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Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
NO TIME to RETREAT First Annual Synthesis Report on Progress Since the World Humanitarian Summit
NO TIME TO RETREAT First annual synthesis report on progress since the World Humanitarian Summit OCHA AGENDA FOR HUMANITY 5 CORE RESPONSIBILITIES 24 TRANSFORMATIONS Acknowledgements: Report drafting team: Kelly David, Breanna Ridsdel, Kathryn Yarlett, Janet Puhalovic, Christopher Gerlach Copy editor: Matthew Easton Design and layout: Karen Kelleher Carneiro Thanks to: Anja Baehncke, Pascal Bongard, Brian Lander, Hugh MacLeman, Alice Obrecht, Rachel Scott, Sudhanshu Singh, Joan Timoney, Hasan Ulusoy, Eugenia Zorbas Cover photo: A girl collects water in Dikwa, Nigeria, where hundreds have fled to escape Boko Haram violence and famine-like conditions. OCHA/Yasmina Guerda © OCHA November 2017 CONTENTS EXECUTIVE SUMMARY 02 ABOUT THIS REPORT 17 CORE RESPONSIBILITY ONE: PREVENT AND END CONFLICTS 20 CORE RESPONSIBILITY TWO: RESPECT THE RULES OF WAR 26 2A Protection of civilians and civilian objects 28 2B Ensuring delivery of humanitarian and medical assistance 30 2C Speak out on violations 32 2D Improve compliance and accountability 33 2E Stand up for rules of war 36 CORE RESPONSIBILITY THREE: LEAVE NO ONE BEHIND 38 3A Address displacement 40 3B Address migration 44 3C End Statelessness 46 3D Empower women and girls 47 3E Ensure education for all in crisis 50 3F Enable adolescents and young people to be agents of positive transformation 52 3G Include the most vulnerable 54 CORE RESPONSIBILITY FOUR: WORK DIFFERENTLY TO END NEED 57 4A Reinforce, do not replace, national and local systems 59 4B Anticipate crises 64 4C Transcend the humanitarian-development -
Contemporaries Art Gallery Records
Contemporaries Art Gallery Records LUCILE R. HORSLEY, OWNER-DIRECTOR New Mexico Museum of Art Library and Archives Extent : 3 linear feet Dates : 1962-1967 Language : English Related Materials Many of the artists named in this collection exhibited at this museum. For information about these exhibitions consult the museum's exhibition files and/or catalogs. The museum library also contains separate biographical files for the artists mentioned in this collection. Revised 04/07/2016 Contents Section I - Financial Records Section II - Artists and Visitors Log A. Licenses and Artists' Resumes B. Register of Visitors Section III - Scrapbooks Section IV - Artists and Correspondence Preliminary Comments Artists, Sculptors, and Photographers Section V - Exhibition Flyers Section VI - Gallery Correspondence and Interview A. Correspondence B. The Interview C. Miscellaneous Material Section VII - Photographs - Art and Artists Section VIII- Record Book of Lucile R. Horsley Contemporaries Gallery Page 2 Revised 04/07/2016 Preliminary Statement Lucile R. Horsley (herein LRH), an artist in her own right, organized and opened the Contemporaries Gallery (herein Gallery) in Santa Fe, New Mexico at 418 ½ College Street [now 414 Old Santa Fe Trail] on April 7, 1962. It was one of the first sites for contemporary art showings in the city. She operated it as a "semi-cooperative center" (her words) in which 25 of the finest and most vital painters, sculptors, and photographers of New Mexico could exhibit their work at the same time. By her own admission it was a "pioneering venture." Those who agreed to make monthly payments of LHR's established "fee" schedule were called "Participating Artists." The Gallery remained open for some two and one-half years. -
The Play of Repetition: Andy Warhol's Sleep
Andy Warhol. Sleep, 1963. Frame enlargement. Reel 3, shot L. © 2005 The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. 22 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/grey.2005.1.19.22 by guest on 25 September 2021 The Play of Repetition: Andy Warhol’s Sleep BRANDEN W. JOSEPH In late September 1963, Andy Warhol set out for Los Angeles with Gerard Malanga, Wynn Chamberlain, and Taylor Mead. Aside from Warhol’s interest in seeing America by car, he had several reasons at this particular moment to head west. In addition to the opening of his second Ferus Gallery exhibition—one room each of Elvis Presleys and Liz Taylors—Warhol would be able to attend the Pasadena Art Museum’s retro- spective of Marcel Duchamp. Moreover, having just embarked on a career as a film- maker, Warhol seems to have been anxious to visit Hollywood.1 He had already begun screening installments of Kiss at the Film-Makers’ Cinematheque under the title Andy Warhol Serial and, when the trip began, was in the process of editing his first long-duration film, Sleep.2 While in Los Angeles, Warhol and Mead were interviewed by Ruth Hirschman of Pacifica Radio. In the context of discussing the unfinished Sleep, Hirschman asked, “Is there any tie up between this and let’s say, John Cage’s music?” To which Warhol replied succinctly, “Yeah, I think so.” At that moment, however, Mead jumped in, declaring of Cage, “He’s a pedantic idea of what you have to free.” When Mead con- tinued disparaging the composer, Warhol uncharacteristically stopped him in mid- sentence to insist, “I think he’s really marvelous, but I think that younger kids are really . -
Assisted Living Assisted Living Where Life Is Easier, Safer And
Page 16 Thursday, August 13, 2015 The Westfield Leader and The Scotch Plains – Fanwood TIMES A WATCHUNG COMMUNICATIONS, INC. PUBLICATION UCC Foundation Welcomes Five New Board Members CRANFORD – The Union County Dickinson University. College Foundation recently wel- Deborah Enix-Ross, of Westfield, comed five new community leaders is the Senior Advisor, International to serve on their Board of Trustees. Dispute Resolution Group of Union County College Foundation Debevoise & Plimpton, LLP of New Executive Director Doug Rouse is York, NY. As the senior advisor, she pleased with the appointments, be- is responsible for managing lawyers lieving that…” we have five citizen in international dispute resolution, leaders who will bring fresh perspec- intellectual property and privacy/data tives to the Trustees in their service to protection. She previously served as the Foundation and Union County the Senior Legal Officer, Head, In- College.” formation and External Relations Alan Haveson, of Berkeley Section, for World Intellectual Prop- Heights, is currently retired, but spent erty Organization – Arbitration and many years as the owner and opera- Mediation Center in Geneva, Swit- tor of Eastern Bearing, the largest zerland. In this role she advised law- independent bearing and power trans- yers, companies and business asso- mission products distributor in the ciations on the use of Alternative THUMBS UP TO STEM...Westfield teachers Cathy Tsai, left, and Courtney #TRENDING...Parents of intermediate school students in Westfield can be more Farruggia, third and fourth grade teachers at Tamaques Elementary School, New Jersey/New York/Eastern Penn- Dispute Resolution to resolve intel- aware this summer of social media trends of tweens thanks to information have a better understanding of what their students will experience when partici- sylvania metropolitan area and of lectual property disputes, especially provided by the Counseling Departments of Roosevelt and Edison Intermediate pating in new STEM design challenge activities. -
NY ACKER Awards Is Taken from an Archaic Dutch Word Meaning a Noticeable Movement in a Stream
1 THE NYC ACKER AWARDS CREATOR & PRODUCER CLAYTON PATTERSON This is our 6th successful year of the ACKER Awards. The meaning of ACKER in the NY ACKER Awards is taken from an archaic Dutch word meaning a noticeable movement in a stream. The stream is the mainstream and the noticeable movement is the avant grade. By documenting my community, on an almost daily base, I have come to understand that gentrification is much more than the changing face of real estate and forced population migrations. The influence of gen- trification can be seen in where we live and work, how we shop, bank, communicate, travel, law enforcement, doctor visits, etc. We will look back and realize that the impact of gentrification on our society is as powerful a force as the industrial revolution was. I witness the demise and obliteration of just about all of the recogniz- able parts of my community, including so much of our history. I be- lieve if we do not save our own history, then who will. The NY ACKERS are one part of a much larger vision and ambition. A vision and ambition that is not about me but it is about community. Our community. Our history. The history of the Individuals, the Outsid- ers, the Outlaws, the Misfits, the Radicals, the Visionaries, the Dream- ers, the contributors, those who provided spaces and venues which allowed creativity to flourish, wrote about, talked about, inspired, mentored the creative spirit, and those who gave much, but have not been, for whatever reason, recognized by the mainstream. -
The Write News
F The Write News BRANCH MEETING AND LUNCHEON February 10, 2018 - 11:00 am to 2:00 pm Finding Your Most Powerful Words featuring Clive Matson What I Learned from the Beat Generation (And What I Wish We Hadn’t Learned) Clive will cover: First thought, best thought Writing as an expression of the body Suspicion of boundaries Honesty and impulse Sacraments and direct experience Vitality of Myths “I bring forty years of experience leading workshops and coaching writers of all kinds. Little by little I've seen that my original training was sound, provocative, and instructive, so I'll quote Pound, Williams, R.Creeley, Ginsberg and show how their dictums apply to today's writing. The guidance is crucially important now that we're entering a time similar to the 1960s when we are at odds with our government, the Sixth Extinction looms globally, and politically we're in decades similar to what Chaucer called "this sour and hungry time." Clive Matson (MFA Columbia University 1989) hung out in New York in the early 1960s with Beat Generation writers and that immersed him in streams of passionate intensity that run through us all. He writes from the itch in his body to the delight of his students according to Let the Crazy Child Write! (1998). He’s published nine volumes of poetry and his seventh book, Squish Boots (2002), was placed in John Wieners’ coffin. He received the PEN Oakland Josephine Miles National Literary Award in 2003 and the City of Berkeley Lifetime Achievement Award in Poetry in 2012. -
NO RAMBLING ON: the LISTLESS COWBOYS of HORSE Jon Davies
WARHOL pages_BFI 25/06/2013 10:57 Page 108 If Andy Warhol’s queer cinema of the 1960s allowed for a flourishing of newly articulated sexual and gender possibilities, it also fostered a performative dichotomy: those who command the voice and those who do not. Many of his sound films stage a dynamic of stoicism and loquaciousness that produces a complex and compelling web of power and desire. The artist has summed the binary up succinctly: ‘Talk ers are doing something. Beaut ies are being something’ 1 and, as Viva explained about this tendency in reference to Warhol’s 1968 Lonesome Cowboys : ‘Men seem to have trouble doing these nonscript things. It’s a natural 5_ 10 2 for women and fags – they ramble on. But straight men can’t.’ The brilliant writer and progenitor of the Theatre of the Ridiculous Ronald Tavel’s first two films as scenarist for Warhol are paradigmatic in this regard: Screen Test #1 and Screen Test #2 (both 1965). In Screen Test #1 , the performer, Warhol’s then lover Philip Fagan, is completely closed off to Tavel’s attempts at spurring him to act out and to reveal himself. 3 According to Tavel, he was so up-tight. He just crawled into himself, and the more I asked him, the more up-tight he became and less was recorded on film, and, so, I got more personal about touchy things, which became the principle for me for the next six months. 4 When Tavel turned his self-described ‘sadism’ on a true cinematic superstar, however, in Screen Test #2 , the results were extraordinary. -
Warhol, Andy (As Filmmaker) (1928-1987) Andy Warhol
Warhol, Andy (as filmmaker) (1928-1987) Andy Warhol. by David Ehrenstein Image appears under the Creative Commons Encyclopedia Copyright © 2015, glbtq, Inc. Attribution-Share Alike 3.0 Unported license. Entry Copyright © 2002, glbtq, Inc. Courtesy Jack Mitchell. Reprinted from http://www.glbtq.com As a painter Andy Warhol (the name he assumed after moving to New York as a young man) has been compared to everyone from Salvador Dalí to Norman Rockwell. But when it comes to his role as a filmmaker he is generally remembered either for a single film--Sleep (1963)--or for works that he did not actually direct. Born into a blue-collar family in Forest City, Pennsylvania on August 6, 1928, Andrew Warhola, Jr. attended art school at the Carnegie Institute of Technology in Pittsburgh. He moved to New York in 1949, where he changed his name to Andy Warhol and became an international icon of Pop Art. Between 1963 and 1967 Warhol turned out a dizzying number and variety of films involving many different collaborators, but after a 1968 attempt on his life, he retired from active duty behind the camera, becoming a producer/ "presenter" of films, almost all of which were written and directed by Paul Morrissey. Morrissey's Flesh (1968), Trash (1970), and Heat (1972) are estimable works. And Bad (1977), the sole opus of Warhol's lover Jed Johnson, is not bad either. But none of these films can compare to the Warhol films that preceded them, particularly My Hustler (1965), an unprecedented slice of urban gay life; Beauty #2 (1965), the best of the films featuring Edie Sedgwick; The Chelsea Girls (1966), the only experimental film to gain widespread theatrical release; and **** (Four Stars) (1967), the 25-hour long culmination of Warhol's career as a filmmaker. -
Makes Westfield Famous, Downpour Floods Scotch Plains, Dems Sweep CF, GW, FW
Ad Populos, Non Aditus, Pervenimus Published Every Thursday Since September 3, 1890 (908) 232-4407 USPS 680020 Thursday, December 31, 2015 OUR 125th YEAR – ISSUE NO. 01-2015 Periodical – Postage Paid at Rahway, N.J. www.goleader.com [email protected] SEVENTY FIVE CENTS Benjamin B. Corbin for The Westfield Leader PROUD TOWN MOMENT...In May 2006, the spire atop of the Westfield Fire Brian Trusdell for The Westfield Leader Headquarters was removed after painters reported safety concerns due to its Susan M. Dougherty for The Westfield Leader PROUDLY...Westfield Senior Housing Executive Director Karen Simon, second deteriorated condition. Since then, craftsman Joe Di Francesco volunteered his BEST WISHES...The Westfield High School class of 2015 graduated in June. Due from left, assists Jane Barris, 88, center, and Ida Shaw, 95, second from right, in skill over the last two years to rebuild the spire and Jim Brandt provided the crane to thunderstorms, the event was held at the Westfield Armory. cutting the ceremonial ribbon to officially open the Village at Garwood. service for one dollar to conduct the installation which was accomplished in July. Year in Review - June to November: ‘The Watcher’ Makes Westfield Famous, Downpour Floods Scotch Plains, DEMs Sweep CF, GW, FW JUNE The school board announced there solete industrial site. Watcher asks, “Who has the bed- other invasive plant species at the a large number of unlicensed cats in Westfield would not be a pilot program to look Borough CFO Sandy Bruns was rooms facing the street?...It will help Fanwood Nature Center. The council the Wood Valley Road Court area. -
175747467.Pdf
DIZIONARIO DEI FILM WESTERN A cura di Mario Raciti Fonti Dizionario Morandini 2008 Mymovies.it Film.tv.it Dedicato agli amici di Farwest.it A Accidenti, che ospitalità! Our Hospitality USA 1923 REGIA: Buster Keaton, John G. Blystone ATTORI: Buster Keaton, Natalie Talmadge, Joe Roberts * Una faida tra le famiglie Canfield e McKay funge da prologo. Allevato a New York da una zia, Will McKay torna dopo vent'anni al paese natale del West dove i Canfield tentano di ucciderlo. Finché è sotto il loro tetto, però, non possono farlo. E lui sposa una di loro. 2o film lungo di Keaton e uno dei suoi capolavori. È un western nel quale il comico non nasce dalla parodia ma dalla incongruità del personaggio Keaton mentre tutti gli altri sono costruiti secondo gli schemi classici e si comportano come tali. È una rivisitazione straniata che s'impernia, come il solito, sullo spostamento delle funzioni degli oggetti, sull'altalena tra sembrare ed essere. DURATA: 74' FOTOGRAFIA: BN Acquasanta Joe It. 1971 REGIA: Mario Gariazzo ATTORI: Lincoln Tate, Ty Hardin, Silvia Monelli * Dopo la guerra di secessione, in un improbabile West trovano posto la banda del cannone, un prete che fabbrica acquavite, avventurieri e tradimenti. Western povero di tutto. DURATA: 97' Adios Gringo It. 1965 REGIA: George Finley (> Giorgio Stegani) ATTORI: Giuliano Gemma, Evelyn Stewart, Robert Camardiel * Ricercato salva fanciulla da morte sicura, sgomina banda di prepotenti e prosegue con la bella per dimostrare la sua innocenza. George Finley (Giorgio Stegani) ha confezionato un discreto western all'italiana con un Gemma che fa il “buono” prima di imparare a recitare. -
Biennial Report
Biennial RepoRt July 1, 2009 – June 30, 2011 TABle oF ContentS 3 Introduction 4 40th Anniversary Campaign 6 Poets & Writers Magazine 9 Pw.org 10 Information Services Founded in 1970, Poets & Writers believes writers make indispensable con- 11 Readings/Workshops tributions to our national culture. The organization’s mission is to foster the 23 California Office professional development of poets and writers, to promote communication 24 Awards for Writers throughout the literary community, and to help create an environment in which 28 In the Field literature can be appreciated by the widest possible public. 30 Friends of Poets & Writers 32 Institutional Donors 34 Board of Directors 35 Poets & Writers Staff 36 Treasurer’s Report 38 R/W Writers Supported 47 R/W Sponsors n 2010, POeTS & WRITeRS CelebrateD four decades of importance of our website as a means of providing informa- I service to creative writers. tion and as a platform for the community of creative writers, the longtime editor of the magazine, Mary Gannon, was promoted to Founded in 1970 by Galen Williams with the support of the new editorial director. In this capacity, she provides direction to both York State Council on the Arts, the organization’s first initiative the magazine and website. Under her leadership, we’ve added was a program now called Readings/Workshops, which paid fees a host of new features, enhanced functionality of the site, and to writers for leading workshops and giving readings. strengthened linkages between our print and digital publications. On the occasion of our 40th Anniversary, the Board of Directors The Readings/Workshop program, where it all began, continued wanted to honor Galen for her vision and tenacity.