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Traditional Song
3 TraditionalSong l3-9 Traditional Song Week realizes a dream of a comprehensive program completely devoted to traditional styles of singing. Unlike programs where singing takes a back seat to the instrumentalists, it is the entire focus of this week, which aims to help restore the power of songs within the larger traditional music scene. Here, finally, is a place where you can develop and grow in confidence about your singing, and have lots of fun with other folks devoted to their own song journeys. Come gather with us to explore various traditional song genres under the guidance of experienced, top-notch instructors. When singers gather together, magical moments are bound to happen! For Traditional Song Week’s ninth year and our celebration of The Swannanoa Gathering’s 25th Anniversary, we are proud to present a gathering of highly influential singers and musicians who have remained devoted over the years to preserving and promoting traditional song. Tuesday evening will be our big Hoedown for a Traditional Country, Honk-Tonk, Western Swing Song and Dance Night. Imagine singing to a house band of Josh Goforth, Robin and Linda Williams and Ranger Doug or Tim May, Tim O’Brien, and Mark Weems! So, bring your boots and hats, your voices and instruments, and get ready to bring on the fun! Our Community Gathering Time each day just after lunch affords us the opportunity to experience together, as one group, diverse topics concerning our shared love of traditional song. This year’s spotlight will feature folks who have been “on the road” and singing for quite a while. -
Vol. 22, No. 2 February 2018 You Can’T Buy It
ABSOLUTELY FREE Vol. 22, No. 2 February 2018 You Can’t Buy It Artwork is by Betsy Jones McDonald which is part of the exhibit, Everchanging Tides, on view at the Charleston Artist Guild Gallery in Charleston, SC, from February 1 - 28, 2018. See the article on page 6. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Charleston Artist Guild Gallery - Betsy Jones McDonald Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - Nance Lee Sneddon Page 4 - Editorial Commentary Page 5 - The Wells Gallery at the Sanctuary, Fabulon Art & Halsey-McCallum Studios Page 5 - City Gallery at Waterfront Park Page 6 - Charleston Artist Guild, City of North Charleston & Robert Lange Studios Page 6 - Karen Burnette Garner & Whimsy Joy by Roz Page 8 - Ella Walton Richardson Fine Art & Helena Fox Fine Art Page 7 - Call for Lowcountry Ceramic Artists, Rhett Thurman, Anglin Smith Fine Art, DONALD WEBER Page 9 - Helena Fox Fine Art cont., Society of Bluffton Artists & Coastal Discovery Museum Helena Fox Fine Art, Spencer Art Galleries, The Wells Gallery at the Sanctuary, Page 10 - Art League of Hilton Head, Lander University and Main & Maxwell Corrigan Gallery & Saul Alexander Foundation Gallery Page 13 - Metropolitan Arts Council Page 14 - West Main Artists Co-op x 2 Page 8 - Emerge SC & James Smith for Governor “CHARLESTON” Page 16 - West Main Artists Co-op cont. -
Boston Symphony Orchestra
Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New -
Interim Report 2010 02
Contents Page Corporate Information 02 Operational Highlights 03 Condensed Consolidated Income Statement 04 Condensed Consolidated Statement of Comprehensive Income 05 Condensed Consolidated Statement of Financial Position 06 Condensed Consolidated Statement of Changes in Equity 08 Condensed Consolidated Statement of Cash Flows 09 Notes to the Condensed Consolidated Financial Statements 10 Independent Review Report 39 Management Discussion and Analysis 41 Disclosure of Interests 49 Disclosure under Rules 13.20 and 13.22 of the Listing Rules 52 Purchase, Sale or Redemption of the Company’s Listed Securities 53 Compliance with Code on Corporate Governance Practices 53 Compliance with Model Code for Securities Transactions by Directors 53 Information in Respect of Directors 53 Audit Committee 54 Review of Interim Results 54 Success Universe Group Limited Interim Report 2010 02 CORPORATE INFORMATION Directors Legal Advisers on Executive Directors Bermuda Laws Mr. Yeung Hoi Sing, Sonny (Chairman) Conyers Dill & Pearman Dr. Ma Ho Man, Hoffman (Deputy Chairman) Principal Bankers Chong Hing Bank Limited Non-executive Director Fubon Bank (Hong Kong) Limited Mr. Choi Kin Pui, Russelle The Bank of East Asia, Limited The Hongkong and Shanghai Banking Independent Non-executive Corporation Limited Directors Mr. Luk Ka Yee, Patrick Principal Share Registrar and Mr. Yim Kai Pung Transfer Agent in Bermuda Ms. Yeung Mo Sheung, Ann Butterfield Fulcrum Group (Bermuda) Limited Company Secretary Rosebank Centre 11 Bermudiana Road Ms. Chiu Nam Ying, Agnes Pembroke, HM 08 Bermuda Financial Controller Mr. Wong Chi Keung, Alvin Branch Share Registrar and Transfer Office in Hong Kong Authorised Representatives Tricor Tengis Limited Dr. Ma Ho Man, Hoffman 26th Floor Ms. -
Vital Series, Mallets
USER MANUAL Produced by Vir2 Instruments 00 Vir2 Instruments is an international team of sound designers, musicians, and programmers who specialize in creating the world’s most advanced virtual instrument libraries. Vir2 is producing the instruments that shape the sound of modern music. 29033 Avenue Sherman, Suite 201 Valencia, CA 91355 Phone:661.295.0761 Web:www.vir2.com 00 MALLETS/ TABLE OF CONTENTS CHAPTER 01: INTRODUCTION TO THE LIBRARY 01 INTRODUCTION TO THE LIBRARY TABLE OF CONTENTS TABLE CHAPTER 02: REQUIREMENTS AND INSTALLATION 02 SYSTEM REQUIREMENTS INSTALLING IN KONTAKT INSTALLING IN KOMPLETE KONTROL & MASCHINE AUTHORIZING UPDATING CHAPTER 03: USING KONTAKT 05 HOW TO ACCESS THE MALLETS LIBRARY FROM KONTAKT USING KONTAKT IN STANDALONE MODE USING KONTAKT WITH YOUR D.A.W. USING KONTAKT WITH ANOTHER HOST CHAPTER 04: GETTING STARTED WITH MALLETS 09 MALLETS OVERVIEW INSTRUMENT CONTROLS INSTRUMENTS TURNED ON VS INSTRUMENTS TURNED OFF GLOBAL FILTER TUNE ROLLS LFO CONTROLS EFFECTS TECHNICAL SUPPORT, ETC. 13 TECH SUPPORT FULL VERSION OF KONTAKT 5 LICENSE AGREEMENT CREDITS 14 CREDITS CHAPTER 01 01 02 MALLETS/ INTRODUCTION TO THE LIBRARY Thank you for purchasing Mallets. / INTRODUCTION TO THE LIBRARY / INTRODUCTION TO Vir2 Instruments is proud to present the first instrument in our Vital Series, Mallets. Mallets brings users a collection of highly detailed, mallet-based instruments, and places them all in an intuitive instrument for the Kontakt CHAPTER 01 Player. Offering multiple mallet types for the Marimba, Xylophone, Glockenspiel, Tubular Bells, Glass Marimba, Song Bells, Vibraphone, and Crotales, Mallets is extremely versatile. Furthermore, each of the aforementioned instruments are available within one single instance of the instrument, allowing for the layering of each instrument for the exploration of endless tonal color. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Selective Analysis of 20Th Century Contemporary Percussion Ensembles Designated for Three Or More Players
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1968 Selective analysis of 20th century contemporary percussion ensembles designated for three or more players Raymond Francis Lindsey The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lindsey, Raymond Francis, "Selective analysis of 20th century contemporary percussion ensembles designated for three or more players" (1968). Graduate Student Theses, Dissertations, & Professional Papers. 3513. https://scholarworks.umt.edu/etd/3513 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A SELECTIVE ANALYSIS OF 2 0 ^ CENTURY CONTEMPORARY PERCUSSION ENSEMBLES DESIGNATED FOR THREE OR MORE PLAYERS by Raymond Francis Lindsey B.M* University of Montana 1965 Presented in partial fulfillment of the requirements for the degree of Master of Music University of Montana 1968 Approved by; L L u ' ! JP. 4 . Chairman, Board of Exami4/ers Deah/, Graduate School 1 :: iosa Date UMI Number: EP35093 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel Inmusic Brands Inc
ANAHEIM CONVENTION CENTER 326A 326B 369 370 LEVEL 3: Grotrian Piano Company GmbH Yangtze River Mendelssohn Piano Mason & Hamlin MEETING ROOMS & BOOTHS 300–799 THANK YOU TO OUR SPONSORS LEVELS & HOTELS Piano 323 (Shanghai) Reserved Wilh. Steinberg Fender Fazioli Marketing Co., Ltd. 303D Group Inc. 366 388 Fender 321 Pianoforti Niendorf SPA Dynatone Flügel AT A GLANCE Musical - 319 Corp. und PianoDisc Musical Klavierfabrik 300B2 Samick Instruments 318 340 362GmbH 384 391 Instruments 317 Corporation Music North Corporation 314 335 American A.Geyer Music Corp. Inc. Kawai America Corp 334 356 376 390 393 Schimmel Piano Ravenscroft North Corporation Lowrey ACC North 304BCD Pianos Vienna W. Schimmel 303BC W Katella Ave American International, 374 Gretsch Guitars Music Pianofortefabrik Inc. Inc. Pearl River Piano Jackson 308 330 352 372 389 392 GmbH Guangzhou Pearl River Amason PROFESSIONAL ACC 300E Charvel Digital Musical Instr 305 L88A L88B 300B 300A 304A EVH 303A Arena Outdoor Cafe S West Street 303 • Level 2 • Level 2 • Level 2 • Level 2 DJ String • Lobbies E & D 300a & PTG Museum Display • Lobby B Arena • Mezzanine • Lobby C • Lobby B &Piano Bow Plaza Events DJ/Pro Audio Level 2 Level 3 The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel inMusic Brands Inc. Akai Professional Hotel Way Denon DJ Import Reserved Exhibitor Numark Music Grand Reserved Reserved RANE Reserved Plaza NAMM Meeting Alesis USA, Events D'Angelico Alto Professional Corp. Mackie 209B 206B MARQ Lighting 203B Guitars 210D 210D1 207D 204C Ampeg Hall E Yamaha Zemaitis Guitars Reserved Exhibitor Meinl W Convention Way Taylor Greco Guitars Meeting 212AB 210C 209A 207C 206A Pearl Corporation 203A 201CD Marriott Hotel Guitars Marshall Adams Musical Instruments Pacific Drums & Amplification Percussion Sky Bridge to ACC North Dean Guitars Drum Workshop, Inc. -
Warwick Framus Randall Dr-Strings Rockbag Jay
WARWICK│FRAMUS│RANDALL│DR-STRINGS│ROCKBAG JAY TURSER│OSCAR SCHMIDT│DANELECTRO│BESPECO ROCKSTRAP│ROCKCABLE│ROCKSTAND│MUSIC NOMAD PRISLISTA 2015-01 Nya agenturer Music Nomad Gör ett besök Flaa Music på webben www.flaamusic.se Flaa Music Geir Flaa [email protected] Ge feedback Berätta för oss vad vi lyckats med och var det finns utrymme för förbättring! Vi tar tacksamt emot all feedback för att kunna utveckla vår verksamhet och våra tjänster. Vi tar också gärna emot frågor och idéer! Oliver Steffensen Du kan ge oss feedback genom att maila [email protected] [email protected] TLF DK: 25 12 34 28 TLF NO: +47 47 45 78 78 Caroline Flaa [email protected] Michael Franzen [email protected] Gunnar Johansson [email protected] Innehåll2015-01 Bas & Gitarr Warwick Akustisk Bas ����������������������������������������������������������������������������������������������������������������4 Warwick El-kontra ��������������������������������������������������������������������������������������������������������������������5 Warwick Rockbass ��������������������������������������������������������������������������������������������������������������������6 Warwick Premium Bas �������������������������������������������������������������������������������������������������������������11 Framus Elgitarrer....................................................................................................................16 Danelectro �����������������������������������������������������������������������������������������������������������������������������18 -
Warwick Premium Line Gig Bags Warwick
Warwick Accessory Dealer Pricelist: Feb 1, 2015 Warwick Premium Line Gig Bags solid, water-resistant RokTex® surface material with artificial leather applications, available colours: black, RB 20508 also in blue and wine-red, RB 20505 and RB 20506 also in "camouflage", inside lining: extra solid black nylon,20 mm/0.79" cushionin, equipped with the Guitar-Saving-System%u2122 with Neck- Saving-System%u2122 for ultimate protection, extra protecting cushion for lower strap button, robust RokTex® protection for mechanics and bridge, ergonomically formed and cushioned rear side, 8 mm/0.31" wide 2-way zip with nylon zip-hanger and printed RockBag® logo, two 50 mm/1.97" wide cushioned backpack straps (except for RB 20500/20501 B: only one strap), 1 removable shoulder strap with metal karabiner hook, 1 cushioned carrier handle and one cushioned carrier handle at the front side, 1 big outside pocket with zipper suitable for Worwei® stand with integrated extra pocket, extra pocket with zip at the front side of the neck, window pocket for business card, PVC-piping, PVC-strengthened bottom with metal feet, metal hook for hanging the bag up, embossed RockBag® logo USM-SKU Description MAP Retail USM-RB20605BPlus PL Electric Bass Guitar Bag $69.99 $119.99 USM- RB20639BPLUS PL Electric Bootsy Collins Bass Guitar Bag $99.99 $179.99 USM-RB20631 BPLUS PL Hollowbody Bass Gig Bag $99.99 $179.99 USM-RB20606BPlus PL Electric Guitar Bag $69.99 $119.99 USM-RB20607BPlus PL Hollow Body Guitar Bag $79.99 $139.99 USM-RB20610BPlus PL Acoustic Bass Guitar Bag $89.99 -
ABOUT a QUARTER to NINE the Stars Are Gonna Twinkle and Shine
Compiled by Linda Wright Columbia, MO ABOUT A QUARTER TO NINE The stars are gonna twinkle and shine This evening about a quarter to nine My lovin' arms are gonna tenderly twine Around you around a quarter to nine I know I won't be late 'Cause at half pat eight I'm gonna hurry there I'll be waiting there the lane begins Waiting for you on needles and pins And then the world is gonna be mine This evening about a quarter to nine A-BOOM-CHICK-A-BOOMM I said A-Boom-Chick-A-boom; I said A-Boom-Chick-A-Boom I said A-Boom-A-Chick-A-Rock-A-Chick-A-Rock- A-Chick-A-Boom UhHuh Oh Yeah One more time- The Baby Talk Way or Valley girl Talk Way The Soft Way Cowboy Talk Way Scuba Talk Way The Loud Way Opera Song Way Rock Singer Way A BOOM-CHICKA-BOOM I says a-boom-chicka-boom! I says a-boom-chicka-boom! (Group echoes) I says a-boom-chicka-rocka-chicka-rocka-chicka-boom!(Group echoes) Uh-huh! (Group echoes) Oh Yeah! (Group echoes) One more time! (Group echoes) A little . LOUDER! (Group echoes) Each time a leader adds a different variation such as: QUIETER, POSHER ACORN SONG I'm a little acorn brown, lying on the cocoa ground Everybody steps on me, that is why I'm cracked you see. CHORUS I'm a nut (clap, clap) You bet (clap, clap) . I'm a nut (clap, clap) You bet (clap, clap) I love myself, I love me so, I took myself to a.