Scotland’s National Theatre ‘For Theatre &YoungNational By’ People Scotland’s 20 20 12 11 annualREPORT “SYT is probably the best thing that ever happened to me. It’s awesome.” MICHAEL, 13, NEWTON MEARNS s r o t a f r f o a t b t s a

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e i r e t t u a n m e t n e s t t e a a a o h o u y p e r u h n n i c n w s t s f t s r y c p i 4 5 68121516 22 24 26 28 30 31 32 34 The Princess and the Pea Scottish Youth Theatre – giving young people in Scotland the opportunity to explore and to reach their creative potential through a quality theatre arts experience. D e s i

g Scotland’s National Theatre ‘Fo r & By’ Young People n

a n d

p SCOTTISH YOUTH THEATRE IS A MEMBER OF THE SCOTTISH THEATRE COMMUNITY r

o Scottish Youth Theatre, The Old Sheriff Court, d

u SCOTTISH YOUTH THEATRE SUPPORTS THE WORK OF PROMOTE YT c t

i 105 Brunswick Street, Glasgow G1 1TF o n :

w TEL: 0141 552 3988 FAX: 0141 552 7615 w w .

w EMAIL: [email protected] a g

d WEBSITE: www.scottishyouththeatre.org e s i g n . c o

Skills Week October Zombiism SF11 Front cover image: Zombiism SF11 Back cover images (clockwise right to left): Prom Night of the Living Dead, Aberdeen Foundation Course, Zombiism and Born Bad? annual REPORT chairman ’sREPORT Mary McCluskey Artistic Director Bobby Hain Chairman of Scottish Youth Theatre’s (Chief Executive) Board of Directors

“The Scottish Youth Theatre makes a huge “Scottish Youth Theatre gives our young people contribution to Scottish cultural life, inspiring the chance to reach their potential, improve their and encouraging talents in so many confidence and develop their social skills through generations of young people.” a range of exciting programmes and activites.”

ALEX SALMOND, FIRST MINISTER OF SCOTLAND, JULY 2011 KENNY M AC ASKILL, MSP, CABINET SECRETARY FOR JUSTICE

COTTISH Youth Theatre to blossom with many requests being OW firmly into its fourth As the portfolio of activities and at the Old Sherriff Court in Glasgow appreciates these received to take the team out to new decade, Scottish Youth partners with whom we work but spanning right across Scotland, comments from Scotland’s venues and new audiences. An autumn Theatre remains at the continues to evolve, so too does our would not be possible without the

e First Minister. They are tour of Scotland is being planned, with forefront of youth arts Board. This year we say goodbye dedication and commitment of the

r particularly welcome in funding from Creative Scotland’s in Scotland and as it to Board member Ruth Webber Company’s staff led by Chief

i the current economic Traditional Arts Commissions, for 2012. continues to evolve the after years of service. Ruth’s Executive Mary McCluskey and S ❚ climate. Receiving such encouragement Interactive Performances – the NCompany has this year again contribution as Chair of the thanks go to the whole team for

p motivates the Staff and Board to keep company’s ‘house-style’ of creating demonstrated remarkable resilience Communications and Fundraising their continued contribution. working towards our aim of giving young magical environments to complement in the face of challenging economic Committee has been invaluable and

s people in Scotland access to a quality the lively interactive performances conditions. we wish her every success with new Whilst our annual report naturally theatre arts experience. During the continues to impress family audiences beginnings in Australia. It is tells our story of the year just gone,

n year, the company welcomed many in Aberdeen & Glasgow. Families, We are grateful for the continuing testament to the Company’s the real strength of the Company is

i distinguished visitors to our activities nurseries and schools are flocking to support of all our funders, including reputation and profile that a wide the role it plays for others – our including royalty, patrons, politicians see these productions. Creative Scotland and Glasgow range of people are always keen to participants, partners with whom E and friends of the youth theatre. ❚ The Lab – a new focus and umbrella City Council, our participants and work with us and we welcome new we work and who use our building, label for more specialised activities for families and the Scottish Youth Board members Jane Wilson and our patrons and a growing range of Scottish Youth Theatre continues to 15-25 year olds. Theatre Trust which plays an Thomas Murdock. guests and visitors we welcomed N strive to maintain our programme of ❚ Devising Ensemble – Summer Festival important role in assisting the this year. As ever their interest is I core activities whilst developing new courses grow to meet the changing Company to deliver the breadth and The breadth and depth of Scottish much appreciated and their kind and/or improved streams of work. theatre scene in Scotland. This new depth of activities detailed here. Youth Theatre’s work, from our home comments extremely welcome.

G course offers participants the chance New developments in 2011/12 include: to devise, rehearse and perform a full ❚ successfully achieving SQCF credit production over a three week period. A rating of Level 7 for the SF Performance ❚ Young Writers’ Scheme – thanks to & Production Learning Programme. funding from Beattie Communications

M This rating has been authorised by the through Arts & Business Scotland, this SQA. This new vocational qualification, project was able to operate in I

unique to Scottish Youth Theatre, will Glasgow and Inverness in 2011/12. “The work that the organisation does is vital. It T R e allow more young people to gain an ❚ Staff Developments – the artistic O P T E R

t encorages young people to express themselves, to R

O award in theatre arts. It has taken the team has been re-structured in

P S ’ E

company over 4 years to achieve this 2011/12 with Fraser MacLeod being N R

learn social skills and to develop confidence. A a L

milestone. Congratulations to Fraser promoted to the post of Associate M A R U I N MacLeod, who led on the project, and Artistic Director and Karen McGrady- These are all invaluable life skills that aren’t easily A N H e A the artistic team. Parker being appointed as Associate acquired elsewhere. Theatre is the best education C 4 r ❚ Family Storytime – this popular Director – Early Y ears. 5 T T L L 2 interactive storytelling session continues 2 1 1 A A R R there is!” c / / U U O O 1 1 N N P P 1 1 BRIAN COX, PATRON, FEBRUARY 2012 E E N N 0 0 A R 2 A 2 R ANNUAL 6 REPORT NATIONAL ACHIEVEMENT 2011/12 e “ Z A I I v N

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ANNUAL 7 REPORT NATIONAL ACHIEVEMENT 2011/12 “Not only is the Summer Festival a fantastic opportunity to make friends, but it also helps develop an aspiring actor’s dramatic ability.” JAMES, 15, ABERDEEN

STABLISHED in Edinburgh the part. Meaning that he finished playing in 1977, the summer school the werewolf in Prom Night in August has been the starting point and began shooting as new character, for all other developments in Joel, in the popular soap in September. Scottish Youth Theatre’s activities. In the past thirty ‘Summer Festival is what summer Esix years, the summer festival has grown holidays were designed for!’ to offer a 5 week Performance & RORY, 16, ABOYNE Production Course; 2 week Foundation Courses in Aberdeen, Edinburgh & Glasgow; a 3 week Intermediate Course, PERFORMANCE with a new ‘devising’ option introduced & PRODUCTION in 2011 running alongside the usual This 5 week-long intensive theatre arts ‘ensemble’ option, supporting the training course for predominately 16-25 Performance & Production main house year olds leads to ‘main house’ productions. shows; and a 1 week Junior Course, in The course involves young people from all Aberdeen, Edinburgh & Glasgow. In around Scotland, and beyond, attending July & August 2011, a group of children five weeks of workshops, classes, & young people between the ages of 8 rehearsals, theatre visits, and talks from and 25 came together with a team of guest speakers, culminating in performances professional theatre practitioners to in the final week. It is Scottish Youth Theatre’s aim to give participants a

l workshop, devise, rehearse and produce theatre performances. In 2011, 49 realistic experience of the rehearsal and theatre professionals worked together production processes. a with 243 young people from around Scotland and beyond over a six week “We were all supported and v Zombiism Prom Night of the Living Dead Born Bad? period to produce 33 performances of encouraged to do our best, and our

i 12 theatre productions of the highest ideas were taken onboard by the directors. Everyone had a chance to t quality in 7 venues across Scotland playing to an audience of 1937 people. shine which was great.” OLIVIA, 17, BURNSIDE

s The annual Summer Festival remains the ‘flagship’ event in Scottish Youth Theatre’s programme of activities. “The most enjoyable theatre e experience I’ve ever had.”

f “Summer is just not the same CHRISTOPHER, 16, PERTH without SYT!” FRANCESCA, 14, BURNSIDE During Week One , all participants spend R at least one session a day in skills building During Summer Festival 2011, Scottish workshops in voice production, music,

E Youth Theatre appreciated Civic dance, stage fighting and improvisation. Receptions given for the company by Directors cast productions in the first week. the city councils of Aberdeen, Edinburgh Rehearsals then operate three sessions a M L and Glasgow. Scottish Youth Theatre day six days a week until productions open. L A A V V I appreciates the fact that these councils I T T S recognise the value that Summer Festival Technical Theatre participants are given S E E F F

adds to life in their cities. the opportunity to attend sessions in M R R E stage lighting, stage design, creating a E M M M M In August 2011, the casting director for ‘prompt book’, prop making and finding, U U U S Hollyoaks approached the youth theatre costume design and sound design. They S looking for a 17/18 yr old young man to then work assisting the professional staff 8 take on a major role in the soap opera. in preparing the technical and design 9 T T L L 2 2 S 1 1 A A R R elements of the main house productions. / SF participant and Family Storytime / U U O O 1 1 N N P P 1 Technical students operate lights, sound 1 E stalwart, Andrew Still was selected for E N N 0 0 A R 2 A R 2 “It was great fun rehearsing it, but when we did the Edinburgh FC rehearsed and performed performance it was AMAZING! It was a huge success.” in the Empire Rooms at the Festival Theatre, TRACY, 10, ABERDEEN Edinburgh. The course was directed by Sharon Miller and assisted by trainee and ‘run the show’ from the prompt assistant director and movement director. Zombiism was devised by the company, directors Ruaridh Caddell and Anna corner throughout production week. directed by Tom Hobbins, designed and Schneider. Participants are given extra opportunities “It’s not a comfortable hour or so, but assistant directed by Andrew Jeffrey with to further develop their skills by providing it is a thought-provoking one; and it’s technical support provided by Ritchie Young. Glasgow FC rehearsed in the Old Sheriff technical and stage management back evident the 16 young performers Carla Duggan provided choreography. Court with performances at Lansdowne up for extra-curricular events and for the have really challenged themselves to Church in Glasgow’s West End. The course Glasgow Foundation Courses. dive right into societal conundrum.” “Loved every second, even the hard was directed by Rowenna Macgregor and BORN BAD? THE HERALD AUGUST 2011 bits. Sooooo rewarding!” Mark Traynor. They were supported by JOSIE, 16, ISLE OF LEWIS specialist tutors, Andrea Possee (Music) MAIN HOUSE The Opening Night performance was and Dimitrios Paparakis (Dance). Directors PRODUCTIONS visited by special guest, Andrew Dixon, “The warm up every day was so much and tutors were assisted by Scott Miller “…around 40 young people bring CEO of Creative Scotland. Scottish fun…everything that we did in and Stephen McAveety. hammer horror to ‘The Vampire Youth Theatre appreciates this support. preparation was so fun and interesting!” Diaries’ generation with humour, KATEE, 15, MIDLOTHIAN “… brilliant instructors who have musicality and a lot of hard work.” inspired me and instilled great INTERMEDIATE Zombie Prom with patron Elaine C Smith PROM NIGHT OF THE LIVING DEAD COURSE confidence and enthusiasm…I think THE HERALD AUGUST 2011 “It was so professional and I felt part FOUNDATION COURSE without the tutoring I received in the of a real company.” “SYT FC helps to improve social skills, last two Summer-fests I would not PROM NIGHT OF KENNETH, 16, ABERDEEN as you have to communicate with others have had the confidence to have THE LIVING DEAD and also listen to what they have to say.” achieved what I have this year…” – a rock horror musical with book and “I loved being in rehearsals, we learned JAMES, 15, ABERDEEN JO, 14, CHESHIRE lyrics by Canadian playwright, Brad Fraser so much and had such a good time.” and music & musical arrangements by FRANCESCA, 14, BURNSIDE This popular basic skills course for 12-15 Ross Brown. The European premiere of year olds develops theatre techniques JUNIOR COURSE this musical played at the TronTheatre, “It brought me together with people I This three-week course continues to act as /skills in week one and works towards a Glasgow. It was directed by Mary would never have met otherwise. I got a bridge between the Foundation Course new devised piece of theatre in week two. McCluskey, assisted by Nathan Byrne. the thrill that you can only get on stage.” The production was designed by Finlay and the Performance & Production A performance was devised on the theme JOSHUA, 11, ABERDEEN McLay with choreography by Ashleigh Course. It has been developed to provide of either of the following quotes: Kate Wilson and musical direction by participants with a more intense and This performance skills course was Ross Brown. focussed experience in approaching play ‘Everyone’s different in their own production and performance. special way. specially developed for young people aged “… she was so polished and Who are we to judge? 8-11 in Glasgow as part of Summer Festival professional she made you question PROM NIGHT ENSEMBLE Who are we to say?’ 2006. Such was the success of the whether she was still within the SYT The participants take part in skills Or inaugural course that a parallel course was age group…Laughs came from the workshops and rehearsals preparing ‘The Signs were there initiated in Edinburgh in 2007. In 2009, supporting cast…the ever loyal them for their roles as the ensemble/ But the town chose not to see. the course was introduced in Aberdeen. classmates willing good to triumph chorus in Prom Night of the Living Dead . It looked the other way. Participants are led in a week of skills classes, devising sessions and rehearsals, over evil in true comic book style.” Due to the nature of the show many It did not look at all.’ Prom Night of the Living Dead Prom Night of the Living Dead rehearsal by a theatre director and a musical director. PROM NIGHT OF THE LIVING DEAD participants were called upon to play THE HERALD AUGUST 2011 featured characters in the production. Participants worked with theatre directors Performances, based on the same quotes Participants were required to work on and specialist artists. In 2011, these as the Foundation Courses took place in The Opening Night performance was and develop their acting, dancing and specialists were choreographers and the following theatres: visited by two special guests, Fiona Hyslop singing skills. musical directors. Performances took Aberdeen JC MSP – Cabinet Secretary for Culture and place on a main stage in the following rehearsed and performed in SYT Patron, Elain e C. Smith. The youth DEVISING ENSEMBLE theatres at the end of week two: the studio at the Lemon Tree. The course theatre appreciates the support from – Summer Festival 2011 offered a new was directed by Barry Donaldson assisted these distinguished guests. ‘Devising as an Ensemble’ option for the “I thoroughly enjoyed the experience by trainee director, Jenni Wright. 3 week Intermediate Course. This course and I feel it has definitely improved my L “There is a moving, chord-striking allowed participants to form their own acting skills. I made new friends and Edinburgh JC rehearsed and performed L A A V V I core to Fraser MacLeod’s production.” company, design, devise and develop being on the residential course gave me in the Empire Rooms at the Festival I T T S BORN BAD? THE SCOTSMAN AUGUST 2011 Theatre. The course was directed by Anna S E their own new piece of theatre based on more independence and confidence.” E F F

Schneider assisted by trainee director, R the horror theme. Directed by Thomas EBBA, 14, ABERDOUR R E BORN BAD? Andrew Jeffrey. E M M Hobbins assisted by Andrew Jeffrey the M M – a revival of this SYT commission by group transformed the Pink and Purple Aberdeen FC rehearsed and performed U U

S Glasgow FC S Sarah Argent. The production played in rooms to create a truly terrifying in the studio space at His Majesty’s rehearsed and performed in the Brian Cox Studio. It was directed by interactive theatre experience that put Theatre – the production was directed by the Brian Cox Studio at the Old Sheriff 10 Fraser MacLeod and designed by Kenny Court. The course was directed by Alana 11 T T L L 2 2 the audience into the wilderness as the Gemma Petrie assisted by trainee director 1 1 A A R R Miller with sound, video and AV designed / / Brady and Fiona Manson with choreographer, U U O O world was lost to zombies. Jenni Wright. 1 1 N N P P 1 1 by Ross Ramsey. Jayne Austin was Eilidh Macrae. E E N N 0 0 A R 2 A 2 R 1 ANNUAL REPORT 2 WEEKLY CLASSES 2010/11 “ d T C A S E “ T A i a t t C r o 1 F s L h h a I e c L h l 7 b

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Tiny Twisters – Technique of theatre. A sharing of this work was Parker, director and Ross Brown, musical Tiny Twisters – Creative presented to an appreciative audience of director worked with a group of 38 young Junior Jumpers – Technique Summer Festival 2011 participants. people aged 8-16. 3 new songs to Junior Jumpers – Creative complement the new version of the Streetdance In Winter term 2011 a second group of classic story. There were 2 performances Just Dance young people joined drama tutor and of the new piece of theatre on the last contemporary theatre maker, Thomas day of the course in the Brian Cox Studio. Dance classes continue to grow and Hobbins, to look at identifying different HE provision of quality training Trainees in 2011/12 were as follows: ❚ Made in Scotland Reception change to meet the needs and demands stimuli for creating work, how to begin “I loved the experience and I am glad is at the heart of Scottish ❚ Andrew Jeffrey began the year ❚ BBC Trust Consultation Day of the participants. generating material from this stimuli and I am going to the summer one.” Youth Theatre’s programme of shadowing in Edinburgh and has ended ❚ Scottish Theatre Forum These weekly ‘process ’ based sessionhs ow tSo ucmolmlabeor rTaeterm w i(tAh portihle-Jrus nweh) o may ALANTNhAe, y1 1m, GaLdAeS GtOhWe acting classes fun and activities. Young people, Core the year as a class tutor in Glasgow. ❚ BBC ‘Off By Heart’ – regional heats “My tfwoor 3gi-r2ls5 g yoe taor doalndcse i nclvaoslsvees ,o tvheery have Tdihffeemrenet –sk‘iHllse aronde sin’ terests. interesting and I was dying to get Staff, and Tutors all deserve Andrew worked as a trainee director on ❚ Artworks – developing practice in really5 e0n0jo yyo iut. nItg i sp feaobpuloeu as tfeor mke ien ping Specialist Skills – Advanced OCthTeOre BeaEchR d aCy.” OURSES O– FIA (13), T training of an excellent standard. SF’11 participatory settings fit anGd ladsegveolwop aintg t hseo cOialld s Skihllesr.” iff Court, After Atwcot isnug ccessful pilots and positive INTGElasRgoAw CTIVE THEATRE Scottish Youth Theatre will continue to ❚ Steven McAveety spent the year ❚ Family Storytime training PARENinT, EGdLAinSGbOuWrgh at the Festival Theatrfe edbSacpke, cthiael icsotr eS karitlilsst ic– tAeacmti nis g for ‘Junior Sleuths present Murder@the Old strive to keep training standards high. shadowing in Glasgow. Steven worked ❚ FST – Step Up – Mentoring and at His Majesty’s Theatre in identiCfyainmg ehroa w best to move forward with SherRiffu Cnonuinrtg’ alongside the Summer The in-house tutors’ training scheme as a workshop assistant on SF’11. ❚ BBC ‘Off By Heart’ – finals in Aberdeen. The main aim of the term of classes these weekly THE LAB The Lab. Joining The Lab – Create, other and tutor mentoring scheme, delivered ❚ Jayne Austin worked as a tutor in Stratford-Upon-Avon classes is to provide an inclusive Winter Term (Sept-Nov.) sessions saw a group of budding The Lab is a new project created to offer skills areas hoped to be explored in future; “I loved devising the play and working by the Associate & Assistant Directors Glasgow classes. She was a trainee ❚ Get Ambition – Creating Better Festivals fun leisure time activity where the Theme – ‘Don’t be scared, just be young actors working together to a more diverse range of activities for The Lab – Write, and The Lab – Perform. with a new genre of theatre. The final & Associate Artists, continues to offer director and movement director on SF’11. ❚ Creative Scotland European Funding participants develop their prepared, scary can be exciting’ gain skills relating to working in young people aged 15-25. The title, The performance was fab – a great time!” excellent advice and training. These ❚ Nathan Byrne was a trainee director Seminar creativity, personal and social Introduction of Dance Classes. front of a camera. Filmmakers Lab, has been selected as an umbrella “The tutors allowed us to develop our LORNA, 14, UDDINGSTON schemes provide quality assurance and on SF’11. He joined the shadow tutor ❚ Creative Scotland – National Youth Arts skills through the youth theatre Winter Festival Irene Harris and Jon Thomson identity for activities for this age group. own ideas but also gave useful advice.” process. Classes run at each of explored the skills, knowledge and ensures that workshop tutors employed scheme in autumn ’11. Strategy Consultation TARA, 17, GLASGOW Following the success of this course in ❚ ❚ the following age ranges: 3-5 year Spring Term (Jan-March) ideas that participants would need by the youth theatre are of an Anna Schneider worked as a tutor in Promote YT Symposium “I loved having a place to go and 2010, the artistic team decided to once ❚ olds; 6-7 year olds; 8-10 year olds; Skills Term to develop to be on-screen actors. acceptable standard. both Glasgow and Edinburgh classes. Promote YT Skill Up create. It inspired me and gave me EASTER COURSE – again offer participants the chance to 11-12 year olds; 13-14 year olds; Dance Classes Participants also gained knowledge She was employed as a director on SF’11. ❚ Scottish Book Trust Early Years Forum confidence in my ideas.” MUSICAL THEATRE develop their interactive, character 15-17 year olds and 18-25 year Introduction of Singing Classes of technical terms and “I started attending Scottish Youth ❚ Ashleigh Kate Wilson was a ❚ Scottish Book Trust Annual conference Charlie and the Chocolate Factory building & improvisational skills. Working FIONAo, 1ld7,s H. E LENSBURGH Specialist Class – Audition Prep methodologies used in filming for Theatre classes at the age of twelve choreographer on SF’11. ❚ Scotswoman of the Year Dinner “SYT creates an excellent alongtesildeev,i sGieomnm aan dP eftirlime –. dEraacmha week the and can still remember them so ❚ Jenni Wright was a shadow tutor in ❚ Year of Creative Scotland The Laatmb o–s pChreraet ea nradn efnorv i2ro bnlomcekns.t fIon r “It was a fab experience and I really workgerr,o 1u3p yfooucnugs pseodp loen d eav idsiefdfe a rent vividly because of how much fun I Aberdeen classes throughout the year. Communications Event Sprinpga 2rt0ic1i1p,a Bnltosc kto O hnaev sea fwu nA,s dsoecviealtoe p neew njoyWed IitN. (TI lEeaRrn eFd)E hSowT ItoV ApuLt perfoerlmeamnecen tu soinr gt ethceh ngieqnure ooff m aucrtdienrg for had. Eight years on, I’ve come full She worked as trainee director on the ❚ Aberdeenshire Council Education Direcstokri,l lFsr aasnedr MacLeod, work with 10 singing, dance and drama together.” mystcearym weirtah. i nAtet rtahceti veen tdh eoaf ttrhe.e Ttehrism circle and have been very lucky to be foundation and junior courses in Aberdeen. Services at Duff House, Banff youngm paekoep fleri eton desx.p” lore and devise EVE, 1O1, nGcLAeS aGgOWain, Winter Festival, was a was eav perroymonenea ldeeft & w iintthe raa cDtiVveD p oiefc teh eo f work given the opportunity to lead the ❚ Ruaridh Caddell worked as a trainee creatPivAeR rTeIsCpIoPnAsNeT s, (t1o6 y) oung people’s celebration of the creativity that theatrhee wy hhicahd lemfta tdhe. audience of 39 classes I started in. It’s a challenge, director on Edinburgh FC. perceptions on love and relationships. In Aprtihl r2i0v1e1s , itnh ew meueskiclya l cthlaesastrees c ion urse guessing until the very end. but I’m still having just as much fun WORK EXPERIENCE The gFrour pm’s aanpyp ryooacuhn ign vpoelvoepdl: ep otheme sw; eeklwy as inGslpairsegdo bwy ther owuogrdhso, usot ntghse ayned ar. The ADVANCED ACTING and I think that's the key to it all.” ❚ Mairi Benham writincgl asscsriepsts ;a proew tehre piro ifnitr sptr epsoeinntat toiofn sa; n themecsla fsrosmes R aonaldd tDhaehilr’s ,t uCthoarrsli e wanodrked NATHAN, 20, GLASGOW STAFF TRAINING St. Ninians H.S., Eastwood musica sasnod cfilamt itoon c rweiatthe Sthceoirt tnieswh Ypioeuceth the Cthoogceotlahteer F taoc tdoery v. i sKea rae nn eMwcG priaedcye- of During the Summer Term ❚ First Aid Training ❚ Genevieve Cookman Theatre. From attendance at classes theatre based on the theme ‘Don’t Associate Director Kenny ❚ Fire Warden Training Jordanhill School, Glasgow a young person can go on to be scared, just be prepared, scary McGlashan ran weekly Advanced ❚ ❚ The Lab Junior Sleuths: Murder @The Old Sheriff Court October Course IN–HOUSE TUTOR In-house ‘Reception’ Training Rebecca Baillie become involved with school can be exciting’. Kenny Acting classes for senior members TRAINING SCHEME ❚ Family Storytime Training Eastwood H.S., Newton Mearns holiday courses & special projects, McGlashan, associate director, of the youth theatre. The sessions – this method of training tutors allows ❚ FST – Step Up – Mentoring ❚ Gemma Forbes summer festival courses, SYT worked with a group of SYT were open to experienced the ‘house-style’ in workshop delivery to ❚ Resourceful Cultural Sparks Bearsden Academy Productions and, eventually, may Productions’ members to devise a participants that were interested in be assured in new tutors. Senior members ❚ Red Paint – website training ❚ Robbie McGuinness end up working for the company super-structure or story that could developing their acting skills in a of the youth theatre who have been ❚ The Ticketing Institute Hillpark School Glasgow as a trainee tutor. accommodate each class’s piece more focussed environment. involved for at least one year as a ❚ ❚ “The ‘Skint Knees’ class has slotting into the main story. This Participants were challenged in Children In Scotland Child Edward O’Donnell boosted my son’s confidence and is method has worked well over the their improvisation, textual workshop assistant are identified by the Protection training Lourdes HS, Glasgow

S artistic team and are given the opportunity ❚ Martin Quinn

E having a positive effect on other years with this year as no analysis and presentation skills. S to train as a Scottish Youth Theatre Trinity H.S., Renfrew S areas of his life.” exception. Families and friends A ❚ L PARENT OF CLASS PARTICIPANT enjoyed 6 very different “…a richly textured workshop that classes tutor. Each apprentice works at MEETINGS, Shannon Reynolds C G the rate of personal development best CONFERENCES Dalziel HS, Motherwell N Y performances over two days in the gained from the individuals differences I L N K suited to their individual needs. & SEMINARS ❚ “The energy, expertise and Brian Cox Studio. and made the workshop something Mary McGowan – Job Centre Placement I E A E ❚ Get Ambition ❚ enthusiasm of SYT’s staff ensures SPECIALIST CLASSES very special indeed.” Associate Directors, Karen McGrady- William McArthur – Job Centre R W T my son has fun while learning drama SAC EVALUATION Parker and Fraser MacLeod, have worked ❚ Scottish Drama Training Network ❚ Lynn Pilkington – volunteer, marketing 14 skills.” ACTING FOR CAMERA with the trainee tutors throughout the ❚ Eastwood Early Years Symposium 15 T T L L 2 2 PARENT OF CLASS PARTICIPANT year. The Classes’ Associates provide ❚ FST AGM 1 1 A A R R / / U U O O ❚ 1 1 “I made a lot of new friends & learned DANCE CLASSES frontline quality assurance. FST Emporium N N P P 1 1 E E N N 0 0 In 2008/09, weekly classes how to stand in front of a camera and A R 2 A 2 R operated as follows: how it all works plus some good “Rebecca loves the dance classes… acting games which I really enjoyed. she now wants to be a ballerina! She loved learning new skills and 1 ANNUAL REPORT 6 SYT PRODUCTIONS 2011/12 SYT productions J a c k

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c o d s e r d r h h n l r o i e n e l i t y n e n s o n s e d n o s r r . ” a e . w ” t e . r l , t 1 ANNUAL REPORT 7 SYT PRODUCTIONS 2011/12 “Taking part in both the Christmas and Easter shows provided me with a further insight into the career path I wish to follow.” SYT PRODUCTIONS MEMBER, GLASGOW

17 & 18 Sep Sleeping Beauty story with a party scene and a rendition Merchant City Festival in July 2011. The 1 & 2 Oct The Ugly Duckling of Happy Birthday. The parents of the trail saw early years young people visit 15 & 16 Oct The Princess & The Pea birthday child hired a room in the building sites around the Merchant City and 29 & 30 Oct Little Red Riding Hood for the party. They provided their own participate in interactive storytelling. 12 & 13 Nov The Frog Prince catering and paid for the extra October Week Special performance of that week’s Family NAMING OF EDWIN Running Free Development 20 - 23 Oct The Enormous Turnip Storytime programme. This event was MORGAN STUDIO repeated several times throughout the – in July 2011, Scottish Youth Theatre ‘It was a great performance. Both our year. The Core Staff is investigating this was informed that the company was a four year old and our 17 month old had new way of giving more children access beneficiary in the will of Edwin Morgan, a fab time. We’ll definitely come back.’ to a quality theatre arts experience. our nation’s first and, sadly missed, AUDIENCE MEMBER – PARENT, GLASGOW Scottish Makar. To mark this generous donation, it was decided that the Pink Winter 2012 – a ‘rare’ tales season LTS – SKINT PROJECT Room in the Old Sheriff Court be re- Audience Numbers – 376 & CONFERENCES named the Edwin Morgan Studio. In 28 & 29 Jan Snow Daughter & Fire Son – Learning Teaching Scotland, now October 2011, a re-naming ceremony 11 & 1 2 Feb The Three Wishes Education Scotland, approached SYT was held with the honours being delivered 25 & 26 Feb The Lad Who Went to the Productions to create a live performance by Liz Lochead, our present Scottish Makar North Wind of excerpts from their Skint resource tool and great friend of Edwin Morgan. The 10 & 1 1 Mar The Precious Stove by playwright Gowan Calder and Metafrog. event was a celebration of Morgan’s work Edwin Morgan Studio renaming ceremony with Scottish Makar Liz Lochhead 24 & 25 Mar Seven At One Blow This new graphic novel is designed to featuring a performance of several pieces inform young people about how to deal of Morgan’s theatre poems and plays. “Very very exciting and I loved it!” with money matters & debt. Associate The performance by Jayne Austin, Lily performed to 2092 young people and character who was just a wee bit lonely. performances were filmed at Paisley AUDIENCE MEMBER – EMMA, 8, GLASGOW Director, Fraser MacLeod directed an McNally, Scott Miller and Martin Quinn their families. SYT Productions participant Performing in the production were Lucy Abbey and broadcast nationally on BBC abridged version of Jamie’s Story , with 5 was directed by Fraser MacLeod. Scott Miller was joined by Brad Morrison, Mills, Flora MacKeddie and Ryan Towart. Scotland on Christmas Eve. SYT Productions participants, for an LTS from APA young company and Mary McCluskey directed the piece OCTOBER WEEK conference in June 2011. professional actor Michelle Bruce to form assisted by Effie Scott. Technical support SKILLS DEVELOPMENT The piece was re-rehearsed by Trainee FESTIVE RUNNING FREE – PRODUCTIONS the cast that devised the piece alongside was supplied by Clare McNeill and Ritchie WEEK SAWNEY BEAN Director Jayne Austin twice more for the Assistant Director Claire Davidson, from Young. The team performed 41 shows to SYT/Y-DANCE THE MUSICAL “Very age appropriate – captured the COLLABORATION Education Scotland launch of the resource APA core team. This marked a first co- an audience of 1589. – in October, 2011, a group of SYT children’s attention right from the start.” “It was great to look at a different in September 2011 and again for NHSGGC production with APA and further Productions participants came together to PARENT FROM ABERDEEN form of performance and to start conference in October of that year. consolidated this valued partnership. “Great fun and it helped me to add to my developing new skills. The tutors work on the development of a new musical CV as I learnt new things along the “The children loved the interactive nature helped to get our thoughts…and also written by two former members of the group “What could be a scary tale for tinies way – both productive and enjoyable!” – Emma King (book & lyrics) and Anna HAMLEY’S of the show and the songs and rhymes.” allowed us to think out of the box.” …is cleverly mediated into a story MARTIN, 17, PAISLEY Schneider (music & lyrics). This new SUMMER PROJECT NURSERY TEACHER FROM ABERDEEN about keeping your word and not PHIL, 21, ABERDEEN musical is based on the story of Sawney – Scottish Youth Theatre designed and making boasts you can’t fulfill.” “Being involved in SYT productions is Bean, the ‘Ayrshire Cannibal’, and his family. performed 4 interactive play sessions Following a successful collaboration on THAT’S NOT MY NAME! such a great opportunity to develop In the style of gothic horror musicals like based on a theme of pirates. These ABERDEEN @ THE THE HERALD DECEMBER 2011 the skills necessary to work within Tam O’Shanter in 2009, Scotland’s ‘Sweeney Todd’, this fledging musical was sessions performed by SYT Productions LEMON TREE – JACK national youth theatre and national youth AND THE MAGIC BEANS theatre. The challenging nature of the explored and developed by the group promenaded through the store using “Very interactive, children just loved productions, and their rehearsals, dance agency have been working to develop – following the success of SYT Production working alongside Emma, Anna and Artistic games, song and role play to help the being part of the show.” really encourage creativity, and have a new collaborative piece of dance theatre. remount of The Puddock and the Princess Director, Mary McCluskey. The group pirates with their pirate problem. Each NURSERY TEACHER, GLASGOW built up my confidence in my abilities. Since August 2010, the two companies at The Lemon Tree, Aberdeen in 2010 a performed a short ‘work-in-progress’ session had up to 25 participants and It is hard work, but incredibly have been developing Running Free – a brand new piece was developed in before an audience of family and friends. took place in Hamley’s Glasgow store. enjoyable and worth every minute!” production exploring the worlds of parkour The group was lead by theatre maker, partnership with Aberdeen Performing and free running. What is it that motivates S GLASGOW @ THE KIRSTY, 18, PERTH S N N Thomas Hobbins. Arts called Jack and The Magic Beans . BRIAN COX STUDIO young people to take risks in these O O I I T FAMILY STORYTIME Taking the story of Jack and the Beanstalk THAT’S NOT MY NAME! extreme sports? Is it for thrills or is it T C C U BIRTHDAY PARTY and exploring Jack’s life before he climbs – SYT Productions continued with its something much more spiritual? Do they U D BBC SCOTLAND D O – as a new initiative and at the request of MERCHANT CITY the beanstalk, the production saw the tradition of putting a modern twist on well overcome barriers or do they use the O R CHRISTMAS EVE R P P

the audience, in June 2011, Family FESTIVAL TRAIL Lemon Tree transformed into a marketplace, loved classic tales in this its fourth CELEBRATIONS barrier as a lifting off point to propel them T T Y Storytime performed a bespoke version of – two SYT Productions participants, Viki Jack’s farmhouse, Daisy’s cowshed and a Y S interactive festive production. Working, – 7 young people aged 10 to 21, all forward onto new challenges? The S Hansel and Gretel as part of a 5th birthday Leech and Rosie Cosgrove, worked with bridge over a river. Directed by Associate once again, with Finlay McLay as designer, members of SYT Productions worked with script/project development sessions ran 18 party. The SYT Productions performers renowned early years theatre maker Director Fraser MacLeod and designed the team created a magical world where Karen McGrady-Parker to rehearse, as follows in 2011/12: 19 T T L L 2 2 1 1 A A R R included the birthday child’s name as a Brian Hartley on his interactive tour of by Finlay McLay, the performance Rumpelstiltskin was not an angry evil little memorize and perform Christmas poems 14-16 August 2011 / / U U O O 1 1 N N P P 1 1 character in the story and finished the the Merchant City, as part of the followed the interactive house style and gnome but was a cheeky but helpful selected by the BBC. These Development work continued with 6 actors E E N N 0 0 A R 2 A R 2 2 ANNUAL REPORT 0 SYT PRODUCTIONS 2011/12 ( ( t & K D 1 f t a p u w T p t / C ( m T J “ a l l d l n Q w e y o e r e m c r d I A c n n r s h h e h i 1 i Y e c

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( s ( .

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) ) ) * 2 ANNUAL REPORT 9 THE OLD SHERIFF COURT 2011/12 “One of our best theatrical experiences with the “Funny and energising. I have never done theatre children. The warmth of the performance put the workshops before, and this was a great first.” children (and adults) at ease immediately.” CASY, 16, PARTICPANT 9/11 SUMMER SCHOOL PARENT, GLASGOW s r o

t INTERNATIONAL a 9/11 SUMMER COMMONWEALTH YOUTH THEATRE r SCHOOL 2011 FESTIVAL OF YOUTH PERTH WA – in July ’12, Scottish Youth Theatre was THEATRE – this new youth theatre from Western o invited by the British Council to lead a – Scottish Youth Theatre is working in Australia approached Scottish Youth workshop with participants on the partnership with the National Theatre of Theatre to suggest future partnership

b Edinburgh leg of this summer school. It Scotland and Contact the World projects. This includes a visit by Youth involved young people who lost their (Manchester) to devise, develop and Theatre Perth to perform in the Brian

a parents during the 9/11 terrorist attack deliver a festival of youth theatre from Cox Studio in January 2013.

l on the USA. Karen McGrady-Parker across the Commonwealth. The festival OLLABORATION and number of visitors the company brings

l accompanied by members of SYT will run in parallel with the Glasgow ‘I had an amazing time and usually I partnerships are the way to the city. Productions devised and delivered a Games in 2014. don’t like activities like this.’ forward, especially in this time

o half-day workshop at Pollok Halls, BILLY, 16, PARTICIPANT of economic recession. Scottish Youth Theatre also wishes to Edinburgh University. 9/11 SUMMER SCHOOL Interfacing with friends old thank all who support the organisation c C and new is a healthy way of improving through the Yellow Brick Road scheme. best practice. The company wishes to

S thank all of the theatre organisations, Scottish Youth Theatre very much charities, local authorities, government appreciates the financial support it has departments, youth groups and schools received from the following Trust Funds, R who have collaborated on the many Foundations and individuals: The SYT We have said goodbye to: Claire Anderson, Ryan Bessant, Robbie Fraser, projects, performances and workshops Trust; The Theatre Club; Edwin Morgan Mairi Hall, Emma Lochhead, Rhiannon McCrorie and Alison Russell. We E BOARD &staff delivered in 2011/12. Estate; Persimmon Homes; Arts & have welcomed: Pippa Dale, Iain Findlay-Walsh and Kyriakos Vogiatzis. Business Scotland in conjunction with The company wishes to thank the Beattie Communications; Margaret N following: Hearne; Jim Thomson; Dr Bill Doig; BOARD OF DIRECTORS STAFF ASSOCIATE ARTISTS Cassea; John Scott Moncrieff. T Bobby Hain CHAIR Artistic Director (Chief Executive) Senior Projects Coordinator Francesca Adair Creative Scotland for continuing to Scottish Youth Theatre values its Mary McCluskey Pippa Dale Julie Austin support Scottish Youth Theatre as a mutually beneficial partnerships with: Carole Mackie VICE CHAIR Executive Director Receptionist Cath Baxter R Foundation Organisation, at this time of Festival City Theatres Trust; HMT Scott Anderson Caroline Cosgrove Sean Greenhorn David Carter transition. The company appreciates Aberdeen & Aberdeen Performing Arts; Anne-Marie Austin Associate Director Early Years Receptionist Dale Corlett this recognition of the youth theatre’s GCC Glasgow Life; NHS Health

A Karen McGrady-Parker Sean McCluskey David Cosgrove

Douglas Brown F

programme of activities all across Scotland; City Of Edinburgh Council; Mary Gapinski F

Associate Artistic Director Building Supervisor A Scotland. Aberdeen City Council; Eden Court Sarah Deas Rebecca Kilbey T James Rooney S

P Fraser MacLeod

&

Theatre; National Youth Choir of Fiona McGarry T Janette Harkess Cleaner Finance / Office Manager D R s Scottish Youth Theatre is grateful for Scotland; National Youth Orchestras of Kenny McGlashan R U Carol Rooney Julia Dzikowska Margaret Hearne A O

Finlay McLay O

C the continued revenue support from Scotland; National Youth Pipe Band of r

Senior Marketing Officer B

F Ralph Leishman Kieran McLoughlin

F Glasgow City Council. The company is Scotland; Y-Dance; Promote-YT; RCS; /

Emma Dunipac e F L I an integral part of the cultural life of the Federation Of Scottish Theatre; National Kenny Miller A R Frank McAveety

e Marketing Officer N E Sharon Miller

H city. Not only operating within the city Theatre of Scotland; Shakespeare In O Mary McCluskey Kyriakos Vogiatzis I S T but also bringing thousands of children, Schools Festival; Midnite Youth Theatre, Neil Packham A D L N d John Scott Moncrieff Martyn Robertson R

O young people and their families to Perth, Western Australia; Toronto Youth

E

E Pam Wardell Glasgow every year. The increased use Theatre; and the many schools, youth Thomas Murdock T H N

T Robin Wilson I n of the Old Sheriff Court as a venue for groups and local drama clubs who Harry Warnock conferences, meetings, rehearsals and engage with the company every year. 30 Jane Wilson 31 T T L L 2 performances has greatly improved the 2 u 1 1 A A R R / / U U O O 1 1 N N P P f 1 1 E E N N 0 0 A R 2 A 2 R 3 ANNUAL REPORT 2 PATRONS & FRIENDS 2011/12 PATRONS &friends E M P P T Y S M H P H A O C B A Y A T R E O U U L

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S Y T “SYT is diverse and keeps growing and pleases all markets of people from young children to adults with Family Storytime and Summer Festival and its nice to see new people loving the youth theatre the way I do.” LAURENN,17, GLASGOW