copy #62. Together 21 volumes. All the books are in uniformly fine unread condition. (2000/2500) Page 12 56. Crumb, R. R. Crumb Sketchbook - Volume 1 through Volume 10. 10 volumes. (4to) cloth- backed pictorial boards. First Editions, varying limitations, all signed by R. Crumb. Seattle: Fantagraphics Books, 1992-2005 Rarely found complete. Volume 1. Over 150 pages of Crumb’s private sketchbooks. Volume 1 contains gorgeous selections circa 1964 to mid-1965. Subjects include portraits, landscapes, roughed out strips, studies for commercial work, and, of course, lotsa girls. One of 400 numbered copies signed by Crumb. This is copy #339. * Volume 2. Over 150 pages of Crumb’s private sketchbooks. Volume 2 contains gorgeous selections circa mid-1965 to early ‘66: portraits, landscapes, roughed out strips, studies for commercial work, and, of course, girls, girls, girls. One of 400 numbered copies signed by Crumb. This is copy #26. * Volume 3. These selections from 1966 include complete strips, a rough of “Keep on Truckin’,” parody covers and ads, portraits, still lifes, urban landscapes, and other scenes transformed by Crumb’s searching eye and obsessive pencil. One of 400 numbered copies signed by Crumb. This is #163. * Volume 4. One of 400 numbered copies signed by Crumb. This is #95. * Volume 5. Personally selected by the artist, these drawings include much material never seen before. Volume 5 covers 1967 and 1968, when Crumb was crowned King of the Undergrounds. See a world-famous artist at work, developing ideas. One of 400 numbered copies signed by Crumb. This is copy #169. * Volume 6. Countless gems rousted from Crumb’s imagination: hippies, city- scapes, girls, self-portraits, mock covers, social commentary, studies, fantasies and stylistic experimentation. These are the sparks that ignited the late ‘60s One of 300 numbered copies signed by Crumb. This is copy #121. * Volume 7. One of 400 numbered copies signed by Crumb. This is copy #222. * Volume 8. One of 300 numbered copies signed by Crumb. This is copy #286. Crumb has also added the inscription: “R. ‘Helluva Fix’ Crumb.” * Volume 9. Direct from Crumb’s tortured id comes this ninth volume of reproductions from his voluminous sketchbooks. This book covers the 1972 and 1973 years — some of his most inquisitive and soul-searching years! One of 300 numbered copies signed by Crumb. This is copy #152. Crumb has also added the inscription, “R. ‘God Help Me’ Crumb.” * Volume 10. Crumb’s Personal sketchbook drawings from Mid 1975 to Early 1977. One of 150 numbered copies signed by Crumb. This is copy #33. Together 10 volumes. All the books are in uniformly fine unread condition. (1000/1500)

57. Crumb, R. The Record Cover Collection. Illustrations throughout by R. Crumb. (4to) boards. #44 of 100 copies. Signed by R. Crumb. Amsterdam: Oog & Blik, 1994 Accompanied by a 10” vinyl record titled “I Own ‘Em” a in record sleeve with illustrations by Crumb. The record features eight of Crumb’s favorite compositions he has chosen from his 78 record collection. Fine. (250/350)

58. Crumb, R. and others. The Best Comics of the Decade, 1980-1990 - Volumes 1 & 2. 2 volumes. Black boards, dust jackets. First Editions, each one of 650 copies. Seattle: Fantagraphics Books, [1990] Includes: Best Comics of the Decade. Volume 1. One of 650 numbered copies signed by contributors Bill Griffith (creator of Zippy The Pinhead) and Matt Groening (creator of The Simpsons). This is copy #53. * Best Comics of the Decade. Volume 2. One of 650 numbered copies signed by contributors The Hernandez Brothers (creators of Love and Rockets) and R. Crumb (creator of Fritz the Cat, Mr. Natural, and more). This is copy #206. Fine. (250/350)

Page 13 59. Crumb, Sophie. Sophie Crumb: Evolution of a Crazy Artist. Illustrations throughout, many in color, by Sophie Crumb. (Small 4to) black boards, dust jacket, slipcase. No. 112 of 250 copies. First Edition. New York: New York, [2011] Original signed and numbered print laid in, as issued. Signed at the limitation by Sophie Crumb and by her mother Aline Crumb and her father, comic artist, R. Crumb. Fine. (300/500)

60. Dahl, Roald. Charlie and the Chocolate Factory - 2 copies. Each [12], 162, [2] pp. Illustrated by Joseph Schindelman. 1st in red cloth, 2nd in half cloth & boards. New York: Knopf, [1964] Early printings of the unforgettable story “concerning the adventures of four nasty children and Our Hero with Mr. Willy Wonka and his famous candy plant.” Each with 5 lines in the printer’s colophon below the “About the Author” section on the last printed leaf. First with spine slightly faded, leaning; very good or better. (200/300)

61. (Dickens, Charles) Childs, George W. Autograph Letter Signed by George W. Childs, relating to Charles Dickens’ final appearance in America. 10 lines, in ink, on letterhead of the Public Ledger, with engraving of the headquarters of the newspaper in the upper left corner. 23x18½ cm. (9x7½”). Philadelphia: May 4th, 1868 The letter was probably written to Charles H. Sweetser, New York: “I thank you for the article “The [Floral?] Tribute to Charles Dickens” which I shall send him by the next Steamer and I know how much he will appreciate it. I gave you a little notice of your ‘Mail’ and wish you every success…” After a six-month reading tour of the United States, Charles Dickens’ final American appearance was at a New York journalists’ banquet in his honor at Delmonico’s in April 1868. The article mentioned in this letter was probably an account of the flower-bedecked event by Charles H. Sweetser, 27 year-old publisher of the newly-established New York Evening Mail. A few months later, Sweetser’s wife gave birth to a daughter, named Kate Dickinson after her poet cousin Emily, who was destined to one day write popular children’s books. In 1919, Kate Sweetser would find that account in an old trunk and rewrite it in book form as Dining with Dickens at Delmonico’s. Not present at the banquet was George W. Childs, wealthy and influential Philadelphia newspaper and book publisher, whose good friends included President Grant, Edison, Carnegie, Walt Whitman - and Charles Dickens, whom Childs visited at his home in England later that year. Childs would later own the original manuscript of Our Mutual Friend, the only complete Dickens book manuscript in America. The letter was trimmed down and apparently cut in half, with the two sections taped together on verso just below the date. Also trimmed at the margins, with no loss of handwriting. (150/250)

62. Dinesen, Isak. Out of Africa. Black and orange cloth, pictorial dust jacket. First American Edition. New York: Random House, [1938] Basis for the Academy Award winning 1985 film starring Robert Redford and Meryl Streep. jacket lightly edge worn, small chipping to head and heel of spine; previous owner’s name on front pastedown endpaper; near fine in a like jacket. (300/500)

Page 14 FIRST ENGLISH AND FIRST AMERICAN EDITIONS 63. Doyle, Arthur Conan. The Lost World: Being an Account of the Recent Amazing Adventures of Professor George E. Challenger... 319 pp. Frontispiece and 8 plates. 7½x4¾, blue cloth, cover lettered and ruled in white, with a gilt portrait of Professor Challenger, spine lettered in gilt. First Edition. London: Hodder and Stoughton, [1912] The first Professor Challenger story, in which the scientist and his exploring party locate a remnant of the prehistoric world on a plateau in South America. Bookplate of George Munro on front pastedown. Light wear, corners lightly bumped; very good. (600/900)

64. Doyle, Sir Arthur Conan. The Lost World. [10], 309 pp. Illustrated with 16 plates by Joseph Clement Coll and five of which are by Maple White. 19.6X13 CM. (7¾x5¼”), olive tan-green cloth, lettered in gilt. First American Edition. New York: Hodder & Stoughton/George H. Doran Co., [1912] Bleiler: Science Fiction: The Early Years, 612. Slightest rubbing to spine ends and corners; faint foxing to endpapers, fine or nearly so, with bookplate of Elwyn B. Gould. (200/300)

65. Dreiser, Theodore. A Gallery of Women. 2 volumes. 9½x6½, original ¼ parchment & silver-decorated black boards, spines lettered in black, edges untrimmed, some pages unopened. No. 248 of 560 sets (only 535 were for sale). First Edition. New York: Boni & Liveright, 1929 Signed by Dreiser on the limitation page. Spines slightly darkened, darkening along front joint of Vol. II; near fine, with bookplates of E. Hill Leith. (300/500)

66. Eastman, Max. Venture. 398 pp. Blue cloth, dust jacket. First Edition. New York: Albert & Charles Boni, 1927 A scarce novel of pre-World War I radicalism and the I.W.W. Especially scarce in the dust jacket. Large chips from head and heel of spine, hole at center of spine, some light edge wear; light wear to binding, previous owner’s name on endpaper; very good in a good jacket. (500/800)

67. Eshleman, Clayton. The Name Encanyoned River: Selected Poems, 1960-1985. Cloth-backed boards, acetate jacket. Copy ‘H’ of 26 lettered copies. First Edition. Santa Barbara: Black Sparrow Press, 1986 Holograph poem in the author’s hand inserted at front, as issued. A touch of rubbing to edges, foxing to top edge of page block; near fine. (150/200)

68. Everson, William. River-Root: A Syzygy for the Bicentennial of These States. Illustrations from line drawings by Patrick Kennedy. (Folio) calf-backed boards. No. 115 of 250 copies. First Edition. [Berkeley]: Oyez, 1976 Signed by Everson at the colophon. Fine. (100/150)

Page 15 69. (Everson, William) Brother Antoninus. Who is She that Looketh Forth as the Morning. [4], 19, [6] pp. Color block print by Graham Mackintosh on title page. (Folio) green cloth stamped in gilt. No. 191 of 250 copies. First Edition. Santa Barbara: Capricorn Press, 1972 Signed by Everson as Brother Antoninus at colophon. Fine. (100/150)

70. Fante, John. John Fante: Selected Letters, 1932-1981. Edited by Seamus Cooney. Cloth- backed pictorial boards. Copy 10 of 176 copies. Santa Rosa: Black Sparrow Press, 1991 Signed by Seamus Cooney and Joyce Fante on inserted leaf at front. Slight lean to spine, top edge of page block a bit dusty; near fine. (100/150)

71. Faulkner, William. As I Lay Dying. Beige cloth, lettered in brown. First Edition, Second issue. New York: Jonathan Cape: Harrison Smith, [1930] Second issue of Faulkner’s stream-of-consciousness novel, with the corrected “I” initial on p. 11, which was initially dropped down; 750 copies were printed before this was corrected. See Peterson A7c; Howard A7.1b; Massey 16. Darkening and slight fraying to spine head, darkened along rear joint; second signature slightly loose; very good. (200/300)

SIGNED BY WILLIAM FAULKNER 72. Faulkner, William. Notes on a Horsethief. Illustrated by Elizabeth Calvert. 71 pp. Green cloth stamped in silver. No. 697 of 950 copies. First Edition. Greenville, Miss.: Levee Press, 1950 Signed by William Faulkner on the limitation page. No jacket, as issued. Petersen A27a. Slight rubbing to spine ends and corners, offset to front endpapers from item previously laid in; near fine. (1000/1500)

73. Faulkner, William. Pylon. Light blue cloth, lettered in gilt over black wrap-around background, top edges black, pictorial jacket. First Trade Edition. New York: Harrison Smith and Robert Haas, 1935 Faulkner’s aviation novel and the basis for the 1958 film The Tarnished Angels. First issue jacket with the publisher’s ads on the rear panel. Petersen A16b. Jacket browned and with some light edge wear; spine cloth sunned, a few small spots on rear cover; very good. (200/300)

74. Ferlinghetti, Lawrence. The Canticle of Jack Kerouac. Hand-sewn chapbook illustrated with photograph of Kerouac’s grave on the front cover and photos of other Lowell landmarks on back cover and inside covers. Wrappers. Copy “O” of 26 special lettered copies signed by Ferlinghetti (total edition 350 copies). First Edition. Lowell, MA: Corporation for the Celebration of Jack Kerouac in Lowell, 1987 Fine. (150/250)

75. Ferlinghetti, Lawrence. A Trip to Italy & France. Cloth-backed boards, spine lettered in gilt, acetate jacket. No. 192 of 250 copies. First Edition. [New York]: New Directions, [1981] Signed by Ferlinghetti in the colophon. Morgan A56. Light wear to jacket; volume fine. (200/300)

Page 16 ONE OF ONLY 5 SIGNED COPIES 76. Ferlinghetti, Lawrence. The World Is a Beautiful Place. Broadside. Illustration from a painting by Ferlinghetti. 61x42 cm. (24x16½”). No. 19 (of 100) copies, one of only 5 signed. New Haven, CT: Sign of the Gryphon, 1989 Fine. (300/500)

77. Field, Eugene. The Temptation of Friar Gonsol. A Story of the Devil, Two Saints and a Booke. Unpaginated. (8vo) 19.4x12.6 cm. (7½x5”) original boars, ribbon ties, top edge gilt. Number 19 of 22 copies on Japan Vellum. Washington, D.C.: Woodward & Lothrop, 1900 The limitation calling for ten copies on Japan Vellum has been crossed through in red ink and the number 22 substituted. BAL 5783 (note). Cover illustrations faded to a very faint ghost of an image, light wear; very good. (200/300)

78. (Fitzgerald, F. Scott) Graham, Sheilah. Typed Letter, signed from the former mistress of F. Scott Fitzgerald. Typed Letter, signed (“Sheilah”), with a few handwritten additions. To her newly-wed husband, Trevor Westbrook, in England. 3 pages, Two 11x8½”, the third 5½x8½”. New York: April 27, 1942 British-born Sheilah Graham, one of the most influential gossip columnists in Hollywood, is remembered today as the last lover of novelist F. Scott Fitzgerald, their three-year relationship (described in her book Beloved Infidel) beginning while he was still married to his wife Zelda, who was institutionalized in an asylum. Graham remained with Fitzgerald until the day he died of a heart attack in December 1940. She then returned as a war correspondent to her native England, where she met fighter plane manufacturer Trevor Westbrook, whom she married in January 1942, weeks after the US entered World War II. When, four months later, she wrote this letter from New York to her new husband in London, she was pregnant - and explained at length why her New York Doctors “did not think it wise (to put it mildly) for me to make the trip back to England now, or at any time during the next months”. Rejecting the insistence of Westbrook and his “interfering” mother that she should come back to England during her pregnancy, Sheilah Graham was still in United States in September when she gave birth in Hollywood to a baby girl. Not until after her mother’s death in 1988 did her grown daughter discover (and reveal in a published memoir) that her biological father was not Westbrook, but British philosopher A.J. Ayer, with whom her mother had a brief affair just before her marriage - and exactly one year after the death of F. Scott Fitzgerald, the true love of her life. Paper browned and creased, some wear; very good. (150/250)

79. Fitzgerald, F. Scott. The Crack-Up. Cloth-backed patterned boards, dust jacket. First Edition. New York: New Directions, [1945] First printing with the title page printed in black and red-brown. Light extremity wear to jacket and volume; near fine. (100/150)

80. Fitzgerald, F. Scott. The Great Gatsby. Dark green cloth, spine lettered in gilt, lettering on front cover blind-stamped, facsimile dust jacket. First Edition, First Issue. New York: Charles Scribner’s Sons, 1925 First edition of F. Scott Fitzgerald’s great masterpiece, considered the epitome of the Jazz Age in American literature. First issue with “sick in tired” on p. 205, lines 9-10, plus the other 5 textual variations noted by Bruccoli. Bruccoli A11.I.a. Spine a little faded, gilt dull, ends and corners a little rubbed, small stain to rear cover; else very good, in facsimile jacket. (1500/2000) Page 17 81. Follett, Ken. Eye of the Needle. Half cloth & boards, jacket. First American Edition. New York: Arbor House, [1978] Author’s first book. Jacket with a little edge wear, small chip to spine foot; ink name to front endpaper, very good in like jacket. (200/300)

82. Forester, C.S. The Daughter of the Hawk. Tan cloth, pictorial dust jacket. First American Edition. Indianapolis: Bobbs-Merrill, [1928] Published in England as The Shadow of the Hawk. Jacket price clipped, some light edge wear, stain on rear panel; slight lean to spine; very good. (400/600)

83. Forster, E.M. The Eternal Moment. [viii], 188 pp. Red cloth, dust jacket. First Edition. London: Sidgwick & Jackson, 1928 The author’s second published collection of short stories. Jacket spine sunned, some light wear; fine in a near fine jacket. (200/300)

ONE OF 750 COPIES SIGNED BY ROBERT FROST 84. Frost, Robert. New Hampshire: A Poem. [4], 19 pp. Woodcut on title-page in red by J.J. Lankes. 19x13.2 cm. (7½x5¼”), half linen & boards, paper spine label, rice paper dust wrapper. No. 153 of 750 copies. First Separate Edition. Hanover, NH: The New Dresden Press, 1955 Signed by Robert Frost on the limitation-page. Crane A6.2. Plain dust wrapper with some light staining; some discoloration to the linen spine from the glue used in binding, as generally occurs; near fine in very good dust wrapper. (400/600)

85. Ginsberg, Allen. Bixby Canyon Ocean Path Word Breeze. Cloth, illustrated label on front, acetate jacket. No. 12 of 100 copies. New York: Gotham Book Mart, 1972 Inscribed and signed by Allen Ginsberg at the colophon with a sketch of a flower. Another inscription on the facing page with illegible signature. Minor wear; near fine. (200/300)

86. Ginsberg, Allen. T.V. Baby Poems. Yellow cloth, dust jacket. One of 400 casebound copies. First Edition. [London]: Cape Goliard Press, [1967] Light soiling to jacket; fine in a near fine jacket. (150/250)

INSCRIBED BY GINSBERG TO CARL SOLOMON 87. Ginsberg, Allen. White Shroud: Poems, 1980-1985 - Inscribed to Carl Solomon. Red cloth, dust jacket. First Edition. New York: Harper & Row, [1986] Inscribed on the title page to Ginsberg’s longtime friend and the man to whom his masterpiece “Howl” is dedicated, Carl Solomon. “For Carl Solomon from the Author Allen Ginsberg. Something new to read, Winter night in Bronx. February 3, 1987.” And with his circled AH monogram. An important association copy. A touch of wear to dust jacket; fine. (500/800) Page 18 88. Golding, William. The Inheritors. Blue cloth, dust jacket. First Edition. London: Faber and Faber Ltd., [1955] The second novel by the author of “Lord of the Flies” and a Science Fiction high point. Pringle, Science Fiction: The 100 Best Novels 19. Front flap corners clipped, minor wear and darkening; fine in a near fine jacket. (300/500)

89. Goldman, William. The Temple of Gold. Cloth-backed boards, dust jacket. First Edition. New York: Alfred A. Knopf, 1957 The author’s first novel. Jacket spine a bit darkened, lower edge lightly rubbed; near fine in a near fine jacket. (150/250)

90. Graves, Robert. Love Respelt Again. Black cloth, dust jacket. One of 1000 copies signed by the author. First Edition. New York: Doubleday, [1969] 50 poems by Graves, reproduced in facsimile of the manuscript. Jacket browned and with some chipping and short tears; volume fine. (100/150)

THREE LOTS BY GRAHAM GREENE 91. Greene, Graham. The Labyrinthine Ways. Yellow cloth, top page edge stained blue-green, color pictorial jacket. First American Edition, second issue. New York: Viking, 1940 Originally published in England as The Power and the Glory in the same year. Second issue with pages 165 and 256 inserted in their proper locations. Wobbe A16b. Large chip from heel of jacket spine, some other light edge wear; near fine in a good jacket. (300/500)

92. Greene, Graham. The Power and the Glory. Cloth, jacket. First Edition, second printing. London: William Heinemann, [1940] Second printing, the same month as the first. Jacket states “Second Large Printing” at bottom of front flap. Jacket with ¾x1” triangular piece missing from spine head, smaller chip at foot, tiny nicks at corners, a bit of edge wear and soiling; volume spine ends with darkened patches matching the jacket chips, a little bubbling to front cover, darkening to endpapers; very good in like jacket. (400/600)

93. Greene, Graham. Stamboul Train. Black cloth, spine lettered in gilt. First Edition, second issue. London: William Heinemann, [1932] Author’s fourth novel and one of his more elusive early titles. Second issue with all the material objectionable to author J.B. Priestley removed along with the other issues points, including the character “Quin Savory” mentioned on page 78. Wobbe A5a. Spine leaning, light edge wear; very good. (300/500)

94. Grey, Zane. Skogarnas Son. Red cloth. First Swedish Edition? Stolkholm: Vart Hems Forlag, [1924] Signed by Grey on the front free endpaper in his usual purple ink. Light edge wear; very good. (150/250)

Page 19 95. Grisham, John. A Time to Kill [and] The Firm. Includes: A Time To Kill. First Doubleday Edition. [1993]. * The Firm. First Edition. [1991]. Together, 2 volumes. Half cloth & boards, jackets. New York: Doubleday, [1993 & 1991] John Grisham’s first two books. A Time to Kill, after many approaches to publishers, was finally accepting by the Wynwood Press in 1989, issued in a relatively small (5,000 copies) edition, and not republished until after The Firm, The Pelican Brief, and The Client brought Grisham to the forefront of bestselling authors. There is a former owner’s ink inscription on the front free endpaper of A Time to Kill: “Grisham’s 1st novel. Rejected by >25 publishers. Sold for screen rights in 1994 for >$6 million.” Light shelf wear, fine or nearly so. (200/300)

96. (Hanuman Books) Collection of Hanuman Books editions. Includes: 1) John Wieners -A Superficial Estimation, (1986). * 2) David Trinidad -November, (1986). * 3) Eileen Myles -Bread And Water, (1987). * 4) Taylor Mead -Son of Andy Warhol. Volume four: Excerpts From The Diary of a New York Youth (1986). * 5A) Francis Picabia -Who Knows - Poems and Aphorisms, (1986). First edition. * 5B) Francis Picabia - Who Knows - Poems and Aphorisms, (1992). Second edition. * 6) Henri Michaux -By Suprise, (1987). * 7) Amy Gerstler -Primitive Man, (1987). * 8) John Ashbery -The Ice Storm, (1987). * 9A) Herbert Huncke -Guilty of Everything, (1987). * 9B) Herbert Huncke - Guilty of Everything, (1987). This copy SIGNED by Huncke on front flyleaf. * 10) Manuel Rosenthal -Satie, Ravel, Poulenc, (1987). * 11) Rene Daumal -A Fundamental Experiment, (1987). * 12) Bob Flanagan -Fuck Journal, (1987). * 13) John Wieners -Conjugal Contraries & Quart, (1987). * 14A) Willem de Kooning,Collected Writings. (1990). Second Impression. * 14B) Jack Kerouac. Manhattan Sketches. Also numbered “14” on spine. “Pirate Edition” on title page but Hanuman name and logo on back cover of jacket. * 15) Cookie Mueller -Fan Mail, Prankletters, and Crank Calls, (1989). * 16) Sandro Penna -Confused Dream, (1988). * 17) Vincent Katz -Cabal of Zealots, (1988). * 18) Alain Danielou -Fools of Gold, (1988). * 19) Edward Denby -Willem De Kooning (1988). * 20) Max Beckmann -On My Painting, (1988). * 21) Gary Indiana -White Trash Boulevard, (1988). * 22) Jean Genet -Rembrandt, (1988). * 23) David Trinidad -Three Stories, (1988). * 24) Allen Ginsberg -Your Reason and Blake’s System, (1988) * 25) Rene Guenon -Oriental Metaphysics (1989). * 26) Eileen Myles -1969, (1989). * 27) Gregory Corso -Mind Field, (1989). * 28) Rene Daumal -The Lie of The Truth, (1989). * 29) Elaine Equi -Views Without Rooms, (1989). * 30) Ronald Firbank -Firbankiana (1989). * 31) David Hockney -Picasso, (1990). * 32) Simone Weil -On The Lord’s Prayer, (1990). * 33) Jack Smith -Historical Treasures, (1990). * 34) Cookie Mueller -Garden of Ashes, (1990). * 35) Beauregard Houston-Montgomery -Pouf Pieces, (1990). * 36) Bob Dylan -Saved! The Gospel Speeches, (1990). * 37) Richard Hell -Artifact, (1990). * 38) Henry Geldzahler -Looking at Pictures, (1990). * 39) Francis Picabia -Yesno, (1990). * 40) Robert Creeley -Autobiography, (1990). * 41) Dodie Bellamy -Feminine Hijinx, (1990). * 42) Jack Kerouac -Safe in Heaven Dead. Interviews with Jack Kerouac, (1994). * 43) Candy Darling by Candy Darling, (1992). * 44) Nick Zedd -Bleed Part One, (1992). * 45) Patti Smith -Woolgathering (1992). * 46) William S. Burroughs -Painting & Guns, (1992). * 47) Robert Hunter -Idiot’s Delight, (1992). * 48) Robert Frank -One Hour (1992). The above all approximately 4x2½” in the original boards and jacket. Also includes the following full size Volumes, approximately 6x8”: Rene Ricard. God With Revolver. 1989. Designed and printed in Madras, India. Decorative wrappers. In clear film dust jacket as issued. * Rene Ricard. God With Revolver. 1989. Designed and printed in Madras, India. Handbound in boards with decorative dust jacket. Covered with clear film jacket as issued. Together 53 volumes. Madras & New York: Hanuman Books, 1986-1992 The body of work from the press of Raymond Foye and Francesco Clemente. Hanuman was the favorite Hindu deity of both men. The format of the books is based on Indian prayer books, they were hand-made in India. A few volumes with a touch of wear but overall fine. (1000/1500)

Page 20 97. Heller, Joseph. Catch-22. Blue cloth, spine lettered in white, jacket. First Edition New York: Simon & Schuster, 1961 Signed by Joseph Heller on label affixed to front free endpaper. Heller’s classic novel of World War II, his first, and best, book. Jacket with a few edge tears and chips, spine faded somewhat; volume spine head a little bumped, small stain to top edge of front cover; offset to endpapers, else very good in like jacket. (600/900)

A FEW BY ERNEST HEMINGWAY 98. Hemingway, Ernest. Death in the Afternoon. Illustrated with numerous Bullfighting scenes from photographs originally captured on film; color frontispiece from painting by Juan Gris, with printed tissue-guard. Black cloth, lettered in gilt. First Edition. New York: Scribner’s, 1932 Hemingway’s famous treatise on bullfighting, accentuated with eighty-one stills of bullfighters at all stages of the event. Hanneman A10.A. Spine sunned, light edge wear, front hinge starting, rear hinge cracked, bookplate; very good. (200/300)

99. Hemingway, Ernest. The Fifth Column and the First Forty-Nine Stories. Red cloth, spine lettered in gilt over black background, facsimile dust jacket. First Edition, First Printing. New York: Charles Scribner’s Sons, 1938 Hemingway’s three-act play and four previously uncollected stories written from his experiences in Spain during the Spanish Civil War. First printing: 1938 date on title and copyright pages, Scribner’s seal and “A” present. Some staining/darkening to endpapers; very good in facsimile jacket. (250/350)

100. Hemingway, Ernest. Green Hills of Africa. Decorations by Edward Shenton. Green cloth, lettered in gilt, dust jacket. New York: Charles Scribner’s Sons, 1935 The same year, publisher and format as the first edition, but without the “A” on the copyright-page. The dust jacket is the presumed first state, with wide green band on rear panel and text in small font. Jacket spine faded, as usual, head chipped affecting a few letters in “GREEN,” smaller chips to foot and a short tear through the first two letters of Scribner’s, some rubbing, small chips to corners; volume with only slight fading to spine, else near fine in good to very good jacket. (200/300)

101. Hemingway, Ernest. The Sun Also Rises. Black cloth, gilt paper cover and spine labels. First Edition, Second issue. New York: Charles Scribner’s Sons, 1926 Second issue with “stopped” (instead of “stoppped”) on p. 181, line 26. Hanneman A6A. A little rubbing to spine ends and corners, spine head with ¼” tear, spine label a bit tarnished with small rubbed streak, else very good. (500/800)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 21 102. Hemingway, Ernest. The Torrents of Spring. Smooth dark greenish-black cloth lettered in orange. First Edition. New York: Scribner’s, 1926 The first Hemingway book to be published by Scribner’s; his first novel and his second book to be published in America. One of only 1250 copies printed. Hanneman A4.A. With circular blindstamp of Ray McRae to front free endpaper; bookplate on front pastedown; small bookseller’s ticket of Brentano’s, Paris, to rear pastedown. Spine leaning, a bit of wear to spine ends, lower corners just showing, very faint, barely discernible stains to rear cover; slight darkening to front endpapers, very good. (500/800)

103. (Hemingway, Ernest) Cohn, Louis Henry. A Bibliography of the Works of Ernest Hemingway. Folding facsimile at front. (8vo), black cloth with gilt-lettered spine. Number 252 of 500 copies. First Edition New York: Random House, 1931 This copy with the ownership signature of Hemingway bibliographer Audre Hanneman. Review slip laid in. Hanneman B9. Light wear to cloth, tape stains on endpapers; very good. (500/800)

AN ORIGINAL PORTRAIT OF ERNEST HEMINGWAY 104. (Hemingway, Ernest) Gant, David. Portrait of Ernest Hemingway. Original oil on canvas, 50.7x40.5 cm. (20x16”). Signed by the artist on the rear of the canvas. 2011 A vividly colored portrait of Ernest Hemingway by this Kansas City artist. Fine (1000/1500)

Lot 104

Page 22 105. (Hollywood) Edwards, J.S. Autograph Letter, signed on pictorial stationery of Edwards’ Zoo, regarding animals for movies, including at a later date Tarzan of the Apes. 2 page Autograph Letter, signed, possibly secretarial, to Henry S. Martin. Approximately 11x8½” on company letterhead, with several photographic portraits. Scranton, PA: Sept. 8, 1904 “...I do not think we can show our animals under canvas, we have an Orang Outang and a Chimpanzee and those specimens contract pneumonia quite easily. We always show in storerooms on account of the character of our exhibitions. We have 70 monkeys in our exhibition, the largest collection of Simians in this country. Also a large collection of other animals...” Five years after the date of this letter, Edwards was accused of having kidnapped a mentally retarded young Black man to put him on “freak” display as “Congo, The Ape Man” - possibly the same “Gorrilla Man” shown on this stationery. In 1914, Edwards moved to Los Angeles and with his partner John Rounan, founded the “E. and R. Jungle Film Co.” to produce Hollywood films starring chimpanzees “with human brains”. In 1917 they contracted to provide apes, monkeys, lions and leopards for the first Tarzan movie based on Edgar Rice Burroughs’ famous novel. Some of the animal scenes were filmed at the E & R studio. Creased from mailing; very good. (100/150)

106. (Hollywood) Foreman, Carl. Typed Letter, signed, from the blacklisted screenwriter of High Noon. Typed Letter, signed. 2 pages, to “Johnny” [Green]. London: March 8, [1953] “...I suppose you know that I won’t be able to attend the Awards presentation. I don’t think it matters particularly, because I think it’s highly unlikely that I’d win the screenwriting Oscar, the competition in my category being pretty rough this year. However, on the off chance that something nice might happen...I should inform you of whom I’d like to represent me...Fred Zinneman, Dmitri Tiomkin or Elmo Williams...If they’re not available, pick anyone you like, so long as it isn’t someone from the Kramer organization. In the best picture category...having given up the producer credit during the course of my separation from the Kramer company...it has since been taken by Kramer by default...since I think the picture has very little chance of winning, the whole thing is fairly academic, and I don’t propose to worry my pretty little head about it. My best wishes go to you for the success of the awards affair, and I’m sure it’ll be up to your usual exciting standard...” Carl Foreman was one of the top screenwriters in Hollywood when Stanley Kramer offered him a partnership as co-producer and screenwriter for High Noon. While Foreman was working on the script in 1951, he was summoned before the “red-hunting” House Committee on Un-American Activities. He willingly testified that he had once been a member of the Communist Party, but had long since quit the Party. Refusing to discuss others he knew with alleged Communist ties, he was labeled an “uncooperative witness”. This led to a bitter falling out with Kramer, who forced Foreman to sell his part of the High Noon production company. Realizing he would be “blacklisted” and would find no future work in Hollywood, Foreman then moved to England before High Noon was released in July 1952. As he mentions in this letter to the producer of the 1953 Academy Awards ceremony - the first to be nationally televised - he retained his credit as screenwriter. Light edge wear, several punched holes along left edge; very good. (300/500)

WITH AN AUTOGRAPH LETTER SIGNED 107. Holmes, Oliver Wendell. The Professor at the Breakfast-Table - With an Autograph Letter, signed. [iv], 410 pp. (8vo) original brown cloth. First Trade Edition. Boston: Ticknor and Fields, 1860 Tipped in at the front is an Autograph Letter, signed, from Holmes to a Dr. White offering a gift as a token of remembrance. Letter dated Jan. 1st, 1866. Also issued in a large-paper format. BAL 8791. Light wear and soiling to cloth, hinges starting; very good. (300/500)

Page 23 108. Hughes, Langston. Simple Stakes a Claim. Boards, jacket. First Edition. New York: Rinehart & Company, [1957] Inscribed “Sincerely - Langston Hughes” on the front free endpaper. Jacket spine sunned a bit, minor extremity rubbing, price clipped; contents darkening, as is common, very good or better in like jacket. (500/800)

109. Humes, H.L. The Underground City. Black cloth, dust jacket. First Edition. New York: Random House, [1958] The author’s first novel. Humes, along with Peter Matthiessen, founded the Paris Review literary journal. Jacket worn at edges, a few small chips and short tears; near fine in a very good jacket. (300/500)

ONE OF 250 SIGNED COPIES 110. Huxley, Aldous. Brave New World. [viii], 311 pp. (8vo) cloth-backed boards stamped in gilt on spine and front cover, top edge gilt. Number 2 of 250 copies. First American Edition. Garden City: Doubleday, Doran & Company Inc., 1932 Signed by Huxley at the limitation statement. Huxley’s classic and best known work; a “Utopia which is never dull, of which the horror is always credible” – Connolly, The Modern Movement 75 Lacking slipcase, as often, small nick to top of page block, a few small marks to rear board; still fine. (2000/2500)

Lot 110

111. Isherwood, Christopher. The Memorial. Tan cloth lettered in blue, pictorial dust jacket. First Edition. London: The Hogarth Press, 1932 Spine leaning a bit, hinges cracked; very good in a fine jacket.

Page 24 (200/300) 112. Jerrold, Douglas. Autograph Letter Signed by Douglas Jerrold to playwright [Joseph] Lunn, London, asking his attendance at the Garrick Club to form a Dramatic Authors Society. 12 lines, in ink, on 1st page of 4-page integral stampless lettersheet with address. Little Chelsea [London]: Undated [July 13, 1833] Joining Lunn and Jerrold at the Garrick Club will be James Sheridan Knowles, T.J. Serle and other playwrights intent on forming a Dramatic Authors Society, “to secure to us the fruits of the Dramatic Authors Art – and a law…for it is only by acting in a society that the managers are to be fought…” Parliament was about to enact the first legislation giving playwrights the legal right to be paid for both re-printing and public performances of their work. To enforce the law, Jerrold and his colleagues formed a Dramatic Authors Society, a formal licensing agency which eventually had 2000 plays under its protection and agents all over the country to report on copyright infringement by theater managers. Jerrold, one of the most popular British dramatists of his time, felt strongly about violations of dramatic copyright, which reduced most playwrights to “stark-naked poverty, with grey hairs” – a sad prediction of his own fate; on his death in 1857, his friend Charles Dickens had to stage a public reading to raise money for his widow. This significant letter about formation of the first professional association of British playwrights was quoted in full in the 1914 biography of Jerrold by his grandson. Some darkening at margins and a small edge chip; very good. (200/300)

113. Joyce, James. Chamber Music. [40] pp. 15.5x105 cm. (6¼x4¼”), original green gilt-lettered boards. First (unauthorized) American Edition. Boston: The Cornhill Company, [1918] Precedes the authorized American edition published in New York by B. W. Heubsch. This is the issue with wove, rather than laid paper endpapers, no known priority. Slocum & Cahoon A5. A fine copy, in custom-made folding morocco case. (300/500)

114. Joyce, James. Pomes Penyeach. 12x9.2 cm. (4¾x3¾”) original boards, glassine jacket. Errata slip tipped in at rear. First Edition. Paris: Shakespeare and Company, 1927 With the label of Sylvia Beach’s Shakespeare and Company bookshop inside front cover. Light wear; near fine. (300/500)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 25 ONE THE MOST IMPORTANT NOVELS OF THE 20TH CENTURY 115. Kerouac, Jack. On the Road. Black cloth, lettered in white, dust jacket. First Edition, First Printing in First State jacket. New York: Viking, 1957 First state jacket, price present on front flap of $3.95 and blue and red stripe across back cover. One of the most important novels of the twentieth century, by the father of the beat generation. Charters A2. Jacket professionally restored, repairing some tears and chips, with retouching to the lettering and illustrations; volume spine rubbed a bit, the bright white lettering on spine and front cover likely retouched; an attractive, expertly restored copy in like dust jacket. (2000/3000)

Lot 115

116. Kerouac, Jack. On the Road. Black cloth, lettered in white, top page edge stained light red, jacket. Third printing. New York: Viking, 1957 Early printing of one of the most important novels of the twentieth century, by the father of the beat generation. See Charters A2. Jacket rubbed at front joint and at extremities; covers rubbed at top and bottom edges, affecting the margins of cover and causing loss to surface of the cloth; several small stains to page fore-edges, some foxing and offset to endpapers, ink name to front free endpaper, about very good in like jacket. (200/300)

Page 26 117. Kerouac, Jack. Les Souterrains. 190, [2] pp. Translated by Jacqueline Bernard. 19.5x12.5 cm. (7¾x5”), original printed wrappers. No. 9 of 26 special copies printed on Lafuma-Navarre stock. First Edition in French. Paris: Gallimard, 1964 First French edition of The Subterraneans in limited format. Spine a little sunned; near fine. (400/700)

118. Kerouac, Jack. Vanity of Duluoz: An Adventurous Education, 1935-46. Black cloth-backed boards, pictorial endpapers, pictorial jacket. First Edition. New York: Coward-McCann, [1968] Jacket with several tears and creasing at top edge, tape repairs on verso; gilt on volume spine well faded, mark near top edge of front cover; about very good in like jacket. (200/300)

119. Kerouac, Jack. Twelve chapbooks most of them Bootleg Editions of writings by Jack Kerouac. Includes: The Vision of the Hooded White Angels. 1 of 100. [Coventry, Eng.]: Pacific Red Car, 1985. * Home at Christmas. 1 of 50. [Coventry, Eng.]: Insight publications, 1991. * San Francisco Blues. [Coventry, Eng.]: Pacific Red Car, 1991. * The Mexican Girl. 1 of about 100. [Coventry, Eng.]: Pacific Red Car, [1987]. * Two Stories From Jack Kerouac. 1 of 100. [Coventry, Eng.]: Pacific Red Car, 1984. * The Great Western Bus Ride. 1 of 50. [Coventry, Eng.]: Insight publications, 1991. * Awakening From A Dream of Robert Fournier. 1 of 50. [Coventry, Eng.]: Insight publications, 1991. * Celine and Other Tales. 1 of 100. [Coventry, Eng.]: Pacific Red Car, 1985. * Old Angel Midnight. [Brighton, Eng.]: Booklegger/Albion, 1973. * The Northport Haikus. 1 of 125. Coventry, Eng.: Beat Scene Press, 1989. * Blues. In German. Bickenbach, Germany: Wendepunkt Verlag, 1985.* Der Marktplatz Der Worte. Gottingen, Germany: Verlag Altaquito, 1985. Together, 12 booklets. Wrappers. Various places: Various dates Very good to fine condition. (300/500)

120. (Kerouac, Jack) Two Anthologies with contributions by Jack Kerouac. Includes: New Editions 2. An Anthology of Literary Discoveries. 136 pp. Contains Kerouac’s story “Neal and the Three Stooges.” 1/1000 copies. First Edition. Berkeley: Paperback Editions Limited, 1957. * The Moderns: An Anthology of New Writing in America. Edited and with an introduction by Leroi Jones. Contributors include Jack Kerouac, Robert Creeley, William Burroughs, LeRoi Jones, Hubert Selby, Jr., Diane di Prima, et al. Black boards, jacket. First British Edition. London, England: Mac Gibbon & Kee, 1965. Together, 2 volumes. London & Berkeley: 1957 & 1965 First is fine; second jacket with some darkening and soiling, offset to endpapers, very good. (100/150)

The auction will be begin at 11:00 a.m.

Page 27 121. (Kerouac, Jack) Four books and booklets about Jack Kerouac. Includes: Holmes, John Clellon. Visitor: Jack Kerouac in Old Saybrook. Black & white photograph of Holmes’ home in Old Saybrook, CT is pasted in as issued. Oblong wrappers. No. 512 of 750 copies signed by John Clellon Holmes. California, PA: The Unspeakable Visions of the Individual, 1981. * Gifford, Barry. Kerouac’s Town: On the second anniversary of his death. Photos by Marshall Clements. Boards. No. 89 of 125 hardbound copies signed by Gifford. Santa Barbara: Capra Press, 1973. * Jack’s Book: An Oral Biography of Jack Kerouac by Barry Gifford and Lawrence Lee. Wrappers. First edition. Uncorrected Advance Proofs. NY: St. Martin’s Press, 1978. * Montgomery, John. Kerouac West Coast. A Bohemian Pilot / Detailed Navigational Instructions. Boards, issued without jacket. First Edition. One of 300 hardcover copies. Palo Alto: Fels & Firn Press, 1976. Together, 4 volumes. Various places: Various dates All in fine condition. (100/150)

122. (Kerouac, Jack) Clark, Tom. Two booklets on Jack Kerouac by Tom Clark. Includes: Kerouac’s Last Word: Jack Kerouac in Escapade. No. 453 of 500 copies Printed letterpress at Tabula Rasa Press in Morro Bay, CA. Signed by the publisher, Jeffrey Weinberg, on the title page. Sudbury: Water Row Press, 1986.* Jack Kerouac in San Francisco. Midnight Ghost Chapbook Series #1. Copy K of 26 lettered copies specially bound with a cover hand-tinted by Tom Clark and signed by him on the front cover (total edition 250 copies). Berkeley: Ammunition Press, 1989. Together, 2 volumes. Stapled wrappers. First Editions. Sudbury, MA & Berkeley: 1986 & 1989 The first work comprises a thirty-page essay by Kerouac biographer Tom Clark about Kerouac’s writings for the men’s magazine, Escapade, and a supplement of three “Last Word” articles by Kerouac as published in Escapade. Both in fine condition. (150/200)

123. (Kerouac, Jack) Nicosia, Gerald. The Two Lowells of Jack Kerouac. Original wrappers. One of 115 copies. [Coventry, England]: [Beat Scene Press], [1988] Small label signed by Nicosia affixed to front flyleaf. Fine. (100/150)

124. (Kerouac, Jack) Walsh, Joy. The Absent are Always in the Wrong: Poems for Jack Kerouac. Tipped-in photograph portrait of Kerouac in the back taken by George Poirier. Also, frontispiece portrait of Kerouac. 8vo. Dark blue cloth-backed marbled boards, spine lettered in gilt, matching marbled endpapers. No. 35 of 50 hand-numbered copies printed by Tabula Rasa Press in Morrow Bay, CA. First Edition, deluxe hardbound issue. Sudbury, MA: Water Row Press, 1985 Signed by the author and by publisher Jeffrey Weinberg in the colophon. Also, signed by the photographer, George J. Poirier, on the lower margin of the gelatin silver-print photograph portrait of Kerouac taken in 1964 tipped on leaf facing colophon. Fine. (80/120)

125. Kerouac, Jan. Parrot Fever. Excerpts from a Novel. [2], 24, [2] pp. With an introduction by Jack Kerouac biographer, Gerald Nicosia. 19.5x14 cm. (7¾x5¼”), hand-sewn wrappers, paper label. No. 51 of 135 copies designed and printed letterpress by Norman H. Davis. First Edition. Santa Cruz: Pica Pole Press, 1994 Signed by Jan Kerouac in the colophon; also signed by Gerald Nicosia at the end of his introduction, a feature not called for. Additionally laid in is a 5x7” black & white photograph of Jan Kerouac taken in Albuquerque, NM in 1994. Fine. (200/300)

Page 28 126. Kerouac, Jan. Trainsong. Cloth-backed boards, jacket. First Edition. New York: Henry Holt, [1988] Signed by the author on the front free endpaper. Fine in fine jacket. (100/150)

THE AUTHOR’S FIRST NOVEL 127. Keyes, Daniel. Flowers for Algernon. Gray cloth, pictorial white jacket. First Edition, First printing. New York: Harcourt, Brace & World, [1966] Author’s first novel. First appeared as a short story and won the 1960 Hugo Award (was also nominated for the 1969 Hugo Award as a novel). However, it did win the 1966 Nebula Award. Basis for the 1968 film, Charly, starring Cliff Robertson, who won the Academy Award for Best Actor as Charly. Selected as one of the 100 Best Science Fiction novels – David Pringle. Currey, p.276. Jacket with a little wear at spine ends, two short tears which are neatly repaired on verso, price clipped; volume spine ends a bit crimped, still fine in very good or better jacket. (700/1000)

128. King, Martin Luther. Where Do We Go From Here: Chaos or Community?. Half cloth & boards, spine lettered in gilt, jacket. First Edition. New York: Harper & Row, [1967] Secretarially signed for Martin Luther King, Jr., on the front free endpaper. This was Martin Luther King, Jr.’s last book. A little shelf wear, near fine. (300/500)

129. King, Stephen. Danse Macabre. Black cloth, lettered in gilt, publisher’s slipcase. One of 35 copies reserved for the publisher, with no limitation page. First Edition. New York: Everest House, [1981] King’s first published work of nonfiction. These publisher’s copies are the same form as the limited edition of 250 signed copies, but have no limitation page and are unsigned. Fine in fine slipcase. (250/350)

SIGNED BY STEPHEN KING 130. King, Stephen. 11/22/63. Cloth-backed boards, dust jacket. First Trade Edition. New York: Scribner, [2011] Signed by King on the title page. Eleven photographs from the 11/14/11 book signing at the Sarasota, Florida Barnes and Noble laid in (seven showing King). Also laid in are a 1 page description of the book signing by an attendee and a photocopy of the store rules for the event. Fine (250/350)

131. King, Stephen. Full Dark, No Stars. Blue leather, dust jacket, clamshell box. No. 375 of 750 copies. First Edition. Baltimore: Cemetery Dance Publications, 2010 Signed by King on the limitation leaf. Fine. (400/600)

Page 29 132. King, Stephen, intro. Lord John Signatures. Introduction by Stephen King. Illustrated from photographs and facsimiles. Blue cloth, spine lettered in gilt. No. 19 of 400 copies. First Edition. Northridge, CA: Lord John Press, 1991 A tribute to authorial signatures and other autographed material, with original ink signatures and portraits of 43 participants in the project, including Stephen King, former U.S. President Gerald R. Ford, Robert Bloch, John Barth, Jim Harrison, Tony Hillerman, Ursula K. LeGuin, Robert B. Parker, James Purdy, John Updike, Eudora Welty, James Lee Burke, William Everson, and many others. Fine. (300/500)

133. Kipling, Rudyard. Captains Courageous. Gilt-lettered pictorial green cloth, top edge gilt. First American Edition. New York: Century, 1897 Livingston 138. Light wear and soiling to cloth, spine leaning; very good. (300/500)

134. Kipling, Rudyard. Poems: 1886-1929. 3 volumes. Frontispiece portrait in volume one executed in drypoint and signed by Francis Dodd, in pencil. 10½x7½, full red morocco, gilt- lettered spines with raised bands, gilt dentelles, top edges gilt. No. 454 of 525 copies printed on hand-made paper by the Chiswick Press. First Edition. London: Macmillan, 1929 Signed by Kipling on limitation page in Vol. 1. Livingston 545. Spine leather sunned and dried, light wear; internally fine (500/800)

135. [L’Amour, Louis] Burns, Tex, pseud. Hopalong Cassidy and the Rustlers of West Fork. Red cloth, spine lettered in white, color pictorial dust jacket. First Edition. Garden City: Doubleday & Co., 1951 First edition in book form, originally published in abbreviated form in the Hopalong Cassidy Western Magazine. The dust jacket features the likeness of William Boyd, who played the character of Hopalong Cassidy in 66 feature films. Though the series was created and continued for years by Clarence E. Mulford, this book, along with three others, was written by Louis L’Amour under the pseudonym of Tex Burns. These four books were the first four books Louis L’Amour ever published, but he denied being the writer til the day he died. Rubbing to jacket spine head, 1x½” triangular chip to lower edge of rear panel; near fine in a very good or better jacket. (200/300)

136. L’Amour, Louis. Sitka. Half cloth & boards, jacket. First Edition. New York: Appleton Century Crofts, [1957] With Typed Letter Signed by Russell Thacher, Eastern Story Editor at Metro-Goldwyn- Mayer, on MGM letterhead, to a Mr. Ira Guilden, about a possible movie based on the book: “Unfortunately I haven’t been able tot get a rise out of any of our producers in regard to the motion picture potential of SITKA... I am returning the book to you since I understand it is from your private library.” Ira Guilden would be the New York investment banker and financier who went on to control Best & Co., the Stetson hat company, and Baldwin Securities. Jacket with some chipping and wear, price clipped; else very good in like jacket. (200/300)

Page 30 137. Lansdale, Joe R. Fifteen books, booklets & periodicals by Joe R. Lansdale. Includes: Dead in the West. Serialized in 4 issues of Eldritch Tales (Nos. 10-13), each signed twice by Lansdale. [1984-1987]. * Dead in the West. Signed by Lansdale. 1986. * Night Visions 8. Contributions by Lansdale & others. Signed by Lansdale. Cloth, jacket. [1990]. * Savage Season. Uncorrected Page Proofs. 1990. * Steppin’ Out, Summer, ‘68. No. 231 of 500 copies, signed by Lansdale. [1990]. * On the Far Side of the Cadillac Desert with Dead Folks. 2 copies. Nos. 348 & 349 of 500 copies signed by Lansdale, each with additional authorial signature on the title-page. [1991]. * Batman in Terror on the High Seas. Signed by Lansdale. [1992]. * God of the Razor. No. 159 or 500 copies signed by Lansdale. [1992]. * Weird Business. Edited by Lansdale. Cloth, jacket. [1995]. * Freezer Burn. Cloth, jacket. [1999]. * Triple Feature. No. 431 of 450 copies signed by Lansdale. [1999]. Together, 15 items. Wrappers except as noted. Various places: Various dates In the traditional of Weird Tales. All in fine condition. (200/300)

138. Larsson, Stieg. Flickan Som Lekte Med Elden [The Girl Who Played with Fire]. Black boards, spine lettered in gilt, jacket. First Edition. [Stockholm]: Norstedts, [2006] First edition, in the original Swedish, of the second volume in the Millennium series, following The Girl with the Dragon Tattoo. Jacket with some chipping and tears; very good in good jacket. (200/300)

139. Lee, Harper. To Kill a Mockingbird. Cloth backed boards, dust jacket. New York: Harper & Row, [1991] Signed by Harper Lee on half title. Jacket with some rubbing to spine ends, edges and corners; slight foxing to page edges; near fine in very good jacket. (500/800)

140. Lee, Harper. To Kill a Mockingbird. Cloth backed boards, jacket. Second printing. Philadelphia: J.B. Lippincott Co., [1960] Second printing of the 1961 Pulitzer Prize award-winning story that takes place during the Great Depression, the basis for the movie starring Gregory Peck. Dust jacket is identical to the first printing jacket, except for the second printing statement at front flap. Jacket with rubbing, creasing and scratches, spine head chipped with a few smaller edge chips, several short tears; volume leaning slightly, bookplate on front free endpaper, very good to near fine in good to very good jacket. (500/800)

D.A. LEVY RARITY 141. Levy, D.A. Got Butter On It. 5½x3½” mimeograph booklet with stiff front wrapper, within large white paper wrappers. First Edition. Cleveland: 7 Flowers Press, 1965 “Got Butter On It” is a scarce volume by the legend of the mimeo poetry revolution of the 60s, D. A. Levy. The controversial renegade poet took his own life in 1968 after years of being harassed by the local police. Published as Ohio City Series 6. Signed by Levy on the front. Light soiling to outer wrappers; near fine. (700/1000)

Page 31 142. Lewis, Sinclair. Dodsworth. Orange cloth, spine stamped in black. First Edition, first printing, advance copy. New York: Harcourt, Brace, [1929] Winner of the 1930 Nobel Prize for Literature. Advance copy in variant binding, with notice printed on front free endpaper, “This is a special edition presente3d to the trade in advance of publication and is not for sale.” Copyright page states: “Published March 1929.” Also, includes the following publisher’s typos: “colownial” on page 42, line 20; “strenth” on page 162, line 1; and “nours nours” on page 205, line 25. Faint soiling to covers, a tiny hole in lower spine; very good or better. (200/300)

143. London, Jack. The Call of the Wild. [5]-231, [1] + 2 ad pp. Illustrated by Philip R. Goodwin and Charles Livingston Bull with 11 color plates, including frontispiece, 5 color illustrations in the text, page decorations by Charles E. Hooper. (8vo) original decorative green cloth, lettered in gilt, spine and front cover pictorially blocked in black, white, and red, top edge gilt. New York: Macmillan, 1910 Jack London’s best and most enduring work. This is a reprint, in the same format as the first edition, with the same illustrations and binding. With facsimile dust jacket. Just a little flaking to the white background on the front cover and spine; near fine. (200/300)

144. London, Jack. Dutch Courage and Other Stories. xii, [4], 180 pp. Frontispiece photograph of Jack London, 7 plates from drawings by G. M. Richards. Red cloth decorated and lettered in black on front cover, in gilt on spine. First Edition. New York: Macmillan, 1922 A collection of nautical-themed short stories. Only 4,348 copies printed. BAL 11985; Sisson & Martens, p. 105. Fine condition, a bright, tight copy. (600/900)

KING KONG IN THE RARE PICTORIAL DUST JACKET 145. Lovelace, Delos W. King Kong. [6], 249, [1] pp. Novelized from the Radio Picture by Lovelace. Conceived by Edgar Wallace and Merian C. Cooper. (8vo), original green cloth, lettered in dark maroon, pictorial endpapers showing several action stills from the movie, color pictorial jacket with wrap-around artwork. First Edition. New York: Grosset & Dunlap, [December 1932] The original novelization for the 1933 King Kong movie classic as part of the film’s advance marketing. Co-creator Merian Cooper was the key creative influence, say- ing that he got the initial idea after he had a dream that a giant gorilla was terrorizing New York City. Edgar Wallace, a famous writer of the time, died very early in the process and it is generally believed that little if anything of his ever appeared in the final story, but his name was retained for its saleability. Bleiler (1978), p. 127; Reginald 09268. Jacket chipped, especially at heel and bottom edge of front panel, rear flap formerly detached, repaired on verso with tape, some fading and tearing; moderate edge wear and some light soiling to cloth; very good volume in a very good jacket. (2000/3000) Lot 145 Page 32 146. [Lowell, James Russell]. The Biglow Papers - 1st & 2nd Series. 2 volumes. First Series: 12, xxxii, 163 pp. Original blindstamped brown cloth, spine lettered in gilt. * Second Series: [4], lxxx, 258 pp. Original green cloth, spine lettered in gilt. Housed together in a custom chemise and cloth slipcase. Cambridge, MA [&] Boston: George Nichols [&] Ticknor & Fields, 1848 & 1867 Mounted to the front pastedown of the first volume is a photograph of Lowell, signed by him in the lower margin. First volume with some light wear, dampstain to a few leaves, mounted photograph torn; previous owner’s name on title page; very good. Second volume with previous owner’s name and stamp on front endpapers; fine. (500/800)

147. Mailer, Norman. How the Wimp Won the War. Black leather lettered in gilt. Copy ‘I’ of 26 lettered copies from a total edition of 301 copies designed by Susan Flake and printed on Curtis Flax Text by the Page Printing Services; bound by Mariana Blau. First Edition. Northridge, CA: Lord John Press, 1992 Signed by Mailer on leaf at front. Fine. (250/350)

148. Maugham, W. Somerset. Of Human Bondage. Illustrated by Randolph Schwabe. 24x17 cm. (9¼x6¾”), tan linen decorated in gilt and black, top edge gilt, slipcase with pictorial label. One of 751 copies. First Illustrated Edition. Garden City, NY: Doubleday, Doran, 1936 Signed by Maugham and Schwabe on the limitation statement. Stott A21.d. Slipcase foxed, rubbed and stained, splitting at seams; soiling to cloth, stains to rear cover, spine darkened with some rubbing; stains to endpaper gutters, front hinge cracked; good in like slipcase. (400/600)

149. Maugham, W. Somerset. Of Human Bondage. Illustrations by Randolph Schwabe. Green cloth, dust jacket. Illustrated Deluxe Edition. Garden City: Doubleday, Doran & Company Inc., 1936 Signed by Maugham on front free endpaper. First published in 1915. Light wear to jacket; volume fine. (200/300)

150. McCarthy, Cormac. The Orchard Keeper. Cloth-backed boards, spine lettered in gilt, jacket. First Edition. New York: Random House, [1965] McCarthy’s scarce first book. Jacket with some staining and soiling, spine darkened, chips to spine ends and top edge of front and rear panels, repairs on verso at spine foot and along front fold; volume with tape stains to covers and endpapers, good to very good in like jacket. (500/800)

151. McCullers, Carson. The Heart is a Lonely Hunter. Oatmeal linen, jacket. First Edition. Boston: Houghton Mifflin, 1940 Author’s scarce and important first book. Also, basis for the 1968 film classic. Jacket with some rubbing and a few small chips at spine ends and corners; ink initials on front free endpaper; near fine in very good or better jacket. (350/450)

Page 33 152. McMurtry, Larry. Leaving Cheyenne. Beige-cream cloth, pictorial jacket. First Edition. New York: Harper & Row, [1963] McMurtry’s second book. First issue jacket with publisher’s original “$4.50” printed price on front flap (later issue jackets have the price clipped and a circular $4.95 sticker at the lower corner). Jacket with just a hint of rubbing to spine ends and corners, faint residue from a removed rectangular sticker from the top corner of the front flap, fine in fine jacket, a lovely copy. (400/600)

153. (Melville, Herman) McCurdy, R[obert] H. Autograph Letter Signed, from Robert H. McCurdy to his son, who knew Herman Melville and has been portrayed as his lover. 2 pages + integral stampless address leaf. 27x21 cm. (10¾x8¼”). New York: December 21, 1850 Letter written to Theodore F. McCurdy, c/o N. Berry, Paris, France, from his father in New York. About 14 months before the letter was written, Herman Melville, then 31 yeas old, had sailed for Europe to search for a British publisher. At the start of the 25-day journey, Melville feared that he would have to share a cabin with Theodore McCurdy, 21 year-old law student, son of a rich New York merchant (and cousin of the ship’s Captain) whom Melville described as “a lisping youth of genteel capacity… quite disposed to be sociable”. Happily told that he would have a stateroom to himself, Melville spent the weeks on board talking philosophy with a Professor of Languages and a Doctor, joined in more sociable hours by McCurdy, who freely paid for the champagne and brandy. Arrived in London, the quartet spent happy evenings together until the Doctor and McCurdy left for a trip to Egypt and Jerusalem. Melville was back in New York in February 1850 to see the publication of White-Jacket - and to begin work on the whaling novel which was to be his masterpiece. When this letter was written by the senior McCurdy to his son, continuing the “grand tour” in Paris, Melville had nearly finished Moby Dick and had probably forgotten all about the tall, sickly, rich youth with whom he had crossed the Atlantic – notwithstanding a recent novel in which “Teddy” McCurdy appears as Melville’s shipboard gay lover. The letter reads in part, “..Uncle Charles…writes that Mr. Webster says he shall have his instructions immediately and may be off as soon as he pleases. He also says that Austria has complained in high terms of our government but that ‘he does not intend to eat humble pie’... Your French letter to sister was rather a puzzle…after some considerable deciphering… You must write oftener and a great deal more in detail. You doubtless will say ‘what new can I write about Paris?’ We say, Your own experience of it, in all its particulars….” Other than Melville’s diary of the trip, little is known about McCurdy or the colorful uncle mentioned in this letter, who was apparently working for Secretary of State Daniel Webster in countering Austrian diplomatic threats to retaliate for American support of the unsuccessful Hungarian revolution against Austrian rule. Fine. (200/300)

154. Micheline, Jack. River of Red Wine. Introduction by Jack Kerouac. With an original painting by Jack Micheline with title and author painted in white, affixed on the front cover, as issued. (8vo), original pictorial wrappers bound inside the publisher’s red cloth, spine lettered in gilt; bound by Tabula Rasa Press in Morro Bay, California. Copy “V” of 26 hand-lettered copies, signed and with an original painting by Micheline on the front cover. Sudbury, MA: Water Row Press, 1986 Signed by Micheline on the title page, and also by the publisher Jeffrey Weinberg. Fine. (150/200)

Page 34 155. Miller, Henry. Plexus. Black cloth lettered in gilt, jacket. Third American Edition (& first hardbound Grove Press edition). New York: Grove Press, [1965] Book Two of Miller’s classic “The Rosy Crucifixion.” Accompanied by an autograph letter signed by Miller, to a Mrs. Perkoff, mentioning her son Stuart Z. Perkoff, “I see he is now being published - by Jonathan Williams” (The Suicide Room, issued as Jargon 17). He goes on to request a copy of one of Neill’s books (“the one you think gives the best picture of his work”), and ruminates about his search for a school for his children “I cant find a school to suit me for my kids - though they are not quite ready. Are there any in America - I mean truly free, joyous and so on?” Shifreen & Jackson A83o. Fine in slightly rubbed, near fine jacket. (400/600)

156. Miller, Henry. Tropic of Cancer. 323 pp. 18.5x13 cm. (7¼x5¼”), period full red levant morocco ruled in gilt, spine lettered in gilt, raised bands, marbled endpapers. Second Edition. Paris: The Obelisk Press, [1935] Rare second edition published in September, 1935, one year after the first edition, also from the Obelisk Press. While 1000 copies of the first edition were printed, there were only 500 copies of this second edition produced, in two binding variants. This copy is rebound, and the original wrappers not retained, so it is not known which variant it would have been. Shifreen & Jackson A9b/c. A few slight scuffs to spine; faint creases to prelims., very good or better. (300/500)

FIRST EDITION OF MARGARET MITCHELL’S CLASSIC NOVEL 157. Mitchell, Margaret. Gone With the Wind. Grey cloth, dust jacket. First Edition, First Printing, in second issue dust jacket. New York: Macmillan, 1936 First printing with “Published May 1936” on copyright page. Second issue jacket with GWTW leading two columns of “New Macmillan Books” on rear panel. Jacket with sizable chips at spine ends, smaller ones at corners, a few short edge tears; some foxing and rubbing to cloth, spine darkened, rubbing/wear to ends and corners; about very good in like jacket. (1000/1500)

158. Mitchell, Margaret. Gone With the Wind. Gray cloth. Second printing. New York: Macmillan, 1936 Second printing with “June, 1936” on title page. Facsimile dust jacket provided. BOMC review laid in. Light wear to binding; near fine in a facsimile dust jacket. (200/300)

Lot 157

Page 35 159. (Monetary Miscellany) Eight volumes of fiction and non-fiction relating to money, success and social mobility. Includes: Martin, Frederick. Stories of Banks and Bankers. German rubberstamp on half-title, armorial bookplate on its verso. London: Macmillan, 1865. * Richberg, Eloise O. Randall. Bunker Hill to Chicago. Inscribed by the author on the title-page. Chicago: Dibble, 1893. * Paperback issue of preceding, same imprint and date. * Payne, Will. The Money Captain. Bookplate. Chicago: Herbert S. Stone, 1898. * Payne, Will. The Story of Eva. (Owner’s inscription in title-page and front endpaper). Boston: Houghton Mifflin, 1901. * Tichenor, George. Glibson. Jacket. New York: Farrar & Rinehart, [1933]. * Waugh, Alec. The Golden Ripple. Jacket. New York: Farrar & Rinehart, [1933]. * Norris, Kathleen. Shining Windows. Jacket. Garden City: Doubleday, Doran, 1935. Together, 8 volumes. Cloth except as noted. First Editions. Various places: Various dates Some minor wear to jackets; generally very good. (400/600)

160. (Mysteries) Eight volumes of mystery and detection. Includes: Walsh, Thomas. Nightmare in Manhattan. (Chipping to jacket). Boston: Little, Brown, 1950. Boyer, Rick. Billingsgate Shoal. Boston: Houghton Mifflin, 1982. * Hall, James W. Tropical Freeze. Signed by the author. New York: W.W. Norton. [1989]. * Hall, James W. Paper Products. Signed by the author. New York: W.W. Norton. [1990]. * Smith, Julie. New Orleans Mourning. Inscribed and signed by the author on half-title. New York: St. Martin’s Press, [1990]. * Ketchum, Jack. Only Child. Signed by the author. [London]: Headline, [1995]. * King, Jonathan. The Blue Edge of Midnight. Signed by the author. [2002]. * Parker, T. Jefferson. California Girl. [New York]: William Morrow, [2004]. Together, 8 volumes. Cloth &/or boards, jackets. First Editions. Various places: Various dates First very good, others fine. (250/350)

161. O’Connor, Flannery. A Good Man is Hard to Find and Other Stories. Black cloth, jacket. First Edition. New York: Harcourt, Brace, [1955] Author’s second and best-remembered book. First issue with ‘tyring’ on page 125, corrected to ‘trying’ in later issues. First issue jacket with O’Connor’s first book “Wise Blood” the only title mentioned on rear panel. Jacket price-clipped, some edge wear, red circle on spine faded as usual; light wear to binding, dampstain throughout in margins; fair in a good jacket. (300/500)

162. O’Faolain, Sean. A Nest of Simple Folk. Cloth stamped in gilt with a harp on front cover, spine lettered in gilt, jacket. First Edition. London: Jonathan Cape, [1933] First edition of author’s first novel, preceded by a collection of short stories. Jacket spine darkened, vertical crease, wear at ends, price clipped; volume spine a little faded, very good in like jacket. (100/150)

163. O’Neill, Eugene. The Iceman Cometh. viii, 260 pp. 8vo. Blue cloth lettered in gilt, jacket. First Edition. New York: Random House, [1946] Considered by many to be the Nobel Prize-winning playwright’s finest work, “The Iceman Cometh” exposes the human need for illusion as an antidote to despair. Light wear to jacket edges, tape repair at head of spine; fine in a very good jacket. (100/150)

Page 36 164. (Poetry Anthology) Dwang: Outsider poetry, prose, graphics. Numbers 1, 2 & 3 (all published). Illustrated. 24x17 cm. (9½x6½”), hand-bound in cloth &/or boards. Each one of 26 lettered copies signed by a contributor. London: Tangerine Press, 2009-2011 Dwang is a beautiful production reminiscent of Jon & Gyspy Lou Webb’s journal and sixties milestone “The Outsider” in both literary scope and printing expertise. Contributors include Douglas Blazek, Steve Richmond, Dan Fante, Gerald Locklin, Charles Plymell, Billy Childish, William Wantling, Arthur W. Knight, Fred Voss, Kelsie T. Harder, R. Crumb, David Barker, Ntozake Shange, and others. Fine condition. (150/250)

165. Powell, Dawn. The Locusts Have No King. Green cloth with reverse lettering on white background, jacket. First Edition. New York: Charles Scribner’s Sons, 1948 Several chips to jacket, the largest being about ½x1”, spine faded, price clipped; volume near fine with no flaking to the white background of the lettering, jacket about very good. (200/300)

166. Puzo, Mario. The Dark Arena. Half black cloth and red boards, pictorial jacket. First Edition. New York: Random House, [1955] Author’s first book, preceding his famed “Godfather” series. A searing novel about the American occupation of postwar Germany. Jacket with a little fraying to spine ends, corners rubbed; near fine in like jacket. (200/300)

167. Rand, Ayn. Atlas Shrugged. Green cloth with initials AR stamped in gilt on front cover, spine lettered in gilt on black background, top edge stained dark blue-gray, pictorial jacket. First Edition, First Printing. New York: Random House, [1957] High spot in 20th century literature. Author’s classic novel based on her principles of Objectivist philosophy. Jacket rubbed along joints and folds, chipped at spine head. slightly so at foot and at corners, a few short edge tears; volume faded a bit, tiny white spot near head; offset to endpapers, hinge cracked before title, light foxing to page fore- edges, else very good in good to very good jacket. (350/450)

EIGHT LOTS OF JAMES WHITCOMB RILEY SCARCITIES 168. Riley, James Whitcomb. A Child-World. 209, +[14] ad pp. (8vo) original red cloth, spine gilt, top edge gilt. Housed in a custom chemise and morocco-backed slipcase. First American Edition, First Printing. Indianapolis and Kansas City: The Bowen-Merrill Company, 1897 Inscribed by Riley on front free endpaper to Joseph Knight. Inscription dated Oct. 9, 1896. Knight was editor of “Notes & Queries”, dramatic critic of the Globe (London), biographer of Dante Gabriel Rossetti, author of Life of David Garrick, etc. With Knight’s bookplate and the bookplate of Geo. A Zabriskie on front pastedown, embossed stamp of Fosdick Zabriskie on front free endpaper. BAL 16622. Light wear to binding, slipcase a touch worn; very good. (400/600)

Page 37 169. Riley, James Whitcomb. The Flying Islands of the Night. [viii], 88 pp. (8vo) bound in full brown morocco, spine gilt, top edge gilt, original flexible white boards (BAL binding ‘A’) bound in at front and rear, custom cloth jacket and slipcase. First Edition, First Printing. Indianapolis: The Bowen-Merrill Company, 1892 Inserted at the front is a portrait photograph of Riley with a clipped signature beneath, at the rear is a stiff card addressed on one side in Riley’s hand to Young E. Allison and on the reverse from Allison to J. Christian Bay. Riley’s bookplate on front pastedown, Bay’s bookplate on verso of front free endpaper. Laid in is a three page Autograph Letter, signed, from Riley to Young Alison. BAL 16587. Fine. (1000/1500)

170. Riley, James Whitcomb. An Old Sweetheart of Mine. Unpaginated. 19 illustrations by Howard Chandler Christy. Decoration by Virginia Keep. (Small 4to) original red cloth, cover stamped in brown, tan and gilt, illustrated oval paper label on front, glassine, original publisher’s two-part illustrated box. Early reprint. Indianapolis, IN: Bobbs-Merrill Company, [1902] Inscribed by Riley beneath the frontispiece illustration; inscribed by Howard Chandler Christy and Virginia Keep Clark on title page; inscribed by the publishers Charles Merrill and William Bobbs on flyleaf; inscribed by George C. Hitt, to whom the book is dedicated, on the dedication leaf. Gift inscriptions at front. A unique copy. Box complete but with some wear and splitting at corners; glassine wrinkled and with some edge wear; binding with extremity wear, front hinge shaken, rear hinge cracked; good. (800/1200)

171. Riley, James Whitcomb. Rubáiyát of Doc Sifers - A unique copy. xii, 111 pp. Illustrations by C.M. Relyea. (8vo) 19x13 cm. (7½x5¼”), original pictorial green cloth, top edge gilt. House in a custom chemise and full red morocco solander case. First Edition. New York: The Century Co., 1897 Presentation copy inscribed by Riley on front flyleaf, “For Robert Underwood Johnson, Now the author of ‘Songs of Liberty’ but onc’t a fellow-Hoosier of the Old Burnt District. This book of mine I freely swap fer his’n - with some extry rubaiyats in the author’s own hand- write. With all hale Christmas greetings. James Whitcomb Riley. Indianapolis, 1897” The “extry rubaiyats” consisting of five additional verses, are written in Riley’s hand in the blank margins of the frontispiece and of the illustrations on pages 3, 19, 51, & 65. With Johnson’s bookplate and notes in his hand on front endpapers calling attention to the additional verses. Johnson was the associate editor of “The Century Magazine” in which “Rubáiyát of Doc Sifers” appeared in the November and December issues of 1897. BAL 16625. Fine. (1500/2500)

Lot 171

Page 38 172. Riley, James Whitcomb. The Raggedy Man. Unpaginated. 8 full-page color plates by Ethel Franklin Betts. (4to) 29x26.4 cm. (11½x10½”), green cloth, pictorial label on front. First Edition, Second Issue. Indianapolis: Bobbs Merrill Company, [1907] Second issue, without final blank leaf. BAL 16682. Some wear to cloth and label, front hinge cracking, gift inscription on front free endpaper; very good. (250/350)

173. Riley, James Whitcomb. When She Was About Sixteen. Unpaginated. Illustrations by Howard Chandler Christy. (Small 4to) original green cloth, illustrated label on front, spine lettered in white. [Indianapolis]: Bobbs-Merrill Company, [1911] BAL 16800. Light extremity wear, gift inscription on front pastedown endpaper; very good. (100/150)

174. Riley, James Whitcomb. While the Heart Beats Young. 110 pp. 16 full-page color plates by Ethel Franklin Betts. (Small 4to) original green cloth, pictorial label on front. First Edition. Indianapolis: Bobbs-Merrill Company, [1906] Later printing with errors corrected in table of contents. Inscribed by Riley on front flyleaf: “With hale greetings of your old Hoosier friend, James Whitcomb Riley” followed by a verse from “The Hired Man” in Riley’s hand. BAL 16677. Light wear to cloth and label, spine leaning; very good. (300/500)

175. Riley, James Whitcomb. Two works by James Whitcomb Riley. Includes: The Orphant Annie Book. Illustrations by Ethel Franklin Betts. Cloth-backed pictorial boards. First Edition. [1908]. * The Boy Lives on Our Farm. Illustrations by Ethel Franklin Betts. Blue cloth, illustrated label. First Betts illustrated edition. [1908, i.e. 1911]. Two volumes. Indianapolis: Bobbs-Merrill Company, Various dates BAL 16687 & 16785. Both with some wear, dampstain to front of first title; good to very good. (300/500)

176. Rowling, J.K. Harry Potter and the Sorcerer’s Stone. Illustrated by Mary GandPré. 9x5¾, red cloth-backed purple boards with embossed diamond patterns, color pictorial jacket designed by Mary GandPré & David Saylor. First American Edition, First Printing, First Issue. [New York]: Levine Books / Scholastic Press, [1998] Far fewer copies of the first U.S. edition of the first Harry Potter book were issued than the sequels in this wildly popular series. First printing, first issue with all the correct points and first issue jacket without the Year 1 stamp on the spine; lone review blurb on the back panel quoted from the Guardian (later changed to Publisher’s Weekly); “51695” printed above the barcode to the right of the ISBN; $16.95 on front flap; number line on copyright page going from 10 to 1, etc. Lower quarter of front board dampstained bleeding to the verso of the jacket but not really visible on the recto, stain to front pastedown; good in very good jacket. (300/500)

Page 39 177. Salinger, J.D. The Catcher in the Rye - 2 copies. Black cloth, spines lettered in gilt. Boston: Little, Brown, 1951 Early printings of the classic story of the “cynical adolescent” Holden Caulfield. The popularity of the work was immediately popular - first published in July 1951, by August, 1951, the earlier of the two copies here, it was in its seventh printing, and the second September printing, also represented here, was the eleventh printing. August printing spine gilt dull, ink inscription to front free endpaper; September printing with tiny wormholes in front joint, spine head a bit bumped, ink name to front free endpaper; both very good. (200/300)

178. Salinger, J. D. Nine Stories. Black cloth, spine lettered in gilt, jacket. First Edition. Boston: Little, Brown, [1953] Salinger’s second book after The Catcher in the Rye and first short story collection. Jacket spine faded, stain at foot, some wear at ends and corners, split along front fold; flaking to volume spine lettering, stain to test block fore-edge, ink name to front free endpaper, about very good in like jacket. (500/800)

A PAIR OF SECOND FOLIO LEAVES 179. Shakespeare, William. Two Original Leaves from the Second Folio edition of Shakespeare’s plays. 2 leaves, pages 273 (i.e. 265)-266, from Twelfe Night and pages 297-298 from The Winters Tale. 31.2x21.1 cm. & 30.6x20 cm. respectively. London: Printed by Tho. Cotes..., 1632 Fine examples from the second folio printing of William Shakespeare’s Comedies, Histories, & Tragedies. Some edge wear, browning; very good. (400/700)

180. (Shakespeare, William) Knight, Charles, editor. The Works of Shakspere - Imperial Edition. 2 volumes. Illustrated with steel-engraved plates. 36.5x26.5 cm. (14¼x10½”), publisher’s full red morocco, elaborately stamped in gilt and blind, all edges gilt, rebacked with original spine leather laid down. Imperial Edition. London: Virtue & Co., [c. 1875] The Bard’s classic plays in a handsome publisher’s full morocco binding. Some edge wear; light foxing; very good. (300/500)

181. Shakespeare, William. The Handy Volume Shakespeare - With the original box. 13 volumes. (12mo) 12.2x8.4 cm. (4¾x3¼”) original red cloth, housed in the original matching red cloth box, ‘Shakespeare’ in blind on box top, paper label inside box lid. New York: George Routledge & Sons, [c. 1900] A charming small set of Shakespeare’s, with a glossary in the final volume. Scarce in the original box. Box with professional repairs to corners; volumes near fine, box very good. (250/350)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 40 182. Shakespeare, William. The National Shakespeare: A Facsimile of the Text of the First Folio of 1623. 3 volumes. Photogravure plates after illustrations by Sir J. Noel Paton. (Folio) 40.5x25.5 cm. (16x10”) modern full green calf with oval inset from the original cloth bindings on front covers. London: William Mackenzie, [c.1900] “...a scrupulously accurate reproduction of the original, including all those peculiarities of paging, spelling, and punctuation to which so much interest is now attached. It will be printed in a special antique type, such as was actually employed in the ‘First Folio’, upon hand-made paper, with rough edges, specially manufactured for this work, to maintain the antique character of the edition.” (From the publisher’s description) Light wear to bindings; occasional foxing; very good. (300/500)

183. Shakespeare, William. The Works of Shakspere - Imperial Edition. 4 volumes. Edited by Charles Knight. Illustrated with steel-engraved plates. (Folio) 37x26.5 cm. (14½x10½”) original black half morocco and cloth, portrait of Shakespeare in gilt on front covers, all edges gilt. London: Virtue & Company, No date Bindings rubbed, some staining both externally and internally; still about very good. (300/500)

184. Smith, F. Hopkinson. The Professor on “How to Train Our Wives and Children”. [8] pp. Pages (523)-530, extracted from (or more likely never bound) “Liber Scriptorum: The First Book of the Authors Club”. 23x15.5 cm. (9x6¼”) three-quarter mottled calf and boards, spine gilt, top edge gilt. First Edition. [New York]: [Authors Club], [1893] Signed at the close by F. Hopkinson Smith. BAL 18217. Vertically and horizontally creased; binding near fine with a cracked front hinge. (200/300)

ONE OF ONLY 50 COPIES OF THIS GARY SNYDER BROADSIDE 185. Snyder, Gary. Bison Rumble-Belly, Picture Poem XII. 24x17, broadside, poem and buffalo illustration (in brown), woodcut & linoleum, on hand-made Japanese rice paper. No. 33 of 50 copies. First Edition. N. San Juan, CA: Bob Giorgio, 1979 Signed by the author and artist in pencil. Fine. (400/600)

186. Spiegelman, Art. Breakdowns: From Maus to Now. Comic illustrations throughout, several in color. (Folio) pictorial boards. First Edition. New York: Nostalgia Press, [1977] Inscribed by Art Spiegelman to Al Newgarden, NYC rare book dealer and father of Mark Newgarden, fellow comic artist: “For Al Newgarden - Cheers!..All The Best. (signed) Art Spiegelman.” Spiegelman has added a drawing of a mouse holding up a bottle of ink. Laid in is Al Newgarden’s business card. Fine. (400/700)

187. Stein, Gertrude. Narration: Four Lectures. Introduction by Thornton Wilder. viii, 62, [1] pp. 23x17.5 cm. (9x7”), blue cloth stamped in black and gilt, slipcase. From an edition of 120 copies, this copies out of series and not numbered. First Edition. Chicago: University of Chicago Press, [1935] Signed at the colophon by Stein and Wilder. Light wear to slipcase, splitting along corners; spine faded; slight separation in gutter at colophon leaf; very good. (400/600)

Page 41 188. Steinbeck, John & Edward F. Ricketts. Sea of Cortez: A Leisurely Journal of Travel and Research. Illustrations from color and black and white photographs, drawings and charts; map endpapers. (8vo), green cloth lettered in silver on front cover and spine, jacket. First Edition, cloth issue. New York: Viking, 1941 First published edition, being the first to print the text in its entirety (the first edition in wrappers which preceded this only printed half of the text and actually constituted an advance copy, according to Bradford Morrow). The book is a description of the visit Steinbeck and Ricketts made to the Gulf of California on the “Western Flyer,” a 76-foot purser seiner, to collect marine invertebrates in March and April of 1940. Goldstone & Payne A15.b. Jacket spine detached and lacking pieces at head and heel; light wear to volume, endpapers darkened; very good in a poor jacket (200/300)

189. Steinbeck, John. East of Eden. Rebound in full blue morocco, spine gilt, top edge gilt, spine and front cover cloth bound in at rear. First Trade Edition, First Issue New York: Viking, 1952 With the word “bite” present on page 281, line 38. Steinbeck’s epic novel about two families who settle in the rich farmlands of California. Goldstone-Payne A32.b. Spine a touch sunned; ink number in half title; very good. (200/300)

FIRST EDITION OF STEINBECK’S BEST KNOW NOVEL 190. Steinbeck, John. The Grapes of Wrath. Decorative beige pictorial cloth, color pictorial jacket with wrap-around artwork by Elmer Hader. First Edition. New York: Viking, [1939] First edition of Steinbeck’s Pulitzer Prize-winning classic. Perhaps the most influential, and best remembered book to come out of the Great Depression. The jacket flap corners are clipped (as issued) with the original printed price ($2.75) and “First Edition” statement still present. Goldstone-Payne A12.a. Jacket spine sunned and with vertical crease, some light edge wear; volume sunned at spine and top edges, small label from previous owner on front pastedown; very good in a like jacket. (2500/3000)

Lot 190

Page 42 191. Steinbeck, John. The Grapes of Wrath. Decorative beige pictorial cloth, color pictorial jacket with wrap-around artwork by Elmer Hader. First Edition. New York: Viking, [1939] First edition of Steinbeck’s Pulitzer Prize-winning classic. Perhaps the most influential, and best remembered book to come out of the Great Depression. The jacket flap corners are clipped (as issued) with the original printed price and “First Edition” statement still present. Goldstone-Payne A12.a. Jacket chipped at spine ends and corners, split through along rear joint, partially split along front fold with some loss, tape repairs on verso, darkening to spine; darkening to volume spine, shaken; very good in good jacket. (500/800)

192. Steinbeck, John. Of Mice and Men. Beige cloth, pictorial jacket. First Edition, First Issue. New York: Covici-Friede, [1937] First issue with the words “and only moved because the heavy hands were pendula” on page 9; also, the bullet between the two 8’s in the page number 88. The dust jacket has the $2.00 price on the front flap. Goldstone-Payne A7.a. Jacket with expert restoration at extremities and folds, spine darkened; a little rubbing at volume spine ends, very good or better in like jacket. (700/1000)

193. Steinbeck, John. Tortilla Flat. Illustrations by Ruth Gannett. 19x12.5 cm. (7½x5¼”), beige cloth, spine lettered in blue, stamped horizontal blue line around covers and spine, top page edge stained blue-gray, pictorial jacket. First Edition, presumed 5th printing. New York: Covici Friede, [1935] Steinbeck’s breakthrough fourth novel about the life and characters in Monterey, California in the 1930’s. Although there is no indication in the book that this is a later printing, the jacket states Fifth Printing on the front flap, and Goldstone-Payne notes that there were at least eight printings between May 1935 and April 1937. The design of the jacket is the same as that for the first printing. Goldstone-Payne A4.b. Some darkening to jacket spine, small nicks and a few short tears to ends and corners; slight foxing to volume spine and to page edges, very good in like jacket. (1000/1500)

Lot 193

Page 43 194. Steinbeck, John. Tortilla Flat. Illustrations by Ruth Gannett. 7½x5¼, beige cloth, spine lettered in blue, stamped horizontal blue line around covers and spine, top page edge stained light blue-gray. First Edition. New York: Covici Friede, [1935] Classic novel of the life and characters in Monterey, California in the 1930’s. Goldstone- Payne A4.b. Dust jacket lacking, spine sunned, light wear; very good. (300/500)

195. (Steinbeck, John) Viva Zapata! Exhibitors Campaign Book [Pressbook]. 28 pp. Illustrated from photographs and ad drawings. (Folio) 18x14, original pictorial staple-bound wrappers. First Edition. [Los Angeles]: Twentieth Century-Fox Film Corp., [1952] Includes a laid in copy of 20th Century-Fox’s 1952 “Supplementary Ads ‘Viva Zapata!’ for Small Towns” paper slip with 3 more ads, measuring 15”x11.” “This campaign book reproduces all available posters, lobby cards, press releases and other promotional paraphernalia issued by 20th Century-Fox to advertise the film. It was sent to theater owners and promoters only. Also has several pages dedicated to techniques for infiltrating local communities with ‘Zapatamania’...Statement by Steinbeck about the film printed on p. 22, apparently not published elsewhere...A gaudy and illuminating rarity” - Bradford Morrow “Harry Valentine Collection,” item 552; Goldstone & Payne E18 (see note). Some wear and creasing to wrappers; very good. (400/600)

196. Stone, Irving. Large collection of works by Irving Stone, many inscribed. Includes: Jack London, Sailor on Horseback. Cloth, dj. Inscribed. Later reprint. * Lust for Life. Boards, dj. Inscribed, Reprint edition. * They Also Ran. Cloth, dj. Inscribed. First Edition. 1943. * Immortal Wife. Cloth, dj. Inscribed. First Edition. 1944. * Earl Warren. Cloth. Inscribed. First Edition. [1948]. * The Passionate Journey. Cloth, dj. Inscribed. First Edition. 1949. * The President’s Lady. Cloth, dj. Inscribed. First Edition. 1951. * Love Is Eternal. Cloth, dj. Inscribed. [1954]. * Men to Match My Mountains. Cloth, dj. Inscribed. First Edition. 1956. * The Agony and the Ecstasy. Cloth, dj. Inscribed. 1961. * I, Michelangelo, Sculptor. Cloth. First Edition. 1962. * The Irving Stone Reader. Boards, dj. Inscribed. BOMC Edition. 1963. * The Agony and the Ecstasy. Cloth-backed boards, slipcase. Illustrated Edition. 1963. * Those Who Love. Cloth, dj. First Edition. 1965. * There Was Light. Cloth, dj. Inscribed. First Edition. 1970. * The Passions of the Mind. Boards, dj. Inscribed. BOMC Edition. [1971]. * Dear Theo. Boards, dj. Inscribed. [1973]. * The Greek Treasure. Cloth-backed boards, dj. First Trade Edition. 1975. * The Origin: A Novel of Charles Darwin. Full leather. First Edition. 1980. * The Origin. Cloth, dj. Inscribed. First Trade Edition. 1980. Together 20 volumes. Various places: Various dates Also includes: Irving Stone: A Bibliography. Compiled by Lewis F. Stieg. Wrappers. Inscribed by Stone. 1973. The inscribed copies (many signed in the year of publication) are all inscribed to John and Katy Weld. John Weld was film producer, Hollywood stuntman, reporter and author. All with some wear; overall very good. (500/800)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 44 ONE OF THE MOST IMPORTANT NOVELS OF THE 19TH CENTURY 197. Stowe, Harriet Beecher. Uncle Tom’s Cabin; Or, Life Among the Lowly. 2 volumes. Three plates in each volume. (8vo), re-backed original brown cloth, gilt and blind-stamped decoration on covers, gilt-lettered original spines laid down. Custom chemise and tan morocco-backed slipcase. First Edition, First Printing. Boston: John P. Jewett, 1852 In addition to being one of the most influential books ever written, Uncle Tom’s Cabin was also one of the most popular; as Sabin notes, “During [1852] there were numerous reissues from the plates of the first edition, also in two volumes, with the addition of the words ‘Tenth’ to ‘One Hundred and Twentieth Thousand.” Laid in is an autograph letter dated Oct. 24, 1882, to publisher Houghton: “Mr. Houghton, I am about to leave for the South but would like if possible to have my full account with your firm before leaving. Could you furnish it by Nov. 1st. Very Truly Yours, H.B. Stowe.” BAL 19343. Spines leaning, some wear and soiling to cloth; foxing, early owners’ names on endpapers; very good. (2500/3000)

198. Tarkington, Booth. The Gentleman from Indiana. viii, 384 pp. Decorative green cloth, spine lettered in gilt, top edge stained green. First Edition, First Issue, Second Binding. New York: Doubleday & McClure Co., 1899 First issue of the author’s first book with “so pretty” on page 245, line 16 (change to “her heart” in later issues); Lot 197 second state binding with the ear of corn decoration on the spine pointing down. Light edge wear; near fine. (200/300)

199. [Thackeray, William Makepeace]. The History of Henry Esmond, Esq. 3 volumes. 344; vi, 319; [vi], 324 pp. Half-titles present; 16 page publisher’s catalog, dated October, 1852, bound in at rear of Volume 3. (8vo) 18.8x12.5 cm. (7½x5”), later full green morocco, raised bands, spines lettered in gilt, gilt dentelles, top edges gilt. First Edition. London: Smith, Elder, & Company, 1852 Bookplate (J.F. Browne) on front pastedown of each volume. Extremities lightly rubbed, heavier on Volume 1, small chip to head of spine on Volume 1; very good. (300/500)

Page 45 200. Thompson, Hunter S. The Great Shark Hunt: Strange Tales from a Strange Time. Black cloth-backed boards, stamped in white, jacket. First Edition, first printing. New York: Summit, [1979] Signed by the author on the front free endpaper. Jacket with small chips to lower edge of front panel, bumps to lower corners of boards with also light affects the jacket; very good in like jacket. (400/600)

SIGNED BY J.R.R. TOLKIEN 201. Tolkien, J.R.R. The Hobbit; or, There and Back Again. With 6 full-page black & white illustrations by the author. 18.5x12.5 cm. (7¼x5”), green cloth, color pictorial jacket designed by the author. Boston: Houghton Mifflin, No date Signed by J.R.R. Tolkien on color plate from a drawing by him of The Hill, Hobbiton, inserted before the half-title; likely it is from another copy, being slightly taller and a bit narrow than the text block. The jacket states Fourteenth Impression. Any copies of The Hobbit signed by Tolkien are quite scarce. Jacket with some wear at spine ends, corners and edges, slight insect damage to top and bottom of the flaps; cloth slightly bubbled on front cover, faint faded horizontal streak to cloth, ink name to front endpaper, about very good in like jacket. (4000/6000)

Lot 201

Page 46 202. Toole, John Kennedy. A Confederacy of Dunces. Foreword by Walker Percy. Cloth, pictorial dust jacket. First Edition. Baton Rouge: Louisiana State University Press, 1980 Posthumous Pulitzer Prize-winning novel published 11 years after the author’s death by his own hand at the age of 32. This copy inscribed by the author’s mother in the year of publication: “August 17, 1980. Appreciation and Regards from John Kennedy Toole’s Mother, Thelma Ducoing Toole to Dear Anne Ferguson”. First issue jacket with no review comment in strip above brick wall illustration on the rear panel. Jacket with light stains to rear panel, bottom of front panel, and rear flap, a few short tears (longest 1½”), rubbing to joints, folds and extremities; jacket with erasure to top corner of front free endpaper, else near fine in very good jacket, better than it sounds. (500/800)

203. Trumbo, Dalton. Johnny Got His Gun - Tall Galley Proofs. Tall galley proofs. Cloth- backed plain wrappers with typed label on front. Philadelphia: J.B. Lippincott, [1939] Rare proofs for Trumbo’s famous anti-war novel. Wrappers chipped and torn; paper browned; very good. (500/800)

SEVEN LOTS OF WORKS BY MARK TWAIN 204. Twain, Mark. Adventures of Huckleberry Finn (Tom Sawyer’s Comrade). 366 pp., blank leaf. Double frontispiece (including portrait), plus numerous wood engravings throughout. 21.5x16.5 cm. (8½x6½”), original decorative green cloth, stamped and lettered in gilt and black. First American Edition. New York: Charles L. Webster and Company, 1885 First edition of the quintessential classic of 19th century American literature. The present copy is an early state, exhibiting the following issue points: title leaf is a cancel with copyright notice dated 1884 (second state, but the first state has only been seen in a prospectus and set of advance sheets); the illustration captioned “Him and another Man” [p.13] listed as p.88 (first state); 11th line from bottom of p.57 reads “...with the was...” (first state); p. 283 is a cancel, with corrected engraving (third state), the final 5 in p.155 is missing (first [second?] state); leaf 23-8 is present as a blank; first state of the frontispiece portrait (imprint of Heliotype, tablecloth clearly visible, and without the sculptor’s name added to edge of bust). BAL 3415; Peter Parley to Penrod, p. 75. Spine ends worn, edges rubbed, cloth splitting along front Lot 204 joint, corners showing; else very good. (2500/3500)

Page 47 205. Twain, Mark. The Adventures of Tom Sawyer. Illustrated by Thomas Hart Benton. Edited and with an introduction by Bernard DeVoto. With Prologue “Boy’s Manuscript”. 9½x6, blue cloth, paper spine label, slipcase. No. 1252 of 1500 copies. Cambridge: Limited Editions Club, 1939 First appearance of “Boy’s Manuscript” in print. Signed by Benton at the colophon. One endpiece detached from slipcase; volume spine sunned; near fine. (250/350)

206. Twain, Mark. Following the Equator: A Journey Around the World. 712 pp. Illustrated from photographs, drawings, etc.; portrait frontispiece. (8vo), original blue cloth. First Edition. Hartford: The American Publishing Company, 1897 This copy has Johnson’s preferred title with Hartford imprint only, signature mark “11” present on p. 161. BAL 3451. Light extremity wear, rear hinge repaired; very good. (250/350)

207. Twain, Mark. Life on the Mississippi. Introduction by Edward Wagenknecht. Edited, with a note by Willis Wager. Illustrated with lithographs by Thomas Hart Benton. 9½x6, half leather & pictorial cloth, spine lettered in gilt, glassine, folding slipcase. No. 986 of 1200 copies designed by Will Ransom & printed by William E. Rudge’s Sons. New York: Limited Editions Club, 1944 Signed by Benton at the colophon. Box label chipped, some wear to box; glassine chipped; volume fine. (200/300)

208. Twain, Mark. Mark Twain on Simplified Spelling [A speech at the annual dinner of the Associated Press held in New York, September 19, 1906, Revised Expressly for the Simplified Spelling Board]. 4 pp. 21.2x13.5 cm. (8¼x5¼”) bound in three-quarter mottled calf and cloth, spine gilt, top edge gilt, numerous blank leaves added to provide bulk. First Edition. [New York]: Simplified Spelling Board, Nov. 10, 1906 A scarce Twain item. Among the earliest copies printed, with unbroken type at page 1, line 3. BAL 3493. Ink stamps and pencil notations at head of first page, diagonal crease at lower corner; binding fine. (200/300)

209. Twain, Mark. Mark Twain’s Speeches. [xii], 434 pp. (8vo) rebound in three-quarter mottled calf and cloth, spine gilt, top edge gilt. Original spine and front cover cloth bound in at rear. First Edition. New York: Harper & Brothers, 1910 With a letter from F.A. Nast, on Harper & Brothers letterhead, to bibliographer Merle Johnson, thanking him for his assistance in preparing this volume. BAL 3513. Fine. (200/300)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 48 SIGNED BY TWAIN 210. Twain, Mark. [Works], i.e., The Writings of Mark Twain. 37 volumes. Illustrated with gravure plates from photographs, paintings, drawings, etc. 22.5x14.5 cm. (8¾x5¾”), cloth- backed boards, paper spine labels, volumes 36 & 37 with the original paper jackets. No. 689 of 1024 sets. Definitive Edition. New York: Gabriel Wells, 1922-24 Signed by Twain (as both Clemens and Twain) on inserted leaf in Vol. I, which was prepared in 1906 in anticipation of this edition of his works. Signed by Albert Bigelow Paine on facing page. Volumes 36 and 37 (often lacking) comprise the Life of Twain by Paine, and are present in this set. Some light wear, labels a touch darkened; near fine. (4000/6000)

Lot 210

211. Updike, John. A Month of Sundays. Green linen with red cloth spine, jacket, slipcase. No. 35 of 450 copies printed on special paper and specially bound. First Edition. New York: Alfred A. Knopf, 1975 Signed by Updike on the limitation-page. Fine. (150/200)

212. Uris, Leon. Trinity. Green cloth, spine lettered in gilt, jacket. First Edition. Garden City: Doubleday & Co., 1976 A novel of Ireland from the famine of the 1940s to the Easter Rising of 1916. Jacket with a bit of rubbing and creasing to spine ends; tiny ink mark to front flyleaf; near fine in like jacket. (200/300)

Page 49 213. Verne, Jules. The Adventures of a Chinaman in China. vi, 271, + [8] ad pp. Illustrated with 50 plates, title vignette. (8vo), original brown cloth pictorially stamped in gilt and black. Boston / New York: Lee and Shepard / Charles T. Dillingham, 1889 This 1889 edition is a reprint of Lee and Shepard’s 1880 edition, which had the title “Tribulations of a Chinaman in China”, “Tribulations” is retained as the running title in this printing. However, Lee and Shepard’s first edition was not illustrated; this appears to be their first illustrated edition. Light wear and spotting to cloth, previous owner’s name on endpaper and title page; near fine. (400/700)

214. Vonnegut, Kurt. Bagombo Snuff Box. Cloth-backed boards, dust jacket. First Trade Edition. New York: G.P. Putnam’s Sons, [1999] Signed by Vonnegut on the half title. Soiling to jacket; fine in a near fine jacket. (150/250)

215. Vonnegut, Kurt, Jr. Breakfast of Champions or Goodbye Blue Monday!. Orange cloth, dust jacket. First Edition. New York: Dell Publishing, [1973] Signed by Vonnegut on half title. Light wear to jacket edges; near fine. (400/600)

216. Vonnegut, Kurt, Jr. Happy Birthday, Wanda June. Black boards, jacket. First Edition. New York: Delacorte Press / Seymour Lawrence, [1971] Vonnegut’s scarcest book, signed by him on the half-title. One-half inch tear to lower edge of front panel of jacket; else fine in nearly fine jacket. (700/1000)

Lot 216

Page 50 FIRST EDITION OF THE AUTHOR’S SECOND BOOK 217. Waugh, Evelyn. Vile Bodies. Cloth-backed patterned boards, jacket. First American Edition. New York: Jonathan Cape - Harrison Smith, [1930] Author’s second book. Also, basis for the highly acclaimed 2003 film titled Bright Young Things directed by Stephen Fry. This is apparently a review copy, with typed slip laid in, “This book will not be released until March 10.” Soiling to jacket with some light staining to the lower extremities, small chips to spine ends and corners; darkening to top edges of boards, slight bumps to top corners, vertical creases to spine; very good in like jacket. (1000/1500)

Lot 217

218. Waugh, Evelyn. Two volumes by Evelyn Waugh. Includes: Labels: A Mediterranean Journal. 2nd impression. [London]: Duckworth, 1930. * The Ordeal of Gilbert Pinfold. London: Chapman & Hall, 1957. Together, 2 volumes. First Editions. London: 1930 & 1957 The jacket of the first has the Book Society label on the front panel. First jacket spine worn with hole affecting title, repair on verso, some foxing to jacket and page edges, bookplate; else first very good on lesser jacket, second volume fine in fine jacket. (200/300)

219. Webb, Charles. The Graduate. Cloth-backed boards, jacket. First Edition. New York: New American Library, [1963] A “novel of today’s youth, unlike any you have read,” made into the movie starring Dustin Hoffman, and featuring the Simon & Garfunkle soundtrack. Some rubbing to jacket, foxing to spine and folds, chip at head, 1” tear to lower front panel, tape residue to front flap; near fine in very good jacket. (250/350)

Page 51 220. Welch, Denton. Four Titles by Denton Welch. Includes: In Youth Is Pleasure. Routledge, 1944. * Brave and Cruel and Other Stories. Hamish Hamilton, [1948]. * A Last Sheaf. John Lehmann, 1951. * The Denton Welch Journals. Edited and with an introduction by Jocelyn Brooke. Book Society wrap-around band laid in. Hamish Hamilton, [1952]. Together, 4 volumes. Cloth, jackets. First Editions. London: Various dates Four works by this English-American writer and painter (he designed the jackets of the first three volumes) who died in 1948 at the age of 33, his early death stemming from the consequences of being struck by a car while cycling in Surrey some 13 years earlier. Some minor wear to jackets, 2nd with foxing to page edges; very good or better. (200/300)

IN THE VERY RARE DUST JACKET 221. Wells, H.G. The First Men in the Moon. [8], [2 blank], 312 pp. Illustrated by E. Herring with 12 plates. (8vo) 18.5x12 cm. (7¼x4½”), original dark blue cloth, spine gilt-lettered and front cover illustration in gilt; dust jacket. First Edition, second state binding. Indianapolis: Bowen-Merrill, [1901] Exceptionally rare first edition in dust jacket. A milestone in modern science fiction. The Bowen-Merrill edition preceded the London edition by about one month. This is the Currey second state binding with “Bobbs Merrill” on the spine. It is in the first state pictorial dust jacket (printed in dark blue on buff paper stock) with “Bowen / Merrill” imprint at base of spine panel. Although the book and jacket are different states, they have not been married (there is offsetting from the flap of this jacket on the fore-edges of the free endpapers); it can be surmised that the book was distributed with this jacket by the publisher who changed their name from Bowen-Merrill to Bobbs-Merrill in January 1903, some 15 months after the book was published in late September or early October 1901. The size of the edition is not known, but the book was apparently not a great success and unsold sheets of the first printing were later sold to Grosset & Dunlap. Bleiler comments, “After ‘The First Men in the Moon’, Wells’s science fiction novels are never quite the same” and that “the last and most complex [of Wells’s early scientific romances] is ‘The First Men in the Moon’. The two first men, Bedford and Cavor are well-contrasted, the civilization of the Selenites is excellent Lot 221 both as horror and satire; and the novel abounds with wonderful passages of unforced description at which Wells is unrivaled. This lovely book also contains much of Wells’s delightful humor; it has kept the joints of his discourse oiled to this day”. “The First Men in the Moon” was also the first of Wells’s works to be adapted for film, in 1919. Bleiler, Science Fiction Writers, p. 28; Bleiler, Science-Fiction: The Early Years 2335; Currey, p. 518. Jacket darkened with some edge wear, spine panel missing top ¼” but no loss of lettering, small chips to spine foot, ½x1” triangle missing from lower edge of front panel affecting the ruling but no lettering, chips at corners, circular stain to rear panel, flap corners clipped (as issued?); volume with slight rubbing to spine ends and corners, the aforementioned offset to endpapers, still a bright, nearly fine copy, in a near very good, very rare jacket. (10000/15000)

Page 52 222. Wharton, Edith. The Children. Black cloth, dust jacket. First Edition. New York: Appleton, 1928 Second state with “moters” page 135, line 14, Arabic [1] on last page of text. BOMC review laid in. Jacket well worn, heavily chipped at top edge, split at folds, tape repairs; soiling to cloth, wartime lending library stamp on front pastedown, front free endpaper clipped at top, front hinge cracking; some foxing; good in a fair jacket. (200/300)

PERHAPS THE ONLY COPY EXTANT 223. (Whitman, Walt) Curtz, Henry. The American Yachtsman’s Master-Piece; or, The Slide- in-Keel: [History of Sail-Vessels’ Centre-Board]. 16 pp. 18.7x13.1 cm. (7½x5¼), original printed wrappers. First (and probably only) Edition Camden, NJ: Printed and published by the Author, 1887 Possibly the only existing copy (no copies are listed in OCLC/WorldCat) of a strange pamphlet by the eccentric New Jersey printer who produced small proof sheets for Whitman of his last poems - intended for the poet’s “private distribution”, though Whitman confessed that he found these printings, set by hand in old wood type at Curtz’s “queer little office”, so “odd and attractive” that he felt more “free” to give away his original manuscript copies than Curtz’s printed slips. Which may explain why so few of the Curtz imprints have survived in institutional collections and none have appeared on the antiquarian market. Described by Walt Whitman as “an effete person… left over from a very remote past…the last of his race”, little is known about Curtz. Other than a political diatribe published during the Civil War, this appears to be his only publication, which, despite the title, uses an obscure maritime invention as excuse to expound on “precedent versus reason”, “American family alliances”, and “Sociality fostering statesmanship”. Added to the lot is the 1886 Memorial card for Camden, New Jersey photographer Charles H. Spieler, who was long believed to have taken the famous 1876 “Spieler Profile” photographs of Whitman, used as studies for Sidney’s Morse’s Whitman bust, now on display in the Library of Congress, as well as Whitman’s own choice as frontispiece for the 1888 edition of his collected poems and prose. A little darkening to the wrappers, fine or nearly so. (500/800)

224. Williams, Tennessee. Moise and the World of Reason. Black boards, spine lettered in blue and silver, dust jacket. First Trade Edition. New York: Simon and Schuster, [1975] Signed by Williams on front flyleaf. A touch of wear to jacket edges; near fine. (200/300)

225. Wolfe, Thomas. Of Time and The River. A Legend of Man’s Hunger in his Youth. Black cloth, lettered in gilt over green backgrounds, plus other gilt stamping, jacket. First Edition. New York: Scribner, 1935 Author’s second book and the last novel to be published before his life was cut short in the prime of his life of tubercular meningitis in 1938. Johnston A3.1a; Johnson A.II.A39. Jacket spine faded, some light edge wear; small loss of green color from spine and cover stamping; near fine. (250/350)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 53 226. Woolf, Virginia. The Years. Green cloth, spine gilt-lettered; pictorial jacket by Vanessa Bell. First Edition. London: The Hogarth Press, 1937 First edition of one of Woolf’s most ambitious novels. Published by Leonard and Virginia Woolf at Hogarth Press and with a jacket designed by Vanessa Bell, Woolf’s elder sister. Jacket darkened at spine and folds, light edge wear a few short tears; spine cloth slightly darkened and frayed at ends, bottom edge rubbed; very good. (700/1000) Section II: Fine Books in All Fields

227. Aesop. Fables of Aesop and Others: Translated into English. With Morals and Instructive Application; and a Print before each Fable. To which is prefixed, The Life of Aesop, More enlarged than in any former edition of this size. 142, [2] pp. Woodcut illustrations throughout. (12mo) 15.7x9.2 cm. original wrappers, woodcut illustration on front. Aberdeen: James Chalmers and Co., 1781 A very scarce and charming edition of Aesop, especially scarce in the original wrappers. OCLC locates only 2 copies within the United States (University of Southern Mississippi & Princeton); ESTC locates a further 5 copies in the United Kingdom. ESTC N32421. Front wrapper chipped at corners, a few leaves with dog-eared corners; very good. (500/800)

228. (Animation - Phenakistoscopes) Two hand-made Phenakistoscope disks, one of a baseball game. Each disk approx. 20 cm. (8”) in diameter, with hand-drawn color figures and 7 cut-out narrow windows. No place: c.1850-60 Invented in the 1830s, the Phenakistoscope was an animation device that created the illusion of a moving picture. It used a spinning disk, attached to a handle, around the center of which a series of pictures was drawn below radial slits. A user would spin the disk and look through the moving slits at the disk’s reflection in a mirror and the images would appear to be in motion. Phenakistoscopes became very popular in the United States during the 1850s and 60s, and these crudely hand-made disks probably date from that era - one with a patriotic theme of a man waving an American flag; the other with a batter and pitcher in a baseball game. Some soiling and darkening, very good. (400/600)

229. (Archaeology) Whitehouse, Frederick Cope. Autograph Letter, signed, regarding L’Institut Egyptien. 1 page Autograph Letter, signed. Approximately 8x5”. Shepheard’s Hotel (Cairo, Egypt): January 9, 1887 Whitehouse writes to an official of L’Institut Egyptien, offering to present “Some Observations on Dionysias” at the next Cairo meeting of the Institute, a scholarly association first founded by Napoleon during the French occupation of Egypt. Whitehouse was a rich New York lawyer who spent his private fortune on his amateur work as a passionate “Egyptologist”, not only conducting archaeological digs in the Middle East but receiving international acclaim for his humanitarian efforts to “regulate” the water supply from the River Nile in times of drought. Number in red pencil at head of letter, crease from mailing; very good. (100/150)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 54 FIVE LOTS FROM THE ARION PRESS 230. (Arion Press) Calvino, Italo. Invisible Cities. With 12 illustrations by Wayne Thiebaud. 14x13”, binding constructed of anodized aluminum, U-bolts, and locking post. No. 77 of 400 copies printed on Italian mouldmade papers and clear plastic sheets. San Francisco: Arion Press, 1999 Translated from the Italian and with a new introduction by William Weaver. “Wayne Thiebaud had the idea for drawings of cities that would be invisible until the reader took the action of turning the page. The concept involved printing his drawings on transparent sheets in different colors of inks.” A most unusual volume. Signed by Thiebaud in pencil on verso of half-title. Fine (1000/1500)

231. (Arion Press) Machado de Assis, Joaquim Maria. The Alienist. Translated from the Portuguese with an afterword by Alfred MacAdam. With twelve drawings by Caroll Dunham. 25.7x35.5 cm. (10¼x14”), cloth, paper cover & spine labels, slipcase. No. 85 of 250 copies. San Francisco: Arion Press, 1998 Signed by Dunham on the limitation-page. Fine. (300/500)

232. (Arion Press) Miller, Arthur. The Price: A Play. Illustrations by Stan Washburn. 25.5x17.8 cm. (10x7”), cloth, slipcase, paper wrapping and original publisher’s shipping box. No. 150 of 300 copies. San Francisco: Arion Press, 1999 Signed by Arthur Miller on the half title page. Also signed by the illustrator at the limitation statement. Fine. (300/500)

233. (Arion Press) Toomer, Jean. Cane. Afterword by Leon F. Litwack. Woodcuts by Martin Puryear. 29.1x35 cm. (11½x13¾”), linen boards with ribbon ties. No. 358 of 400 copies designed by Andrew Hoyem & printed at the Arion Press. San Francisco: Arion Press, 2000 Signed by Martin Puryear in the colophon. Fine printing of Toomer’s masterwork, considered one of the major achievements of Harlem Renaissance literature, first published in 1923. Fine. (1000/1500)

234. (Arion Press) Williams, William Carlos. Kora in Hell: Improvisations. Introduction by Lawrence Kart. With 21 prints by Mel Kendrick. 25.5x25.5 cm. (10x10”), morocco-backed wood veneer boards, spine lettered in red. No. 115 of 300 copies. San Francisco: Arion Press, 1998 Signed by Kendrick in the colophon. Fine. (400/600)

235. (Aviation) Mansfield, Charles Blachford. Aerial Navigation. xxiv, 513 pp. (8vo) original terra-cotta cloth stamped in gilt and black. Pages largely unopened. First Edition. London: Macmillan and Co., 1877 Written in the early 1850s and issued posthumously following Mansfield death at the young age of 36, from burns suffered during a laboratory accident. The DNB describes this title of his as “one of the most striking and suggestive works on its subject.” Light edge wear, lower edge of front cover with board showing, front hinge cracked; very good. (300/500)

Page 55 236. Barriffe, William. Military Discipline: Or The Young Artillery-man. Wherein is Discoursed and Showne the Postures Both of Musket and Pike the Exactest Way, &c. [24], 421, [1], [8] pp. Engraved portrait frontispiece, engraved armorial plate, 5 folding plates. (8vo) 19.2x14 cm. (7½x5½”), modern half calf and marbled boards. Third Edition. London: Printed by John Dawson, 1643 Barriffe’s Military Discipline was among the most widely utilized military manuals of the 17th century going through six editions before the start of the English civil war in 1642. Repairs to the frontispiece, armorial plate, title page and several other leaves, some worming in margins at front of volume, no loss of text, pages washed, binding fine. (600/900)

237. (Baskin, Leonard) O’Neill, Eugene. The Iceman Cometh. Introduction by Irma Jaffe. Illustrated by Leonard Baskin, including an original lithograph inserted at rear. (4to), gray boards, paper spine and cover labels, slipcase. No. 596 of 2000 copies. New York: Limited Editions Club, 1982 Signed by the artist, Leonard Baskin (who was also the typographical designer), in pencil in the colophon. With an LEC monthly newsletter laid in. Slight rubbing to spine foot; were at gutter hinge of half-title; near fine. (200/300)

238. Baudot de Juilly, Nicolas. Histoire de la conqueste d’Angleterre par Guillaume II, duc de Normandie. [8], 141 + 5 pp. Folding engraved genealogical table. 15.5x8.5 cm. (6¼x3¼”), period calf. First Edition. Paris: Damien Buegnie, 1751 Scarce little history of the conquest of England by William the Conqueror in 1066. OCLC/WorldCat lists only eight copies, none in the United States. American Book Prices Current records only one sale at auction since 1975, in 1982. Binding rubbed, spine head chipped, corners showing; some darkening/foxing to contents, ink name to front pastedown, else very good. (500/800)

239. Beckler, Marion. The Magic Map. Illustrated by Dick Martin. Pictorial tan cloth, pictorial dust jacket. First Edition. Chicago: Reilly & Lee, 1964 Jacket chipped at spine head, some light wear at edges; volume fine, jacket very good. (80/120)

240. Benson, A.C., Lawrence Weaver, & E.V. Lucas, editors. The Book of the Queen’s Dolls’ House [&] The Book of the Queen’s Dolls’ House Library. 2 volumes. Numerous full page plates, many in color. (4to) 10x7¾, original linen-backed blue boards, paper labels on spines. Each No. 986 of 1500 copies. London: Methuen, [1924] The first volume describes the doll’s house, made as a gift for Queen Mary. The second volume is devoted to the doll’s house library. Minor wear to extremities; very good. (300/500)

The auction will be begin at 11:00 a.m.

Page 56 WITH BEAUTIFUL GOUACHE ILLUSTRATIONS 241. (Bible - Coptic) Ethiopian Coptic Bible, hand-written in the Ge’ez script, with 8 gouache paintings. 55 vellum leaves, neatly hand-written text in black and red ink. 8 full page gouache paintings. 18x13.5 cm. (approximately 7x5¼”), hand-stitched with original thick wooden boards. Ethiopia: [mid 19th century?] Written in the Ethiopic (Ge’ez) script. Shows a nice patina of age and usage; well-smoked with a pleasant faint aroma of incense. Wonderfully illustrated with 8 colorful paintings of biblical scenes, each illustrated leaf with a black thread tied at upper corner. Some light wear; very good. (1500/2000)

242. Birch, Samuel. Sketch of a Hieroglyphical Dictionary... Part I. Hieroglyphics and English. Division I. Phonetical symbols, vowels. 4, 12 pp. 28.5x22.8 cm. (11¼x9”), original printed wrappers. First Edition. London: William Allen & Co., 1838 Presentation copy inscribed on the front wrapper, “To Charlotte Frances Gray/ with Samuel L. Birch’s/ best regards and wishes for/ her welfare.” Birch had been seeing Ms. Gray at the time the sketch was published, and presumably presented her with this copy, his first work on Egyptology, produced when he was 25 years old, and an assistant at the British Museum. His specialty was Chinese antiquities, and he was an accomplished linguist, but he became fascinated with the Egyptian hieroglyphic system postulated by Chompollion after his examination of the Rosetta Stone. He, along with his German counterpart Lepsius, was among the first scholars to defend the system, and he would go on to become the leading Egyptologist of his day. This groundbreaking work consists of the title-page, two-page preface, and a 12-page lithographic insert on slightly smaller paper showing the symbols and English translations. Though there was never a Part II per se of this work, he expanded upon it, and eventually completed a comprehensive hieroglyphic dictionary in 1857. OCLC/WorldCat lists only seven copies, and most of those show the insert as being only 8 pages. A rare and important association copy if a seminal text on Egyptology. Charlotte Frances Gray, the eventual Mrs. Birch, was the younger sister of J.E. Gray, a friend and colleague of Charles Darwin. Wrappers chipped, starting to split along spine; top corners of 1st 4 pages creased, else very good. (700/1000)

243. (Bookbinding) The Bindings of To-morrow: A Record of the Work of the Guild of Women- Binders and of the Hampstead Bindery. xxxii pp. Introduction by G. Elliot Anstruther + 50 chromolithograph plates picturing bookbinding designs, each with letterpress description on preceding leaf; tissue guards. 36x20 cm. (10¼x7¾”), green cloth, spine lettered in gilt, page edges untrimmed. No. 196 of 500 copies. First Edition. London: Printed for the Guild of Women-Binders, 1902 Spectacular series of fine chromolithographed plates featuring the art nouveau book- bindings from the Guild of Women-Binders. Rubbing and some staining to cloth; some foxing to the text pages, a few tissue guards torn or detached, 4 partially adhered to their plate; overall very good. (500/800)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 57 OVER 300 HAND-COLORED PLATES 244. (Botanical) Bentley, Robert & Henry Trimen. Medicinal Plants, Being Descriptions with Original Figures of the Principal Plants Employed in Medicine. 4 volumes. 306 hand-colored lithograph plates, including several double page. (8vo) 23.2x16.5 cm. (9¼x6½”), newly bound in full black morocco, black and red labels on spines. London: J. & A. Churchill, 1880 Bentley (1821-1896) and Trimen (1821-1893) produced a comprehensive account of the major plants used in the medicine of the day. Each plant entry (306 in all) consists of several sections, including: a physical description of the plant and its parts, its habitats, botanical classification, commerce and medicinal uses, varieties, chemical composition, and an explanation of the plates. Nissen 137. Four plates with small tape repairs on rear; near fine in fine modern bindings. (2000/2500)

Lot 244

245. (Botanical) Catlow, Agnes. Two botanical works by Agnes Catlow. Includes: Popular Garden Botany: Containing a Familiar and Scientific Description of the Hardy and Half-Hardy Plants Introduced into the Flower Garden. 16 black white line lithographed plates. 1855. * Popular Greenhouse Botany; Containing a Familiar and Technical Description of a selection of the Exotic Plants introduced into the Greenhouse. 19 (of 20) hand-colored lithographed plates. 1857. Together, 2 volumes. 16x12.5 cm. (6½x5”), original cloth stamped in gilt and blind. London: Lovell Reeve, 1855 & 1857 The first with some fraying and splitting to cloth at joints; 2nd lacking plate 16; both very good. (200/300)

Page 58 246. (Botanical) Culpeper, Nicholas. The Complete Herbal; To Which is Now Added, Upwards of One Hundred Additional Herbs, With a Display of Their Medicinal and Occult Qualities; Physically Applied to the Cure of All Disorders Incident to Mankind: To Which are now First Annexed, the English Physician Enlarged, and Key to Physic, with Rules for Compounding Medicine...Forming a Complete Family Dispensatory and Natural System of Physic...To Which is Also Added, Upwards of Fifty Choice Receipts... vi, 398, [4] index pp. Engraved frontispiece, 40 hand-colored engraved botanical plates, each with 12 plant vignettes. 26.6x21 cm. (10½x8¼”), period calf, rebacked with original spine laid down. London: Thomas Kelley, 1823 Numerous editions of herbals using Culpeper’s name were published from the latter half of the 17th Century to the early 19th Century. The engraved frontispiece plate consists of a portrait of the author. Leather scuffed; some fairly minor soiling within, very good. (500/800)

247. (Botanical - Flower Painting) Seven 19th century works on Flower Painting. Includes: Duffield. The Art of Flower Painting. 12 wood-engraved plates by the Brothers Dalziell. Wrappers (spine worn). 1856. * Rosenberg. A Guide to Flower Painting in Water Colours. Color lithographed frontispiece; 4 uncolored litho plates within. Wrappers (spine perished, tape repair). c.1870. * Duffield. The Art of Flower Painting. 12 wood-engraved plates by the Brothers Dalziell. Wrappers (spine perished). 1882. * Hanbury. Advanced Studies of Flower Painting in Water Colors. 8 (of 12) tipped-in chromolithographed plates. (Spine worn.) 1885. * Nisbet. Flower Painting for Beginners. 10 (of 12) tipped-in color plates (missing several text pages as well), c.1889. * Naftel. Flowers and How to Paint Them. 10 tipped-in chromolithographed plates (1 with corner creased). 1891. * Muckley. A Manual of Flower Painting in Oil Colours from Nature. 3 color plates. Ex-Franklin Institute, in library buckram, perforated stamp to title, bookplate, etc. c.1900. Together, 7 volumes. Cloth except as noted. Various places: Various dates Good to very good, sold as is. (200/300)

248. (Botanical) Lowe, E.J. Beautiful Leaved Plants. [4], ii, 144 pp. 60 hand-colored plates. (8vo) 25.2x16 cm. (10x6¼”) modern three-quarter green morocco and marbled boards, spine gilt. First Edition. London: Groombridge and Sons, 1861 Charming hand-colored plates. An ex-library copy with embossed stamp from the West Houghton Public Library on each plate, a few other library markings; very good. (400/600)

WITH BOTANICAL ILLUSTRATIONS BY ISAAC SPRAGUE 249. (Botanical) Sprague, Isaac, et al. Set of three botanical works illustrated by Isaac Sprague & others. Includes: Beautiful Wild Flowers of America. From Original Water-Color Drawings after Nature, by Isaac Sprague. Descriptive Text by Rev. A.B. Hervey. 14 chromolithographed plates. 1883. * Flowers of Field and Forest. From Original Water-Color Drawings after Nature, by Isaac Sprague. Descriptive Text by Rev. A.B. Hervey. 14 chromolithographed plates. 1883. * Beautiful Ferns. From Original Water-Color Drawings after Nature, by C.E. Faxon and J.H. Emerton. Descriptive Text by Daniel Cacy Eaton. 10 chromolithographed plates. 1886. Together, 3 volumes. 32x24 cm. (12½x9½”), decorated cloth, all edges gilt. Boston: S.E. Cassino / Estes & Lauriat, 1883-1886 The Beautiful ferns, here reprinted by Estes & Lauriat, was actually the first in the series from Cassino. The first listed title worn, others very good. (800/1200)

Page 59 250. [Béraud, F.F.A.] R. de L. The Public Women of Paris. Being an account of the causes of their depravation, their several classes, their means and ways of living, their arts, habits, and practices. 293 pp. (12mo) 18.5x11 cm. (7¼x4¼”) original blindstamped brown cloth, spine lettered in gilt. First American Edition. New York: Dewitt & Davenport, 1849 A study on the prostitutes of Paris, translated from the French. OCLC WorldCat locates 8 copies in institutional holdings, rarely scene in the trade. Spine faded, extremities worn, paper a bit browned; very good. (300/500)

251. (California) Lyons, Caleb. Autograph Letter Signed by Caleb Lyons, who would later be a prominent figure in the California Gold Rush, relating to his lectures on woman’s rights. 1+ pp., on 1st 2 pages of 4-page lettersheet, addressed on p.4. 25.5x20 cm. (10x8”). Collinsville, New York: December 6, 1842 Early letter by the man who took credit for designing the California state seal in 1849. Just 20 years of age, and freshly graduated from college in Vermont, Caleb Lyons launched himself on the New England lecture circuit, with his subject being woman’s rights and temperance. This letter, to Rev. W.W. Ninde, Pastor of the M.E. Church, Rome, Oneida County, New York, attempts to arrange one of these lectures: “I have not forgot your kind invite to give you a Temperance Lecture in Rome at your Church and I now can tell when I would like to do so...I would of course like to have due notice both in the churches and by the Press well circulated. Even I, with my humble abilities would not like to Lecture to empty halls. The subject of the Lecture will be of ‘Woman’s Rights and Influence, a Temperance Lecture’ by Caleb Lyon of Lyonsdale...” A few years later, with help from his politically-connected father, young Caleb got an appointment as the first U.S. Consul at Shanghai, though he may never have set foot in China, instead appearing in California in 1849 to win a job as a secretary of the new State’s Constitutional Convention - and a $1,000 gold prize from the Legislature for the state seal (actually designed by a self-effacing Virginia friend who later became a Confederate General). Lyon then returned to New York to be elected to Congress, where he cultivated friends among anti-slavery “radicals”. In 1864 he was appointed by Abraham Lincoln as the second governor of Idaho Territory, where he came very close to being indicted for embezzlement. Horizontal and vertical folds; large part of the address leaf was torn away and replaced, probably by the recipient, with a piece of paper taken from another letter, not in Lyon’s hand, and using non-archival tape. The Lyon letter itself is complete and in very good condition. (150/250)

252. (Campagnes Scientifiques) Seven Fascicules from the Resultats des Campagnes Scientifiques Accomplies sur son Yacht par Albert I. Includes: Milne-Edwards, A. & E.L. Bouvier. Crustaces Decapodes Provenant des Campagnes du Yacht l’Hirondelle. 11 lithograph plates (5 with color). Fascicule VII. 1894. * Milne-Edwards, A. & E.L. Bouvier. Crustaces Decapodes Provenant des Campagnes du Yacht l’Hirondelle (supplement) et de la Princesse-Alice. 4 lithograph plates (2 with color). Fascicule XIII. 1899. * Bouvier, E.L. Crustaces Decapodes (Macroures marcheurs) Provenant des Campagnes des Yachts Hirondelle et Princesse-Alice. 11 lithograph plates (7 with color). Fascicule L. 1917. * Gruvel, A. Cirrhipedes Provenant des Campagnes Sccientifiques de S.A.S. le Prince de Monaco. 7 plates including 4 photogravures. Fascicule LIII. 1920. * Bouvier, E.L. Observations complementaires sur les Crustaces Decapodes... 6 plates including 2 color lithographs. Fascicule LXII. 1922. * Fage, Louis. Cumaces et Peptostraces provenant des Campagnes Scientifiques... 3 double-page lithograph plates. Fascicule LXXVII. 1929. * Divers Auteurs. Memoires sur les Crustaces et Pychogonides... 9 lithograph plates (8 double page). Fascicule XCVII. 1938 Together 7 volumes, all in modern black cloth, spines gilt lettered. Monaco: 1894-1938 Color plates include lobsters, crabs, etc. Some soiling to cloth; light foxing; internally very good. (250/350) Page 60 253. (Cirripedia) Three works on the Cirripedia and one on Crustacea. Includes: [Hoek, P.P.C. The Cirripedia of the Siboga-Expedition. Cirripedia Pedunculata.] 10 plates. Lacking title page. Rebound in modern red cloth. [1907]. Hoek, P.P.C. The Cirripedia of the Siboga-Expedition. B. Cirripedia Sessilia. 17 plates. Modern green cloth (worn). * Gruvel, A. Revision des Cirrhipedes. Five parts in one volume. 16 plates. Modern blue cloth. [1902-04]. * Dana, James D. United States Exploring Expedition...Atlas. Crustacea. Facsimile of the 1855 edition. Red cloth. (Worn, several plates detached). 1972. Together 4 volumes. Various places: Various dates All with some wear and soiling to the cloth; good. (100/150)

FOLIO OF GERMAN MILITARY COSTUME 254. (Costume) Arnould, Georg & Felix von Olberg. Das Deutsche Heer und die Marine. Title in red and black. 59 (of 60) numbered chromolithograph plates, all but one after Arnould, the other after R. Knotel, all mounted. Lacks plate 15. (Folio) 64.6x50.5 cm. (25½x19¾”), contemporary green three-quarter morocco, original front wrapper bound in. First Edition. Wandsbek-Hamburg: Kunstanstalt (vormals Gustav W. Seitz) A.-O., [1891] A rare work with fabulous large chromolithograph plates of German army and navy uniforms after Georg Arnould and with explanatory text by Felix von Oldberg. OCLC/WorldCat records only three copies. (Bibliotheque Nationale de France, Wurttembergische Landesbibliotherk, & National Art Library, Victoria and Albert Museum). Binding worn, front cover detached, plate #5 with small tear at corner, mounts quite brittle with approximately a third damaged at edges, first few plates and a few later plates detached, a few others with paper spotting, title, foreword leaf and explanatory text affected by tears, including several into text, a few old adhesive tape repairs, lacking descriptive text to plates 39-42; plates bright and overall very good. (4000/6000)

Lot 254

Page 61 255. (Cox, Palmer). Four volumes of Palmer Cox’s Brownie books. Includes: Another Brownie Book. [1890]. * The Brownies at Home. [1893]. * The Brownies Through the Union. [1895]. * The Brownies in the Philippines. [1904]. Together 4 quarto volumes, all in the original pictorial boards. New York: The Century Co., Various dates Wonderfully illustrated by Cox with his mischievous “Brownies”. All with some light wear; overall very good. (300/500)

256. Darwin, Charles. The Life and Letters of Charles Darwin, Including an Autobiographical Chapter. 3 volumes. x, 359, [1]; iv, 393, [1]; iv, 418 pp. 5 illustrations. (8vo), period green half calf and marbled boards, spines gilt, top edges gilt. First Edition. London: John Murray, 1887 Edited by his son, Francis Darwin. Spines sunned, a bit of edge wear; very good. (500/800)

257. (Disney, Walt) Finch, Christopher. The Art of Walt Disney from Mickey Mouse to the Magic Kingdoms. 458 pp. With a special essay by Peter Blake. 763 illustrations, 351 plates in full color, from photographs, drawings and paintings, mostly from the original movie scenes. 33.5x26 cm. (13¼x10½”), white linen, color illustrated cut-out of Mickey Mouse with paint bucket affixed to front cover (as issued), spine lettered in gilt, original printed acetate jacket. First Edition. [New York]: Abrams, [1973] The unsurpassed classic on Walt Disney, his films, and his empire, profusely illustrated. Some light wear to acetate jacket; very good. (200/300)

258. (Disney, Walt) Gottfredson, Floyd & Carl Barks. Walt Disney’s Mickey Mouse in Color. 248 pp. Illustrations in color throughout. (Oblong folio) 31.5x41 cm. (12½x16”), original black and white cloth, clear dust jacket. Number 1890 of 3000 copies. First Edition. Prescott, Arizona: Another Rainbow Publishing, Inc., [1988] Signed by cartoonists Floyd Gottfredson and Carl Banks on inserted sheet at front. Some light wear to jacket; volume fine. (200/300)

259. Dodd, James J. The History of the Urban District of Spennymoor, With Occasional References to Kirk Merrington, Middlestone, Westerton, Byers Green, Page Bank, Croxdale, and Ferryhill. xvi, 256 pp. Illustrations from photograph, maps, etc. (4to) period full calf, spine gilt, top edge gilt. First Edition. Spennymoor: By the author, 1897 Scare privately published edition of this history, published in a regular edition 2 years later with fewer illustrations. Binding worn; smoke damage to a few leaves; good. (150/250)

260. (Doré, Gustave) Alighieri, Dante. The Vision of Hell. vi, 183, (vii)-xxiv pp. Illustrations throughout by Gustave Doré. 37x28.5 cm. (14½x11¼”), publisher’s full brown morocco stamped in blind, spine lettered in gilt, rebacked with original spine laid down, all edges gilt. London: Cassell, Petter, and Galpin, 1866 A great pairing of word and illustration. Some light scuffing and edge wear, very good. (200/300)

Page 62 261. (Doré, Gustave) Cervantes [Saavedra, Miguel de]. The History of Don Quixote. xxviii, 737 pp. Edited by J. W. Clark. Biographical Notice of Cervantes by T. Teignmouth Shore. Profusely illustrated with wood-engravings from drawings by Gustave Doré. (4to) 31x23.5 (12¼x9¼”), bound in period full morocco over thick boards, stamped in blind, beveled edges, spine lettered in gilt, raised bands. London: Cassell, Petter, and Galpin, [c. 1880’s] The classic adventures of the “errant knight” and his faithful squire, as illustrated by master artist Gustave Doré (1832-1883), the most popular and successful French book illustrator of the mid-nineteenth century. Extremities rubbed, some scuffing, hinges cracked; paper a bit browned and brittle; very good. (300/500)

262. (Dulac, Edmund) Quiller-Couch, A.T. The Sleeping Beauty and other fairy tales from the Old French. Illustrated by Edmund Dulac with 30 tipped-in color plates, tissue guards. (4to), original red cloth elaborately gilt. First Trade Edition. London: Hodder & Stoughton, [1910] Classic French fairy tales beautifully illustrated by the modern master, in addition to Sleeping Beauty the volume also includes Blue Beard, Cinderella, Beauty and the Beast, and more. Laid in is an exhibition notice from Leicester Galleries for the original water- colour drawings for this work. Light wear to cloth, foxing to endpapers and edges of page block; very good. (300/500)

263. Dulles, John W. Life in India; Or, Madras, The Neilgherries, and Calcutta. 528 pp. Woodcut illustrations. (12mo) 15.2x9.6 cm. (6x3¾”) original blindstamped green cloth, spine lettered in gilt. Philadelphia: American Sunday-School Union, [1855] The author was a missionary of the American Board of Commissioners for Foreign Missions at Madras. Light wear to cloth; lacking illustration called for at page 283 though it appears to never have been present; light foxing; very good. (200/300)

264. (Duveen Bros.) Catalogue of the Special Loan Exhibition of Old Masters of the British School in Aid of “The Artists’ Fund” and “Artists’ Aid” Societies. 17 photogravure plates interleaved with descriptive letterpress. (4to) original white cloth lettered in gilt. First Edition. New York: Messrs. Duveen Brothers, 1914 Laid in is a letter from the Duveen Brother to New York Herald critic, Gustave Kobbe informing him of the Press Viewing. Catalogue includes works by Thomas Gainsborough, Joshua Reynolds, George Romney, Thomas Lawrence, Henry Raeburn, and John Hoppner. Soiling to cloth; light foxing; very good. (250/350)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 63 360 HAND-COLORED FASHION PLATES 265. (Fashion) Lemaire, J.P. Journal Des Dames et Des Modes - Tome LXXVI - LXXXVII, January 1836 - December 1841 - with 360 hand-colored fashion plates. 12 volumes, each containing 6 months of the weekly issues. 360 hand-colored plates. (8vo) 19.5x13.5 cm. (7¾x5¼”), period half calf and marbled boards, red and black labels. Frankfurt: 1836-1841 A nice run of 6 consecutive years of this leading fashion journal of the mid 19th century. Bindings worn, one volume lacking labels, a few other labels chipped and/or peeling, rear joint split on final volume; some browning and offsetting to plates as typical; very good. (4000/6000)

266. (Fashion) The Lady’s Monthly Museum, or Polite Repository of Amusement and Instruction - Volumes 1 & 16. 2 volumes. 27 engraved plates, fully or partially colored. (12mo) 16.7x10 cm. (6½x4”), period full calf. London: Vernor & Hood, 1798 & 1806 Includes a number of plates of contemporary lady’s fashion. Bindings well worn, covers detached; foxing. Offered as a collection of plates, not subject to return. (300/500)

Lot 265

267. (Fashion) Townsend’s Quarterly Selection of Parisian Costumes. 2 volumes. Various paginations. 138 hand-colored engraved plates with leaves of descriptive letterpress interspersed. 19.6x12.2 cm. (7¾x4¾”) full polished green calf, red leather spine labels. London: J. Townsend, et al, c. 1825 Plate 100 skipped in the numbering, not called for in the printed text. A very attractive group of plates depicting Paris high fashion in the 1820s. Includes several plates of head wear. Bindings well worn and partially detached, some light foxing; plates overall very good. (600/900)

268. Finden, William & Edward Francis Finden. Finden’s Illustrations to the Life and Works of Lord Byron. With Original and Selected Information on the Subjects of the Engravings by W. Brockenden... 3 volumes. With 126 steel-engraved plates, including frontispieces & added titles, by the Findens after various artists. 9x6¼, period diced calf, all edges marbled. London: John Murray, 1833-34 With commentary by W. Brockendon. Bindings well worn, spines chipped or lacking, two boards detached, joints cracked, hinges with tape repair; internally very good with only some light browning and foxing to plates. (200/300)

Page 64 269. (Fine Bindings) Percy, Thomas. Reliques of Ancient English Poetry, Consisting of Old Heroic Ballads, Songs, and Other Pieces of Our Earlier Poets, Together With Some Few of Later Date. 3 volumes. Portrait frontispiece in Volume 1. (8vo) original full brown calf stamped in blind on covers, spines lettered in gilt, raised bands, all edges stained red. London: Bickers and Son, 1876-77 A handsomely bound edition of Percy’s classic anthology. Each volume with the bookplate of San Francisco industrialist Milton S. Ray. Spines a bit faded, light wear to bindings; very good. (200/300)

ONE OF ONLY 12 SETS – THE ASTRAL EDITION OF ROOSEVELT’S WORKS 270. (Fine Bindings) Roosevelt, Theodore. The Complete Writings of Theodore Roosevelt - Astral Edition. 21 (of 22) volumes. Illustrated, with plates in three states, several of them signed by the artist. (8vo) 21.5x15 cm. (8½x6”), finely bound in full green morocco, covers decorated with arrow-tipped floral devices with red and white morocco on-lays within a gilt frame, double gilt rule borders, spines with similar floral devices between two raised bands, gilt lettering, red morocco doublures with leaf sprays at corners, original subscriber’s monogram (MAL) in gilt on front doublures, silk end leaves, top edges gilt. One of only 12 sets thus prepared and bound by the Keller-Farmer Company of New York for the Anglo-American Authors Association. This set prepared for Marguerite Anne De Labarre. New York: Gebbie and Company, 1902-03 Signed by Roosevelt on a front flyleaf in the first volume of his “Naval War of 1812”. Includes illustrations signed by Albert Rosenthal, Jr., Walter Russell, Albert Henke, R.G. Vosburgh, E.J. Read, Louis Bauhan, C. Mente, W.H.W. Bicknell, H.L.V. Parkhurst, P.R. Audibert, E.A. King, Clare Angell, E. Herring, M.E. Riddick, Will Crawford, and W.L. Hudson. Among the most desirable editions of Roosevelt’s collected works. This set lacking the first volume of Hunting Trips of a Ranchman, otherwise complete. Spines just a touch sunned, a few minor scratches; still about fine. (7000/10000)

Lot 270

Page 65 271. (Fine Bindings) Roosevelt, Theodore. The Works of Theodore Roosevelt. 26 (of 28) volumes. [Volumes I-XXVI]. Each illustrated with plates from paintings, engravings, etchings, drawings, photos, maps, etc., including frontispieces, with tissue-guards. 21.5x14.5 cm. (8½x5¾”), uniformly bound in three-quarters dark blue morocco and marbled boards, ruled in gilt, spines lettered in gilt, raised bands, marbled endpapers, top edges gilt, other edges untrimmed. No. 40 of 1250 hand-numbered sets (60 additional sets were originally not for sale). “Elkhorn Edition.” New York: Scribner’s, 1906-1913 With: The Naval War of 1812 (2 volumes); Hunting Trips of a Ranchman (2 volumes); Thomas Hart Benton; Gouverneur Morris; Ranch Life and the Hunting Trail; The Winning of the West (6 volumes); New York; The Wilderness Hunter (2 volumes); Hero Tales from American History; American Ideals (2 volumes); The Strenuous Life; The Rough Riders; Oliver Cromwell; An American Hunter; African Game Trails (2 volumes); and History as Literature. Lacks the final two volumes in this Elkhorn edition set, both of which are comprised of minor later writings and were not issued for this edition series until 1920, seven years after Volume XXVI, as well as being one year after Roosevelt’s death (perhaps done in his memory). The set present here contains all of the major works and key titles by Roosevelt. Just a hint of darkening to spines, a few ends with small chips, scuffs to some of the ribs, neat 1” cut to Lot 271 one of the spines; very good to near fine. (2500/3500)

272. (Fine Bindings) Winsor, Justin, editor. Narrative and Critical History of America. 8 volumes. Profusely illustrated with engraved plates, maps, drawings, facsimiles, etc.; Vol. I with steel-engraved frontispiece portrait. (Large 8vo), original half brown morocco and cloth, marbled endpapers. Boston & New York: Houghton, Mifflin & Co., 1889 A valuable work of American history and a handsomely bound set. Winsor was librarian of Harvard University (1877-97). “He advanced the scientific study of American history by making available new materials.” (Oxford Companion to American Literature). Howes W577. Some light wear bindings; overall very good. (300/500)

Page 66 273. Fisher, Harrison. American Beauties. Unpaginated. 21 color plates by Harrison Fisher. Decorations by E. Stetson Crawford. (4to) 28.2x22.5 cm. (11x8¾”) brown cloth stamped in blind and gilt, pictorial dust jacket. First Edition. Indianapolis: Bobbs Merrill Company, [1909] Fisher’s iconic images of young American women. Scarce in the original dust jacket. Jacket worn, several tears, tape repairs on verso; volume fine, jacket good. (200/300)

274. (Fisher, Harrison) Bachelor Belles with Illustrations by Harrison Fisher. Unpaginated. 19 full page color illustrations by Harrison Fisher, decorations by Theodore Hapgood. (4to) original gray cloth, pictorial label on front. Original two part publisher’s box with illustration on lid. New York: Grosset & Dunlap, [1908] A reprint edition with 3 fewer plates than the Dodd, Mead edition, rare in the original box nonetheless. Some light wear and soiling to box; minor wear to volume; near fine in a very good box. (150/250)

275. (Fisher, Harrison) Harrison Fisher Girls. Unpaginated. Twelve tipped-in color plates by Harrison Fisher. Decorations by Theodore B. Hapgood.(4to) 31x22 cm. (12¼x8½”), original boards, illustrated label on front, lettering in gilt. First Edition New York: Dodd, Mead & Company, 1914 Binding worn, some chipping to spine; a few of the tipped in plates with light edge wear; very good. (200/300)

276. (Fisher, Harrison) Longfellow, Henry Wadsworth. The Song of Hiawatha. 189 pp. 16 full-page color plates by Harrison Fisher, numerous black & white illustration by Fisher, full-page and in text. Decorations by E. Stetson Crawford. (Small 4to) 24.2x17.6 cm. (9½x7”) original gilt decorated green cloth, glassine jacket, two-part publisher’s box with illustration on lid. Indianapolis: Bobbs-Merrill Company, [1906] Rare in the original publisher’s box. Box with some wear and staining; glassine chipped and with some tears, rear flap detached; volume fine. (250/350)

277. (Fisher, Harrison) The Harrison Fisher Book: A Collection of Drawings in Colors and Black and White. Introduction by James B. Carrington. 9 full-page color plates, portrait photograph, numerous other illustrations. (4to) 27.7x21 cm. (11x8¼”), original blue cloth, illustrated paper label on front. First Edition. New York: Charles Scribner’s Sons, 1907 Illustrated throughout with more that 80 images. Light wear to cloth, small nick to spine cloth; very good. (200/300)

THREE LOTS OF FORE EDGE PAINTINGS 278. (Fore Edge Painting) Cowper, William. The Poetical Works of William Cowper - With fore edge painting of Windsor Castle. xxiv, 516 pp. Additional illustrated title page. (8vo) 23.2x15 cm. (9¼x6”) full brown pebbled morocco, decorative gilt stamping on covers and spine bands, all edges gilt. London: William Smith, 1839 With a lovely fore edge painting of Windsor Castle. Spine faded, some light wear; very good. (500/800)

Page 67 279. (Fore Edge Painting) [Ellis, George, compiler]. Specimens of the Early English Poets. [2], [viii], 323 pp. (8vo) 18.5x11.5 cm. (7¼x4½”) period full vellum (in the style of and likely by Edwards of Halifax), spine gilt, boards with gilt borders over a green wash border, marbled endpapers, all edges gilt, calf backed clamshell box. London: Printed for Edwards, Pall-Mall, 1790 With a fore edge painting (also likely by the Edwards firm) of a pastoral scene of an English estate with a lake and drive in the foreground. Provenance: Sotheby’s sale number 4056, Nov. 15, 1977 (identifying the fore edge scene as Woburn Abbey). Bookplate of John Levien. Box split at joints; vellum soiled; very good. (1500/2500)

Lot 279

280. (Fore Edge Painting) The Book of Common Prayer - With for edge painting. Unpaginated. (8vo) 22x13.5 cm. (8½x5¼”) early full black morocco, gilt borders, all edges gilt. Rebacked with original spine leather laid down. London: John Reeves, 1802 With a beautiful and skillfully executed fore edge painting of a cathedral and other public buildings along the water’s edge, sailing ships and other vessels on the water. Armorial bookplate, North North, Thurland Castle. Light edge wear; some scuffing; light foxing; very good. (600/900)

281. (Foxhunting) Crafty. La Chasse à courre, notes et croquis, par Crafty. 48 pp. Color illustrations throughout, initialed CY. (Oblong 4to) 22.3x26.5 cm. (8¾x10¼”), original color pictorial cloth. Paris: E. Plon, Nourrit et Cie, [c.1888] Rare French children’s book on foxhunting. OCLC/WorldCat lists only five copies, three of which are in the United States. Rubbing to joints and edges; light foxing to title- page, very good. (400/600)

282. (Frankfurter, Felix) Mendelson, Wallace, editor. Felix Frankfurter: A Tribute. Black cloth, dust jacket. First Edition. New York: Reynal & Company, 1964 Inscribed by the 82 year-old Frankfurter on flyleaf in a shaky hand: “With cordial regards and best wishes, Felix Frankfurter, July 7, 1964”. An anthology by 17 famed contributors praising the renowned Supreme Court Justice, who had retired from the Court when he suffered a stroke after 24 years on the bench. More rarely found inscribed by Frankfurter than any of the half dozen books he himself authored, as he died six months after publication. Jacket with some small chips; light wear to volume; very good in a like jacket. (250/350)

Page 68 THE 100 GREATEST BOOKS 283. (Franklin Library) The 100 Greatest Books of All Time. 100 volumes. Full leather bindings of various colors, decorations in gilt. Franklin Center, PA: The Franklin Library, [1970s-80s] 100 of the world’s greatest literary works, from Aeschylus to Zola. Including works by Austen, Bronte, Chaucer, Darwin,, Emerson, Faulkner, Hardy, Hemingway, Ibsen, Joyce, Kafka, Melville, Plato, Poe, Shakespeare, Thoreau, Twain, Whitman, etc. A complete list is available on request. The original publisher’s booklets for all but 2 titles are still present. Prospectus also present. Fine. (1000/1500)

TWO LOTS FROM LEONARD BASKIN’S GEHENNA PRESS 284. (Gehenna Press) Shakespeare, William. Othello. Illustrated with 10 full-page inserted woodcuts by Leonard Baskin; line cut illustrations by Baskin in text. (Folio) 51x34 cm. (20x13½”) brown morocco-backed marbled boards by Arno Werner. Matching morocco- backed clamshell box. From an edition of 200 copies numbered I through CC, this copy out of series and not numbered. [Northampton, MA]: [The Gehenna Press], [1973] The second volume of the ambitious but never completed Gehenna Shakespeare, preceded earlier the same year by Titus Andronicus and abandoned following the printing of the black text of King Lear, the red letter printing for King Lear never completed. Signed, as issued, at the colophon by Leonard Baskin. Gehenna Press, 75. Some wear to box, corners split on lower half of box; volume fine. (1200/1800)

Lot 284

Page 69 285. (Gehenna Press) Shakespeare, William. Titus Andronicus. Illustrated with 12 etchings by Leonard Baskin; woodcut illustrations by Baskin in text. (Folio) 51x34 cm. (20x13½”) full green morocco stamped in gilt on front, binding by Arno Werner. No. XV of 150 copies numbered I-CL (issued with an extra suite of plates but extra plates not present here). There were also 250 copies numbered 1-250. [Northampton, MA]: [The Gehenna Press], [1973] The first volume of the ambitious but never completed Gehenna Shakespeare, followed later the same year by Othello and abandoned following the printing of the black text of King Lear, the red letter printing for King Lear never completed. Signed, as issued, at the colophon by Leonard Baskin. Gehenna Press, 74. Spine sunned, light extremity wear; internally fine. (1200/1800)

286. Gibbon, Edward. The History of the Decline and Fall of the Roman Empire. 12 volumes. Frontispiece and 1 of 3 folding maps (other 2 maps supplied in facsimile). (8vo) period full tree calf, rebacked with original spine leather laid down (except Volume 1 which has a new spine). New Edition. London: Lackington, Allen, and Co., et al, 1815 Nice set of Gibbon’s renowned historical study. Bindings with some wear, professional repairs; foxing and browning; very good. (300/500)

287. (Grabhorn Press) Ray, Milton S. The Poet and the Messenger. Unpaginated. (4to), vellum- backed boards, plain paper jacket. One of 250 copies. San Francisco: Grabhorn Press, [1945] Initial letters by Mallette Dean. GB 418. Fine. (100/150)

288. Hervey, John L. The Art of W.C. Emerson: An Appreciation. [25] pp. Illustrated. 22.8x17.4 cm. (9x6¾”) original wrappers, string bound. One of 500 copies. No place: [Privately Printed], [1923] Emerson was born in England, but moved to the U.S. and settled in Connecticut. He was a member of the New York Watercolor Club and the Westchester Art Institute. He specialized in tonalist landscapes. Inscribed by the author to author Harry Worcester Smith, with Smith’s sporting bookplate inside front wrapper. Light wear and soiling to wrappers; light foxing; very good. (200/300)

The auction will be begin at 11:00 a.m.

Page 70 HIRSCHFELD’S HARLEM – 24 LITHOGRAPHS 289. Hirschfeld, Al & William Saroyan. Harlem as Seen by Hirschfield. Illustrated with 24 tipped-in original lithographs. 6-page introduction by Saroyan. 46x35.5 cm. (18x13¾”), color pictorial cloth. No. 752 of 1000 copies. First Edition. New York: Hyperion Press, 1941 Twenty-four original lithographs by Hirschfeld, 19 of which depict Harlem residents, the other five of Balinese dancers. Hirschfeld (1903-2003) was the revered master of this type of joyful caricature. Light dampstain to lower 3” of covers, lightly affecting the lower margins of some of the contents, some light offset from the plates, other than for the dampstaining, much cleaner and nicer than usually found. (2500/3500)

Lot 289

290. (Hogarth, William) Ireland, John. Hogarth Illustrated. 2 volumes. [6], cxxii, 311; [ii], (312)-607 pp. 90 (of 91) engraved plates, including illustrated title pages and frontispieces; 2 engraved vignettes. (8vo) 22.4x13.6 cm. (8¾x5¼”), later full sheep, red and black leather spine labels, marbled endpapers, all edges marbled. First Edition. London: J. & J. Boydell, 1791 A supplementary volume was issued in 1798, it is not present here. Bindings rubbed, joints starting; lacking the plate called for at page xciv in volume 1 though it appears to have never been present; some foxing; very good. (300/500)

291. Hopkins, Nevil Monroe. Twentieth Century Magic and Construction of Modern Magical Apparatus... [2], vi, 160 pp. Illustrations in text. (8vo) original brown cloth stamped in black and white, spine lettered in gilt. First Edition. New York: George Routledge & Sons, [1898] With chapters on Mechanical, Chemical and Electrical magic. Light extremity wear, previous owner’s name on endpapers; very good. (150/250) Page 71 ONE OF 26 HAND-ILLUMINATED COPIES 292.  Hubbard, Elbert. These Pages Recount Little Journeys Made to the Homes of Ruskin and Turner. 53 pp. 12 photogravure plates from Turner’s art work;10 original watercolor illustrations by Bertha C. Hubbard in the margins; 1 pen-&-ink sketch by her; 27 hand- illuminated initials with gilt highlights. 25.5x19.7 cm. (10x7¾”), linen-backed boards. No. 18 of 26 copies hand-illuminated by Bertha C. Hubbard. East Aurora, NY: Roycroft Printing Shop, 1896 Signed and numbered by Bertha Hubbard on the limitation-page. One of the earliest of the Roycroft printed books, the shop opened in 1895. A very limited, specially illuminated copy, with watercolor illustrations by the wife of author/ publisher Elbert Hubbard, and many lovely and varied initials. Bookplate of E.A. Morrison, Jr. Boards rubbed, worn at edges, moderate soiling to the cloth; internally fine. (1000/1500)

293. (Hurd, Peter) Horgan, Paul. The Return of the Weed. Illustrated with original lithographs by Peter Hurd, including tipped-in frontispiece. (4to) green cloth, paper spine label, glassine jacket, slipcase. No. 173 of 350 total copies, of which only 250 were originally for sale. First Edition. New York: Harper & Bros., 1936 Signed by the author and artist in the colophon. Classic short stories of the American west, with illustrations by the author’s friend and noted artist Peter Hurd (1904-1984). A bit of wear to slipcase, faint stain at lower edge; glassine lightly worn; volume fine. Lot 292 (200/300)

FOUR LOTS OF ILLUMINATED MANUSCRIPTS 294. (Illuminated Manuscript) Bernard of Clairvaux. Illuminated manuscript leaf with an excerpt from a letter by Bernard of Clarivaux to Rainald, Abbot of Foigny. Single leaf on vellum, 14 lines. Small water-color painting of a man carrying the Christ child on his shoulder, initial letters and flourishes in red, blue, green, and gilt. 26.7x16.7 cm. (10½x6½”) No place: c.1900 Text begins: “Is not that truly light which does not burden, but relieves him who bears it?” A beautifully illuminated leaf with small images of birds and flowers within the marginal flourishes. Fine. (500/800)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 72 295. (Illuminated Manuscript) St. Francis of Assisi. Illuminated manuscript leaf of “The Song of the Sun” by St. Francis of Assisi. Illuminated leaf on vellum. 21x30 cm. (8¼x11¾”). Large initial letter in gilt, red and blue at start, the first verse in alternating lines of gilt and blue, the first word to each following verse in larger letters, alternating colors of blue and gilt, smaller initial letters throughout in red, green or blue, floral decorations along left edge with a squirrel at the bottom, other decorative pen flourishes in red and blue, title in gilt at top. No place: c.1900 Gorgeous manuscript of St. Francis’s Canticle of the Sun A bit of wear at corners where previously mounted; still about fine. (500/800)

296. (Illuminated Manuscript) Illuminated manuscript of “The Dream of Gerontius “. 38 pp. Calligraphic text in black, red, and blue with several gilt initial letters and words. Water-color frontispiece highlighted in gilt. 12.5x8.5 cm. (5x3¼”), stiff paper wrappers. No place: c.1900 Beautiful water-color frontispiece of Christ on the crucifix with an angel at each side, the text expertly calligraphed. Frontispiece on vellum, text on fine paper. Fine. (500/800)

297. (Illuminated Manuscript) Illuminated manuscript of a hymn beginning “Peace, Peace, Jesus is Here...”. 4 pages on a folded sheet of velum, thin paper inner wrapper and vellum outer wrappers. 11.3x10 cm. (4¾x4”), ribbon tie. No place: c.1900 Each verse within a gilt border surrounded by decorative borders of red, blue, green and gilt, the borders containing many floral illustrations. The front wrapper bears the date, September 12. Fine (500/800)

298. (Illuminated Manuscripts) Katterbach, Bruno. Two volumes with facsimiles of Italian illuminated manuscripts. Includes: Le Miniature dell’ Evangeliario di Padova dell’ Anno 1170. 1931. * Le Miniature dell’ Epistolario de Padova dell’ Anno 1259. Together, 2 volumes. With numerous collotype plates reproducing miniature paintings and manuscripts, some in color with gilt highlights. 31.5x21 cm. (12½x8¼”), cloth stamped in gilt. Rome: Danesi - Editore, 1931 & 1932 Issued as Volumes IV and V of Codices ex Ecclesiasticis Italiae Bybliothecis. Rubbing to joints and edges, extremities worn; light to moderate foxing within, overall very good. (120/180)

299. Johnson, A.E. The Russian Ballet. [vi], 240 pp. 12 full-page color plates by Rene Bull, 4 colored headpieces, numerous black & white illustrations. (4to) 28x22 cm. (11x8¾”) original brown cloth stamped in gilt, top edge gilt. First Edition, Trade Issue. London: Constable & Co. Ltd., 1913 Each of 17 ballets performed by the Ballet Russe, described and illustrated. There were also 100 copies, signed by the illustrator. A few small spots to cloth, hinges cracked, light foxing; very good. (250/350)

300. Josephus, Flavius. The Famous and Memorable Workes of Josephus, A Man of Much Honour and Learning Among the Jewes. [x], 554, [5], 556-812, [20] pp. Lacking 4 leaves from index at end. (Folio) 31x21 cm. (12¼x8¼”) 19th century blindstamped full calf, spine in gilt and blind. London: Printed by J.L. for Andrew Hebb, 1632 Scarce 17th century edition of Josephus’s works. ESTC S112704. Edges rubbed, lacking spine label, light foxing; very good. (400/700)

Page 73 301.  Josephus, Flavius. The Works of Flavius Josephus: Translated into English by Sir Roger L’Estrange, Knight... [4], 18, 1130 [i.e. 942] pp. With 3 copper-engraved plates engraved by M. Vander Gucht, including the additional engraved title page; 2 copper-engraved folding maps. (Folio) 39x23.5 cm. (15¼x9¼”), modern red library cloth. First Edition of this translation. London: Richard Sare, 1702 L’Estrange’s Josephus, printed on thick paper, considered the finest printing in English. One of the prime sources on the antiquities and wars of the Hebrew nation. The six parts, as listed on the title page, are “I. The antiquities of the Jews, in twenty books. II. Their wars with the Romans, in seven books. III. The life of Josephus written by himself. IV. His book against Apion, in defence of the antiquities of the Jews, in two parts. V. The martyrdom of the Maccabees. As also; VI. Philo’s embassy from the Jews of Alexandria to Caius Caligula.” The additional title consists of 4 portraits, above which are images of the Garden of Eden; the Ark of Noah; the Ark of the Covenant; and the Temple. The two plates show various religious and cultural accouterments; there is a map of the Holy Land and a plan of Jerusalem. There are numerous errors and vagaries in the pagination, including omissions (no. 131-148, 555-584, 597-744) and numbered leaves 979-982, 987-990. Binding rubbed; occasional foxing; very good. (500/800)

302.  Kemble, E.W. Coontown’s 400. Unpaginated. Cartoon illustrations with captions on facing pages. 27.5x22.5 (10¾x8¾”), pictorial tan cloth. First Edition. New York: Life Publishing, 1899 Racially stereotyped cartoons with captions in dialect. Some soiling and light wear to cloth, hinges cracked; very good. (400/600)

SIGNED BY YURI KUPER 303.  Kuper, Yuri & Franck Bordas. Estampologia. 32 lithograph plates and facsimile manuscript, 8 pages of letterpress at rear. Loose in paper folder, as issued. Housed in the original painted cloth two-part slipcase. No. 29 of 100 copies. Paris: Paquebot, 2000 Signed by Yuri Kuper at the colophon. Rare. Fine. (1500/2000)

304. Lang, Andrew, editor. The Red Book of Animal Stories. xviii, 379, [1] pp. Illustrations by H.J. Ford. (8vo) rebound in full red morocco, spine lettered in gilt, raised bands. First Edition. London: Longmans, Green, and Co., 1899 Spine sunned, light extremity wear, a few scuffs; very good. (200/300)

305. Lang, Andrew, editor. The Yellow Fairy Book. xvi, 321, +[2] ad pp. Illustrations by H.J. Ford. (8vo) original yellow cloth stamped in gilt, all edges gilt. First Trade Edition. London: Longmans, Green, and Co., 1894 The fourth of Lang’s fairy books. Spine leaning, some soiling to cloth; very good. (200/300)

Page 74 306. (Lantz, Walter) Small archive of material relating to cartoonist Walter Lantz, creator of Andy Panda and Woody Woodpecker. Small archive, including: Life Begins for Andy Panda. Unpaginated. Original pictorial boards. With an original sketch of Andy Panda on front pastedown. Chicago: Rand McNally, 1940. * Original signed and inscribed sketch of Woody Woodpecker on 3x5 card. * 12 illustrations from a book by Lantz. Two of the plates signed by Lantz in the lower margin, each leaf with the artists ink stamp on bumper also. * 10 black and white photographs of Lantz and/or the Panda from the Chicago zoo. Most 8x10 or so. * 21 8x10 still photographs from Andy Panda and other cartoons. Various places: Various dates Lantz is best remembered as the creator of Woody Woodpecker. Some light wear; very good. (300/500)

WITH AN ORIGINAL DRAWING BY YURI KUPER 307. (Limited Editions Club) Pasternak, Boris. My Sister-Life - Artist’s Proof copy, with an original drawing by Yuri Kuper. Illustrated with 6 original etchings by Yuri Kuper, printed in Paris on Hahnemuhle paper by Aldo Crommelynck. Translated by Mark Rudman. (Folio) 19x16, gray half-morocco and handmade paper boards; cloth slipcase. From an edition of 250 copies, this copy not numbered and designated A/P (Artist’s Proof), signed by Kuper at the colophon. [New York]: The Limited Editions Club, [1991] With an original drawing by Yuri Kuper on the title page. Additionally inscribed by Kuper at the colophon to the previous owner. This copy with each etching (also designated A/P) signed in pencil by Yuri Kuper, not issued as such. A beautiful edition printed on handmade paper recycling various Cyrillic printings. Kuper’s work is found in the permanent collections of MoMA, Moscow Museum of Fine Arts, Fonds National d’Art Contemporain in Paris, etc. Publishers’ newsletter laid in. Spine a bit sunned; fine. (3000/5000)

Lot 307

Page 75 308. Mavrogordato, J.G. A Falcon in the Field: A Treatise on the Training and Flying of Falcons. x, 123 pp. 12 color plates by D.M. Henry and G.E. Lodge. 24.8x18 cm. (9¾x7”) cloth, dust jacket. First Edition. [London]: Knightly Vernon Ltd., [1966] A sequel to “A Hawk for the Bush”. The author was Vice-President of the British Falconers’ Club and member of numerous other falconers’ groups. Jacket price-clipped and with some light staining; very good. (200/300)

309. (McLoughlin Brothers) Animal Life: Linen (cover title). [12] pp. incl. wrappers. With 4 full- page color lithographed illustrations, plus black & white drawings in the text. Printed on linen. 22.5x15 cm. (8¾x6¾”), chromolithographed wrappers. New York: McLoughlin Bros., 1904 Descriptions of exotic animals from reindeer and elephants to camels and chickens. OCLC/WorldCat lists no copies. A bit of rubbing to wrappers, small chip to lower left corner, ink inscription to back wrapper; very good. (150/250)

310. (McLoughlin Brothers) Comical Pets A.B.C. (wrapper title). [12] pp. With chromolithographed illustrations, plus some printed in red & black. 27x21 cm. (10½x8¼”), chromolithographed wrappers. New York: McLoughlin Bros., 1899 Charming little alphabet book. OCLC/WorldCat lists only four copies. Some rubbing to wrappers, light internal soiling, very good. (250/350)

311. (McLoughlin Brothers) Two Children’s books on linen from McLoughlin Brothers. Includes: Jolly Stories. * Pretty Story Book. Together, 2 volumes. Illustrated including color lithographs. Printed on linen. 18x12.5 cm. (7x5”), color lithographed self-wrappers. New York: McLoughlin Bros., 1907 OCLC/WorldCat lists only six copies of the first, and no copies of the second, though McLoughlin did publish an 1899 version in larger format, of which two copies are listed. Minor wear, very good. (250/350)

ELEVEN LOTS ON MEDICINE 312. (Medical) B[rugis], T[homas]. The marrovv of physicke. Or, a learned discourse of the severall parts of mans body. Being a medicamentary teaching the maner and way of making and compounding all such oiles, unguents, sirrups, cataplasmes, waters, powders, emplaisters, pilles, &c. as shall be usefull and necessary in any private house, with little labour, small cost, and in short time. And also an addition of divers experimented medicines, which may serve against any disease that shall happen to the body. Together with some rare receipts for beauties, and the newest and best way of preserving and conserving: with divers other secrets never before published. Collected and experimented by the industry of T.B. Gen. practitioner in physicke and chyrurgery. 2 parts in 1. [16], 88; 175, [23] pp. A4, b4, B-M4, 2A-2Z4, 2A-2B4 (-B4, a blank). Folding table; wood engraving in the text. (4to) 17.7x13 cm. (7x5¼”), 19th century half morocco & marbled boards, all edges gilt. First Edition. London: Printed by Richard Hearne, 1640 “Brugis, Thomas fl. 1640?, surgeon, was born probably between 1610 and 1620, since he practised for seven years as a surgeon during the civil wars. He does not record upon which side he served. He obtained the degree of doctor of physic, though from what uni- versity does not appear, and settled at Rickmansworth, Hertfordshire, where he describes himself as curing ‘(by God’s help) all sorts of agues in young and old, and all manner of old sores that are curable by art’” - DNB. Quite scarce - ESTC locates only 10 copies;

Page 76 only one copy of the 1640 first edition has sold at auction since at least 1975, according to American Book Prices Current, and only one copy of the 1648 second edition. STC 3931; Wellcome I, 109. Some fading and scuffing to covers; occasionally trimmed close at top and bottom, affecting some signature marks and catchwords and a few lines of text, lower margin of 1st 72 pp. slightly gnawed, but well away from any text, repair to folding plate; lacking the final blank; very good. (1000/1500)

Lot 312

313. (Medical) Cushing, Harvey. The Pituitary Body and Its Disorders. x, 341 pp. Color frontispiece, folding plate, numerous black and white photographic plates. 9½x6, original red cloth, spine stamped in gilt. First Edition, Second State (less common). Philadelphia: J. B. Lippincott Company, [1912] Garrison-Morton outlines the importance of Cushing’s first book: “Cushing, outstanding neurological surgeon of the [20th] century, added much to our knowledge of the pituitary body and its disorders.” Only 1000 copies of the second state, which lists Cushing as the Moseley Professor of Surgery at Harvard, were issued. Bookplate of the Mayo-Clinic Library on front pastedown. Cushing Bibliography 2. GM 3896. Spine gilt dull, rubbing and wear to ends and corners; hinges cracked, flyleaf detached, well shaken with hinges cracked, good overall. (400/600)

Page 77 314. (Medical) Eleven volumes from the “Classics of Medicine Library”. Includes: Addison, Thomas. On the Constitutional and Local Effects of Disease of the Supra-Renal Capsules. Folio. * Carpue, J.C. An Account of Two Successful Operations for Restoring a Lost Nose from the Integuments of the Forehead. Quarto. * Scarpa, Antonio. Practical Observations on the Principal Diseases of the Eyes. * Gray, Henry. Anatomy Descriptive and Surgical. * Withering, William. An Account of the Foxglove, and Some of Its Medical Uses. * Holt, Emmet. The Diseases of Infancy and Childhood. Beaumont, William. Experiments and Observations on the Gastric Juice and the Physiology of Digestion. * Rush, Benjamin. Medical Inquiries and Observatons, Upon The Diseases of the Mind. * Peacock, Thomas B. On Malformations of the Human Heart. * The Aphorisms of Hippocrates. * Low, Peter. The Whole Course of Chirurgerie. Together 11 volumes, all but the first two are octavo in size, all are in full morocco, decoratively gilt. Birmingham, Alabama: Gryphon Editions, [1980s] A handsome shelf of facsimile editions of classic medical texts from the Classics of Medicine Library. A touch of wear; about fine. (400/700)

315. (Medical) Six Medicina Rara facsimile editions of rare early medical texts and one reference text. Includes: Browne, John. Myographia Nova: Or, A Graphical Description of all the Muscles in Humane Body... Morocco-backed boards. One of 2800 copies. * Bell, Charles. [Facsimile] Manuscript Drawings of the Arteries. Half cloth and boards. One of 2800 copies. * Brunschwig, Hieronymus. Buch der Cirurgia. Vellum-backed boards. One of 2800 copies. * Gerssdorff, Hans von. Feldtbuch der Wundtartzney. Calf-backed boards. One of 2800 copies. * Pugh, John. A Treatise on the Science of Muscular Action. Half calf and cloth. * Scultetus, Johannes. Armamentarium Chirurgicum. Calf-backed boards. The above 6 volumes each number 260 of 2800 copies, all in the original slipcases with newsletters laid in. New York: Editions Medicina Rara Ltd., Various dates Also: Herrlinger, Robert. History of Medical Illustrations from Antiquity to 1600. Cloth, slipcase. [1970] Some fading to spines and slipcases; near fine. (400/700)

316. (Medical - French) Three documents relating to French medicine. Includes: Lisfranc, Dr. Jacques. Document Signed, as President of the French Royal Academy of Medicine. Paris, March 31, 1835. Notifying Dr. Hering of Stuttgart that he had been honored with appointment as a Correspondent of the Royal Academy because of his “zeal for the progress of medical science.” Jacques Lisfranc de St. Martin (1790-1847) was a distinguished French Surgeon and Gynecologist who pioneered several surgical procedures, which were named after him; Garrison and Morton cite his 1815 description of a new method for amputation of the foot, probably devised while he was a young military Surgeon serving in Napoleon’s Army. The Doctor honored by this document, Edward August von Hering was an obscure German Veterinarian whose expertise in the treatment of thoroughbred horses had won him Prussian Royal distinction. Ironically, that same month, Dr. Lisfranc sent an identical letter to the great British Chemist and Physicist Michael Faraday. * Landre-Beauvais, Augustin Jacob. Document Signed - possibly with a stamp - as “Doyen de la Faculte”. Printed Ticket of Admission to a course at the University of France School of Medicine, 1828-1829. Dr. Landre-Beauvais (1772- 1840) was a French Surgeon best known for his 1800 description of Rheumatoid Arthritis, the first modern-day account of the disease (Garrison-Morton 4490). Curiously, the back of this ticket has a printed admonition that it was forbidden to enter the Medical School with a cane or weapons. * Pean, Jules Emile. Autograph Note Signed in French on front and verso of his printed calling card (“Le Docteur Pean / Membre de l’Academie de Medicine / Chirurgien des Hospitaux”) [Paris], October 20, 1895. To Madame Verity, making an appointment. French Physician Surgeon Jules Emile Pean (1830-1898) performed the first successful ovariotomy

Page 78 in France; claimed to have invented the hemostatic forceps; and is credited by Garrison and Morton with pioneering operations for removing tumors from the stomach and uterus. Many of his writings are medical classics. Together, 3 items. c.1828-1895 Interesting group of items relating to three leading French medical practitioners of the 19th century. Very good or better condition. (200/300)

317. (Medical - Insane Asylum Broadside) Vermont Asylum for the Insane. Rules for the attendants and assistants of the Vermont Asylum. Printed broadside. 20.4x16.4 cm. (8x6¾”) on sheet 25x20 cm. (9¾x7¾”). [Brattleboro, Vt.?]: J.H. Capen, printer, c.1855 Rare broadside presenting the rules for procedures at the Asylum, founded in the 1830s, after two decades of experience: Attendants were expected to “treat Patients with respect, kindness and attention; and never use any profane, obscene or vulgar language”; to take care that patients should not carry metal knives or forks away from the dining table, or to give any patient a razor; to deliver no letters or anything written by a patient without approval of a supervisor; and never to discuss patients’ conduct or conversation outside the Asylum. In the decade before the Civil War, Dorothea Dix was still crusading, against potent opposition, for reforms in the care of mentally ill patients – the kind of humane treatment set out in this broadside at one of the first asylums in America. OCLC/ WorldCat lists only a single example, at the Library Company of Philadelphia. Stain to lower margin, some minor edge wear; very good. (150/250)

318. (Medical - Insanity) Delilez, Francis. A New Treatise on Insanity: Its Cause, Effects, Treatment and Cure. Being an Abridgement of the Book: Insanity Explained (wrapper title). 32 pp. Wood-engraved portrait of the author. 18.8x12 cm. (7½x4¾”), original printed wrappers. [Milwaukee]: Published by the Author, 1890 A promotional pamphlet self-published by the author for his 1888 book, The True Cause of Insanity Explained, an autobiographical account of “imprisonment” and brutal mistreatment in the state asylum in Winnebago Wisconsin - one the very few 19th century first-hand narratives by an asylum patient, rather than a doctor. Far more scarce than the book itself - no copies are located by OCLC/WorldCat. Fine or nearly so. (100/150)

The Buyer’s Premium will be 20% f or bids up to $100,000 and 15% for that portion over $100,000.

Page 79 319. (Medical - Nursing) Wildenbruch, Ludwig von. Autograph Letter Signed (in French), as Prussian Ambassador to Ottoman Turkey, relating to medical treatment and nursing in the Crimean War, with veiled reference to the accomplishments of Florence Nightingale. 2 pages, on 4-page stampless lettersheet, addressed on p.4. 27x21.5 cm. (10½x8½”), Pera [Contantinople], Turkey: March 29, 1855 Von Wildenbruch writes to British Ambassador Lord Stratford (Canning) de Redcliffe, thanking him for allowing Dr. Morris to inspect the English Hospital at Constantinople, where he felt great “admiration” for the care of the “brave sick and wounded soldiers” who were being treated there, though he had doubts about the “too great abundance” of patients. A year before, Britain and France, allied with Turkey, Germany and Austria, declared war on imperial Russia. After fighting began on the Crimean coast of the Black Sea, the allied troops suffered greatly during the winter of 1854-55 from lack of fuel, clothing and supplies. Hearing in London of the horrible conditions of the British wounded, in November 1854, 35 year-old Florence Nightingale took 38 British women volunteer nurses to staff an overcrowded British military hospital near Constantinople, hundreds of miles from the battlefields. The nurses - who were not welcomed by the male Army Doctors - found a shortage of medicine and food and such awful sanitary conditions that many of the evacuated wounded were dying of typhus, cholera and dysentery. Not until March 1855, after the inspection of a British Sanitary Commission, did improved Hospital sanitation and ventilation begin to reduce the high death rate. The (apparently) German doctor, who visited the Hospital that same month with credentials from Ambassador von Wildenbruch was perturbed by the overcrowding. But he could only praise the care given the patients, thanks - though this diplomatically-worded letter neglects to mention it - to Florence Nightingale, known poetically as “the Lady with the Lamp”. Some creasing and wear along one edge, very good. (200/300)

320. (Medical - Psychology) Buchanan, Joseph. The Philosophy of Human Nature. vi, [2], 336 pp. (8vo) 20.3x12 cm. (8x4¾”), period calf. First Edition. Richmond, K[entucky]: Printed by John A. Grime, 1812 Joseph Parrish’s The Philosophy of Human Nature is unquestionably the most original American contribution to psychology before William James’ Principles of Psychology published nearly 80 years later. Notable both as an early Kentucky imprint and a groundbreaking medical treatise, the work was prepared as lectures to be delivered in the contemplated medical school of Transylvania University. The PsycINFO database of the American Psychological Association notes “The chapters in this book examine the human body and human nature. The author explores the topics of excitement, sensory perception, perceptual stimulation, the human mind, truth, beliefs, the association of ideas, human emotions, feelings, volition, will, voluntary actions, anatomical and physiological systems, diversity of excitability, and the dependence and interdependence of sensory organs and systems. Animal comparisons are also included.” Ink name of Corman L. Chambliss to title-page, along with a few light pencil names. Covers well worn, front joint cracked with cover nearly detached, rear joint partially cracked; some soiling, darkening and foxing to contents; good. (500/800)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 80 321. (Medical - Tobacco) Mussey, R.D. An Essay on the Influence of Tobacco Upon Life and Health. 48 pp. 16.5x11 cm. (6½x4¼”), original printed yellow wrappers. First Edition. Boston: Perkins & Marvin, 1836 First appearance of a very influential tract, often reprinted, which helped launch the first anti-Tobacco movement in America. Dr. Reuben Dimond Mussey (1780-1866), Professor of Surgery at Dartmouth and Ohio Medical College, President of the New Hampshire Medical Society, and later, of the American Medical Association, was also widely respected among anti-alcohol Temperance crusaders, such as the three young Theology students from notable Maine families, who presented and received this copy, with an inscription to Samuel C. Fessenden from John Tappan and C.H. Hamlin at the top of the front wrapper: Cyrus Hamlin, later founder of Robert College in Istanbul and a relation of Lincoln’s future Vice President; John Tappan, brother of the rich abolitionist who would bankroll defense of the Amistad slave rebels; and the recipient, Samuel Clement Fessenden, later Civil War Congressman whose brother would be Lincoln’s Secretary of the Treasury. A rare imprint with a notable provenance. Lower portion of spine perished, some light foxing within, very good. (400/600)

322. (Medicine - Quarantine Island, New York) DeWitt, Benjamin. Autograph Letter, signed, from the doctor on New York City’s first “Quarantine Island” for immigrants. Autograph Letter, signed. 2 pages plus integral address leaf. [Staten Island, NY]: May 17, 1817 Address to “The Commissioners of Health, New York, care of Mr. Roonie”. “I have been negotiating with the Mr. Humphreys…and the most favorable terms I can obtain from them for doing the work we require is $800. For that sum they will engage to make a substantive stone wall along the beach and fill it in to High water nearly, and also to regulate the ground and road adjacent, and cover the Quarantine wharf with a sufficient coat of earth. The new wharf along the line fence is not included in this estimate, they say it will cost $100 more to have that covered… The other work is indispensable and they say it cannot be done for less. They wish to have an answer on Monday next… you should let me know by one of the first boats on the morning of Monday, or else perhaps you may find it convenient to come down in person on Monday and decide on the matter here, which I should prefer.” Two years after Dr. Benjamin DeWitt wrote this letter, New York high society was shocked to learn that he had died in the course of his official duties as the second Health Officer of the Port of New York, having accepted that un-coveted post after serving as Surgeon to Army regiments guarding New York City against the British during the War of 1812. Before that, he had been Private Secretary to his relative, New York Governor George Clinton, later Vice President of the United States under Thomas Jefferson. The Doctor himself was socially prominent and politically active in the Tammany Society. Also founding editor of the New York Medical Journal and Professor at the State University of New York, his professional credentials were impeccable. So it was out of pure public spirit that Dewitt accepted his burdensome work on that section of Staten Island set aside to quarantine newly-arrived ship’s passengers diagnosed with deadly diseases like cholera, typhoid and yellow fever – which ultimately led to his own death. Creased from mailing, light wear; very good. (300/500)

The auction will be begin at 11:00 a.m.

Page 81 BEAUTIFUL COPPERPLATE ENGRAVINGS 323. Merian, Matthaeus. Topographia Sueviae... [8], 100, [12] pp. Copper-engraved title-page. Illustrated with 55 (only) copper-engraved plates, mostly double-page, and many with multiple images, showing nearly 100 views, plans and maps. (folio) 12x8, c.15th-century vellum with musical manuscript and a large blue and red initial. First Edition. Frankfurt: M. Merian, 1643 Matthew Merian (1593-1650) was a Swiss engraver and draftsman. The present is one of the most desirable volumes from his famous Topographia Germaniae, filled with bird’s-eye views of castle towns, scenic views of villages nestled in hillsides with many rustic details, maps of the region, etc. There are 58 plates listed in the register (and Wuthrich notes 60 overall); there are only 55 plates in this copy, including two which are not listed in the register, of Schwabisch Hall and a map titled, “Comitatustetnang” (not noted in Wuthrich). The plates not present are 5, 6, 13, 17 and 53. The text of the first edition is only 100pp. The second edition incorporates the appendix written in 1654 and is expanded to 232pp (though with only 2 further plates). Wuthrich, Das druckgraphische Werk von Matthaus Merian, IV, 11. Vellum with unobstrusive staining, wear to joints and bands with covers starting; pale corner dampstain at beginning, intermittent browning and spotting (mostly marginal), early manuscript on verso of two plates (with some bleeding through and a few small inkstains), one plate with old corner repair, a few other minor old repairs, a few of the large views trimmed at outer edges, some splitting and occasional wear or creasing at centerfolds; overall, still in Lot 323 extremely good condition in an attractive binding. (3000/5000)

324. Milne, A[lan] A[lexander]. When We Were Very Young. xii, [2], 100 pp. Illustrated by E.H. Shepard. 8x5½, original cloth-backed pictorial boards. One of 400 unsigned copies, from a total limited edition of 500 copies. First American Edition. New York: E.P. Dutton & Co., [1924] There were also 100 copies of this edition signed by the author. The first in the series, and the first appearance of both Christopher Robin and an early incarnation of Winnie the Pooh (in “Teddy Bear”). Spine sunned, edges rubbed, previous owner’s name in verso of front free endpaper; good. (500/800)

Page 82 325. Montaigne, Michel Eyquem de. Essayes Written in French by Michael Lord of Montaigne ... done into English, according to the last French edition, by John Florio. [10], 348, 350-630 pp. (A-Iii6, Kkk4). Lacking leaf A6 which contained the metalcut portrait of John Florio by William Hole (sometimes bound as the frontispiece), lacking final blank leaf (Kkk4). (Folio) 29x19 cm (11½x7½, period calf, later rebacking. Second Florio Edition. London: Printed by Melch. Bradwood for Edward Blount and William Barret, 1613 Second edition of John Florio’s translation into English of Montaigne’s Essays, following the edition produced in 1603. Books two and three have separate dated title-pages, with pagination and register continuous. Montaigne is generally credited with the invention of the essay, his Essays were first published in French in 1580, and are called by Printing and the Mind of Man the “consummate representation of the enlightened scepticism of the sixteenth century... “ Florio’s translation is considered one of the great translations of the Elizabethan period. With early ink ownership signature of John Monkhouse to top of title-page. (PMM 95); STC 18042. Some wear to binding, head of spine pulled, rear hinge cracked; paper repairs to edges of title page, one leaf (A5) detached, two leaves (pages 437-440) slightly smaller, possibly provided from another copy, paper a bit browned, light foxing; very good. (2000/3000)

326.  Mora, F. Luis. The health of the child is the power of the nation Children’s year, April 1918 - April 1919. Color lithographed poster. 46x72 cm. (18x28¼”); matted & framed under plexiglass. New York: The W. F. Powers Co., Litho., 1918 Poster showing a group of happy children on a hill, the promise of Lot 325 a post-war world. The artist was Jo Mora’s brother. Tiny edge tear, near fine. (400/700)

THREE BY JOHN HENRY NASH 327. (Nash, John Henry - Leaf Book) Bullen, Henry Lewis. The Nuremberg Chronicle or, The Book of Chronicles from the Beginning of the World, the most famous German picture books of the fifteenth century...a monograph...with a leaf from the first Latin edition. XXV pp. Illustrated with a tipped-in leaf from the first Latin edition of the Nuremberg Chronicle plus frontispiece and reproductions in the text. (Folio) calf-backed marbled boards. No. 266 of 300 copies. San Francisco: John Henry Nash for the Book Club of California, 1930 Original leaf is folio XXXVIII. With the bookplate of John Henry Nash on front pastedown. Extremities lightly rubbed; very good.

Page 83 (400/600) 328. (Nash, John Henry) Harte, Bret. The Heathen Chinee: Plain Language from Truthful James. Introduction by Ina Coolbrith. Bibliography by Robert E. Cowan. Illustrated by Phil Little. 14x11, blue boards stitched in oriental fashion with paper title label, tan linen chemise with bone clasps. Number 228 of 200 copies printed for the Book Club of California from a total edition of 500 copies. San Francisco: John Henry Nash for the Book Club of California, 1934 A handsome edition of Harte’s classic, if somewhat racist, poem, printed on double-leaves of ‘American’ vellum. One of the 50 Books of the Year. Inscribed inside front cover by John Henry Nash for Milton S. Ray. A bit bowed, faint spotting on front cover; near fine. (200/300)

329. (Nash, John Henry) O’Day, Nell. A Catalogue of Books Printed by John Henry Nash. xiv, 100, [1] pp. Portrait frontispiece. (4to) original tan cloth, paper spine label. First Edition. One of 500 copies. San Francisco: [John Henry Nash], 1937 An essential reference for the work of the esteemed San Francisco printer. Fine. (200/300)

330. (Natural History) Framed Hand-Colored Print of Lizards. Hand-colored lithograph of lizards. 35x27 cm. (visible), mated and framed. 44x36 cm. (17¼x14¼”) overall. [Stuttgart]: [Hoffmann], [c. 1830s] From Oken’s Allgemeine Naturgeschichte für alle Stände. Light staining in margins, paper a bit browned; not examined out of frame; very good. (100/150)

331.  Nádasdy, Ferencz. Mausoleum Potentissimorum ac Gloriosissimorum Regni Apostolici Regum & Primorum Militantis Ungariae Ducum Vindicatis è mortuali pulvere Reliquiis ad gratam apud posteros memoriam. [8], 407, [5] pp. Text in Latin and German. Title-page printed in red & black; copper-engraved added pictorial title; 59 full-page copper-engraved illustrations, being portraits of Dukes and Kings of Hungary. (folio) 31x19 cm. (12¼x7½”), period full vellum. First Edition. Nuremberg: Endter, 1664 Rare history of the dukes and kings of Hungary, from the first formation of the federation of united tribes, to the crowning of Saint Stephen as the first king in 1001, to Ferdinand IV, king from 1647 until his death in 1654. The fine engravings are portraits, the earlier dukes in fighting armor, the later kings in regal robes and symbols of office including a lone woman, Maria, who reigned in the fourteenth century. Vellum soiled, rubbed, a few chips to spine, top ½” of spine strip missing, clasps lacking; light foxing to title-page and occasionally within, else very good, internally near fine. (1000/1500)

THE OZ BOOKS OF L. FRANK BAUM 332. (Oz) Baum, L. Frank. The New Wizard of Oz. [8], 208 pp. Illustrated with 8 inserted color plates by W.W. Denslow; text drawings in black & white; pictorial endpapers with scenes from the M.G.M. movie. 9½x6¾, dark green cloth with pictorial & cover lettering in black, spine lettered in gilt; color pictorial jacket. First MGM Movie Version Edition. Indianapolis: Bobbs-Merrill Company, [1939] First state of this edition, with pictorial endpapers and spine lettering on black fields. The dust jacket shows the four main characters, and Toto too, surrounding the bald, short Wizard. Jacket with $1.19 price on front flap. Bienvenue & Schmidt, p. 13. Jacket chipped at edges and with some short tears, larger chip at head of spine; volume with some light spotting to cloth, lower corners bumped; very good. (300/500)

Page 84 333. (Oz) Baum, L. Frank. The Land of Oz. 287 pp. With 16 color plates & numerous black & white drawings by John R. Neill. 9x6½, red cloth stamped in silver, black, and green; pictorial endpapers printed in dark green on a green stock. First Edition, Fourth Printing. Chicago: Reilly & Britton, [c. 1914] The Marvelous Land of Oz with the shortened title on the front cover. Fourth printing with new typeset title page. Binding Variant ‘E’. Bienvenue & Schmidt, p. 24. Wear to extremities, front hinge with tape repair, tape repair also in gutter of title page, a few plates reinserted with tape, some wear to page edges, plates called for at pages 68 and 174 incorrectly placed at pages 256 and 272; good. (150/250)

334. (Oz) Baum, L. Frank. Ozma of Oz. 270, [blank], + [1] ad pp. Illustrated by John R. Neill with full-page and text illustrations in color and black and white. 9x6¾, tan cloth pictorially stamped in black, blue, red and yellow; blank endpapers. First Edition, Fourth Printing. Chicago: Reilly & Britton, [1907, but c. 1917] Fourth printing of the third Oz title; advertisements on last page listing titles through “The Lost Princess of Oz”; “O” in “Ozma” on line five of the Author’s Note on p.[11], is absent. One of a few copies in the ‘B’ binding, with pictorial stamping on rear cover. Bienvenue & Schmidt p. 30. Extremities worn, some soiling to cloth, front free endpaper glued to front pastedown, rear hinge cracked, page edges uneven; good. (250/350)

335. (Oz) Baum, L. Frank. Dorothy and the Wizard in Oz. Illustrated with 16 color plates & numerous black and white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label with metallic gold background; inserted pictorial endpapers in black and yellow. Housed in a custom clamshell box. First Edition, First Printing, First Binding. Chicago: Reilly & Britton, [1908] First printing, with advertisement on verso of half-title listing three titles, The Land of Oz, Ozma of Oz, and John Dough and the Cherub; the color plates are captioned. In the first state binding, with “The Reilly &/ Britton Co.” in large and small capitals at foot of spine. Bienvenue & Schmidt, p.34. Some wear and soiling to cloth, front hinge cracked; very good. (500/800)

336. (Oz) Baum, L. Frank. The Road to Oz. 261, [1] blank, [2] ad pp. Illustrated throughout with black & white drawings by John R. Neill. 9x6½, light green linen-like cloth stamped in dark green, red, brown and black; pictorial endpapers. Housed in a custom clamshell box. First Edition. Chicago: Reilly & Britton Co., [1909] First printing, binding state ‘A’ with publisher’s imprint in upper and lower case letters. Perfect type in the words “Toto on” page 34, line 4 and in the numeral “121” on page 121, numeral and caption beneath illustration on page 129 indicating one of the earliest copies printed. Bienvenue & Schmidt, p.41. Extremities rubbed, light soiling to cloth, small crack to rear hinge; very good. (700/1000)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 85 337. (Oz) Baum, L. Frank. The Emerald City of Oz. 295, [1] pp. Illustrated with 16 color plates embellished with metallic green ink & numerous black & white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label embellished with metallic silver & green ink; pictorial endpapers in black & orange. Housed in a custom clamshell box. First Edition, First Printing. Chicago: The Reilly & Britton Co., [1910] First printing, in the primary binding featuring the elaborate cover label showing a number of characters traveling through the city, spine lettered in black with picture of a rabbit in black and silver. The striking use of metallic ink on the illustrations and cover label can only be found in this state. Bienvenue & Schmidt, p. 47. Light wear and soiling to cloth; very good. (1000/1500)

338. (Oz) Baum, L. Frank. The Patchwork Girl of Oz. 340, [2] + [6] ad pp. Illustrated throughout with color & black & white drawings by John R. Neill. 9x6½, light-tan cloth stamped in dark green, red & yellow; color pictorial endpapers. First Edition, Second State, Secondary Binding. Chicago: Reilly & Britton, [1913] First edition with 6 pages of ads at end, including preliminary ad with photographs of 5 covers and commencing with “You Will be Glad to Know...”, followed by 5 pages of synopses. This has the later state of p.35 with the `C’ in “Chapter” corrected so that it does not overlap text. In the secondary binding of light-tan cloth rather than light-green, which Hanff & Greene note as scarcer than the primary binding. Hanff & Greene VII; Bienvenue & Schmidt p.52. Wear and soiling to cloth, spine ends frayed, front hinge cracked; very good. (300/500)

339. (Oz) Baum, L. Frank. Tik-Tok of Oz. 271, [1] pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, medium-blue cloth, pictorial cover label; inserted color pictorial endpapers of maps of Oz. First Edition, First Printing. Chicago: Reilly & Britton, [1914] First printing, with advertisements on verso of half-title listing 6 titles through The Patchwork Girl of Oz, and with horizontal double rules at top and bottom of spine. Bienvenue & Schmidt, p. 58. Spine faded and leaning; light extremity wear; very good. (400/600)

340. (Oz) Baum, L. Frank. The Scarecrow of Oz. 288 pp. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: The Reilly & Britton Co., [1915] First printing with advertisement on verso of half-title listing 8 titles through The Scarecrow of Oz, and with 12 inserted color plates without captions. Bienvenue & Schmidt, p. 63. Some light wear to cloth and cover label; very good. (500/800)

341. (Oz) Baum, L. Frank. The Scarecrow of Oz. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, dark green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, Third Printing. Chicago: The Reilly & Britton Co., [c. 1918] Third Printing, with advertisement on verso of half-title listing titles through The Tin Woodman of Oz. Bienvenue & Schmidt, p. 63. Some wear and soiling to covers, small nick to front cover illustrations, front hinge repaired, rear hinge cracked; good. (200/300)

Page 86 342. (Oz) Baum, L. Frank. Rinkitink in Oz. 314 pp. Illus. with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Britton, [1916] First printing with no advertisements on verso of ownership page. Bienvenue & Schmidt, p. 68. Light extremity wear; very good. (500/800)

343. (Oz) Baum, L. Frank. The Lost Princess of Oz. 312 pp. With 12 color plates and numerous black and white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label; black and white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Britton, [1917] First printing with the advertisement on verso of ownership page listing 10 titles through The Lost Princess of Oz, double-rules at top and bottom of spine. Bienvenue & Schmidt, p. 71. Some wear and soiling to cloth, surface wear and a small spot on cover illustration, hinges repaired; very good. (300/500)

344. (Oz) Baum, L. Frank. The Tin Woodman of Oz. 287, [1] pp. With 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, green cloth, color pictorial cover label; black & white pictorial endpapers. Early Reprint. Chicago: Reilly & Lee, [1918, but c. 1920] Early reprint with list of titles to The Cowardly Lion of Oz on verso of ownership leaf. Bienvenue & Schmidt, p. 75. Light wear and soiling to cloth; very good. (150/250)

345. (Oz) Baum, L. Frank. The Magic of Oz. 265, [1] pp. Illus. with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. Early reprint. Chicago: Reilly & Lee, [1919, but 1923] Early reprint with verso of ownership page blank and plates repositioned. Bienvenue & Schmidt, p. 79. A touch of extremity wear, short crack to front hinge; very good. (200/300)

346. (Oz) Baum, L. Frank. The Magic of Oz. 265, [1] pp. Illus. with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. Early reprint. Chicago: Reilly & Lee, [1919, but 1923] Early reprint with verso of ownership page blank and plates repositioned. Bienvenue & Schmidt, p. 79. Light wear and soiling to cloth; very good. (150/250)

347. (Oz) Baum, L. Frank. Glinda of Oz. 279 + [1] pp. Illustrated 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, tan cloth, pictorial cover label; black & white pictorial endpapers. First Canadian Edition, First Printing. Toronto: Copp Clark Co., Limited, [1920] Perfect type on page 150. Bienvenue & Schmidt, p. 81. Some wear and soiling to cloth, hinges repaired; a few pencil markings internally; very good. (250/350)

Page 87 THE OZ BOOKS OF RUTH PLUMLY THOMPSON 348. (Oz) [Thompson, Ruth Plumly]. Baum, L. Frank. The Royal Book of Oz. Enlarged and edited by Ruth Plumly Thompson. 312 pp. With 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, gray-green cloth, color pictorial cover label; black & white pictorial endpapers. Later printing. Chicago: Reilly & Lee, [mid 1920s] Later printing with caption on plate facing p.255 corrected, the plates coated on both sides, and four of the plates relocated. Bienvenue & Schmidt, p.102. Light wear, previous owner’s name on ownership leaf; very good. (150/250)

349. (Oz) Thompson, Ruth Plumly. Kabumpo in Oz. 297 pp. Illus. with 12 color plates by John R. Neill. (8vo), green cloth, pictorial cover label, black & white pictorial endpapers, pictorial dust jacket. Early reprint. Chicago: Reilly & Lee Co., [1922, but mid 1920s] Mid-1920s reprint with ampersand in “standard” form and illustration of Kabumpo on page [299]. Later dust jacket with titles to The Yellow Knight of Oz (1930). Jacket chipped at spine ends and corners, spine faded; previous owner’s name on ownership leaf; very good. (200/300)

350. (Oz) Thompson, Ruth Plumly. The Cowardly Lion of Oz. 291 pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. Later printing. Chicago: Reilly & Lee, [mid 1920s] Later printing with the “standard” ampersand in the spine imprint. Bienvenue & Schmidt, p. 104. Lightly rubbed; near fine. (150/250)

351. (Oz) Thompson, Ruth Plumly. Grampa in Oz. 271 + [7] ad (i.e. 4 leaves printed on rectos only) pp. 12 color plates (no color frontispiece, as issued). 9x6½, light brick-red cloth, pictorial cover label, black & white endpapers. Later printing. Chicago: Reilly & Lee, [mid 1920s] Later printing with broken type in numeral on p. 171. Bienvenue & Schmidt p.105. Light wear to binding; very good. (150/250)

352. (Oz) Thompson, Ruth Plumly. The Lost King of Oz. 280 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, blue cloth, pictorial cover label, black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1925] With plates coated on printed side only. Broken type on the letter “k” on page 193, line 4 making this not among the earliest copies first printing. Bienvenue & Schmidt, p. 107. Scuffing to cover label, hinges repaired, previous owner’s names; very good. (200/300)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 88 353. (Oz) Thompson, Ruth Plumly. The Hungry Tiger of Oz. 261, [3] pp. + [2] ad leaves. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, dark green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1926] First printing with plates coated on printed side only; hyphen on the last line of p.21; the word “two” (p.252, last line) in unbroken type, indicating this is one of the “earliest copies” of the first printing. Bienvenue & Schmidt, p. 108. Light wear to cloth, hinges a bit shaken; very good. (200/300)

354. (Oz) Thompson, Ruth Plumly. The Gnome King of Oz. 282 pp. Illustrated with 12 color plates by John R. Neill. 8¾x6½, bright emerald cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1927] Bienvenue & Schmidt, p. 109. Light wear, short crack to front hinge; very good. (250/350)

355. (Oz) Thompson, Ruth Plumly. The Giant Horse of Oz. 283 pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, brick-red cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1928] First state with misprint “Oniberon” for “Quiberon” in frontispiece caption; “r” in “morning” (p.116, line 1) in damaged type making this not among the earliest copies of the first printing. Bienvenue & Schmidt, p. 110. Light spotting to rear cover, front hinge a bit shaken; very good. (200/300)

356. (Oz) Thompson, Ruth Plumly. Pirates in Oz. 280 pp. With 12 color plates by John R. Neill. 9x6½, dark green cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1931] First state binding with spine imprint in boldface. Bienvenue & Schmidt, p. 113. Light wear to cloth, pencil markings on front; faint dampstain to lower corner of pages; very good. (150/250)

357. (Oz) Thompson, Ruth Plumly. The Purple Prince of Oz. 281 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, dark purple cloth, pictorial cover label, pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1932] First binding with spine imprint in boldface type. Bienvenue & Schmidt, p. 114. Some wear to extremities, hinges cracked; very good. (200/300)

358. (Oz) Thompson, Ruth Plumly. The Purple Prince of Oz. 281 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, dark purple cloth, pictorial cover label, pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1932] First binding with spine imprint in boldface type. Bienvenue & Schmidt, p. 114. Spine a touch faded, light wear; very good. (200/300)

Page 89 359. (Oz) Thompson, Ruth Plumly. Ojo in Oz. Illustrated with 12 color plates by John R. Neill. (8vo), gray cloth, pictorial cover label; black & white pictorial endpapers; color pictorial jacket. First Edition, Second State. Chicago: Reilly & Lee, [1933] Second state binding, with spine imprint in semi-script. All later printings were issued without color plates. The jacket has the spine imprint in semi-script “fancy” letters and lists 38 titles, through The Hidden Valley of Oz (1951). Bienvenue & Schmidt, p. 115. Jacket lightly worn and faded; light wear to binding, hinges starting to crack, gift inscription and erasures on front pastedown; very good in near fine jacket. (400/600)

360. (Oz) Thompson, Ruth Plumly. Speedy in Oz. 298 pp. Illustrated by John R. Neill. (8vo) blue cloth, pictorial cover label; black & white pictorial endpapers, pictorial dust jacket. Later printing. Chicago: Reilly & Lee, [1934, but later] Later printing without color plates, dust jacket with titles to Magical Mimics in Oz (1946). Jacket chipped, paper tape repairs on rear of jacket; small nick to rear joint; near fine in a very good jacket. (200/300)

361. (Oz) Thompson, Ruth Plumly. The Wishing Horse of Oz. 297 pp. Illustrated with 12 color plates by John R. Neill. 9x6¾, dark green cloth, pictorial cover label. First Edition. Chicago: Reilly & Lee, [1935] This was the last Oz book to be issued with color plates, and all subsequent printings of this book did not contain the plates. This is the only Reilly & Lee Oz book that was not issued with its own pictorial endpapers. Bienvenue & Schmidt, p. 117. Extremities worn, front hinge cracked, bookplate; very good. (200/300)

362. (Oz) Thompson, Ruth Plumly. Captain Salt in Oz. 306 pp. Illustrated with black & white drawings by John R. Neill. 8¾x6½, blue cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1936] 16-page gatherings. Bienvenue & Schmidt, p. 118. Light wear to binding, rear hinge cracked, bookplate; very good. (150/250)

363. (Oz) Thompson, Ruth Plumly. Handy Mandy in Oz. 271 pp. Illustrated by John R. Neill. (8vo), yellow cloth, pictorial cover label, black & white pictorial endpapers; color pictorial jacket. First Edition. Chicago: Reilly & Lee, [1937] First state with picture of Handy Mandy on spine. The jacket is a later issue: the rear flap lists 34 titles through Scalawagons of Oz (1941). Bienvenue & Schmidt, p. 119. Jacket price clipped, some edge wear; light wear to cloth, small scratch to label; very good. (300/500)

364. (Oz) Thompson, Ruth Plumly. The Silver Princess in Oz. Illustrated with black & white drawings by John R. Neill. 9x6½, red cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing, Second Binding. Chicago: Reilly & Lee, [1938] First printing with 16-page gatherings; binding ‘B’ with no illustration on spine; the title on the cover label, except for the Oz monogram, is printed in metallic-silver ink. Bienvenue & Schmidt, p. 120. Light wear, front hinge starting; very good. (150/250)

Page 90 365. (Oz) Thompson, Ruth Plumly. Ozoplaning With the Wizard of Oz. Illustrated with black & white drawings by John R. Neill. 22.8x16.8 cm. (9x6½”), red cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First State. Chicago: Reilly & Lee, [1939] First state, with 16-page gatherings. Jacket flap with 32 titles listed through Ozoplaning. Bienvenue & Schmidt, p. 121. Jacket spine faded, edges with some chipping and short tears, larger chips at spine ends; volume with minor wear; near fine in a very good jacket. (500/800)

366. (Oz) Thompson, Ruth Plumly. Ozoplaning With the Wizard of Oz. Illustrated with black & white drawings by John R. Neill. 22.8x16.8 cm. (9x6½”), red cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First State. Chicago: Reilly & Lee, [1939] First state, with 16-page gatherings. Jacket flap with 32 titles listed through Ozoplaning. Bienvenue & Schmidt, p. 121. Jacket with some chipping and short tears; rear hinge cracked; very good. (500/800)

THE OZ BOOKS OF JOHN R. NEILL 367. (Oz) Neill, John R. The Wonder City of Oz. Illustrated by Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers, pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1940] First edition, with 16-page gatherings. Jacket with list of titles to Wonder City of Oz on rear flap. Bienvenue & Schmidt, p. 126. Jacket chipped at edges, splitting along folds; cloth spotted; very good. (300/500)

368. (Oz) Neill, John R. The Scalawagons of Oz. 309 pp. Illus. by Neill. 8¾x6½, reddish-brown cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1941] First edition, with title on spine printed diagonally, with the “Scalawagons” hyphenated on two lines. Bienvenue & Schmidt, p. 127. Light wear to binding, hinges taped; very good. (150/250)

369. (Oz) Neill, John R. Lucky Bucky in Oz. 289 pp. Illustrated by Neill. 8¾x6½, blue cloth, pictorial cover label; black & white pictorial endpapers; color pictorial dust jacket. First Edition, First State. Chicago: Reilly & Lee, [1942] First printing, with vignette of a boy on spine. Early state dust jacket with $1.75 price on front flap and Victory Bonds ad on rear. Bienvenue & Schmidt, p. 128. Jacket worn, chips and tears, a few tape repairs, large piece torn from bottom of front flap and front panel; some wear and soiling to binding; very good in a poor jacket. (300/500)

THE OZ BOOKS OF JACK SNOW 370. (Oz) Snow, Jack. The Magical Mimics in Oz. Illustrated with black & white drawings by Frank Kramer. 8¾x6½, light gray cloth, pictorial cover label; pictorial endpapers in green, pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1946] First printing with thickness of volume is greater than 1”. Bienvenue & Schmidt p.133. Jacket price clipped and with some light edge wear, a few small chips and short tears; volume near fine. (300/500) Page 91 371. (Oz) Snow, Jack. The Magical Mimics in Oz. Illustrated with black & white drawings by Frank Kramer. 8¾x6½, light gray cloth, pictorial cover label; pictorial endpapers in green. First Edition. Chicago: Reilly & Lee, [1946] First printing with thickness of volume is greater than 1”. Bienvenue & Schmidt p.133. Light wear to binding, corners showing; very good. (100/150)

372. (Oziana) Oziana 2004 [and] Oziana 2005 - each one of 26 copies signed by the contributors. Two volumes. Illustrated. (4to), pictorial boards. Each copy ‘V’ of 26 lettered copies. Antioch, CA: International Wizard of Oz Club, 2004, 2005 Signed by the contributors on labels mounted to the front free endpapers. The Creative Magazine of the International Wizard of Oz Club. Fine. (200/300)

373. (Oziana) Thompson, Ruth Plumly. King Kojo. 239 pp. Illustrated by “Marge” including 8 color plates. 9x6½, red cloth, color pictorial cover label. First Edition in Book Form. Philadelphia: David McKay Co., [1938] Previously serialized in King Comics as a collection of stories. Spine faded, light wear; very good. (150/250)

THE NON-OZ BOOKS OF L. FRANK BAUM 374. (Baumiana) Baum, L. Frank. The Daring Twins: A Story for Young Folk. Illustrated with 4 black & white plates by Pauline M. Batchelder. 7½x5, pictorial blue cloth. First Edition, First State. Chicago: The Reilly & Britton Co., [1911] There was only one printing of this work and this is the first binding state, in dark blue cloth and showing the twins full-length. This is the first in a two-book mystery series for teenagers, the only such books published under Baum’s name. Bienvenue & Schmidt, p.240. Light extremity wear, faint stain on rear cover; very good. (250/350)

375. (Baumiana) Baum, L. Frank. John Dough and the Cherub. 315 pp. Illustrations by John R. Neill. Yellow cloth, pictorial label. Later printing. Chicago: Reilly & Lee, [1906, but 1927] This edition without color plates other than the frontispiece which is lacking in this copy. Some wear to cloth and cover illustrations, lacking the frontispiece; very good. (100/150)

376. (Baumiana) Baum, L. Frank. The Life and Adventures of Santa Claus. [8], 206 pp. Illustrated by Mary Cowles Clark including 12 inserted color plates, among them the frontispiece & title-page. 9x6¾, red cloth pictorially stamped in white, green, beige and black. First Edition, Second State. Indianapolis: The Bowen-Merrill Company, 1902 Second state with section headings as “Youth,” “Manhood,” and “Old Age.” This second state includes many textual illustrations and decorations, mainly in the margins, not present in the first state. The illustrations were done by a local artist whom Baum met on a visit to Syracuse. Bienvenue & Schmidt p.200. Light wear and soiling to cloth, some loss of white stamping on front; very good. (300/500)

Page 92 377. (Baumiana) Baum, L. Frank. Mother Goose in Prose. 265 pp. Illustrated with 13 plates (including title page) by Maxfield Parrish, printed in sepia. 9¼x7, red cloth pictorially stamped in black & white. Second Edition. Chicago: Geo. M. Hill, [1901] Second edition of Baum’s first children’s book and first book of fiction, first published in 1897. Reduced in size from the first edition. Bienvenue & Schmidt, p. 160. Front cover bowed and cloth rippled, some staining at edges, early gift inscription; fair. (250/350)

378. (Baumiana) Baum, L. Frank. The Sea Fairies. 239, [1] pp. Illustrated with 12 duotone plates with iridescent ink & numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; pictorial color endpapers. First Edition, First State. Chicago: Reilly & Britton, [1911] First state with front cover label illustrating the heads of the 3 principal characters, the last two lines of page 95 transposed, and lines 14 and 15 of page 105 also transposed. This is the first volume in the “Trot” series, which Baum hoped would replace Oz in his readers’ affections. It did not, but the Sea Fairies is one of his most imaginative books, especially with the marvelous iridescent plates. Bienvenue & Schmidt, p. 244. Some wear and soiling to cloth and cover illustration; very good. (250/350)

379. (Baumiana) Baum, L. Frank. Sky Island: Being the Further Exciting Adventures of Trot and Cap’n Bill after Their Visit to the Sea Fairies. 287, [1] pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, red cloth, color pictorial cover label, spine stamped in black, color pictorial endpapers. First Edition. Chicago: The Reilly & Britton Co., [1912] This, a sequel to The Sea Fairies, is considered one of John R. Neill’s finest books, filled with vivid fantasy images. Bienvenue & Schmidt, p. 247. Light wear and soiling to cloth, spine sunned; very good. (200/300)

380. (Baumiana) Baum, L. Frank. The Surprising Adventures of The Magical Monarch of Mo, And His People. Illustrated with 8 color plates by Frank Verbeck. 9x6½, dark blue cloth, pictorial cover label. Later reprint. Indianapolis: Bobbs-Merrill, [Early 1920s] Originally published in 1903. Light wear to binding and cover illustration, gift inscription on front free endpaper; very good. (100/150)

381. (Baumiana) Baum, L. Frank. The Lost Princess of Oz. With 12 color plates and numerous black and white drawings by John R. Neill. (8vo), blue cloth, pictorial cover label; black and white pictorial endpapers, dust jacket. Later Printing. Chicago: Reilly & Lee, [1917, but mid 1920s] Later printing, circa mid 1920s, with no list of other titles on verso of ownership leaf and with captioned color plates. Dust jacket from a later printing with titles to Ojo in Oz (1933) on rear flap. Jacket chipped and with some tears, tape repairs; light wear to volume; very good. (150/250)

Page 93 382. (Baumiana) [Baum, L. Frank] Bancroft, Laura. Twinkle and Chubbins. Their Astonishing Adventures in Nature-Fairyland. 384 pp. 95 colored full page illustrations by Maginel Wright Enright. 7½x5¾, yellow cloth pictorially stamped in black, green and red. First Edition Chicago: Reilly & Britton Co., [1911] A single volume reprint of the complete ‘Twinkle Tales’ series (1906). One of the rarest Baum titles, using the Laura Bancroft pseudonym. Bienvenue & Schmidt, p.290. Wear and soiling to cloth, endpapers soiled, hinges cracked; a few leaves with tears; good. (400/600)

EIGHTEEN LOTS OF PHOTOGRAPHY BOOKS 383. (Photography) Adams, Ansel. The American Wilderness. Illustrated with photography. 31.8x39 cm. (12½x15½”), cloth, dust jacket. First Edition. Boston / Toronto: Little, Brown / Bullfinch Press, [1990] Fine, in original shipping carton, with original shrink-wrap laid in. (100/150)

384. (Photography) Adams, Ansel. Images, 1923-1974. Foreword by Wallace Stegner. 115 extended range photolithographic reproductions. Oblong, 35x43 cm. (13¾x16¾”), cloth; dust jacket, slipcase. First Edition. Boston: New York Graphic Society, [1974] Inscribed by Adams on the half-title, “For Joan Murray, with appreciation and every good wishes for 1975 and many more to come!! Ansel Adams, Carmel, 12-30-74.” Fine condition. (400/600)

385. (Photography) Adams, Ansel. Yosemite and the Range of Light, Signed. Introduction by Paul Brooks. Illustrated throughout from black and white photographs by Ansel Adams. (Oblong folio) 12x15, linen-backed cloth, pictorial jacket. Fourth printing. Boston: New York Graphic Society, [1981] Signed by Ansel Adams on Time-Life certificate on front free end-paper. Jacket price clipped; near fine. (100/150)

386. (Photography) Adams, Ansel. Three books and a press kit with Ansel Adams photographs, signed &/or inscribed. Includes: De Cock, Lilian. Ansel Adams. Foreword by Minor White. Inscribed on the half-title, “For Joan Murray with Affection! Ansel Adams, 2-12-73.” A Morgan & Morgan Monograph. 2nd ptg. Cloth, jacket. [1972]. * Press kit for an exhibit of Ansel Adams photographs at the California Academy of Sciences. Includes “Ansel Adams: The Eightieth Birthday Retrospective” by Mary Alinder, signed by Adams; “The Unknown Ansel Adams” by James Alinder, signed by Adams; plus a few other items. Set into printed paper folder with pockets. 1982. * Ansel Adams: An American Place, 1936. 2 copies. Each Signed by Adams on the title-page, dated 5-5-82. Wrappers (a bit rubbed with light creases). [1982]. Together, 4 items. various places: Various dates Very good to fine condition. (400/600)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 94 387. (Photography) Avedon, Richard. Avedon: Photographs, 1947-1977. Essay by Harold Brodkey. Black and white photographs by Avedon throughout. 35.5x26.3 cm. (14x10½”), glossy photographic boards, clear printed acetate jacket. First Edition. New York: Farrar, Straus & Giroux, [1978] Inscribed and signed by Richard Avedon to Joan Murray on the front free endpaper, dated Berkeley, 80. Fashion photographs of glamorous subjects including the Duchess of Alba, Brigitte Bardot, Lauren Bacall, Cyd Charisse, Gabrielle Chanel, Marlene Dietrich, Audrey Hepburn, and others. Acetate jacket with nick to top corner of front panel, price clipped; volume spine sunned a touch, near fine. (300/500)

388. (Photography) Avedon, Richard. In the American West: 1979-1984. Plates throughout from photographs by Abrams. 35.5x27.5 cm. (14x10¾”), cloth, large photo pictorial cover labels on front & rear covers, original acetate dust wrapper. First Edition. New York: Harry N. Abrams, [1985] Inscribed and signed by Richard Avedon on the front free endpaper, “To Joan [Murray], Avedon, ‘86.” Fine condition. (400/600)

389. (Photography) Bullock, Wynn. Wynn Bullock. Text by Barbara Bullock with notes by the Photographer. Plates throughout from photographs by Wynn Bullock. 31x25.5 cm. (12¾x10”), cloth, pictorial cover label, acetate dust wrapper. [San Francisco]: Scrimshaw Press, 1971 Inscribed by the photographer on the title-page, “To Joan [Murray], With love, Wynn.” The acetate wrapper has shrunk a little, as inevitably occurs, else fine. (300/500)

390. (Photography) Caponigro, Paul. Seven volumes by or with the work of Paul Caponigro. Includes: Paul Caponigro: An Aperture Monograph. (Jacket torn along spine, head chipped.) [1967]. * Paul Caponigro: An Aperture Monograph. Wrappers. 1972. * Paul Caponigro: Photography, 25 Years. Wrappers. [1982]. * Megaliths. [1986]. * Masterworks from Forty Years. 1993. * The Voice of the Print. Wrappers. 1 of 1000. [1994]. * The Wise Silence. [1983]. Together, 7 volumes. Plates throughout from photographs by Paul Caponigro. Cloth, jackets, except as noted. First Editions. Various places: Various dates All but the first and last signed &/or inscribed by Paul Caponigro. Very good to fine condition. (400/600)

391. (Photography) Irwin, William. We protest: A photographic study of the Bay area protest movement, 1969. [57] pp. Foreword by William L. Ellis. Full-page halftone photographs throughout by William Irwin. 27.5x21 cm. (10¾x8¼”), original color pictorial wrappers. First Edition San Francisco: Rip Off Press, 1970 Scarce photographic record of the tumultuous year of 1969 in the San Francisco Bay Area, as protests rocked the land - the Vietnam War, Civil Rights, People’s Park, and more. OCLC/WorldCat lists only seven copies - at the Berkeley Public Library, San Francisco Public Library, University of California at Davis, University of Colorado at Boulder, Iowa State University, Washington State University, and Bibliotheek Universiteit van Amstercam. Rub mark near spine foot, else fine. (300/500)

Page 95 392. (Photography) Madonna. Sex. Edited by Glenn O’Brien. Photographs throughout in color & black & white by Stephen Meisel. Compact disc, still sealed, laid in. 35x27 cm. (13¾x10¾”), original spiral-bound aluminum covers with embossed lettering, original mylar envelope (unsealed). [New York]: Warner Books, [1992] The famed singer in unbridled erotica, scandalous at the time, now somewhat tame. Fine. (200/300)

393. (Photography) Michals, Duane. Now Becoming Then. Unpaginated. Photographs by Duane Michals. Text by Max Kozloff. (4to) cloth, slipcase. No. 13 of 100 copies. Altadena: Twin Palms, 1990 Signed by Michals at the colophon. Duane Michals’ distinctive narrative style at its finest. Fine. (200/300)

ONE OF 100 SIGNED BY THE PHOTOGRAPHER 394. (Photography) Misrach, Richard. Richard Misrach 1979. Plates throughout from photographs by Richard Misrach. 30.5x20.5 cm. (12x9¾”), cream cloth, spine lettered in black, original photograph mounted on front cover, acetate dust jacket. No. 65 of 100 hardbound copies. First Edition. [San Francisco]: [Grapestake Gallery], [1979] Signed and numbered by Misrach on front flyleaf, as issued. Legendary photographic rarity featuring a haunting series of nighttime desert scenes, with an original photograph mounted on the front cover. Laid in is an unused order blank from Grapestake Gallery - you could get a 20% discount on the purchase of any original photograph illustrated in the book. The acetate jacket is slightly short, a shrinkage issue that inevitably occurs. Fine condition. (2000/3000)

Lot 394

Page 96 395. (Photography) Misrach, Richard. Five books by Richard Misrach or featuring his photographs. Includes: Bravo 20: The Bombing of the American West. [1990]. * The Sky Book. Text by Rebecca Solnit. 2000. * Golden Gate. Essays by T.J. Clark & Richard Walker. 2001. * Violent Legacies: Three cantos. [1992]. * Crimes and Splendors: The Desert Cantos of Richard Misrach. [1996]. Together, 5 volumes. Color plates throughout from photographs by Richard Misrach. Cloth or boards, jackets. First Editions. Various places: Various dates First three inscribed and signed by Richard Misrach to Joan [Murray]. Light shelf wear to jackets; fine or nearly so. (400/600)

396. (Photography) Owens, Bill. Four photographically illustrated volumes by Bill Owens. Includes: Suburbia. [1973]. * Second printing of preceding. [1973]. * Our Kind of People: American Groups and Rituals. [1975]. * Working (I Do It for the Money). [1977]. Together, 4 volumes. Illustrated throughout from photographs by Bill Owens. 25.5x25.5 cm. (10x10”), pictorial wrappers. First Editions except as noted. San Francisco & New York: Straight Arrow Press/Simon & Schuster, Various dates Owens’ insightful and revealing photographs of the American middle class. He has inscribed the reprint of Suburbia on the title-page: “Joan [Murray], I’m glad you like Our Kind of People better than Suburbia, but Suburbia will out sell it! Bill Owen, 1976.” Some minor wear from use, very good or better. (300/500)

397. (Photography) Weston, Brett. Two photography books by Brett Weston, each inscribed. Includes: Voyage of the Eye. Afterword by Beaumont Newhall. [1975]. * Brett Weston: Photographs from Five Decades. [1980]. Together, 2 volumes. Plates throughout from photographs by Brett Weston. 34x29.5 cm. (13½x11¾”) or smaller, cloth, jackets. First Trade Editions. Millerton, NY: Aperture, Inc., [1975 & 1980] Each inscribed and signed by Brett Weston to Joan [Murray]. Fine or nearly so. (300/500)

398. (Photography) Weston, Edward. Four volumes with photographs by Edward Weston. Includes: Edward Weston, Photographer: The Flam of Recognition. An Aperture Monograph edited by Nancy Newhall. Wrappers (tape repair at spine foot). 1965. * Edward Weston Nudes. Remembrance by Charis Wilson. His Photographs Accompanied by Excerpts from the Daybooks & Letters. 1977. * Edward Weston: Fifty Years. The definitive volume of his photographic work. Illustrated biography by Ben Maddow. [1973]. * Edward Weston: His Life and Photographs. Revised Edition. The definitive volume of his photographic work. Illustrated biography the Ben Maddow. Afterword by Cole Weston. Review copy, with slip affixed to front flyleaf, other matter laid in. [1979]. Together, 4 volumes. Illustrated from photographs by Edward Weston. Last 3 in cloth &/or boards, jackets. All but the last are First Editions. Various places: Various dates Very good to fine condition. (300/500)

The auction will be begin at 11:00 a.m.

Page 97 399. (Photography) Two copies of Portfolio I and one of Portfolio II from The Friends of Photography. Includes: The Persistence of Beauty: Portfolio I. 2 copies. Each with 12 finescreen halftones from photographs & 8 pp. text, loose in thick paper folder; 1 with original shipping carton. 1969. * Discovery: Inner and Outer Worlds. Portfolio II. With 15 finescreen halftones from photographs & 8 pp. text, loose in thick paper folder. 1970. Together, 3 volumes. 36.5x29 cm. (14½x11½”). Carmel, CA: The Friends of Photography, 1969 & 1970 Selection of photographs by Paul Strand, Ansel Adams, Imogen Cunningham, Brett Weston, Minor White, Wynn Bullock, Gordon Parks, Paul Caponigro, Judy Dater, Jerry Uelsmann, and others. Added to the lot is a copy of Portfolio One, Nudes, by Ruth Bernhard, with 6 loose plates in paper folder. The copy of Portfolio I in the original shipping box is virtually as new; the others very good with some minor wear and yellowing. (200/300)

400. (Photography) Four portfolios in the “Eight Photographs” series, featuring Edward Weston, Jerry Uelsmann, Leslie Krims, and Arthur Freed. Each portfolio is a plain thick paper folder containing a text leaf and 8 screened gravure plates from photographs, housed in a cardboard slipcase. New York: Doubleday & Co., 1970-1971 A little rubbing to the slipcases, slight yellowing to folders, very good or better. (400/600)

401.  Piggott, F.T. The Music and Musical Instruments of Japan. xviii, 230 pp. Illustrations throughout from photographs. 27x20.5 (10¾x8”), each leaf stub-mounted and bound in a modern morocco-backed cloth binder, string tied. First Edition. London: B.T. Batsford, 1893 An important text on the history of Japanese music and instruments. Light foxing and soiling to pages; binding fine. (200/300)

402. (Pogany, Willy) Wagner, Richard. The Tale of Lohengrin. Unpaginated. 8 tipped-in color plates and numerous other full-page illustrations, black & white and tinted by Willy Pogany. (4to) original pictorial gray cloth binding. First American Trade Edition. New York: T.Y. Crowell, [c.1912] Beautifully illustrated by the Hungarian-born illustrator. Light wear and soiling; near fine. (200/300)

403. (Pogany, Willy) Wagner, Richard. Tannhauser: A Dramatic Poem. Unpaginated. 16 tipped in color plates by Willy Pogany, other illustrations throughout. (4to) original pictorial gray cloth binding. First American Trade Edition. New York: Thomas Y. Crowell, [1911] Spine leaning, minor wear; very good. (200/300)

404. (Pop-Ups) Two works with pop-up or animated illustrations. Includes: Gould, Chester. Dick Tracy: The Capture of Boris Anson. Pictorial boards. Three pop-up illustrations. [1935]. * Bannerman, Helen. Little Black Sambo. Animations by Julian Wehr. Spiral bound boards. All of the animations lacking parts. [1949] * Various places: Various dates Some wear to first title, pop-ups complete and functioning well, about very good; second title lacking parts from all animations, fair only. (150/250)

Page 98 405. Pope, Alexander. An Essay on Man... Enlarged and improved by the author. Together with his MS. additions and variations as in the last edition of his works. With the notes of William, Lord Bishop of Gloucester. xvi, 124 pp. Title-page printed in red & black, with stipple-engraved portrait of Pope by A. Walker. (8vo) 16.5x10.2 cm. (6½x4), 18th/early 19th century leather- backed marbled boards, spine ruled & lettered in gilt. London: Printed for A. Millar & J. & R. Tonson, 1763 Pope’s famous epistle with extensive notes and additions. Contains also “The universal prayer”: p. [117]-122; and “The dying Christian to his soul”: p. 123-124. Soiling to title- page; lacking A1, apparently the half-title; very good. (120/180)

406.  Racinet, [Auguste]. L’Ornement Polychrome... [2 editions with 219 plates]. Includes: L’Ornement Polychrome. 100 chromolithograph plates, loose and housed in 4 green cloth chemises with ties, gilt-lettered covers. With no textual leaves in this copy. (40.3x29 15¾x11¼”). 1st Series. [c.1870]. * L’Ornement Polychrome: Cent Planches en Couleurs or et Argent Art Ancien et Asiatique, Moyen Age, Renaissance... [12] pp. text + 119 (of 120) chromolithograph plates, and their accompanying text. 41x28.8 cm. (16x11¼”), loose illustrations, leafs and signatures housed in green cloth chemise with ties, re-backed with original spine laid down, lettered in black, original string ties. Second Series. Paris: Firmin-Didot, [c.1870 & c.1885] Wonderful collection of plates of architectural treasures from around the world, each in vibrant colors. Inside cover of each chemise with a sticker from Matthias Hetherington Architectural Books in San Francisco. Chemise spine ends and corners a bit rubbed, chipped, or cracking; plates with scattered and very light marginal marks; 2nd work lacks plate XVIII; most plates are clean and near fine. (1800/2500)

NINE LOTS OF ARTHUR RACKHAM LIMITED EDITIONS 407. (Rackham, Arthur) Aesop. Aesop’s Fables. Translated by V.S. Jones. Introduction by G.K. Chesterton. Illustrated with 13 tipped-in color plates by Arthur Rackham; printed guards. (4to), original pictorial white cloth gilt, top edge gilt, others uncut. First Rackham Edition. Limited Edition, no. 32 of 1450 copies, signed by the artist. London: William Heinemann, 1912 Printed Rackham exhibition notice for Leicester Galleries laid in. Latimore & Haskell 39. Spine tanned, front cover with soft dent just showing on inside of cover, corners bumped, some pale dampstain, front hinge cracked; endpapers and signature page with some spotting; minor offsetting from brown paper mounts; very good. (1500/2000)

408. (Rackham, Arthur) Dickens, Charles. The Chimes. Illustrated by Arthur Rackham, including 6 full-page pictures. (4to), buckram stamped in black and gilt, top edge gilt; pictorial board slipcase. Number 174 of 1500 copies printed by George W. Jones. London: Limited Editions Club, 1931 Signed by Rackham at the colophon. Latimore & Haskell, 67. Slipcase extremities rubbed; volume spine darkened; else a near fine volume in a very good slipcase. (300/500)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 99 409. (Rackham, Arthur) Hawthorne, Nathaniel. A Wonder Book. Illustrated by Arthur Rackham, including 16 tipped-in color plates on cream paper, 8 full-page color illustrations and many drawings within text. (4to), original cream cloth pictorially gilt, pictorial endpapers, top edges gilt, others untrimmed. No. 282 of 600 copies. First Rackham Edition. London: Hodder & Stoughton, [1922] Signed by Rackham on the limitation page. Latimore & Haskell, 55. Some soiling and rippling to cloth, small nick to spine cloth; very good. (700/1000)

410.  Rackham, Arthur. Arthur Rackham’s Book of Pictures. Introduction by Sir Arthur Quiller-Couch. Illustrated by Arthur Rackham, including 44 tipped-in color plates on brown paper, printed guards. (4to) 11¼x8¾, rebound in red half morocco, gilt-ruled and spine gilt in compartments, top edge gilt, other edges uncut; custom cloth slipcase. Number 938 of 1030 copies, signed by the artist. First Edition. London: William Heinemann, [1913] Latimore & Haskell, 41. Pale foxing to preliminaries and first and last few text leaves; some of the brown paper with slight soiling; about fine and handsomely bound. (1500/2000)

411. (Rackham, Arthur) Swinburne, Algernon Charles. The Springtide of Life. Poems of Childhood. Illustrated by Arthur Rackham, including 9 color plates, tipped to dark brown paper, captioned guards. (4to) vellum-backed boards, stamped in gilt, top edge gilt, others untrimmed. First Rackham Edition. Number 471 of 765 copies, signed by the artist. London: William Heinemann, [1918] Latimore & Haskell, 48. Some light spotting to boards and spine; near fine. (1000/1500)

Lot 410 Lot 411

Page 100 412. (Rackham, Arthur) Wagner, Richard. The Rhingold and the Valkyrie. Translated by Margaret Armour. Illustrated with 34 tipped-in color plates by Arthur Rackham; printed guards. (4to), half-vellum and brown boards, morocco labels to spine, top edge gilt, others uncut. First Edition. Number 1005 of 1150 copies, signed by the artist. London: William Heinemann, 1910 One of 150 copies for America in variant half-vellum binding. Latimore & Haskell, 37. Morocco labels with some chipping, dampstain to front cover; scattered small marginal dampstain to text leaves including half-title; small adhesion from one of the tissue guards just touching plate; very good. (800/1200)

413. (Rackham, Arthur) Wagner, Richard. Siegfried & The Twilight of the Gods. Translated by Margaret Armour. Illustrated with 30 tipped-in color plates by Arthur Rackham; printed guards. (4to), original pictorial vellum gilt, top edge gilt, others uncut. First Edition. Limited Edition, one of 1150 copies, signed by the artist. London: William Heinemann, 1911 Latimore & Haskell 38. Some soiling and small stains to vellum, lacking ribbon ties, gilt emblem on spine rubbed, hinges cracked, endpapers browned; offsetting to text and from the brown paper on which the plates are mounted; very good. (1000/1500)

414. (Rackham, Arthur) The Allies’ Fairy Book. Illustrated with 12 tipped-in color plates by Arthur Rackham; printed guards, plus black & white illustrations. (4to), blue cloth gilt, pictorial endpapers, top edge gilt, others uncut. First Rackham Edition. Number 6 of 525 copies, signed by the artist. London: William Heinemann, [1916] Latimore & Haskell, 45. Spine sunned, endpapers toned; pale foxing to several leaves, one tissue guard coming loose, 1923 gift inscription to front blank; very good or better. (1000/1500)

415. (Rackham, Arthur) Some British Ballads. Illustrated by Arthur Rackham, including 16 tipped-in color plates on white paper, captioned tissue guards. (4to), vellum-backed boards, top edge gilt, other edges uncut. First Rackham Edition. Number 478 of 525 copies, signed by the illustrator. London: Constable, [1919] Latimore & Haskell, 50. Minor toning to binding; page block cracked in a couple of places, one tissue guard creased; still near fine. (1000/1500)

416. Remington, Frederic. Artist’s Proofs: Six Remington Paintings in Colors. 6 color plates loose as issued in cloth-backed boards portfolio with gilt-lettered paper cover label, ribbon ties. Plates measure 17½x23½ or the reverse, including margins. Collier, 1904-1908 Scarce portfolio of Remington paintings; the six prints are “Trailing Texas Cattle”; “The Emigrants”; “An Argument with the Town Marshall”; “The Bell Mare”; “Pony Tracks in the Buffalo Trail”; and “The Buffalo Runners.” Light wear to portfolio, one plate browned on rear; near fine. (400/600)

Page 101 417. (Renoir, Pierre-Auguste) Roger-Marx, Claude. Les Lithographies de Renoir. With 31 plates from lithographs by Renoir, 4 of them in color; color frontispiece self-portrait of Renoir; plate from a portrait of Renoir by Albert Andre. 32x24.5 cm. (12¾x9¾”), original pictorial wrappers. No. 2162 of 3000 copies. First Edition. Monte-Carlo: Andre Sauret, [1951] The plates were printed by Mourlot Freres. Some wrapper wear, rear hinge split; overall very good. (300/500)

418. Rikugun Bijutsu Kyokai. Fine Art of the World of the Sacred War (In Japanese). 16 tipped in plates, numerous other illustrations in text. 15x11½, original yellow cloth, blue cloth chemise. First Edition. [Tokyo?]: c. 1940 Text in Japanese. Scarce volume of Japanese military art. Chemise faded and well worn, dampstain to top edge of volume; else good. (200/300)

FOUR LOTS OF HANDBILLS FROM ROCK AND ROLL SHOWS 419. (Rock Handbills) Lelo, Hank. Abe Lincoln’s Birthday Party concert, with Grateful Dead, Moby Grape, Sly & the Family Stone. The New Salvation Army, Notes From the Underground. 28.5x22.1 cm. (11¼x8¾”). San Francisco: Bill Graham Presents, Feb. 12, 1967 Concert at the Fillmore Auditorium to support the Council of Civic Unity, one of several Bay Area groups focused on civil rights issues; the benefit concert was appropriately scheduled on the birthday of the father of the Emancipation Proclamation himself, Abraham Lincoln. The Grateful Dead received top billing, but were still six months away from releasing their first album. (FIL670212-HB). Fine condition. (200/300)

420. (Rock Handbills) Mouse, Stanley & Alton Kelley. Jefferson Airplane, Great Society, Bill Ham and Company. 27.8x21.5 cm. (11x8½”). 1st printing state B2, printed in reddish-purple ink on pink paper. San Francisco: Family Dog Productions, July 22, 1966 The handbill was printed before the concert on paper of different colors. Inconsistencies appear among all of the handbills because the purple ink used varies in quantity and hue. (FD017-HB). Fine condition. (300/500)

421. (Rock Handbills) Wilson, Wes. The Association, Quicksilver Messenger Service, The Grass Roots, The Sopwith Camel. 21.5x14 cm. (8½x5½”), blue ink on thin white paper. San Francisco: Bill Graham Presents, July 22, 1966 “One of Wilson’s most distinctive posters, BG018 captures the fiery intensity of the dance concert experience. Flaming letters lick skyward in a human head shape, and top billing, The Association, blows off the lid” - Wolfgang’s Vault. Fine condition. (300/500)

422. (Rock Handbills, Postcards, etc.) Twelve handbills, flyers, postcards, etc., promoting rock concerts and performances. Includes: Country Joe and the Fish at the Matrix. * Mothers of Invention and others at the Fillmore East. * Moby Grape and others at the California Hall. * P.H. Factor Jug Band at 40 Cedar Alley. * Grateful Dead, Doors & others at Fillmore. * Traffic, Blue Cheers, Iron Butterfly at Fillmore East. * Mr. Clemens Pop Festival with Eric Burdon, Muddy Waters and others at Sportsman’s Park. * Plus others. San Francisco & elsewhere: c.1967 Very good to fine. Page 102 (400/600) FIVE LOTS OF ROCK POSTERS 423. (Rock Posters) MacClean. Poster for The Doors & Jim Kweskin Jug Band at the Fillmore. Color poster. 50.5x35.5 cm. (14x23-1/16”). San Francisco: Bill Graham Presents, June 9, 1967 Following the release of their eponymously titled debut album in January, 1967, The Doors rocketed to stardom on the strength of the hit singles “Break on Through [to the Other Side)” and particularly “Light My Fire”. Whereas in earlier trips to San Francisco the band had been relegated to opening slots for more established bands, by June of 1967 they were ready to headline the Fillmore. (BG067-PO). Slight creased and tiny pinholes in top corners; very good or better. (300/500)

424. (Rock Posters) Tuten, Randy. Jethro Tull, MC5, Sanpaku, Brotherhood Of Light. Color poster. 53.7x35.5 cm. (14x21-1/8”). San Francisco: Bill Graham Presents, Nov. 20, 1969 A composite, old-fashioned newspaper ad announced Jethro Tull’s appearance at the Fillmore West. Nov. 20, 21, 22 & 23, 1969. BG203-PO. A touch of creasing and a slight rub mark at edges, very good or better. (200/300)

425. (Rock Posters) Five posters for Bill Graham produced concerts, at the Fillmore West in San Francisco. Includes: The Doors, The Sopwith Camel, The Young Rascals. Artist: Wes Wilson. Jan. 6, 1967 [1st appearance of Doors at the Fillmore]. 2nd Ptg. (BG044-PO). * Quicksilver Messenger Service, Grateful Dead, Linn County, Brotherhood Of Light. Artist: Lee Conklin. Nov. 9, 1968. 2nd Ptg. (BG144-PC). * Albert King, Aum, It’s a Beautiful Day, Brotherhood Of Light. Artist: Lee Conklin. May 8, 1969. Only Ptg. (BG172-PO). * The Byrds, Pacific Gas & Electric, Joe Cocker & The Grease Band, Little Princess #109. Artist: Randy Tuten. June 12, 1969, Only Ptg. (BG177-PO). * Jefferson Airplane, Grateful Dead, Quicksilver Messenger Service, Country Joe & the Fish, Martha & the Vandellas, & others. Artist: Wes Wilson. Sept. 2, 1966. 2nd Ptg. (BG026-PO). Together, 5 posters. Approx. 54.5x35.5 cm. (21½x14”). San Francisco: Bill Graham Presents, 1966-1969 Some with pinholes in corners, some minor wear, very good or better. (400/600)

426. (Rock Posters) Six posters for Family Dog produced concerts, all but one at the Avalon Ballroom in San Francisco. Includes: Charles Lloyd Quartet, West Coast Natural Gas Co., Tripping West to East. Artist: Bob Fried. Aug. 3, 1967. 1st Ptg. (FD074-PO). * The Chambers Brothers, Iron Butterfly, Ben Van Meter, Roger Hillyard. Artist: Victor Moscoso. April 28, 1967. 2nd Ptg. (FD059-PO). * Moby Grape, Canned Heat, Vanilla Fudge. Artist: Victor Moscoso. Aug. 10, 1967. 1st Ptg. (FD075-PO). * Van Morrison, The Daily Flash, Hair. Artist: Wes Wilson. Oct. 20, 1967. Only Ptg. (FD088-PO). * Canned Heat, Lothar and the Hand People, Allmen Joy, Super Ball. Artists: Bob Fried, Grant Jacobs. Nov. 3, 1967. Only Ptg. (FD090-PO). * Van Morrison, The Daily Flash. Artists: Stanley Mouse, Alton Kelley. Oct. 13, 1967. Only Ptg. (FDD006-PO). Together, 6 posters. Approx. 51x35.5 cm. (20x14”). San Francisco: Family Dog Productions, 1967-1969 The last poster listed was for a concert in Denver, Colorado. Some with pinholes in corners, some minor wear, very good or better. (400/600)

Page 103 427. (Rock Posters) Seven posters for Family Dog produced concerts at the Avalon Ballroom in San Francisco. Includes: The Steve Miller Blues Band, Mother Earth, Bukka White. Artists: Stanley Mouse & Alton Kelley. Sept. 1, 1967. 2nd Ptg. (FD078-PO). * Moby Grape, The Charlatans, Ben Van Meter, Roger Hillyard. Artist: Victor Moscoso. Feb. 24, 1967. 2nd Ptg. A. (FD049- PO). * Big Brother and the Holding Company, Oxford Circle, Lee Michaels, Ben Van Meter, Roger Hillyard. Artist: Victor Moscoso. Dec. 9, 1966. 3rd Ptg. (FD038-PO). * Country Joe & the Fish, The Charlatans, Dan Hicks & His Hot Licks. Jan. 26, 1968. Only Ptg. (FD103- PO). * The Charlatans, Buddy Guy. Artist: Bob Fried. Sept. 22, 1967. 2nd Ptg. (FD083-PO). * Genesis, Siegel-Schwall Band, Mother Earth. Artist. Bob Fried. Jan. 19, 1968. Only Ptg. (FD102-PO). * Vanilla Fudge, Charles Lloyd Quartet. Artists: Stanley Mouse, Alton Kelley. Sept. 29, 1967. 1st Ptg. (FD085-PO). Together 7 posters. Approx. 51x35.5 cm. (20x14”). San Francisco: Family Dog Productions, 1966-1968 Some with pinholes in corners, some minor wear, very good or better. (500/800)

428. (Rock-related ephemera) Sixteen flyers, handbills, and other ephemeral items relating to the 1960s and ‘70s counterculture. Includes: Pow-Wow: A Gathering of the Tribes for a Human Be-in. Polo Grounds, Golden Gate Park. Jan. 14, * Dr. Timothy Leary in Person: Psychedelic Celebration Number One. * Light, Sound, Dimension, at San Francisco Museum of Art. * Love Ball: The Super Costume Gala. Don’t Come Nude. Designed & Staged by Ron Chereskin. Cheetah, June 17th. * The Beard by Michael McClure. Wharf Theatre (Fisherman’s Wharf). * And others. Various places: 1960s and ‘70s Very good to fine condition. (400/600)

DESIGNED BY BRUCE ROGERS - ONE OF 300 COPIES 429. (Rogers, Bruce) Khayyám, Omar. Rubaíyát of Omar Khayyám, The Astronomer Poet of Persia. [vi], 159, [1] pp. Edited by William Augustus Brown. (8vo) original cloth-backed boards, lettered in gilt. No. 268 of 300 copies. [Boston]: Riverside Press, 1900 Designed by Bruce Rogers for the Riverside Press. Taken from the second edition of Edward Fitzgerald’s translation “modified by the insertion of omitted stanzas and by some of the variants of the First, Third, and Fourth Editions.” Light wear, corners rubbed, bookplate; very good. (400/600)

430. (Russian) [The man and the woman; their mutual relationships and position in modern and cultural life] - in Russian. 3 volumes. An authorized translation from German by M. Engelhardt. Profusely illustrated from photographs & other sources; 45 (of 48) plates with tissue-guards. 25x15.5 cm. (9¾x6½”), original half calf & cloth, stamped in gilt with art nouveau-style decorations, embossed with figures of nude man and woman. St. Petersburg: Publisher House Education, 1911 Famous German encyclopedia studying the history of relationships of men and women. All aspects of history, sociology, psychology, biology of men and women are described in the book. A famous pre-Revolutionary Russian edition rarely seen in such good condition. Light shelf wear, lacking 3 plates; very good or better. (1200/1800)

Page 104 431. (Sappho) The Songs of Sappho: Including the Recent Egyptian Discoveries. xiv, [2], 436 pp. Translated into rimed verse by Marion Mills Miller; text translated into prose by David M. Robinson. Illustrated with 10 plates from artifacts and text. 13.8x10.5 cm. (9½x6½”), quarter vellum & boards, spine lettered in gilt, top edge gilt, others untrimmed. No. 61 of 750 copies. New York: Frank-Maurice, 1925 Perhaps the best scholarly study on Sappho, celebrated muse of Lesbos. Fine or nearly so, bookplate of James Earl Beall. (100/150)

432. (Science) Guex, John. Autograph Letter, signed, to John L. LeConte on Entomological subjects. 3 page Autograph Letter, signed, + integral stamped address leaf. Approximately 10¾x8½”. Jersey City: December 15, 1853 Guex writes to fellow entomologist John Le Conte: “...thanks for your information respecting works on Lepidoptera - they seem to be very few and meagre...Motschulsky has not made his appearance yet. I am glad to hear that something new has come into your hands from the Boundary Comm. and elsewhere. If I was in your place I would not postpone too long to describe these, as some ‘illustrious foreigner’ might put his (mitre?) to them before you are aware of it. The copies of Mels.’ catalogue will be of service to me...I shall send some to friends or correspondents or give one to such or such individual whom I may think would be of any utility to me in the Entomological line. By little favors of this kind, I am frequently enough able to get some very good specimens....I don’t give up the Russians yet as I think Mneszech is a man to be depended upon. Let us wait with patience...I long very much to see your work on Eletevida...I am going to recopy the Cat. of my collection in two large vols. in 4o (fine vellum paper) and add to each genera name its etymology in Greek, Latin, English and French...a work of length which will take me some winter evenings...” LeConte is considered by many to be the greatest American Entomologist of the 19th century. Creased from mailing; fine. (100/150)

433. (Sendak, Maurice) Schenk de Regniers, Beatrice. What can you do with a shoe?. Color illustrations throughout by Maurice Sendak. (Oblong) 14.4x27.8 cm. (5½x11”), blue cloth, pictorial cover label, cloth slipcase with silver stamped vignettes. No. 208 of 250 copies. First Edition. [New York]: Margaret K. McElderrry Books / [Simon & Schuster], [1997] Signed by the author and artist on the limitation page. Slight wear to slipcase; near fine. (200/300)

434. Seymour, Robert, illustrator. New Readings of Old Authors. 25 (of 26) volumes. Each containing title leaf and 10 lithograph plates. Blank leaves added at front and rear to add bulk to the volumes. 14.2x9 cm. (5½x3¾”) later full tan calf, spines gilt, morocco labels, all edges gilt. London: Charles Tilt, [c.1830-35] Rarely found complete, the present set lacks only the first volume, Shakespeare’s Romeo and Juliet. Abbey states “it can be regarded as illustrating the English idea of humor in the 1830s, a taste that demanded puns, play on words, sentences twisted to an opposite and absurd meaning, and the whole depicted in knockabout pictorial art . Very little of his (Seymour’s) work was colored, his illustrations being mostly woodcuts or etchings.” (Abbey, Life in England, No.320, pp.265-270). Bookplates of George Clifford Thomas. Bindings worn, many joints and hinges cracked; light foxing; internally very good. (1000/1500)

Page 105 435.  Shahn, Ben. Love and Joy About Letters. 79 pp. Illustrated from numerous paintings, drawings, sketches, facsimiles, etc., 29 of which are in color. (Oblong folio) 10x13½, original color patterned boards, publisher’s decorative slipcase. No. 87 of 100 copies. First Edition. New York: Grossman Publishers, 1963 Signed by Shahn in the colophon. Slipcase with a bit of soiling and extremity wear; slight bumps to lower edges of covers; hinges tender; very good. (300/500)

436. (Szyk, Arthur) Burton, [Captain Sir. R.F.] (trans.). The Arabian Nights Entertainments containing Sixty-five Stories told by Shahrazade.... 4 volumes. Translated by Richard Burton. Notes by Henry Torrens, Edward Lane and John Payne. Illustrated with color plates after miniature paintings by Arthur Szyk. Black cloth stamped in gilt. One of 1500 copies printed by W.S. Cowell. Ipswich, England: Limited Editions Club, 1954 The final work of Szyk, who died before this edition was published. Two vols. of text each accompanied by a volume of notes. Some soiling and rubbing to covers, wear to edges and corners; internally very good or better. (200/300)

437. (Szyk, Arthur) The Haggadah. Edited by Cecil Roth. Illustrations throughout in color by Szyk. (4to), full velvet decorated in gilt, folding cloth box. Jerusalem & Tel Aviv: Massadah & Magen, 1956 Presentation stamped in gilt on cover: “Presented to A.B. Polinsky for Distinguished Service to Israel as General Chairman for Israeli Bonds in Duluth Minnesota. Awarded at the Annual Meeting of the national Board of Governors, January 5-6. 1957.” Light wear to box; volume fine. (250/350)

438. Underhill, Evelyn. Mysticism: A Study in the Nature and Development of Man’s Spiritual Consciousness. xvi, 600 pp. 47 page publisher’s catalogue bound in at rear. (8vo) original gilt- lettered blue cloth. First Edition. London: Methuen & Co., [1911] Scarce first edition of what was her best known work. Some light extremity wear, rear hinge cracked, sticker on front free endpaper, photo of Underhill pasted to blank leaf at end of preface; very good. (200/300)

439. Van Allsburg, Chris. The Polar Express. Illustrated by the author. (Oblong 4to), red cloth, pictorial jacket. First Edition, First Issue. Boston: Houghton Mifflin, 1985 First issue jacket, without the Caldecott medal on front panel. The basis of the acclaimed motion picture starring Tom Hanks. Jacket price clipped, a few short tears with tape repairs on verso; gift inscription on front free endpaper; near fine in a very good jacket. (300/500)

Page 106 440. (Vietnam War) Palmer, General Bruce. Typed Letter, signed, on Department of the Army letterhead, expressing concern over the anti-war “discontent”. Typed Letter, signed (with handwritten postscript) on official stationery, as Deputy Commanding General, US Army, Vietnam. (Saigon), APO San Francisco. 2 pages, approximately 10½x8”. Saigon: June 23, 1967 To Major General Chester Clifton, Ret., former military aide to President John F. Kennedy, then a corporation president in New York: “...Moving from the Dominican Republic to Vietnam is like jumping from the frying pan into the fire, but I must admit that I enjoy being where the action is. Westy and Abe are doing a great job and make an unbeatable first team. I am really proud to be in a position to help them... The message of discontent at home is beginning to get intense to us out here. It is reflected in many things, and I am afraid that, where resources are concerned, the honeymoon is over. We must find a much better way to articulate our very real progress over here. I am afraid that it is simply not coming through...There is a new batch of young representatives out here from the major newspaper and press media, most of them with a chip on their shoulders and definitely hostile to our efforts in Vietnam. We need someone like you to handle such a problem. This could make us or break us out here... P.S. Come on over and help us out, especially with the press et al...” General Bruce Palmer, Jr. (1913-2000) was a 1936 graduate of West Point, where his Academy classmates included Chester Clifton, to whom he wrote this letter, and his two superiors in Vietnam - Generals William Westmoreland (“Westy”) and Creighton Abrams (“Abe”). He remained in Saigon for a year before returning to Washington with Westmoreland, eventually to succeed him as Chief of Staff of the US Army, responsible for supervising the Nixon Administration’s first withdrawal of American ground forces from Vietnam. Rare comments on domestic opposition to, and media criticism of, the Vietnam War, by a ranking Army General. Creased from mailing, fine. (100/150)

441. Virgil. The Works of Virgil: Translated in English Blank Verse. With Large Explanatory Notes and Critical Observations by Joseph Trapp, D.D. 3 volumes. [2], xcii, [4], 240; [2], 420; [2], 430, +[16] ad pp. (12mo) 16x10 cm. (6¼x4”), period full calf, spine labels replaced. First Edition thus. London: J. Brotherton, J, Hazard, et al, 1731 Trapp’s translation of the Aeneis was first published in 1718, it is reprinted here with the addition of Virgil’s Eclogues and Georgicks. Trapp was professor of poetry at Oxford from 1708-1718, his edition of Virgil is said to have taken 28 years to complete. Some edge wear; foxing; very good. (300/500)

442. (Warhol, Andy) Andy Warhol - [Moderna Museet Exhibition book]. Unpaginated. Black and white images from photographs throughout. 27x20.8 cm. (10½x8¼”), original wrappers. First Edition. [Stockholm]: [Moderna Museet], [1968] Published on the occasion of an exhibition at Moderna Museet, Stockholm. A previous owner, Howard Conant, has inscribed the title page: “I shook hands with him at a gallery opening in the nineteen fifties. His limp hand felt like a damp washcloth!” One of the scarce Warhol books. Wrappers worn, tape repairs to spine, partially disbound, some loose pages; fair. (400/600)

Page 107 443.  Warner, Richard. Antiquitates culinariae, or, Curious tracts relating to the culinary affairs of the old English, with a preliminary discourse, notes, and illustrations. [2], lx, 137, [1] pp. Engraved title-page; tinted aquatint frontispiece; double-page tinted aquatint plate of a Peacock Feast. (4to) 30.2x23.5 cm. (12x9¼”), 19th century quarter morocco & cloth, spine lettered in gilt. First Edition London: Printed for R. Blamire, 1791 A backward glance at the eating habits of medieval England. Contains the rare suppressed plate of the Peacock Feast, which was excised from remaining copies after a plagiarism suit concerning it. Bitting p. 485; Pennell p. 164-165. Minor stains to cloth, corners a bit worn, joints rubbed with a bit of splitting; title-page a little discolored with a faint marginal stain, a few instances of slight worming to contents; very good. (1000/1500)

SIGNED BY JAMES D. WATSON 444. Watson, James D. The Double Helix. With plates from photographs & other sources; diagrams of molecular structures in the text. Boards, jacket. First British Edition. London: Weidenfeld and Nicolson, [1968] Signed by Watson on the title page. Controversial best-selling account by the co- discoverer of DNA of the events surrounding the discovery of its structure in 1953. Watson is generally uncooperative about signing his books, so books with his signature are uncommon. Light wear to jacket edges; spine leaning; very good. (1000/1500)

445. (Wyeth, N.C.) Thoreau, Henry David. Men of Concord and some others as portrayed in the journal of Henry David Thoreau. Edited by Francis H. Allen. With 10 color plates by N.C. Wyeth, plus drawings in the text. 24x15 cm. (9½x6”), green cloth lettered in silver on blue backgrounds, color pictorial endpapers by Wyeth, color pictorial jacket by Wyeth. First Wyeth Edition. Boston: Houghton Mifflin, 1936 Fine in near fine, slightly darkened jacket. (200/300)

446. (Wyeth, N.C) Four volumes with illustrations by N.C. Wyeth. Includes: Verne, Jules. Michael Strogoff. First Wyeth edition. [1927]. * Boyd, James. Drums. First Wyeth trade edition. [1928]. * Lanier, Sidney, ed. The Boy’s King Arthur. Later printing. 1929. * Cooper, James Fenimore. Lacking title page, edition unknown. Together 4 volumes from the Scribner’s Classic series, each with multiple color plates after paintings by N.C. Wyeth. New York: Scribners, Various dates All in the original black cloth bindings with pictorial cover labels. some light wear; overall very good. (200/300)

Page 108 Page 109 Notes

Page 110 Notes

Page 111 Notes

Page 112 Notes

Page 113 CONDITIONS OF SALE The property listed in this catalogue will be sold by PBA Galleries, Inc. (hereinafter Galleries) as agent for others upon the following terms and conditions as may be amended by notice or oral announcement at the sale:

1. All bids are to be per lot as numbered in the catalogue.

2. As used herein the term “bid price” means the price at which a lot is knocked down to the purchaser and the term “purchase price” means the aggregate of (a) the bid price (b) a premium of twenty percent (20%) of the bid price payable by the purchaser, and (c) unless the purchaser is exempt by law from the payment thereof, any California state or local sales tax except where sold to a purchaser outside of California and shipped to the purchaser.The Galleries have been authorized by the consignor to retain, as part of remuneration, the 20% premium payable by the purchaser.

3. Property auctioned by the Galleries is often of some age.Prospective bidders should personally inspect such property to determine its condition and whether it has been repaired or restored.Any information provided by the Galleries or its employees is for the convenience of bidders only and should not be relied upon. ALL PROPERTY IS SOLD “AS IS” AND NEITHER THE GALLERIES NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS.IN NO EVENT SHALL THE GALLERIES OR THE CONSIGNOR BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE.NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.HOWEVER, notwithstanding this condition and subject to the further provisions of this paragraph as set forth below, property may be returned by the purchaser, the sale rescinded and the purchase price refunded under the following conditions: (1) printed books which prove upon collation to be defective in text or illustration (provided such defects are not indicated within the catalogue or at the sale), and (2) autographs which prove not to be genuine (if this can be demonstrated and if not indicated in the catalogue or at the sale).Printed books are not returnable for defects not affecting text and illustration, including, but not limited to, lack of half-titles, lists of plates, binder’s instructions, errata, blanks, or advertisements.No returns will be accepted unless written notice, by registered mail or receipted courier, is received by the Galleries within fourteen (14) days of the sale of the property and the property is returned in the same condition as it was at the time of sale. NO LOT IS RETURNABLE ON ACCOUNT OF PROPERTY INCLUDED BUT NOT SPECIFICALLY NAMED AND DESCRIBED IN SUCH LOT.LOTS CONTAINING THREE OR MORE TITLES, WHETHER NAMED OR UNNAMED, AND SELLING FOR ONE HUNDRED FIFTY ($150) OR LESS, EXCLUSIVE OF BUYER’S PREMIUM, ARE SOLD NOT SUBJECT TO RETURN FOR ANY REASON.

4.Photographs, prints and other fine art multiples are sold in compliance with California law, and the Galleries’ catalogue descriptions of such multiples conform to the applicable provisions of that law.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any

Page 114 remedy, relief or damages beyond return of the property, recision of the sale and refund of the purchase price; and, without limitation, no purchaser shall be entitled to damages of any kind.

6. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid by the purchaser.

7. Books and other property purchased are to be removed at the close of each Sale unless shipping instructions are received by the Galleries before such sale.If not removed, property will be held at the sole risk of the purchaser and no responsibility is assumed if such goods are lost, stolen, damaged, or destroyed.The Galleries will facilitate shipment of property to out-of-town purchasers at an additional packing charge plus carriage and insurance, but will not be responsible for any loss or damage resulting from the shipping thereof in excess of the amount of the insurance.

8. Payment terms:All items are to be paid for by (a) cash, (b) cashier’s check, (c)credit card, or (d) personal check with approved credit, and all accounts are due when bills are rendered. MERCHANDISE WILL BE SHIPPED AFTER PAYMENT HAS BEEN RECEIVED.

9. We reserve the right to reject a bid from any bidder.The highest bidder acknowledged by the auctioneer shall be the purchaser.In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in every respect.

10. Unless the Sale is advertised as a sale without reserve, each lot is offered subject to a reserve. MOST LOTS OFFERED BY THE GALLERIES HAVE A MINIMUM RESERVE OF ONE-HALF THE PRESALE LOW ESTIMATE .The Galleries do not accept reserves of more than the low estimate nor allow consignors to bid on their own items.

11. To prevent inaccuracy in delivery or inconvenience in the settlement of a purchase, no lot can be transferred.Each buyer must pay for the whole of his purchases before any lot can be removed.

12. As a service to clients unable to attend the Sale, we will accept absentee bids without charge in advance of the sale by telephone, mail, fax, email or in person.All bids must state the highest bid price the bidder is willing to pay.“Buy” bids are not accepted.Please check bid sheets carefully to make sure you have the correct lot numbers and that the sheet is legible. The Galleries reserve the right to refuse to undertake absentee bids, and shall in no event be responsible for failure to execute such bids or for any error that may occur when executing them.Unsuccessful absentee bids will not be acknowledged.

ALL SALES HELD BY PBA GALLERIES ARE CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE PENAL CODE OF THE STATE OF CALIFORNIA CONSIGNING BOOKS TO PBA GALLERIES The first step in consigning to PBA is to contact the Galleries, either by phone, fax, email or letter. It can then be determined whether the item or items under consideration would do well at auction. Following this, arrangements can be made for the delivery of the material to PBA. In the case of large consignments or libraries, a member of the staff may be able to view the books on location, and make arrangements for its transportation to PBA Galleries. Because of the costs involved, PBA discourages consignments with a total value of less than $1500. The frequency of auctions, and variety of subject matter, allows PBA Galleries to ensure

Page 115 quick turn-around time for items consigned. Books can appear at auction as quickly as 30 days and generally not more than 90 days following consignment. Commissions vary between 10% and 15%, depending on the selling price of an item.These commissions encompass all related costs including insurance, storage, cataloguing, illustrations, etc., except shipping. Payment is sent within 20 banking days of an auction.

Page 116 Page 117 Offer Your Books at Auction through PBA Galleries

The Polycronicon of Ranulf Higden, the second History of the Expedition under the Command of Eadweard Muybridge's stunning Panorama of edition, printed in 1495 by Wynkyn de Worde, Captains Lewis and Clark to the Sources of the San Francisco, from California Street Hill, 1877, containing the first example of printed musical Missouri, 1814, the first edition of the official the 11 albumen photograph panels framed notation in an English book. account of the most famous and most important consecutively to stretch over seven feet wide. Sold for $33,000 expedition of exploration in U.S. history. Sold for $51,000 Sold for $212,000

Original manuscript diary kept by William Willson, Jonathan Swift’s Gulliver’s Travels, Set of John Ogilby’s translations of Nieuhoff’s recording a journey on the Oregon Trail from Iowa first issue, large paper copy. Embassy to China (1669) and Montanus’ Atlas to the Columbia River in the summer of 1852. Sold for $192,000 Chinensis (1671), handsomely printed with Sold for $30,000 numerous fine engraved plates. Sold for $42,000

F. Scott Fitzgerald's All the Sad Young Men, an First edition of Charles Darwin's On the Origin of Fine example of William Eddy’s important Official inscribed presentation copy with original sketch by Species by Means of Natural Selection. Map of the State of California, 1854, folding into Fitzgerald, in the first issue dust jacket. Sold for $51,000 the original red leather covers, very rare. Sold for $37,375 Sold for $39,000

SPECIALISTS IN EXCEPTIONAL BOOKS & PRIVATE LIBRARIES AT AUCTION 133 Kearny Street : San Francisco, CA 94108 : www.pbagalleries.com : 415.989.2665

Page 118 BId Sheet 133 Kearny Street, 4th Floor Sale #:______San Francisco, CA 94108 Sale Date:______Phone: (415) 989-2665 Fax: (415) 989-1664 www.pbagalleries.com

Name:______Bidder#:______Cust Id#______Company:______Shipping address (if different from mailing address) Address:______Address:______City:______State:______Zip:______City:______State:______Zip:_____

Is either a new address? Yes No

Day Phone:______Home Phone:______Cell:______

Email:______Fax:______

Are you a dealer purchasing for resale? Yes No (if yes) I hereby certify that all tangible personal property purchased by me will be for resale and is not subject to California Sales Tax, and that I hold Sellers Permit #______

1. PBA Galleries is hereby authorized to bid on the following lots up to the price stated. 2. All bids shall be treated as offers made subject to the Conditions of Sale. 3. These bids will not be executed unless this form is signed. 4. A 20% Buyer’s Premium will be charged on all lots sold.

PLEASE EXECUTE THESE BIDS ON MY BEHALF. ______SIGNATURE

CHECK HERE TO INCREASE BIDS BY ONE INCREMENT IN CASE OF TIE______

Please charge my credit card for my purchase: Visa Mastercard Discover Credit Card #:______Exp. Date:______Signature______Please use this card for all future purchases

LOT NUMBER LOT NUMBER LOT NUMBER In numerical order BID AMOUNT In numerical order BID AMOUNT In numerical order BID AMOUNT

Bid Increments $00 to $200...... $10 $2000 to $5000...... $250 $200 to $500...... $25 $5000 to $10,000. . . . . $500 $500 to $1000...... $50 $10,000 to $20,000. . . $1000 $1000 to $2000. . . . $100 $20,000 to $50,000. . . $2500 Note: Bids not matching the above increments will be rounded down to the nearest increment.

Page 119 Page 120