How Earned and Owned Social Media Impact Shareholder Value Through Consumer Mindset Metrics

Total Page:16

File Type:pdf, Size:1020Kb

How Earned and Owned Social Media Impact Shareholder Value Through Consumer Mindset Metrics Marketing Science Institute Working Paper Series 2016 Report No. 16-115 How Earned and Owned Social Media Impact Shareholder Value Through Consumer Mindset Metrics Anatoli Colicev, Ashwin Malshe, Koen Pauwels, and Peter O’Connor “How Earned and Owned Social Media Impact Shareholder Value Through Consumer Mindset Metrics” © 2016 Anatoli Colicev, Ashwin Malshe, Koen Pauwels, and Peter O’Connor; Report Summary © 2016 Marketing Science Institute MSI working papers are distributed for the benefit of MSI corporate and academic members and the general public. Reports are not to be reproduced or published in any form or by any means, electronic or mechanical, without written permission. Report Summary Although recent studies have shown strong effects of social media metrics on sales and business outcomes, it is unclear why and how these effects occur. In this study, Anatoli Colicev, Ashwin Malshe, Koen Pauwels, and Peter O’Connor propose and study a chain of effects from social media to shareholder value through consumer mindset metrics. They test their proposed paths in a unique data set that captures information on daily earned and owned media from social networking websites, consumer mindset metrics (salience, purchase intent, and advocacy), and stock market returns for 45 brands in 11 industries. They merge these data with data on advertising, firm size, and announcements of new products, dividends, earnings, and M&A to derive a final dataset. Findings Owned social media (i.e., brand posts, tweets, replies to users, and retweets) drive brand salience and advocacy but not purchase intent. Owned social media also drive earned social media brand community size and engagement (i.e., likes and “people talking about that,” user retweets, and YouTube video views), which both in turn drive salience and purchase intent. Only purchase intent leads to higher stock returns. Positive and negative comments on social media affect brand advocacy, and negative comments directly drive abnormal returns. Finally, new product announcements, rather than advertising, have a substantial impact on positive social media comments and on brand advocacy. These findings suggest that managers can use owned social media to positively shape conversations on earned social media. Quantifying the differential impacts of growing a brand’s community and improving social media engagement and valence should help managers to design more effective social media strategies. The findings also highlight the role of owned and earned social media in predicting consumer mindset metrics. Managers can use changes in owned and earned social media, which are available in very short time intervals, as proxies for mindset metrics, which are often measured less frequently due to costly sampling requirements. Finally, the study offers insights on the interdependence among social media, customer mindset, and firm performance metrics, and suggests how to elevate all three via the managerial levers of owned social media, new product announcements, and advertising. Anatoli Colicev is a doctoral candidate, Information Systems, Decision Sciences, and Statistics, and Ashwin Malshe is Assistant Professor, Marketing, both at ESSEC Business School, Paris- Singapore. Koen Pauwels is Professor, Marketing, Özyeğin University, İstanbul. Peter O’Connor is Professor, Information Systems, Decision Sciences, and Statistics, ESSEC Business School, Paris-Singapore. Marketing Science Institute Working Paper Series 1 Acknowledgments The authors thank seminar participants at 2015 Marketing Strategy Meets Wall Street Conference, Big Data Conference 2015, ESSEC Business School, Paul College (UNH), College of Business (UT San Antonio), and Özyeğin University for their comments and YouGov for providing BrandIndex data. Anatoli Colicev and Peter O’Connor acknowledge funding from ESSEC Research Center. Marketing Science Institute Working Paper Series 2 Introduction US companies now spend on average 10% of their marketing budgets on various types of social media (The CMO Survey 2015). Companies routinely invest in building their own digital assets with social media components, which are commonly known as “owned social media”. For example, most Fortune 500 companies have Twitter accounts (73%), Facebook fan pages (66%), and YouTube channels (62%; Heggestuen and Danova 2013). Companies may also derive social media exposure through user-generated brand mentions, comments, recommendations, etc. Such “earned social media” refer to the activities within the social media sphere that a company does not directly generate (Stephen and Galak 2012). Studies report that at least 42% of Facebook users have mentioned a brand in their status updates (Mazin 2011) and an estimated 19% of all the tweets by Twitter users are brand-related (Jansen et al. 2009). However, almost 87% of marketers are still not able to quantitatively measure the impact of social media on business performance (The CMO Survey 2015). With growing investments in social media, understanding whether and how social media may impact consumers and consequent shareholder value is essential for academicians and practitioners alike (Kumar 2015). To demonstrate the accountability of social media efforts, managers must show that social media lead to the creation of shareholder wealth (Rao and Bharadwaj 2008). Recent studies document a predictive relationship between earned social media and stock market metrics, such as firm value and firm risk (Luo, Zhang, and Duan 2013; Tirunillai and Tellis 2012), thereby making a case for monitoring earned social media. However, firms typically not only monitor but also engage in social media activities, such as creating, developing, and managing online content; facilitating consumer conversations; and influencing consumer mindset metrics (e.g. brand salience) (Peters et al. 2013). How owned and earned social media drive these mindset metrics, which in turn drive shareholder value, is not well understood (Srinivasan, Hsu, and Fournier 2012). Accordingly our research questions are: how do social media relate to key consumer mindset metrics, such as brand salience, purchase intent, and advocacy? Through which paths do specific social media components such as the volume and valence of earned media affect stock market performance? To address these questions, we propose and study the chain of effects from social media to shareholder value through consumer mindset metrics. Recent studies have shown strong effects Marketing Science Institute Working Paper Series 3 of social media metrics on sales (e.g. Stephen and Galak 2012), retail business outcomes (e.g. Hewett et al. 2015), and financial metrics (e.g. Tirunillai and Tellis 2012). However, it is unclear why and how these effects occur. For instance, Srinivasan, Rutz, and Pauwels (2015) speculate that a few dozen Facebook ‘Unfriends’ do not significantly decrease US-wide sales by themselves, but instead represent a broader customer issue. Likewise, Luo, Zhang, and Duan (2013) argue that investors react to earned social media because it offers unfiltered insights into what brand consumers are currently thinking and feeling, which should affect future consumer behavior. In this paper, we empirically show that social media impact shareholder value partially by influencing consumer mindset metrics. (Tables and figures follow References.) Table 1 compares our research with related current literature on six different aspects. Following Stephen and Galak (2012), we define OSM as brand-initiated, brand-related social media activities that are fully under the brand’s control. Similarly, we define ESM as brand- related social media activities which are initiated by external entities, such as consumers or journalists. We are among the first few to study the impact of earned social media and owned social media (henceforth ESM and OSM respectively) through consumer mindset metrics on shareholder value. Past studies do not capture such mechanism and relate social media directly to performance indicators such as reach (Schulze, Schöler, and Skiera 2014), sales (Stephen and Galak 2012), or shareholder value (Luo, Zhang, and Duan 2013; Tirunillai and Tellis 2012). Recently, Nam and Kannan (2014) proposed that the effect of social tags can affect financial markets via consumer perceptions (i.e., customer-based brand equity). However, they do not have a direct metric of consumer perceptions, and instead infer them from the social tags. In contrast, our causal chain captures both direct effects of social media on shareholder value and indirect effects through consumer mindset metrics. We include a wide array of metrics from social networking websites such as Facebook, Twitter, and YouTube. This contrasts to the most of the extant research, which uses a limited set of social media information such as Facebook posts (Goh, Heng, and Lin 2013), YouTube views (Yoganarasimhan 2012), Facebook likes and unlikes (Srinivasan, Rutz, and Pauwels 2015), blogs (Stephen and Galak 2012), apps (Schulze, Schöler, and Skiera 2014), online reviews Marketing Science Institute Working Paper Series 4 (Tirunillai and Tellis 2012), and social tags (Nam and Kannan 2014). We also distinguish between three dimensions of ESM based on the efforts required by social media participants: the Size of their brand community, the extent of their Engagement, and the Valence of their comments. Whereas joining a community by liking a Facebook page is a low effort ESM activity, engaging with brands by watching videos or retweeting brand
Recommended publications
  • Audio-Visual Genres and Polymediation in Successful Spanish Youtubers †,‡
    future internet Article Audio-Visual Genres and Polymediation in Successful Spanish YouTubers †,‡ Lorenzo J. Torres Hortelano Department of Sciences of Communication, Universidad Rey Juan Carlos, 28943 Fuenlabrada, Madrid, Spain; [email protected]; Tel.: +34-914888445 † This paper is dedicated to our colleague in INFOCENT, Javier López Villanueva, who died on 31 December 2018 during the finalization of this article, RIP. ‡ A short version of this article was presented as “Populism, Media, Politics, and Immigration in a Globalized World”, in Proceedings of the 13th Global Communication Association Conference Rey Juan Carlos University, Madrid, Spain, 17–19 May 2018. Received: 8 January 2019; Accepted: 2 February 2019; Published: 11 February 2019 Abstract: This paper is part of broader research entitled “Analysis of the YouTuber Phenomenon in Spain: An Exploration to Identify the Vectors of Change in the Audio-Visual Market”. My main objective was to determine the predominant audio-visual genres among the 10 most influential Spanish YouTubers in 2018. Using a quantitative extrapolation method, I extracted these data from SocialBlade, an independent website, whose main objective is to track YouTube statistics. Other secondary objectives in this research were to analyze: (1) Gender visualization, (2) the originality of these YouTube audio-visual genres with respect to others, and (3) to answer the question as to whether YouTube channels form a new audio-visual genre. I quantitatively analyzed these data to determine how these genres are influenced by the presence of polymediation as an integrated communicative environment working in relational terms with other media. My conclusion is that we can talk about a new audio-visual genre.
    [Show full text]
  • Pewdiepie, Popularity, and Profitability
    Pepperdine Journal of Communication Research Volume 8 Article 4 2020 The 3 P's: Pewdiepie, Popularity, and Profitability Lea Medina Pepperdine University, [email protected] Eric Reed Pepperdine University, [email protected] Cameron Davis Pepperdine University, [email protected] Follow this and additional works at: https://digitalcommons.pepperdine.edu/pjcr Part of the Communication Commons Recommended Citation Medina, Lea; Reed, Eric; and Davis, Cameron (2020) "The 3 P's: Pewdiepie, Popularity, and Profitability," Pepperdine Journal of Communication Research: Vol. 8 , Article 4. Available at: https://digitalcommons.pepperdine.edu/pjcr/vol8/iss1/4 This Article is brought to you for free and open access by the Communication at Pepperdine Digital Commons. It has been accepted for inclusion in Pepperdine Journal of Communication Research by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. 21 The 3 P’s: Pewdiepie, Popularity, & Popularity Lea Medina Written for COM 300: Media Research (Dr. Klive Oh) Introduction Channel is an online prole created on the Felix Arvid Ul Kjellberg—more website YouTube where users can upload their aectionately referred to as Pewdiepie—is original video content to the site. e factors statistically the most successful YouTuber, o his channel that will be explored are his with a net worth o over $15 million and over relationships with the viewers, his personality, 100 million subscribers. With a channel that relationship with his wife, and behavioral has uploaded over 4,000 videos, it becomes patterns. natural to uestion how one person can gain Horton and Wohl’s Parasocial such popularity and prot just by sitting in Interaction eory states that interacting front o a camera.
    [Show full text]
  • Youtube, Multichannel Networks and the Accelerated Evolution of the New Screen Ecology
    This may be the author’s version of a work that was submitted/accepted for publication in the following source: Cunningham, Stuart, Craig, David, & Silver, Jon (2016) YouTube, multichannel networks and the accelerated evolution of the new screen ecology. Convergence, 22(4), pp. 376-391. This file was downloaded from: https://eprints.qut.edu.au/98716/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1177/1354856516641620 YouTube, Multichannel Networks and the accelerated evolution of the new screen ecology The concept of ‘connected viewing’ encapsulates deep changes in consumer habit and expectation relating ‘to a larger trend across the media industries to integrate digital technology and socially networked communication with traditional screen media practices’ (Holt & Sanson, 2013: 1).
    [Show full text]
  • How's It Going Bros: Pewdiepie's Memeing in Tertiary Orality
    HOW’S IT GOING BROS: PEWDIEPIE’S MEMEING IN TERTIARY ORALITY by TRAVIS BROWN (Under the Direction of Shira Chess) ABSTRACT PewDiePie, the most subscribed YouTuber with 61 million subscribers, became a controversial figure in 2017 after cases of hate speech in his videos. While his hate speech has obvious room for exploration, it is impossible to examine his hate speech without first analyzing the creation of his memetic language within the broader digital culture in which he exists and how users within that digital culture adopt his language. This thesis explores the development of orality in digital culture, placing PewDiePie in the middle of the tertiary orality and meme culture. Upon analysis of PewDiePie’s videos and the language adopted by his audience, I conclude PewDiePie’s intent for his speech does not matter, as propagators of hate speech interpellated that they are the subject of his speech. INDEX WORDS: orality; tertiary orality; digital culture; participatory culture; memetics; internet memes; ambivalent internet; interpellation; YouTube; PewDiePie HOW’S IT GOING BROS: PEWDIEPIE’S MEMEING IN TERTIARY ORALITY by TRAVIS BROWN A.B.J., The University of Georgia, 2016 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2018 © 2018 Travis Brown All Rights Reserved HOW’S IT GOING BROS: PEWDIEPIE’S MEMEING IN TERTIARY ORALITY by TRAVIS BROWN Major Professor: Shira Chess Committee: Itai Himelboim Jay Hamilton Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2018 DEDICATION To Mom, for instilling in me my love for learning; And Elizabeth, for keeping me sane while I do so.
    [Show full text]
  • View Publication
    Social Media in Asia Co-editors: Cui Litang Xiamen University, Tan Kha Kee College Michael H. Prosser University of Virginia and Shanghai International Studies University Dignity Press World Dignity University Press Copyright © 2014 Michael H. Prosser, except for the parts indicated otherwise. Tis work is licensed under the Creative Commons Attribution-Share-Alike 3.0 Unported License. Please note: Tis license allows free use of the material with the restrictions that authors and editors have to be mentioned as the originators and that works making use of it have to stay open under the same license. For details see: http://creativecommons .org/licenses/by-sa/3.0/. Published by Dignity Press 16 Northview Court Lake Oswego, OR 97035, USA www.dignitypress.org Book design by Uli Spalthof Front cover map from http://commons.wikimedia.org/wiki/File:Map_of_Asia.svg by Cacahuate. Printed on paper from environmentally managed forestry: http://www.lightningsource.com/chainofcustody Book website: www.dignitypress.org/social-media-in-asia ISBN 978-1-937570-36-1 Also available as EPUB: ISBN 978-1-937570-43-9 and Kindle eBook: ISBN 978-1-937570-44-6 589 XVIII. Australian Social Media Trends John Harrison School of Journalism and Communication, The University of Queensland, Brisbane, Australia [email protected] Sean Rintel School of Journalism and Communication, The University of Queensland, Brisbane, Australia [email protected] Elizabeth Mitchell School of Journalism and Communication, The University of Queensland, Brisbane, Australia Corresponding author: [email protected] Abstract Te vast distances Australians must negotiate to connect their small, highly urbanized population both nationally and internationally have long created the incentive for invention, innovation and the early adoption of communication technologies.
    [Show full text]
  • Subscription-Based Crowdfunding: an Emerging Alternative Crowdfunding Model for Content Creators
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at Waseda University <MBA Degree Thesis> AY 2018 SUBSCRIPTION-BASED CROWDFUNDING: AN EMERGING ALTERNATIVE CROWDFUNDING MODEL FOR CONTENT CREATORS 57160512-0 NG RUEY AUN MARKETING STRATEGY C.E. PROF. NAGAI, TAKESHI D.E. PROF. MANO, YOSHIKI D.E. PROF. KIM, PILJOONG Summary This master thesis is a study of the burgeoning subscription-based crowdfunding model. Currently, this model of crowdfunding had been relegated as a subcategory of reward-based crowdfunding. However, one of the main purposes of this paper is to propose that subscription-based crowdfunding is functionally different from reward-based crowdfunding and thus deserving its own categorization alongside other community crowdfunding (reward-based crowdfunding and donation crowdfunding). The other purpose of this paper is to study the circumstances which fostered the growth of subscription-based crowdfunding. Unlike reward-based crowdfunding where backers contribute to fundraisers in a singular transaction, subscription-based crowdfunding allows backers (Patrons) to contribute to fundraisers (Creator) in an ongoing basis. This slight change in mechanism fundamentally changed the function of subscription-based crowdfunding and sets this model apart from the others. This form of crowdfunding is also based on the traditional pay membership or subscription services such as newspapers and magazines. However, by combining traditional subscription payment with the crowdfunding model, it became something more than a simple subscription service. The current online media was powered financially by advertising. Due to the abundance of information on the internet, advertisers were able to attain higher negotiation power.
    [Show full text]
  • 4 1 100K 1.3M
    Social Blade believes that the keys to growing a successful online presence are data, support, and community. SOCIAL BLADE Social Blade was founded in 2008. We began tracking YouTube statistics in 2010, Social Blade is an online analytics 2008 Twitch statistics in 2013, and company that provides and interprets Instagram statistics in 2014 data about YouTube, Twitch, and Instagram. Social Blade tracks over 4M 4,000,000 YouTube Socialblade provides the support and channels and counting. community to turn that data into usable information to successfully grow an Social Blade tracks over online presence. 1M 1,000,000 Twitch Channels. SUPPORT Social Blade just began Social Blade provides support free of charge. tracking Instagram Statistics We accept and answer support tickets about 100K in 2014, and already tracks more than just Social Blade; if you have a 100,000 channels! YouTube question, we’re happy to help! We have a team of experts ready to help you Socialblade.com receives with any questions or issues that may rise! over 1,300,000 unique 1.3M visitors each month. The value of having numbers - data - is that they aren’t subject to someone else’s interpretation. [ They are just numbers. You can decide what they mean for you. - Emily Oster ] DATA COMMUNITY Social Blade tracks statistics for Social Blade believes that the best way YouTube, Twitch, and Instagram that to learn and grow is through can be used to help grow your channel. collaborations with other YouTubers. The data can tell you how your actions We provide opportunities for aect your views and subscribers.
    [Show full text]
  • The Relationship of Comment Sentiment and Subscriber Growth Rate
    Volume 10 Issue 2 (2021) AP Research August Gaming Sentiment: The Relationship of Comment Sentiment and Subscriber Growth Rate Anirudh Danda1 and Patricia Talarczyk1# 1Mentor High School, Mentor, OH, USA #Advisor ABSTRACT The following research paper explores the potential relationship between comment sentiment and subscriber growth rate on YouTube gaming channels. This study aims to discover if the effect that YouTube comments have on users’ perceptiveness of video content extends to their decision in subscribing to those channels. A sentiment analysis was utilized using Python programming in order to derive the data from various YouTube comment sections. This was compared with the monthly subscriber growth of each channel studied. Results indicate that there is no correlation between comment sentiment and subscriber growth rate for YouTube gaming channels. This implies that gaming content creators should not be wary of the positive or negative comments within their video comment threads and should focus on other areas to grow their channel. However, further research is required in order to verify the results of this study. Introduction YouTube is one of the most famous video sharing platforms of this era. With over two billion active users, the website has managed to captivate one-third of the entire Internet with its content (YouTube, 2020). This immense audience has attracted even more content creators who hope to make a name for themselves. Not only do those successful on YouTube gain fame, they also gain careers. Taking advantage of its enormous user base, YouTube exposes users to ads on content creators’ videos. While the company does still take a portion of the money paid by advertisers, content creators can still make money off of these ads.
    [Show full text]
  • Youtube Channel “Kokbisa” As Platform for Science and Environmental Communication
    Youtube Channel “Kokbisa” As Platform for Science and Environmental Communication Detta Rahmawan1, Jimi N Mahameruaji2 , Renata Anisa3 Padjadjaran University, Bandung, Indonesia1,2,3 {[email protected]} Abstract. It has been suggested that on the Internet, and especially on social media like YouTube, negative contents are more popular than positive contents. YoutTube, for many young people in Indonesia, is used primarily for sources of entertainment instead of educational information. Drawn from our study on Indonesian YouTube business with a focus on one particular YouTube Channel “KokBisa” (youtube.com/kokbisa) and their community, we explore the opportunities and challenges for YouTube to be used as an educational platform for science and environmental communication. This article argues that there is a common agreement that positive content on YouTube (one of which talks about science and environmental issues) needs to be multiplied since there are very limited Indonesian YouTubers who focused on educational content. However, there are also challenges related to the development of such educational channel and community, particularly in terms of lack of exposure and also the sustainability factors, e.g. resources and channel monetization. YouTube-related research in Indonesia is currently emerging yet only a few focused on its potential as platforms for educational purpose, therefore it is hoped that this research can expand the discourse on YouTube in Indonesia Keywords: Youtube, Channel, Educational 1. Introduction Social media gave birth to various ways of diffusion of information. On the other hand, social media also spawned a variety of content with negative impacts. Such as how Facebook, Twitter, and Instagram affecting our level of stress and anxiety, mood, sleep patterns, self- esteem, etc.
    [Show full text]
  • Youtube Influencers: Are There Too Many Commentary and Reaction Stars in the Spotlight?
    Elizabethtown College JayScholar Communications: Student Scholarship & Communications: Student Scholarship & Creative Works Creative Works Spring 2021 YouTube Influencers: Are There Too Many Commentary and Reaction Stars in the Spotlight? Emma Knight Follow this and additional works at: https://jayscholar.etown.edu/commstu Part of the Social Media Commons 1 YouTube Influencers: Are There Too Many Commentary and Reaction Stars in the Spotlight? By Emma Knight This thesis is submitted in partial fulfillment of the requirements for Honors in the Discipline in Communications and the Elizabethtown College Honors Program May 3, 2021 Thesis Director (signature required)________________________ Department Chair (signature required)___ Second Reader__Erica M. Dolson_________________________________ Third Reader__________________________________________ [only if applicable such as with interdisciplinary theses] 2 Honors Senior Thesis Release Agreement Form The High Library supports the preservation and dissemination of all papers and projects completed as part of the requirements for the Elizabethtown College Honors Program (Honors Senior Thesis). Your signature on the following form confirms your authorship of this work and your permission for the High Library to make this work available. By agreeing to make it available, you are also agreeing to have this work included in the institutional repository, JayScholar. If you partnered with others in the creation of this work, your signature also confirms that you have obtained their permission to make
    [Show full text]
  • How Do Social Media Entrepreneurs Monetize Youtube? a Multiple Case-Study on Eight Youtube Channels, Analyzing the Various Monetization Strategies Available
    How do Social Media Entrepreneurs Monetize YouTube? A multiple case-study on eight YouTube channels, analyzing the various monetization strategies available. Bachelor Thesis within: Business Administration Number of Credits: 15 credits Program of Study: International Management Author: Artemis Katsimente & Ida-Maja Eldås Group Number: 52 Tutor: Thomas Cyron Examiner: Anders Melander Jönköping: 18th May 2020 2 Acknowledgments Hello everyone, welcome back to our YouTube channel We would like to give some special accreditation to individuals who supported and assisted us while conducting our thesis. Most importantly, we would like to thank each other for all the love and support given to each other during this period. We hope to continue our research on social media in the future. We would also give our gratitude to our fantastic tutor Thomas Cyron for showing immense interest in our research question and who triggered us to be the best version of ourselves. We, more than anything, want to thank our fellow graduating peers for giving excellent feedback and elevating our thesis to the next level. Moreover, the support received in our seminars by our opposing group is worth acknowledging as it made us confident in our results. Please smash the like button and subscribe to our channel for more content. 2 3 Abstract Background: Regarding previous literature, there has been much focus on Social Media in recent years. Researchers have elaborated on how social media platforms are tools for big companies or SMEs in terms of marketing and networking. Moreover, research shows how individuals can use social media as an entrepreneurial platform. The monetary success of individuals on online platforms has created a new generation of entrepreneurs.
    [Show full text]
  • The Hogwarts Express Is Cancelled. Exploration in Cancel Culture, JK
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 4-16-2021 Attention Platform 9¾: The Hogwarts Express is Cancelled. Exploration in Cancel Culture, J.K. Rowling, and Beyond Mallory Whitson Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the Social Media Commons Attention Platform 9 ¾: The Hogwarts Express is Cancelled. Explorations in Cancel Culture, J.K. Rowling, and Beyond “The spirit of cancel culture—holding people accountable for their actions—is lost when being cancelled means there is no opportunity for change nor space for growth. The practice is becoming more like activism as entertainment: where people join in because they find it fun, rather than because they believe it to be a worthy cause.” — Alison Joubert Mallory E. Whitson Whitson 2 Trigger Warning: The following paper discusses themes that include transphobia, homophobia, racism, domestic violence, sexual assault, offensive and mature language. Introduction What is Cancel Culture? In the past decade, the general public’s understanding of social media justice via the media has drastically changed the environment of the public sphere. This policing via the internet is known as ‘cancel culture’. The ideology behind cancel culture is nothing new, but the moniker of cancel culture only entered public consciousness around 2017 (Greenspan). At this time, the #MeToo movement was taking Hollywood circles by storm, calling out several celebrities for deplorable behavior against women in the industry. #MeToo is a social movement against the sexual harassment or abuse of women which was brought to widespread public awareness after allegations of sex crimes within Hollywood in 2017.
    [Show full text]