Ancient Carved Ambers in the J. Paul Getty Museum
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Umbria from the Iron Age to the Augustan Era
UMBRIA FROM THE IRON AGE TO THE AUGUSTAN ERA PhD Guy Jolyon Bradley University College London BieC ILONOIK.] ProQuest Number: 10055445 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10055445 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis compares Umbria before and after the Roman conquest in order to assess the impact of the imposition of Roman control over this area of central Italy. There are four sections specifically on Umbria and two more general chapters of introduction and conclusion. The introductory chapter examines the most important issues for the history of the Italian regions in this period and the extent to which they are relevant to Umbria, given the type of evidence that survives. The chapter focuses on the concept of state formation, and the information about it provided by evidence for urbanisation, coinage, and the creation of treaties. The second chapter looks at the archaeological and other available evidence for the history of Umbria before the Roman conquest, and maps the beginnings of the formation of the state through the growth in social complexity, urbanisation and the emergence of cult places. -
Murlo 09 Biblio
BIBLIOGRAFIA Abbreviazioni SeM = “Studi e Materiali” StS = “Studi Senesi” AA = “American Accademy” WA = “World Archaeology” AARG = “Aerial Archaeology Research Group” AAS = Archivio Arcivescovile di Siena AC = “Archeologia e Calcolatori” Fonti inedite AJA = “American Journal of Archaeology” Archivio del Distretto Minerario di Grosseto, n. 367, 368, 370, pp. 1936, AJAH = “American Journal of Ancient History” 1935, 1941. AM = “Archeologia Medievale” ASA, 1961 = Archivio Soprintendenza Archeologica, pos. 9 / Siena / 21. AR = “American Academy in Rome” ARA = “Annual Review of Anthropology” Archaeol. Prospect. = “Archaeological Prospection” Manoscritti ArchCl = “Archeologia Classica” ArchLaz = “Archeologia Laziale” BICHI = BICHI G., Notizie storiche delle città, Fortezze, Castelli e Terre della ARID = “Analecta Romana Instituti Danici” Città di Siena, ASS, Ms. D.73-79. GHERARDINI = GHERARDINI B., Visita fatta nell’anno 1676 alle Città, Torre ARRETINORUM = OXÉ A., Corpus Vasorum Arretinorum, A catalogue of the signatures, shapes and cronology of italian sigillata, in “Antiquitas”, 3-4, e Castella dello Stato della Città di Siena dall’ill.mo Sig.re Bartolomeo Ghe- Bonn, 1968. rardini Auditore Generale in Siena per l’A.S. di Cosimo de Medici, Gran- ASS = Archivio di Stato di Siena duca VI di Toscana, copia del secolo XVIII, ASS, Ms. D.82-86. AttiMGrecia = “Atti e memorie della Società Magna Grecia” MACCHI = MACCHI G., Memorie, ASS, Ms. D.107-112. BA = “Beiträge zur Assijrologie” MANOSCRITTO SLOGANE = MANOSCRITTO SLOGANE, 3524 cc. 59r-67, BA = “Bollettino d'Arte” London, British Museum . BAR = “British Archaeological Reports” MERLOTTI, 1872 = MERLOTTI G., Tavole cronologiche di tutti i Rettori an- BCI = Biblioteca Comunale di Siena tichi e moderni delle parrocchie della Diocesi ed elenco dei Vescovi e Arci- BdA = “Bollettino d'Arte” vescovi di Siena, Firenze, Arezzo, Fiesole, Sovana, Pienza e Montalcino, BSSP = “Bullettino Senese di Storia Patria” Roselle e Grosseto, Massa, Volterra e Colle, AAS, Ms. -
Performing the Self on Survivor
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M Repository TEMPORARILY MACHIAVELLIAN: PERFORMING THE SELF ON SURVIVOR An Undergraduate Research Scholars Thesis by REBECCA J. ROBERTS Submitted to the Undergraduate Research Scholars program at Texas A&M University in partial fulfillment of the requirements for the designation as an UNDERGRADUATE RESEARCH SCHOLAR Approved by Research Advisor: Dr. James Ball III May 2018 Major: Performance Studies Psychology TABLE OF CONTENTS Page ABSTRACT ............................................................................................................................. 1 ACKNOWLEDGMENTS ........................................................................................................ 2 INTRODUCTION .................................................................................................................... 3 CHAPTERS I. OUTWIT. OUTPLAY. OUTLAST ......................................................................... 8 History of Survivor ............................................................................................ 8 Origin Story of Survivor .................................................................................. 10 Becoming the Sole Survivor ............................................................................ 12 II. IDENTITY & SELF-PRESENTATION ................................................................ 17 Role Performance ........................................................................................... -
Cronaca Di Sant'agata Di Puglia
- E a DI PIGLI o o o - l - - - - - - A cronaca DI SANTAGATA DI PUGLIA PER ſorrnzo Agnetti v- - SCIACCA TI P O G R A FIA G U TT E M B E R G 1869. vm - l Nacqui Pur io su un colle, che sereno e svelto I piedi allarga tra lo Speca e il Frugno, E, qual desto gigante, agli ampli piani, Da vér l'occaso, della Daunia l'occhio Drizza ed a scolta secolar riposa Tra boschive colline. Fa coperchio Al dritto capo una torrita rocca, Ai miti affetti or di famiglia vòlta, Ma un dì pugnace, e guardiana intenta Di genti all'odio baronale invise. I monti della Calabria. Proprietà letteraria AI, . CH. AVV. COSTANTINO VOLPE Gentilissimo Costantino Antico e continuo affetto ci lega, nè può venir meno. La nostra giovinezza si aprì con i canti, ispi rati dalla limpidezza del nostro cielo, dai bisogni del nostro popolo, dalla giustizia e serenità delle spe ranze nostre, che pure altrui sembravan sogni; ora non più. Per diverse strade movemmo, ma c'incon trammo sempre nella virtù e nella costanza di fare qualche cosa di bene pel nostro comune luogo nativo. Io peregrino di qua e di là, trascinato ora da pen siero di vedere e saper meglio cose ed uomini, ora da una mano segreta, che mi spingea, ora dal bisogno di un cuore ardente, tra i patiti disinganni e le ma linconiche veglie, ho guardato sempre la collina, che ci vide nascere, studiando se non ad arricchirla di gloria, a non oltraggiarla almeno. Tu più fortunato, dopo largamente disfogato il cuore in tenere e care poesie, con un angelo di consorte accanto, che ti arricchisce di figli, hai consacrato te - º medesimo per sei anni ad aprire il paese al commercio, ed alle lettere, a migliorar le strade e gli edifici, ad accrescerne le rendite. -
Northern Puglia & the Gargano Promontory
© Lonely Planet Publications 84 www.lonelyplanet.com 85 Northern Puglia & the Gargano Promontory Crowning Italy’s boot, the northern province of Foggia (the capitanata) is an attractive NORTHERN PUGLIA & THE NORTHERN PUGLIA & THE land of contrasting geographical bands, from the mountainous rocky spur of the Gargano GARGANO PROMONTORY Promontory to the vast flat tablelands of the Tavoliere and the gentle rolling hills of the Daunia Pre-Apennines. The Tavoliere is the wheatbowl of southern Italy, covering half of the capitanata in a 3000-sq-km geometric chequerboard of golden fields. Tracks across the plains bear witness to the centuries-old transhumance routes, the ancient droving trails or tratturi along which sheep and cattle were moved from Abruzzo to Puglia. The wheatfields surrounding the provincial capital of Foggia gently give way to the wetlands and salt works of Margherita di Savoia on the southeast coast, a region famous for its prolific birdlife. To the west, the Tavoliere merges into the undulating foothills, shallow valleys and wooded slopes of the beautiful Daunia mountains. Here, castles and towers of the medieval hilltop towns watch over Foggia’s Pre-Apennine border. Puglia’s only mountainous zone is the stunning Gargano Promontory, a blunt spur of limestone cliffs and dense forest jutting into the blue Adriatic Sea. Its landscape, flora and fauna are a geographical anomaly in Puglia’s Mediterranean mezzogiorno, more Croatian than southern Italian. Millions of years ago the Gargano was separated from the mainland by a thin strip of ocean. Now its unique beauty and summer seaside resorts are a favourite with Italian and German tourists. -
Curriculum Vitae Europass Architetto
/ Curriculum Vitae Europass Informazioni personali Cognome(i/) /Nome(i) Longo Michele Indirizzo(i) Viale Gandhi 75 ,71122, Foggia Telefono(i) 0881637538 Mobile: 3299269060 Fax 0881637538 P.IVA 01262700717 C.F. LNGMHL55A 19D643M E-mail [email protected] E-mail PEC [email protected] Cittadinanza Italiana Luogo Di Nascita Foggia Data di nascita 19/01/1955 Sesso Maschio Iscrizione Ordine Professionale Iscritto in data 02/05/1983 all'Ordine degli Architetti P.P.C. con Matricola 174 (34 anni) Occupazione desiderata/Settore professionale Architetto Esperienza professionale OPERE PUBBLICHE Date 1984 Lavoro o posizione ricoperti Progettazione e DD.LL. Nome e indirizzo del datore di lavoro Comunità Montana del Sub-Appennino Dauno Meridionale 'BOVINO' Tipo di attività o settore Lavori realizzazione strada esterna Bosco collegamento Faeto Celle San Vito Date 1986 Lavoro o posizione ricoperti Progettazione e DD.LL Nome e indirizzo del datore di lavoro Comune di Carpino (FG) Tipo di attività o settore Sistemazione civico cimitero vecchio Date 1987 Lavoro o posizione ricoperti Progettazione e DD.LL Nome e indirizzo del datore di lavoro Comune di carpino (fg) Tipo di attività o settore Realizzazione nuovo cimitero Date 1988 Lavoro o posizione ricoperti Progettazione e DD,LL Nome e indirizzo del datore di lavoro Comune di carpino (fg) Tipo di attività o settore Realizzazione campo di calcio polivalente / Date 1988 Lavoro o posizione ricoperti Progettazione e DD.LL Nome e indirizzo del datore di lavoro Comune di carpino (fg) Tipo di attività -
The Chronological Implications of Relief Ware Bucchero at Poggio Civitate
Etruscan Studies Journal of the Etruscan Foundation Volume 11 Article 3 2008 The hrC onological Implications of Relief Ware Bucchero at Poggio Civitate Anthony Tuck University of Massachusetts Amherst Erik O. Nielsen Franklin College Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Tuck, Anthony and Nielsen, Erik O. (2008) "The hrC onological Implications of Relief Ware Bucchero at Poggio Civitate," Etruscan Studies: Vol. 11 , Article 3. Available at: https://scholarworks.umass.edu/etruscan_studies/vol11/iss1/3 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. The Chronological Implications of Relief Ware Bucchero at Poggio Civitate by Anthony Tuck and Erik Nielsen iano del Tesoro at Poggio Civitate Preserves evidence of the only 7th century BCE architectural comPlex known to date in Central Italy. 1 Thus far, three buildings of Pthis comPlex have been identified. These consist of OC1/Residence, an aPParent - ly aristocratic household, the furnishings of which attest to the wealth of its inhabitants, OC2/WorkshoP, a large and ornately decorated multifunctional workshoP, and OC3/TriPartite, a building whose triPartite interior division conforms to what we might exPect of a religious structure of the Etruscan seventh century. All stood together on the Plateau by the last quarter of the seventh century BCE. 2 StratigraPhic evidence suggests that the three buildings were destroyed in a sin - gle conflagration. 3 Although the sPecific causes of the fire can not be determined, evi - dence from OC2/WorkshoP suggests a sudden catastroPhe. -
A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill
Etruscan Studies Journal of the Etruscan Foundation Volume 8 Article 4 2001 A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Magness, Jodi (2001) "A Near Eastern Ethnic Element Among the Etruscan Elite?," Etruscan Studies: Vol. 8 , Article 4. Available at: https://scholarworks.umass.edu/etruscan_studies/vol8/iss1/4 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Near EasTern EThnic ElemenT Among The ETruscan EliTe? by Jodi Magness INTRODUCTION:THEPROBLEMOFETRUSCANORIGINS 1 “Virtually all archaeologists now agree that the evidence is overwhelmingly in favour of the “indigenous” theory of Etruscan origins: the development of Etruscan culture has to be understood within an evolutionary sequence of social elaboration in Etruria.” 2 “The archaeological evidence now available shows no sign of any invasion, migra- Tion, or colonisaTion in The eighTh cenTury... The formaTion of ETruscan civilisaTion occurred in ITaly by a gradual process, The final sTages of which can be documenTed in The archaeo- logical record from The ninTh To The sevenTh cenTuries BC... For This reason The problem of ETruscan origins is nowadays (righTly) relegaTed To a fooTnoTe in scholarly accounTs.” 3 he origins of the Etruscans have been the subject of debate since classical antiqui- Tty. There have traditionally been three schools of thought (or “models” or “the- ories”) regarding Etruscan origins, based on a combination of textual, archaeo- logical, and linguistic evidence.4 According to the first school of thought, the Etruscans (or Tyrrhenians = Tyrsenoi, Tyrrhenoi) originated in the eastern Mediterranean. -
Weapons, Warfare and Society in Britain I 250-750BC
Weapons, Warfare and Society in Britain I 250-750BC VolUBle I Susan Deirdre Bridgford University of Sheffield Department of Archaeology and Prehistory September 2000 This thesis was submitted as part fulfilment of the requirements for the Degree of Doctor of Philosophy. Acknowledgments My thanks must first go to my supervisor, Dr Barbara Ottaway, for the enormous care she has taken in bringing this project to fruition. Her encouragement, understanding and great patience have been invaluable to me. I am grateful, on many counts, to Dr Peter Northover, who has been unstinting in giving metallurgical advice and access both to his samples and his unpublished data. His provision of enthusiasm, moral support and hospitality have also been much appreCiated. The University of Sheffield provided the financial support, via the Hossein Farmy Scholarship award, which enabled the undertaking of this project. Many members of the University staff assisted me during its progress. I would particularly like to thank Brian Keeley, for his many efforts on my behalf, and Kathryn Goldsack, for her practical help and imperturbable good humour, over the years . This project would not have been possible without access to the weapons, for which I would like to thank Dr Stuart Needham, at the British Museum, Trevor Cowie, at the National Museum of Scotland, Dr Christopher Chippindale, at the Cambridge Museum of Archaeology and Anthropology, Dr Euan MacKie, at the Hunterian Museum, Dr Jon Cotton at the Museum of London, Dr Brian Gilmour at the Royal Armouries, Dr Francis Pryor at Flag Fen and Dr Andrew Rogerson, at Norfolk Landscape Archaeology. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
“Among the Most Unusual Substances on Earth, Amber Combines Alluring Physical Properties with an Unparalleled Archive of Ancient Life on Our Planet
(a.) (b.) Figure 1. a) Termites in Colombian copal showing gas bubbles; b) Close view, showing termites in Colombian copal showing gas bubbles. “Among the most unusual substances on Earth, amber combines alluring physical properties with an unparalleled archive of ancient life on our planet. No other substance brings together such richness in art and science.” David A. Grimaldi, American Museum of Natural History (Ross, 2010) 16 FUNGI Volume 11:5 2019 Figure 2. A rough piece of blue Dominican amber. y quest for mushrooms in Mushroom lovers were treated to a and so versatile. As a gemologist, amber amber and copal lasted about small, extremely rare piece of light- was an organic, semi-precious gemstone a decade, from the mid-1990s colored amber, inside which a tiny gilled for me, soft for a gemstone (only 2-2.5 Mto the early part of the 2000s. During mushroom was barely visible. Through on the Mohs scale), and with multiple this period of time, I found mushrooms a strategically placed magnifying glass, places of origin around the world. It in Mexican red amber from Chiapas, excited visitors could get a glimpse of came in multiple colors, and lended itself and in Colombian copal from the what the ancestor of today’s Mycena to carving and the creation of beautiful Santander region; these pieces make up looked like, down to its cap, delicate works of art. As a mycologist seeking the bulk of my collection. The unique gills, and stipe. Though an extinct mushrooms inside the amber, amber fossils of mushrooms, amber, and copal species and millions of years old, the was the fully polymerized tree resin that in this collection are still waiting to be fossilized mushroom looked fresh and formed millions of years ago in what studied. -
Imitation Amber Beads of Phenolic Resin from the African Trade
IMITATION AMBER BEADS OF PHENOLIC RESIN FROM THE AFRICAN TRADE Rosanna Falabella Examination of contemporary beads with African provenance reveals large quantities of imitation amber beads made of phenol- formaldehyde thermosetting resins (PFs). This article delves into the early industrial history of PFs and their use in the production of imitation amber and bead materials. Attempts to discover actual sources that manufactured imitation amber beads for export to Africa and the time frame have not been very fruitful. While evidence exists that PFs were widely used as amber substitutes within Europe, only a few post-WWII references explicitly report the export of imitation amber PF beads to Africa. However they arrived in Africa, the durability of PF beads gave African beadworkers aesthetic freedom not only to rework the original beads into a variety of shapes and sizes, and impart decorative elements, but also to apply heat treatment to modify colors. Some relatively simple tests to distinguish PFs from other bead materials are presented. Figure 1. Beads of phenol-formaldehyde thermosetting resins INTRODUCTION (PFs) from the African trade. The large bead at bottom center is 52.9 mm in diameter (metric scale) (all images by the author unless otherwise noted). Strands of machined and polished amber-yellow beads, from small to very large (Figure 1), are found today in the He reports that other shapes, such as barrel and spherical stalls of many African bead sellers as well as in on-line (Figure 2), were imported as well, but the short oblates stores and auction sites. They are usually called “African are the most common.