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Vital Series, Mallets
USER MANUAL Produced by Vir2 Instruments 00 Vir2 Instruments is an international team of sound designers, musicians, and programmers who specialize in creating the world’s most advanced virtual instrument libraries. Vir2 is producing the instruments that shape the sound of modern music. 29033 Avenue Sherman, Suite 201 Valencia, CA 91355 Phone:661.295.0761 Web:www.vir2.com 00 MALLETS/ TABLE OF CONTENTS CHAPTER 01: INTRODUCTION TO THE LIBRARY 01 INTRODUCTION TO THE LIBRARY TABLE OF CONTENTS TABLE CHAPTER 02: REQUIREMENTS AND INSTALLATION 02 SYSTEM REQUIREMENTS INSTALLING IN KONTAKT INSTALLING IN KOMPLETE KONTROL & MASCHINE AUTHORIZING UPDATING CHAPTER 03: USING KONTAKT 05 HOW TO ACCESS THE MALLETS LIBRARY FROM KONTAKT USING KONTAKT IN STANDALONE MODE USING KONTAKT WITH YOUR D.A.W. USING KONTAKT WITH ANOTHER HOST CHAPTER 04: GETTING STARTED WITH MALLETS 09 MALLETS OVERVIEW INSTRUMENT CONTROLS INSTRUMENTS TURNED ON VS INSTRUMENTS TURNED OFF GLOBAL FILTER TUNE ROLLS LFO CONTROLS EFFECTS TECHNICAL SUPPORT, ETC. 13 TECH SUPPORT FULL VERSION OF KONTAKT 5 LICENSE AGREEMENT CREDITS 14 CREDITS CHAPTER 01 01 02 MALLETS/ INTRODUCTION TO THE LIBRARY Thank you for purchasing Mallets. / INTRODUCTION TO THE LIBRARY / INTRODUCTION TO Vir2 Instruments is proud to present the first instrument in our Vital Series, Mallets. Mallets brings users a collection of highly detailed, mallet-based instruments, and places them all in an intuitive instrument for the Kontakt CHAPTER 01 Player. Offering multiple mallet types for the Marimba, Xylophone, Glockenspiel, Tubular Bells, Glass Marimba, Song Bells, Vibraphone, and Crotales, Mallets is extremely versatile. Furthermore, each of the aforementioned instruments are available within one single instance of the instrument, allowing for the layering of each instrument for the exploration of endless tonal color. -
Selective Analysis of 20Th Century Contemporary Percussion Ensembles Designated for Three Or More Players
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1968 Selective analysis of 20th century contemporary percussion ensembles designated for three or more players Raymond Francis Lindsey The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lindsey, Raymond Francis, "Selective analysis of 20th century contemporary percussion ensembles designated for three or more players" (1968). Graduate Student Theses, Dissertations, & Professional Papers. 3513. https://scholarworks.umt.edu/etd/3513 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A SELECTIVE ANALYSIS OF 2 0 ^ CENTURY CONTEMPORARY PERCUSSION ENSEMBLES DESIGNATED FOR THREE OR MORE PLAYERS by Raymond Francis Lindsey B.M* University of Montana 1965 Presented in partial fulfillment of the requirements for the degree of Master of Music University of Montana 1968 Approved by; L L u ' ! JP. 4 . Chairman, Board of Exami4/ers Deah/, Graduate School 1 :: iosa Date UMI Number: EP35093 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. -
O Du Mein Österreich: Patriotic Music and Multinational Identity in The
O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 ABSTRACT O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 Copyright by Jason Stephen Heilman 2009 Abstract As a multinational state with a population that spoke eleven different languages, the Austro-Hungarian Empire was considered an anachronism during the age of heightened nationalism leading up to the First World War. This situation has made the search for a single Austro-Hungarian identity so difficult that many historians have declared it impossible. Yet the Dual Monarchy possessed one potentially unifying cultural aspect that has long been critically neglected: the extensive repertoire of marches and patriotic music performed by the military bands of the Imperial and Royal Austro- Hungarian Army. This Militärmusik actively blended idioms representing the various nationalist musics from around the empire in an attempt to reflect and even celebrate its multinational makeup. -
Beneath a Canvas of Green a Conductor's Analysis and Comprehensive Survey of Related Works for Percussion Ensemble and Winds B
i BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS BY TONYA PATRICE MITCHELL Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ____________________________________ Chairperson Paul W. Popiel ____________________________________ Matthew O. Smith ____________________________________ Sharon Toulouse ____________________________________ Forest Pierce ____________________________________ Martin Bergee Date Defended: April 18, 2018 ii The Lecture Recital Committee for TONYA P. MITCHELL certifies that this is the approved version of the following document: BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS ____________________________________ Chairperson Paul W. Popiel Date Approved: April 18, 2018 iii ABSTRACT This document functions as an examination of Aaron Perrine’s (1979) Beneath a Canvas of Green (2018), a work for percussion ensemble and wind band. Included in this paper are sections outlining the composer’s background, the conception and commissioning process of the piece, a conductor’s analysis, rehearsal considerations, final thoughts regarding the necessity of new commissions and their impact on the development of band repertoire, as well as a historical overview of the percussion ensemble and list of similar works for this medium. iv ACKNOWLEDGEMENTS I would like to thank Aaron Perrine for collaborating with me on the production of this beautiful composition. I’d also like to thank Michael Compitello for assisting with the percussion design and set-up. I thank the members of the University of Kansas Wind Ensemble for enacting our vision. -
I • George of Thompsontheatre Organ
. ~ ', Editor i • George of ThompsonTheatre Organ WORK OF A GENIUS IN A NOVEL FIELD trade as the "straw fiddle" - drew Dea How John C. Deagan has labored to standardize pitch and to amplify the gan's attention. Recognizing its possi resources of the organ. bilities as an orchestra and stage instru Based on original material dated August 1, 1926, and supplied to THEATRE ment he made several trips to Africa and ORGAN by Bill Lamb, Apollo Theatre, Princeton, Illinois. other tropical countries and tested var ious woods until he obtained a tone Working quietly from year to year in Experiments carried on during his quality more to his liking. This he found his large factory on the north side of Chi leisure hours aroused his interest in the in a hard tropical wood, accoustically cago or in his laboratory in California, glockenspiel - a series of toy bells intro brilliant, clear, durable and musical be where he spends the winter months, is a duced in German orchestras by Mozart. yond anything attainable in the product man who has made most valuable con He realized the need for additional tone of our forests. To augment the volume tributions to the world of organ music in color and innovation in ensemble play and amplify the quality he began exper his own field. He has devoted his life to ing. With the ordinary small tools at imenting, using resonators, an innova the invention and perfection of chimes, hand and but an imperfect knowledge of tion not theretofore attempted. And here harps and other percussion stops, fea this forerunner of the line of percussions his knowledge of physics and his study tures without which no American organ that later heralded the Deagan name he of tone development came to his aid. -
Developing Musical Understanding and Responsiveness in the Elementary Music Program Through the Playing of Classroom Instruments
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 1-1-1964 Developing Musical Understanding and Responsiveness in the Elementary Music Program Through the Playing of Classroom Instruments Joy M. Phillips Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Phillips, Joy M., "Developing Musical Understanding and Responsiveness in the Elementary Music Program Through the Playing of Classroom Instruments" (1964). Plan B Papers. 300. https://thekeep.eiu.edu/plan_b/300 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. DEVELOPING MUSICAL UNDERSTANDING AND THROUGH THE PLAYING OF CLASSROOM INSTRUMENTS (TITLE) BY Joy x. Phillips PLAN B PAPER ; SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF SCIENCE IN EDUCATION AND PREPARED IN COURSE JlUSIC 560 IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY, CHARLESTON, ILLINOIS 1964 YEAR I HEREBY RECOMMEND THIS PLAN B PAPER BE ACCEPTED AS FULFILLING THIS PART OF THE DEGREE, M.S. IN ED. e._JltrEl . H·~nt1 TABLE OF CONTENTS INTRODUCTION ••••••••••••••••••••••••••••••••••••••••••••••• 1. INSTRU}IENTS IN THE LOWER GRADES•••••••••••••••••••••••••••• 2. Rhythm Instruments ••••••••••••••••••••••••••••••••••••• 3. Objectives for using rhythm instruments •••••••••••• 3. Classification of rhythm instruments ••••••••••••••• 4. Values of using rhythm instruments ••••••••••••••••• 6. Basic rhythm instruments ••••••••••••••••••••••••••• 10. Instruments of Definite Pitch••••••••••••••••••••••••• 22. Objectives for using instruments of definite pitch 22. Classifications of instruments of definite pitch •• 23. Explanation of instruments of definite pitch •••••• 24. Instruments of the Accompaniment Type ••••••••••••••••• 31. -
SACO Participants' Manual
SACO Participants' Manual Adam L. Schiff University of Washington Libraries for the Program for Cooperative Cataloging Second Edition revised by the PCC Standing Committee on Training Task Group to Update the SACO Participants’ Manual (with minor revisions, February 28, 2019) Program for Cooperative Cataloging Washington, D.C. 2007 PCC Standing Committee on Training Task Group to Update the SACO Participants’ Manual Adam L. Schiff (Chair), University of Washington Karen Jensen, McGill University John N. Mitchell, Library of Congress Kay Teel, Stanford University Alex Thurman, Columbia University Melanie Wacker, Columbia University Table of Contents Acknowledgments for the Second Edition v Acknowledgments for the First Edition vi Introduction 1 Why Participate in SACO? 4 SACO Documentation 6 Practicalities 7 Subject Headings 13 When to Make a SACO Proposal 14 Authority Research for Subjects 16 Subject Authority Proposal Form 18 Guidelines for Formulating LC Subject Heading Proposals 20 Examples of Decisions Involved in Making New Subject Proposals 23 Examples A-D: Headings Supplying More Appropriate Level of Specificity 25 Log-periodic antennas 25 Systems librarians 26 Cataloging of cartographic materials 27 Chinese mitten crab 29 Examples E-J: Headings for Genres and Forms 31 Medical drama 31 Romantic comedy films 33 Reggaetón 35 Khim and Khim music 37 Banjo and double bass music 39 Cootie catchers 40 Examples K-L: Headings Based on an Existing Pattern 42 This (The English word) 42 Historical fiction, Chilean 43 Examples M-S: Headings for Geographic Places 44 Madhupur Jungle (Bangladesh) 44 Aleknagik, Lake (Alaska) 46 Auyuittuq National Park (Nunavut) 48 Fort Worden State Park (Port Townsend, Wash.) 50 Chiles Volcano (Colombia and Ecuador) 51 Lusatian Mountains 54 Spring Lake (Hays County, Tex.) 56 Bluewater Lake (Minn.) 59 Cavanaugh, Lake (Wash. -
View of Related Literature
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright m aterial had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one e^osure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm shde or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an addition^ charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor. -
Tradition and Innovation in Brazilian Popular Music: Keyboard Percussion Instruments in Choro
Tradition and Innovation in Brazilian Popular Music: Keyboard Percussion Instruments in Choro by Mark James Duggan A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Mark James Duggan 2011 Tradition and Innovation in Brazilian Popular Music: Keyboard Percussion Instruments in Choro Mark James Duggan Doctor of Musical Arts Faculty of Music University of Toronto 2011 Abstract The use of keyboard percussion instruments in choro, one of the earliest forms of Brazilian popular music, is a relatively recent phenomenon and its expansion into university music programs and relocation from small clubs and private homes to concert halls has changed the way that choro is learned and performed. For many Brazilians, this kind of innovation in a “traditional” genre represents a challenge to their notion of a Brazilian cultural identity. This study examines the dynamic relationship that Brazilians have with representations of their culture, especially in the area of popular music, through an in depth discussion of the use of keyboard percussion instruments within the genre of choro. I discuss the implications of using keyboard percussion in choro with a detailed description of its contemporary practice and a critical examination of the sociological and academic issues that surround choro historically and as practiced today. This includes an historical overview of choro and organology of keyboard percussion instruments in Brazil. I discuss multiple perspectives on the genre including a ii consideration of choro as part of the “world music” movement and choro’s ambiguous relationship to jazz. Through an examination of the typical instrumentation and performance conventions used in choro, I address the meanings and implications of the adaptation of those practices and of the various instrumental roles found in choro to keyboard percussion instruments. -
9783110557176.Pdf
Framing Intellectual and Lived Spaces in Early South Asia Beyond Boundaries Religion, Region, Language and the State Edited by Michael Willis, Sam van Schaik and Lewis Doney Volume 2 Framing Intellectual and Lived Spaces in Early South Asia Sources and Boundaries Edited by Lucas den Boer and Elizabeth A. Cecil Published with support of the European Research Council Beyond Boundaries: Religion, Region, Language and the State (Project No. 609823) The book is published with open access at www.degruyter.com. ISBN 978-3-11-055316-1 e-ISBN (PDF) 978-3-11-055717-6 e-ISBN (EPUB) 978-3-11-055645-2 ISSN 2510-4446 DOI https://doi.org/10.1515/9783110557176 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020939301 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Lucas den Boer and Elizabeth A. Cecil; published by Walter de Gruyter GmbH, Berlin/Boston. Cover image: “Lintel,” circa 475 CE, in Sānāh, Uttar Pradesh, India. Photograph by Michael Willis. Used with permission. Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Preface The articles collected in this volume were presented at the 7th Annual Asian Studies Symposium, held in September 2016 at Leiden University. This confer- ence brought together young scholars interested in developing new and inte- grative approaches to the study of primary historical sources from South Asia. -
Percussion Ensembles
PERCUSSION ENSEMBLES Event Number: 78 Percussion Ensembles Number in parentheses following the composition indicates the number of performers required for the ensemble. Maximum number of players in an ensemble is 20. The doubling of parts is not permitted except for mallets and should be done keeping overall balance in mind. Instrumentation has been provided for all ensembles. Mallet parts are listed accord- ing to the following codes: 1st Digit= Bells, 2nd Digit= Xylophone, 3rd Digit=Vibes, 4th Digit=Marimba, 5th Digit=Bass Marimba, 6th Digit=Chimes. So an ensemble with Bells, 2 Xylophones, Vibraphone, and chimes would have the code: 1-2-1-0-0-1. Bass Marimba parts may be played up an octave when necessary due to instrument limitations. CLASS A Code Composer Composition Publisher Catalog Collection Mvts Cuts Instru. 78.1A62 Alfieri Fanfare for Tambourines (6) PLYPER E-132 Single NA None 6 Tambourines, 2 tom toms, bass dr 78.1A63 Beck In the Pocket (4) KENDOR 19857 Single NA None 4 Drum Sets (snare dr, bass dr, splash cym snare dr sticks & brushes) 78.1A6 Beck Jazz Variants (8) BOSTON 13773 Single NA No Repeats 1-0-1-1-0-1, bell tree, guiro, tri, bongo, susp. cym, cowbell, bass dr, tamb, conga dr, 4 roto toms, 4 timpani, set, susp. cym, cowbell, bass dr, tamb, conga dr, 4 roto toms, 4 timpani, set, 78.1A7 Beck Overture for Percussion (8) KENDOR 20140 Single NA None 1-1-1-1-0-1, susp cym, gong, roto toms, snare dr, tenor dr, timpani 78.1A10 Benson Trio for Percussion (3) PLYPER 55-73045 Single Any two movements None 3 Toms, triangle, wood blk, susp. -
Susanna Burghartz, Madeleine Herren, Hans
GLOBAL EUROPE Basel Papers on Europe in a Global Perspective No. 120 Susanna Burghartz, Madeleine Herren, Hans Bjarne Thomsen Forgotten Icons of Global Transition: Erasmus of Rotterdam and the Buddhist Bell Trade “Global Europe – Basel Papers on Europe in a Global Perspective” is an academic e-journal showcasing the excellent research of graduates as well as other young and senior scholars interested in analyzing Europe and the EU in a global con- text. The journal is published in two issues per year by the Institute for European Global Studies at the University of Basel. It is available via the websites www.europa.unibas.ch/en/global-europe and https://eterna.unibas.ch/index.php/global_europe. In addition, readers can subscribe to it by sending an e-mail to [email protected]. The Institute for European Global Studies is an interdisciplinary research institute of the University of Basel. It con- ducts research on the development of Europe in a global context. The Study Program offers the Bologna-style Master of Arts (MA) in European Global Studies. The Institute for European Global Studies was established in 1992 and is funded by the University of Basel. It is supported by personalities from the fields of economy, politics, and culture. Director of the Institute for European Global Studies is the historian Prof. Madeleine Herren-Oesch. Publisher Prof. Dr. Madeleine Herren, Director Lisa-Marie Zoller-Blundell, Editor Europainstitut der Universität Basel | Institute for European Global Studies Riehenstrasse 154, CH-4058 Basel www.europa.unibas.ch ISBN-13: 978-3-905751-45-1 ISBN-10: 3-905751-45-3 ISSN: 2571-8118 © 2021, CC BY-SA Cover Pictures: Katekisama-Statue: Erasmus, Collection of Ryūkōin Temple, Tokyo National Museum, TNM Image Archives.