Vol. 22, No. 2 February 2018 You Can’T Buy It

Total Page:16

File Type:pdf, Size:1020Kb

Vol. 22, No. 2 February 2018 You Can’T Buy It ABSOLUTELY FREE Vol. 22, No. 2 February 2018 You Can’t Buy It Artwork is by Betsy Jones McDonald which is part of the exhibit, Everchanging Tides, on view at the Charleston Artist Guild Gallery in Charleston, SC, from February 1 - 28, 2018. See the article on page 6. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Charleston Artist Guild Gallery - Betsy Jones McDonald Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - Nance Lee Sneddon Page 4 - Editorial Commentary Page 5 - The Wells Gallery at the Sanctuary, Fabulon Art & Halsey-McCallum Studios Page 5 - City Gallery at Waterfront Park Page 6 - Charleston Artist Guild, City of North Charleston & Robert Lange Studios Page 6 - Karen Burnette Garner & Whimsy Joy by Roz Page 8 - Ella Walton Richardson Fine Art & Helena Fox Fine Art Page 7 - Call for Lowcountry Ceramic Artists, Rhett Thurman, Anglin Smith Fine Art, DONALD WEBER Page 9 - Helena Fox Fine Art cont., Society of Bluffton Artists & Coastal Discovery Museum Helena Fox Fine Art, Spencer Art Galleries, The Wells Gallery at the Sanctuary, Page 10 - Art League of Hilton Head, Lander University and Main & Maxwell Corrigan Gallery & Saul Alexander Foundation Gallery Page 13 - Metropolitan Arts Council Page 14 - West Main Artists Co-op x 2 Page 8 - Emerge SC & James Smith for Governor “CHARLESTON” Page 16 - West Main Artists Co-op cont. and x2 additional Page 9 - Vote Joe Preston Page 17 - West Main Artists Co-op cont., Furman University & Page 10 - Art League of Hilton Head Vista Studios to Stormwater Studios Page 11 - The Arts Center of Greenwood / Emerald Triangle Page 18 - Vista Studios to Stormwater Studios cont., City Art Gallery & Columbia Museum of Art Page 19 - Columbia Museum of Art cont. Page 12 - Main & Maxwell ~ Art by Hand Oil Paintings of the Holy City Page 20 - Sumter County Gallery of Art & Fine Art Center of Kershaw County Page 13 - Lee Gallery / Clemson Universtiy Page 21 - Fine Art Center of Kershaw County cont., LaCa Projects, Lark & Key Gallery & Page 15 - Metropolitan Arts Council / MAC Elder Gallery of Contemporary Art Page 17 - Noelle Brault Fine Art & One Eared Cow Glass Page 22 - Elder Gallery of Contemporary Art cont., ClearWater Artist Studios & Southern Highland Craft Guild Page 18 - Mouse House / Susan Lenz Page 23 - Southern Highland Craft Guild cont., Asheville Art Museum, Pink Dog Creative, Page 19 - The Gallery at Nonnah’s & Michael Story Woolworth Walk & Caldwell Arts Council Page 20 - City Art Gallery Reception Friday, February 2nd Page 24 - Caldwell Arts Council cont., Brevard College & GreenHill Page 21 - Catawba Valley Pottery & Antiques Festival Page 25 - GreenHill cont., Greensboro College & GreenHill 2 Page 22 - The Artist Index 5:00 to 8:00 pm Page 26 - GreenHill 2 cont., Artworks Gallery W-S, Seagrove Potters Downtown, STARworks & Coker College Page 24 - CERF + The Artists’ Safety Net Page 27 - Coker College cont., Burroughs-Chapin Art Museum x2 Page 25 - STARworks Glass Page 28 - Burroughs-Chapin Art Museum cont., Burroughs-Chapin Art Museum 3 & Page 26 - Discover the Seagrove Potteries Methodist University Page 29 - Methodist University cont., Sunset River Marketplace & Ackland Art Museum Page 27 - Seacoast Artists Guild Gallery & Wilmington Art Association Painting Demonstration Page 30 - Ackland Art Museum, FRANK Gallery, North Carolina Museum of History & Page 28 - Fine Art at Baxters Gallery, Sunset River Marketplace & Carolina Creations Gregg Museum of Art & Design Saturday, February 3rd Page 30 - Triangle Artworks Page 31 - Gregg Museum of Art & Design cont., Hillsborough Gallery of Arts & Some Exhibits That Are Still On View Don’t forget about our website: www.carolinaarts.com 1:00 to 4:30 pm Page 32 - SC Institutional Galleries - Allendale - Charleston Area Page 33 - SC Institutional Galleries - Charleston Area - Florence Page 34 - SC Institutional Galleries - Florence - McCormick Page 35 - SC Institutional Galleries - McCormick - Spartanburg Page 36 - SC Institutional Galleries - Spartanburg - Walterboro & SC Commercial Galleries - Aiken / North Augusta - Charleston Area Page 37 - SC Commercial Galleries - Charleston Area Exhibition through February 28th, 2018 Page 38 - SC Commercial Galleries - Charleston Area - Columbia Area Page 39 - SC Commercial Galleries - Columbia Area Page 40 - SC Commercial Galleries - Conway - Hilton Head Island You can find past issues all the way back to August 2004! You can find past articles all the way back to June 1999 Page 41 - SC Commercial Galleries - Hilton Head Island - Spartanburg Page 42 - SC Commercial Galleries - Spartanburg - Travelers Rest & Also don’t forget about our two blogs: NC Institutional Galleries - Aberdeen - Asheville Area Carolina Arts Unleashed - Carolina Arts News Page 43 - NC Institutional Galleries - Asheville Area - Cary Send us your e-mail address to be added to our list to receive Page 44 - NC Institutional Galleries - Cary - Charlotte Area notice of each monthly issue. [email protected] Page 45 - NC Institutional Galleries - Charlotte Area - Durham Carolina Arts, is published monthly by Shoestring Publishing Company, a subsidiary Page 46 - NC Institutional Galleries - Durham - Greensboro Area of PSMG, Inc. Copyright© 2018 by PSMG Inc. It also publishes the blogs Carolina Arts Unleashed and Carolina Arts News, Copyright© 2018 by PSMG, Inc. All rights Page 47 - NC Institutional Galleries - Greensboro Area - Outer Banks Area reserved by PSMG, Inc. or by the authors of articles. Reproduction or use without written Page 48 - NC Institutional Galleries - Outer Banks Area - Seagrove Area permission is strictly prohibited. Carolina Arts is available online at (www.CarolinaArts.com). Mailing address: 511 Hildebrand Drive, Bonneau, SC 29431. Page 49 - NC Institutional Galleries - Seagrove Area - Winston-Salem Telephone: 843/693-1306, e-mail at ([email protected]) and on the web at Page 50 - NC Institutional Galleries - Winston-Salem & (www.CarolinaArts.com). NC Commercial Galleries - Aberdeen - Asheville Editor/Publisher/Calendars/Distribution Ella Walton Richardson Fine Art Page 51 - NC Commercial Galleries - Asheville - Blowing Rock Thomas J. Starland Page 52 - NC Commercial Galleries - Blowing Rock - Chapel Hill / Carrboro Web Master/Advertising/Business Manager Linda Parks Starland Page 53 - NC Commercial Galleries - Chapel Hill / Carrboro - Super Blog Guru & Graphics Page 54 - NC Commercial Galleries - Charlotte Area - Hendersonville / Flat Rock Zelda Ravenel 58 Broad Street Charleston, South Carolina 29401 Page 55 - NC Commercial Galleries - Hendersonville / Flat Rock - New Bern Contributing Writers This Month None This Month 843.722.3660 Gallery 843.819.6111 Mobile Page 56 - NC Commercial Galleries - New Bern - Salisbury / Spencer Advertising Rates Page 57 - NC Commercial Galleries - Saluda Area - Seagrove Area Click here for advertising rates. Page 58 - NC Commercial Galleries - Seagrove Area - Siler City The deadline for the March 2018 issue is February 24, 2018. www.ellarichardson.com Page 59 - NC Commercial Galleries - Siler City - Wilmington Page 60 - NC Commercial Galleries - Wilmington - Winston-Salem Area To advertise call 843/693-1306 or e-mail at ([email protected]). Page 2 - Carolina Arts, February 2018 Table of Contents Table of Contents Carolina Arts, February 2018 - Page 3 accepted will be scheduled to exhibit for board member who ever recognized my by Tom Starland, Editor and Publisher on month during 2019. For more informa- complaints about some Arts Commission Editorial tion visit policies. At the time, I listed ten things (https://www.ccpl.org/saul-alexander-gallery). I’d change about the Arts Commission - Some people discount this space but I Blair agreed with some of them and had think it’s one of the best non-commercial arranged a meeting. COMMENTARY exhibit spaces in Charleston. No other What was supposed to be a full discus- space is open to the public for as many sion of that list - point by point - turned A Packed Gallery Listings come to receptions and they also offer incom- hours, free parking on site, and think into a quick 10 minute face to face during plete info. Many just post an unidentified photo of the folks who go and use the library the Spoleto Festival where then director One of the benefits to my “house arrest” - of artwork without telling you who the artist is - highly educated people who are still Suzy Surkamer all of a sudden had to go they call it home bound care to have a nurse or why they are posting that image. It’s all free enjoying the learning process. That’s the to an important meeting - another impor- come three times a week to change my stomach and there are not any limits as to what you can kind of folks I’d want seeing my art. And, tant meeting. wound bandage, is that I had lots of time to post, but people act like they’re paying by the now you can have receptions. Shortly after that Blair was replaced work on our Gallery listings. This is where I word and saving money by using as few words And there are many other libraries with someone who knew not to make go through our listings to update info about as possible. around the Carolinas that offer exhibit waves. That’s how all arts commission exhibits being offered during the upcoming It’s madness for people like me whose goal spaces. board members
Recommended publications
  • Street Photography Resources
    An Overview of Street Photography Collections at the Historical Society of Washington, D.C. Arranged by Approximate Date Range Research queries & appointment requests: [email protected] Visit our online catalog at DCHistory.PastPerfectOnline.com/ Learn More DCHistory.org/research Descriptions of Street Photography Collections in Special Photograph Collections Collection Collection Name Collection Description Identifier Whetzel Associates, Inc., Aerial Consists of about 1200 aerial photographs of the Washington D.C. metropolitan area and some adjacent Virginia and SP 0001 Photograph Collection, 1955- Maryland counties, taken in the mid to late 1950s from the Whetzel Associates, Inc. 1959 Consists of 350 aerial photographs (some via autogiro) taken from 1934 to 1940. The primary emphasis is on the Mall Aero Services Photograph SP 0002 and Capitol Hill but other views, all west of the Anacostia River, are included. Images are grouped by location, but Collection, 1930s. described individually. Consists of 43 glass-plate images taken by Gideon Hawley Baxter (1854-1928), primarily from 1913 to 1919. Most Gideon Hawley Baxter Glass- SP 0003 were taken from the Old Post Office (where Dr. Baxter was employed) from which he documented parades or Plate Negative Collection. ceremonies on Pennsylvania Avenue. Joseph E. Bishop Photograph Consists of about 350 photographs taken by Joseph E. Bishop during the 1920s; primarily of Old Downtown SP 0004 Collection. Washington, but also includes the Georgetown, Foggy Bottom, and Southwest neighborhoods. Consists of about 900 photographs and research notes assembled by James Borchert during research for his Ph. D James Borchert Alley Life in dissertation "American mini-ghettoes : alleys, alley dwellings and alley dwellers in Washington, D.C., 1850-1970".
    [Show full text]
  • Interim Report 2010 02
    Contents Page Corporate Information 02 Operational Highlights 03 Condensed Consolidated Income Statement 04 Condensed Consolidated Statement of Comprehensive Income 05 Condensed Consolidated Statement of Financial Position 06 Condensed Consolidated Statement of Changes in Equity 08 Condensed Consolidated Statement of Cash Flows 09 Notes to the Condensed Consolidated Financial Statements 10 Independent Review Report 39 Management Discussion and Analysis 41 Disclosure of Interests 49 Disclosure under Rules 13.20 and 13.22 of the Listing Rules 52 Purchase, Sale or Redemption of the Company’s Listed Securities 53 Compliance with Code on Corporate Governance Practices 53 Compliance with Model Code for Securities Transactions by Directors 53 Information in Respect of Directors 53 Audit Committee 54 Review of Interim Results 54 Success Universe Group Limited Interim Report 2010 02 CORPORATE INFORMATION Directors Legal Advisers on Executive Directors Bermuda Laws Mr. Yeung Hoi Sing, Sonny (Chairman) Conyers Dill & Pearman Dr. Ma Ho Man, Hoffman (Deputy Chairman) Principal Bankers Chong Hing Bank Limited Non-executive Director Fubon Bank (Hong Kong) Limited Mr. Choi Kin Pui, Russelle The Bank of East Asia, Limited The Hongkong and Shanghai Banking Independent Non-executive Corporation Limited Directors Mr. Luk Ka Yee, Patrick Principal Share Registrar and Mr. Yim Kai Pung Transfer Agent in Bermuda Ms. Yeung Mo Sheung, Ann Butterfield Fulcrum Group (Bermuda) Limited Company Secretary Rosebank Centre 11 Bermudiana Road Ms. Chiu Nam Ying, Agnes Pembroke, HM 08 Bermuda Financial Controller Mr. Wong Chi Keung, Alvin Branch Share Registrar and Transfer Office in Hong Kong Authorised Representatives Tricor Tengis Limited Dr. Ma Ho Man, Hoffman 26th Floor Ms.
    [Show full text]
  • 11/14/75 - Presentation of Books - White House Historical Society and National Geographic” of the Sheila Weidenfeld Files at the Gerald R
    The original documents are located in Box 7, folder “11/14/75 - Presentation of Books - White House Historical Society and National Geographic” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Some items in this folder were not digitized because it contains copyrighted materials. Please contact the Gerald R. Ford Presidential Library for access to these materials. Digitized from Box 7 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library TELEPHONE CABLE ADDRESS (202) 296-7500 NATGEOSOC, WASHINGTON TELEX 892398 WASHINGTON, D . C . 20036 S P ECIAL PUBLICATIONS DIVISION DONALD J. CRUMP ASSOCIATE DIRECTOR October 22, 1975 Mrs. Sheila Weidenfeld Press Secr etar y to Mr s . For d The White House Washington, D. C. 20500 Dear Sheila: No one has mentioned this before, but the White House His­ torical Association loses approximately $500 for each day's delay in unveiling the new FIRST LADIES book. These are funds that help buy antiques for the Mansion and pay for much of the White House redecor­ ating.
    [Show full text]
  • Being a Michael Jackson Pilgrim: Dedicated to a Never-Ending Journey
    UNIVERSITY OF GRONINGEN Being a Michael Jackson Pilgrim: dedicated to a never-ending journey S2054620 9/15/2015 Fardo Ine Eringa Master thesis Religion and the Public Domain, Faculty of Religious Studies First supervisor: dr. Mathilde van Dijk Second supervisor: dr. Kristin McGee “Heal the world Make it a better place For you and for me And the entire human race There are people dying If you care enough for the living Make a better place For you and for me.” ‘Heal The World’, Michael Jackson (1991) ACKNOWLEDGEMENTS This research has been made possible through invaluable input and support by several individuals. I would like to express my gratitude to all those who have guided me through the writing process of this thesis. First of all, I would like to thank Mathilde van Dijk, who has supported and motivated me both with her broad knowledge in the field of pilgrimage research and with her enthusiasm. During the writing process dr. Van Dijk helped me to structure my study and supported me with extensive feedback. I very much enjoyed our collaboration and it is our personal meetings and dr. Van Dijk’s thorough feedback that have made this study to the best possible outcome. I would also like to thank Kristin McGee, who has been a wonderful second supervisor and has provided me with helpful information in the field of popular culture. Moreover, dr. McGee has provided me with valid feedback both regarding the content of my study and my English. Furthermore, I would like to thank my family for the many brainstorm sessions and their assistance through personal feedback and support during the finalizing of this research.
    [Show full text]
  • The Gertrude Sanford Legendre Papers
    The Gertrude Sanford Legendre papers Repository: Special Collections, College of Charleston Libraries Collection number: Mss 0182 Creator: Legendre, Gertrude Sanford, 1902-2000 Title: Gertrude Sanford Legendre papers Date: circa 1800-2013 Extent/Physical description: 171 linear feet (22 cartons, 114 document boxes, 49 slim document boxes, 97 flat storage boxes, 1 roll storage box, 26 negative boxes, 10 oversize folders, 28 audiocassettes, 1 videocassette) Language: English, French, Italian, Arabic, German Abstract: Photograph albums, scrapbooks, photographs, slides, manuscripts, correspondence, ledgers, journals, maps, audiovisual materials, and other papers of Gertrude Sanford Legendre (1902-2000), American socialite, explorer, and author. Materials document Legendre's childhood, education, and travel, including expeditions to Africa and Asia with the American Museum of Natural History and the National Geographic Society, her involvement with the Office of Strategic Services in London and Paris during World War II and her subsequent capture and imprisonment by German forces, and her stewardship, along with her husband, Sidney Legendre, of Medway Plantation (S.C.). Also included are materials related to other members of the Sanford family, their role in politics, and their businesses, including her father, John Sanford (II), and grandfather, Stephen Sanford, who owned Hurricana Farms (later Sanford Stud Farms) and Stephen Sanford & Sons, Inc. Carpet Company (later Bigelow-Sanford); her brother, Stephen "Laddie" Sanford (II), a champion polo player; and her sister, Sarah Jane Cochran Sanford, who married Mario Pansa, an Italian diplomat who served as an advisor to Benito Mussolini before and during World War II. Restrictions on access: This collection is open for research. Copyright notice: The nature of the College of Charleston's archival holdings means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts.
    [Show full text]
  • Crp 2 B 2 0 0
    ...... ..... ...... ..... .......... ... ........ .!;:i - - ... K.-- i:--B ........ .. ........ .......... .... ... ... ..... .... ... ... ... ..... .... oiu on .... ....... .. Coun n torri.e.,va ol, til Mozamb4w's War of ln.dOen en,-,o 19"64-1974 THOMAS 1. HENRIKSFN .... --------. ........ ........ ... ..... .... ... .......... i- - ro P. ....... .......... .................... 27 Northwestern University Library Evanston, Illinois 60201 LL Revolution and Counterrevolution Mozambique ... 9- i . + J . ,i+J m+. Revolution and Counterrevolution Mozambique's War of Independence, 1964-1974 THOMAS H. HENRIKSEN Contributions in Intercultural and Comparative Studies, Number 6 P Greenwood Press Westport, Connecticut * London, England 9G-1.103 H r Library of Congress Cataloging in Publication Data Henriksen, Thomas H. Revolution and counterrevolution. (Contributions in intercultural and comparative studies, ISSN 0147-1031 ; no. 6) Bibliography: p. Includes index. 1. Mozambique-Politics and government-To 1975. 2. National liberation movements-Mozambique. 3. Guerrillas-Mozambique. I. Title. I. Series. DT463.H46 967'.903 82- 6132 ISBN 0-313-23605-4 (lib. bdg.) AACR2 Copyright © 1983 by Thomas H. Henriksen All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 82-6132 ISBN: 0-313-23605-4 ISSN: 0147-1031 First published in 1983 Greenwood Press A division of Congressional Information Service, Inc. 88 Post Road West Westport, Connecticut 06881 Printed in the United States of America 10987654321 Once again, for Margaret Mary, Heather, Damien and Mungo Contents Tables ix Preface xi 1. Background to Revolution: Pacification and Resistance 3 2. The Military Insurgency of the Revolution 27 3. The Military Counterinsurgency of the Counterrevolution 45 4. Mobilization 71 5. Countermobilization 93 6.
    [Show full text]
  • Understanding Music Past and Present
    Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N.
    [Show full text]
  • Date Company Category Aircraft Location Description 9/25/2014
    FAA 333 Exemptions Database This is a CSD research document. For more information, please email [email protected]. Date Company Category Aircraft Location Description 16255 Ventura Blvd., Astraeus Aerial Cinema System Suite 625, Encino, CA 9/25/2014 Astraeus Aerial Photo/Film V.3CS UAS 91436 Closed-set filming. HexaCrafter HC-1100, Aeronavics SkyJib 8 Heavy Lifter, Aerial MOB Discovery Pro Light Lifter, Aerial MOB 4166 Sturgeon Court, 9/25/2014 Aerial MOB Photo/Film Halo 8 Heavy Lifter1, DJI Phantom 2 San Diego, CA 92130 Closed-set filming. (Amended 2/3/15 and 4/30/15) PV- 14817, PVHL1, PV- 14817 PV- 16238 Raymer St Van HL2, DJI Phantom 2, DJI Phantom 3, Nuys, CA91406 United 9/25/2014 Pictorvision Photo/Film PV-HL 3 States Closed-set filming. (Amended 2/2/15 and 6/24/15) HeliVideo HVP- 14301 MultiRotor, Rotorcraft 13513 Briar Hollow, 9/25/2014 Productions Photo/Film Model ERX12 Austin, TX 78729 Closed-set filming. (Amended 4/29/15) Snaproll Media SUAS, Freefly Cinestar 6, Freefly Cinestar 8, DJI Phantom 1, DJI Phantom 2, DJI Phantom 3, DJI Inspire 1, Intuitive 9/25/2014 Snaproll Media Photo/Film Aerial Aerigon IA3 Nashville, Tennessee Closed-set filming. (Amended 7/23/15) RC Pro Coaxial Quad Multirotor VAO1, Productions Coaxial Quad Multirotor VAO21, Consulting, dba VA03, VA04 Quadcopter, VA07 9/25/2014 Vortex Aerial Photo/Film Hexacopter Los Angeles, California Closed-set filming. (Amended 4/29/15) 3100 Donald Douglas Manufacturer, Loop North, CA 90405 10/10/2014 Flying Cam Photo/Film Flying-Cam 3.0 SARAH Santa Monica, USA Closed-set filming.
    [Show full text]
  • National Hic
    . •,r ..... NATIONAL HIC ! THE JOURNAL OF THE NATIONAL GEOGRAPHIC SOCIETY W ASH INGTO N, D. c. October, r965 THE NATIONAL GEOGRAPHIC MAGAZllH VOL. 128. HO , • COPYRIGIH@ 1965 BY NAtlONAl GEOGRAPHIC SOCt(TY WASHIHGlON, O. C INTCRNATIONAL C0r"YRIGH1 SECUR£0 Portugal at the Crossroads By HOWARD LA FAY Photographs by VOLKMAR WENTZEL Both National Geographic Staff DUSK, Lisbon's principal of a new subway system slam from square, the Rossio, explodes end to end of the Portuguese capital. A into a rainbow of neon; shop­ But beyond the lights and laughter pers eddy past glittering store win­ and movement lie a city and a nation dows; eager patrons press into over­ in crisis. For Portugal-earliest and crowded cafes and restaurants; music once the greatest of Europe's modern halls rock with song and merriment. imperial powers-has chosen to resist Beneath gay mosaic sidewalks, trains the tide of anticolonialism engulfing 453 Sons of the sea, the Portuguese became Eu­ rope's greatest navigators. Today's fishermen, such as these on a beach near Porto, still dare the oceans in frail vessels. City of the ages, Lisbon meets the 20th cen­ tury more than halfway. But ultramodern apartments of Portugal's capital show only one face of this hard-pressed little nation, scarcely larger than the State of Maine. In the 1400's Portugal became one of the world's chief mari­ time powers when her seafarers set sail into the Age of Discovery. Today she struggles to maintain the remnants of a once-global empire. Tradition ascribes Lisbon's founding to the Greek wanderer Ulysses.
    [Show full text]
  • Dancing Gender: Exploring Embodied Masculinities
    University of Bath PHD Dancing Gender Exploring Embodied Masculinities Owen, Craig Award date: 2014 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 Dancing Gender: Exploring Embodied Masculinities Craig Robert Owen A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of Psychology June 2014 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that they must not copy it or use material from it except as permitted by law or with the consent of the author.
    [Show full text]
  • RESEARCH RECORD No
    LANDSCAPE RESEARCH RECORD No. 9 I March 18-21, 2020 (Canceled due to COVID-19 ) Deep Time: 100 Years of CELA A Peer-Reviewed Publication Council of Educators in Landscape Architecture www.thecela.org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ambi L. Yost, Iowa State University Jon D. Hunt, Kansas State University 3((5 5(9,(: 2) 3$3(56 $OO SDSHUV SXEOLVKHG in Benjamin George, Utah State University /DQGVFDSH5HVHDUFK5HFRUGKDYHEHHQUHYLHZHGDQGDFFHSWHG Yi Luo, University of Florida Paul Coseo, Arizona State University IRUSXEOLFDWLRQWKURXJKWKH&RXQFLORI(GXFDWRUVLQ/DQGVFDSH Judith Wasserman, West Virginia University $UFKLWHFWXUH V SHHU UHYLHZ SURFHVV HVWDEOLVKHG DFFRUGLQJ WR Lisa Orr, West Virginia University SURFHGXUHVDSSURYHGE\WKH%RDUGRIWKH&RXQFLORI(GXFDWRUV Stefania Staniscia, West Virginia University LQ/DQGVFDSH $UFKLWHFWXUH 5HYLHZHUV DUHUHFUXLWHG E\ WUDFN Christopher D. Ellis, University of Maryland Taner R. Ozdil, University of Texas at Arlington FKDLUV IURP DPRQJ FRQIHUHQFHDWWHQGHHV
    [Show full text]
  • Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
    nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones
    [Show full text]