Reflection of Psychic Distemper in the Selected Plays of Osborne
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
EDINBURGH UNIVERSITY LIBRARY. Special Collections
EDINBURGH UNIVERSITY LIBRARY. Special Collections Handlist of Manuscripts, H 29 JOHN WAIN ARCHIVE MSS 2851-2875; MSS 3124-3137 E97.67 Literary manuscripts of John Barrington Wain (1925-1994) were deposited in Edinburgh University Library in 1974, and subsequently added to by the author until 1986, when the whole deposit was purchased by the Library with the help of the Local Museums Purchase Fund. These manuscripts constitute MSS 2851-2874. Some items were deposited after 1985 and these, along with the manuscripts in the possession of the author at his death were purchased in 1996, with the aid of the National Fund for Acquisitions. These manuscripts constitute MSS 3124-3137. Further manuscripts were found by his family subsequently and were gifted in December 1997: these manuscripts constitute E97.67. This group is not sorted or listed and needs to integrated with MSS 3124-3137 as the material is closely linked with the material in this group, e.g. further mss and tss of his Oxford trilogy. Wain’s incoming correspondence and outgoing letters to Philip Larkin were purchased with the help of the National Fund for Acquisitions in 1999 (E99.01). These are included in MS 2875. The manuscript of his first novel, Hurry on Down (1953), has not survived, but notebooks, mss and typescripts of most of his later novels, short stories, poetry, plays and criticism are present. The list below was compiled at different times, and conventions regarding italicization, etc. are not consistent. (Note: See the 1985 Edinburgh University Library exhibition catalogue 'Hurry Back Down: John Wain at Sixty' for further information. -
The Oxford Anthology of English Poetry: Volume 2: Blake to Heaney Pdf, Epub, Ebook
THE OXFORD ANTHOLOGY OF ENGLISH POETRY: VOLUME 2: BLAKE TO HEANEY PDF, EPUB, EBOOK John Wain | 800 pages | 15 May 2003 | Oxford University Press | 9780192804228 | English | Oxford, United Kingdom The Oxford Anthology of English Poetry: Volume 2: Blake to Heaney PDF Book Brand new Book. Return to Book Page. Encompassing a broad range of subjects, styles, and moods, English poetry of the late eighteenth We have recently updated our Privacy Policy. Enabling JavaScript in your browser will allow you to experience all the features of our site. Nick H rated it it was amazing Oct 12, Quantity Add to basket. The richness and variety of this tradition are represented in this collection by all the great and familiar names, but also some of the less well-known poets who have often provided startling exceptions to the poetry of their age. Ten Poems About Cats. Anthony Holden. Various Poets. How Han rated it it was ok Jul 08, Sign in to Purchase Instantly. John Wain. Carolyne Larrington. Oxford University Press is a department of the University of Oxford. Stephen Conlon. Ten Poems About London. Preferred contact method Email Text message. Reset password. The result is a rich and multi-coloured tapestry of the depth, diversity, and energy of poetry written in Britain and Ireland. Academic Skip to main content. Other Editions 1. Laura rated it liked it Jun 14, About John Wain. Call us on or send us an email at. Bobby rated it really liked it Feb 26, We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. -
John Wain.Pdf
JOHN W AIN: EL REI'ORNO DE LA TRADICION PICARESCA A LA NOVELA INGLESA En la década de los cincuenta un nombre nuevo aparece en el panorama literario inglés: John Wain. Siendo profesor de literatura inglesa en la Universidad de Reading, a la edad de 28 años, publica su primera novela, Hurry On Down, (1953), que inmediatamente atrae la atención de gran parte de la crítica del momento. Por su protagonista rebelde y crítico del sistema, algunos enmarcan esta obra y a su autor entre los denominados "Angry young Men", 1 grupo de jóvenes escritores que protestan airadamente contra los defectos de su sociedad y cuyo principal representante es el dramaturgo John Osborne con su obra Look Rack in Anger (1956). Otros críticos, sin embargo, asocian aJobo Wain con un grupo de novelistas y poetas anterior conocido como "The Movement",2 y que reúne a nombres tan notables como los de Kingsley Amis, Philip Larkin, Donald Davie, Elizabeth Jennings o ThomGunn. Al margen de la conveniencia o no de adscribir la figura de John Wain a un movimiento literario concreto, 10 cierto es que es uno de los pioneros de las nuevas tendencias que surgen en la literatura inglesa de los años cincuenta. Hurry On Down es una de las primeras novelas de la posguerra que vuelve hacia los cánones realistas tradicionales, después de casi medio siglo de experimentación modernista. Y 10 que es más significativo, con su publicación en octubre de 1953 tiene lugar el retorno de la tradición picaresca a la literatura inglesa. Este camino, que en parte había sido ya iniciado por la obra de William Cooper, Scenes From Provincial Life (1950), 1,_ Cf. -
A SUBJECT of SCANDAL and CONCERN by John Osborne
Press Information VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Summer Season – May to August 2016 The London Premiere A SUBJECT OF SCANDAL AND CONCERN by John Osborne. Directed by Jimmy Walters. Designed by Philip Lindley. Lighting by Simon Gethin Thomas. Music by Piers Sherwood Roberts. Choreography by Ste Clough. Presented by Proud Haddock in association with Neil McPherson for the Finborough Theatre. Cast: Ralph Birtwell. Doron Davidson. Edmund Digby-Jones. Caroline Moroney. Jamie Muscato. Richard Shanks. “I have injured no man’s reputation, taken no man’s property, attacked no man’s person, violated no oath, taught no immorality. I was asked a question and answered it openly.” In a production commissioned by the Finborough Theatre, the London premiere – and the first production in over 40 years – of John Osborne's A Subject Of Scandal And Concern will run at the Finborough Theatre, playing nine Sunday and Monday evenings and Tuesday matinees from Sunday, 22 May 2016 (Press Night: Monday, 23 M ay 2016 at 7.30pm) Cheltenham, 1842. George Jacob Holyoake is a poor young teacher, making his way from Birmingham to Bristol to visit a friend who has been imprisoned for publishing a journal that criticises the establishment. When he makes a stop in Cheltenham to address a lecture, his words and his overwhelming commitment to speaking the truth will change his life forever. Arrested and tried for blasphemy, and separated from his starving wife and child, Holyoake is faced with the choice of conforming to the establishment or staying true to his beliefs during in a time of injustice and intolerance. -
Harold Pinter: the Dramatist and His World
Harold Pinter: The Dramatist and His World Background Nobel winner, Harold Pinter (1930- 2008) was born in London, England in a Jewish family. Some of the most recognizable features in his plays are the use of understatement, small talk, distance, and silence. These devices are employed to convey the substance of a character’s thoughts. At the outbreak of World War II, Pinter was evacuated from the city to Cornwall; to be wrenched from his parents was a traumatic event for Pinter. He lived with 26 other boys in a castle on the coast. At the age of 14, he returned to London. "The condition of being bombed has never left me," Pinter later said. At school one of Pinter's main intellectual interests was English literature, particularly poetry. He also read works of Franz Kafka and Ernest Hemingway, and started writing poetry for little magazines in his teens. The seeds of rebellion in Pinter could be spotted early on when he refused to do the National Service. As a young man, he studied acting at the Royal Academy of Dramatic Art and the Central School of Speech and Drama, but soon left to undertake an acting career under the stage name David Baron. He travelled around Ireland in a Shakespearean company and spent years working in provincial repertory before deciding to turn his attention to playwriting. Pinter was married from 1956 to the actress Vivien Merchant. For a time, they lived in Notting Hill Gate in a slum. Eventually Pinter managed to borrow some money and move away. Although Pinter said in an interview in 1966, that he never has written any part for any actor, his wife Vivien frequently appeared in his plays. -
Book Reviews
Book Reviews Desmond Pacey, ed. The Letters of Frederick Philip Grove, Toronto and Buffalo: University of Toronto Press, 1976. pp. 584. $25.00. On January 15, 1941, a 23-year-old professor of English at Brandon College wrote to Frederick Philip Grove in Simcoe, Ontario, requesting information needed for a radio talk on the former Manitoba novelist. Just out from Cambridge, the young scholar had been asked to participate in "The University of the Air" series, to which the University of Manitoba was contributing a number of "Manitoba Sketches." "I was asked to cover the field of Manitoba literature," the professor recalls, "[and] as the only Manitoba literature I had then read was Grove's novels, I made [his] novels the SUbject of my talk." It is likely that Grove did not hear this talk, broadcast over local Manitoba stations, but this exchange of letters marked the beginning of Desmond Pacey's formal study of Grove, which culminated in his book-length study of the novelist in 1945. In the thirty-five years that have elapsed since that first letter, Pacey has been singularly dedicated to keeping Grove's name before the public, and though he has been upstaged recently by the sleuthing of Douglas Spettigue in regards to Grove's life, his body of critical assessments about his fiction still stands as a requisite for the Grove scholar. It is therefore fitting that Pacey should have capped his career with this monumental collection of Grove's letters, completed just before his untimely death on July 4, 1975, which to my knowledge is, aside from the Selected Letters of Malcolm Lowry, the only collection of letters ever published on a major Canadian literary figure. -
Galaxy: International Multidisciplinary Research Journal
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal Bi-Monthly Refereed and Indexed Open Access eJournal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 8, Issue-III, June 2017 ISSN: 0976-8165 Tragic Vision Represented in the Plays of John Osborne Sunil N. Wathore Asst. Prof. & HoD. English Arts & Science College, Pulgaon, Dist. Wardha, Rashtrasant Tukadoji Maharaj Nagpur University, Nagpur. Article History: Submitted-18/05/2017, Revised-11/06/2017, Accepted-23/06/2017, Published-05/07/2017. Abstract: John James Osborne, an English playwright, ex-journalist, screenwriter and actor, known for his excoriating prose and intense critical stance towards established social and political norms was born on 12th December, 1929 in Fulham, London. Osborne’s tragic vision arises out of perception of the problems of existence in the face of nothingness. Osborne’s heroes live in the world of nothingness which is resulted due to the prevailing customs and traditions and other evil forces, cause a rebellion against them. A full length study of Osborne’s tragic vision of life, that emerges out of his tragedies would not only add to the greater appreciation of Osborne but also help to assess his achievement and assign the rightful place to Osborne in the history of Modern British Drama. Osborne’s artistic vision seems to have been conditioned and shaped by two important forces -those are heredity and environment on one side and his own personal experiences on the other. -
John Osborne
John Osborne: A Preliminary Inventory of His Papers at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Osborne, John, 1929-1994 Title John Osborne Papers Dates: 1956-1994 Extent 50 boxes, 8 oversize boxes, 3 oversize flat file folders (32.676 linear feet) Abstract: The papers of this British playwright consist of manuscripts of many of his works, correspondence, newspaper and magazine articles, scrapbooks, posters, programs, and business documents. Language English. Access Open for research Administrative Information Acquisition Reg. No. 13432 Processed by Liz Murray, 1995 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Osborne, John, 1929-1994 Scope and Contents John Osborne's work as a playwright, author, actor, producer, director, and contributor to numerous newspapers and periodicals is represented in this collection, which consists of holograph manuscripts and notebooks, typescripts, page and galley proofs, correspondence, newspaper and magazine articles, scrapbooks, posters, programs, and business documents. The material spans five decades beginning in the mid-1950s just prior to his important play, Look Back in Anger (1956). Credited with launching a dramatic renaissance in Britain, Osborne's literary style is known for its verbal pyrotechnics and repeated themes of anger, defeat, and disillusionment. Osborne's skill at sulphuric prose is also present in his correspondence where passionate beliefs are expressed with eloquent vitriol. Osborne's three books, consisting of two autobiographies and a volume of collected prose; nearly all of his plays dating from his early Look Back in Anger to his last, DéjàVu; significant correspondence; and journalism are well represented in this collection. Frequently, both holograph and typescript material are present for his books, plays, and other writings, providing continuity from conception to publication. -
Kingsley Amis's Criticism
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Agnieszka Ksiqzek The Communication of Culture: Kingsley Amis’s Criticism Submitted to the Faculty of Arts University of Glasgow for the degree of M.Phil. December 2000 ProQuest Number: 10647787 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uesL ProQuest 10647787 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. 789 East Eisenhower Parkway P.Q. -
Michael Stevens' the Road to Interzone
“The scholarship surrounding the life and work of William Burroughs is in the midst of a renaissance. Students of Burroughs are turning away from myths, legends, and sensationalistic biographical detail in order to delve deeply into textual analysis, archival research, and explorations of literary and artistic history. Michael Stevens’ The Road to Interzone is an important part of this changing landscape. In a manner similar to Ralph Maud’s Charles Olson’s Reading, The Road to Interzone places the life and literature of “el Hombre Invisible” into sharper focus by listing and commenting on, in obsessive detail, the breadth of literary material Burroughs read, referred to, researched, and reviewed. Stevens reveals Burroughs to be a man of letters and of great learning, while simultaneously shedding light on the personal obsessions, pet theories, childhood favorites, and guilty pleasures, which make Burroughs such a unique and fascinating figure. Stevens’ book provides a wealth of new and important information for those deeply interested in Burroughs and will no doubt prove essential to future scholarship. Like Oliver Harris’ The Secret of Fascination and Robert Sobieszek’s Ports of Entry before it, The Road to Interzone is an indispensable addition to the canon of Burroughs Studies.” -Jed Birmingham “Michael Stevens has created a new kind of biography out of love for William S. Burroughs and love of books. Author worship and bibliophilia become one at the point of obsession, which of course is the point where they become interesting. Burroughs’ reading was intense and far flung, and Stevens has sleuthed out a portrait of that reading--the books Burroughs lent his name to in the form of introductions and blurbs, the books in his various libraries, the books he refers to, the books that found their way into his writing, and much more! Along with lively notes from Stevens, we have Burroughs throughout--his opinions, perceptions, the ‘grain of his voice.’ That in itself makes Stevens’ book a notable achievement. -
Look Back in Anger by John Osborne
PILOT THEATRE LOOK BACK IN ANGER RESOURCES Introduction On May 8th 1956, Look Back in Anger opened at the Royal Court Theatre as the third production of the newly formed English Stage Company. The English Stage Company had been founded in 1955 to promote the production of new plays by contemporary authors that might not find production in the commercial West End theatre (London's equivalent of Broadway in New York City). West End theatre provided quality acting and high standards of production, but very little drama that related to life in contemporary England. Most plays of the time were generally innocuous light comedies, thrillers, and foreign imports—fourteen American shows in 1955 alone. Osborne had submitted copies of Look Back in Anger to every agent in London and to many West End producers and had been rejected by all. When the script arrived at the Royal Court, the Artistic Director George Devine and his young assistant director Tony Richardson knew it was exactly what they were looking for. Look Back in Anger was viewed as a play that would, as Devine later put it, "blow a hole in the old theatre." Critical reception was strongly mixed: some detested the play and the central character, but most recognized Osborne as an important new talent and the play as emotionally powerful. They also recognized the play as one that fervently spoke of the concerns of the young in post-war England. The first production of Look Back in Anger was not initially financially successful, although after an excerpt was shown on BBC the box office was overwhelmed. -
The Presentation Op Morality in the Novels of Kingsley
THE PRESENTATION OP MORALITY IN THE NOVELS OF KINGSLEY AMIS Michael Laine B.A., McGill University, 1956 B.A., University of Oxford, 1958 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1962 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of £ <h$)/iX. The University of British Columbia, Vancouver 8, Canada. Date CL /C /ICQ. ABSTRACT One thesis examines the novels of the young British writer, Kingsley Amis, and attempts to assess his contribution to the modern novel in terms of the moral code which he presents and in terms of his success in presenting it. Chapter One dissociates Amis from the myth of the "Angry Young Men" and shows that he himself will not be placed in any movement. The chapter goes on to discuss his position as a satirist and illustrates his requirement that satire have a moral basis. At this point certain parallels with the work of Fielding are discussed. The chapter shows how much the moral position depends upon seeing Amis's heroes as decent, and tentatively defines decency as it appears to him.