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Guitar Center Partners with Eric Clapton, John Mayer, and Carlos
Guitar Center Partners with Eric Clapton, John Mayer, and Carlos Santana on New 2019 Crossroads Guitar Collection Featuring Five Limited-Edition Signature and Replica Guitars Exclusive Guitar Collection Developed in Partnership with Eric Clapton, John Mayer, Carlos Santana, Fender®, Gibson, Martin and PRS Guitars to Benefit Eric Clapton’s Crossroads Centre Antigua Limited Quantities of the Crossroads Guitar Collection On-Sale in North America Exclusively at Guitar Center Starting August 20 Westlake Village, CA (August 21, 2019) – Guitar Center, the world’s largest musical instrument retailer, in partnership with Eric Clapton, proudly announces the launch of the 2019 Crossroads Guitar Collection. This collection includes five limited-edition meticulously crafted recreations and signature guitars – three from Eric Clapton’s legendary career and one apiece from fellow guitarists John Mayer and Carlos Santana. These guitars will be sold in North America exclusively at Guitar Center locations and online via GuitarCenter.com beginning August 20. The collection launch coincides with the 2019 Crossroads Guitar Festival in Dallas, TX, taking place Friday, September 20, and Saturday, September 21. Guitar Center is a key sponsor of the event and will have a strong presence on-site, including a Guitar Center Village where the limited-edition guitars will be displayed. All guitars in the one-of-a-kind collection were developed by Guitar Center in partnership with Eric Clapton, John Mayer, Carlos Santana, Fender, Gibson, Martin and PRS Guitars, drawing inspiration from the guitars used by Clapton, Mayer and Santana at pivotal points throughout their iconic careers. The collection includes the following models: Fender Custom Shop Eric Clapton Blind Faith Telecaster built by Master Builder Todd Krause; Gibson Custom Eric Clapton 1964 Firebird 1; Martin 000-42EC Crossroads Ziricote; Martin 00-42SC John Mayer Crossroads; and PRS Private Stock Carlos Santana Crossroads. -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Peter Gabriel's Secret World - 4 Worlds Limited Edition Mp3, Flac, Wma
Peter Gabriel Xplora 1: Peter Gabriel's Secret World - 4 Worlds Limited Edition mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Xplora 1: Peter Gabriel's Secret World - 4 Worlds Limited Edition Country: UK & Europe Released: 1994 Style: Pop Rock, Synth-pop MP3 version RAR size: 1565 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1958 mb Rating: 4.4 Votes: 716 Other Formats: TTA VOX MP3 VQF ADX MPC APE Tracklist Hide Credits Secret World Live (CD) CD1-1 Come Talk To Me 6:13 CD1-2 Steam 7:45 Across The River CD1-3 6:00 Written-By – David Rhodes, Shankar, Stewart Copeland CD1-4 Slow Marimbas 1:41 Shaking The Tree CD1-5 9:18 Written-By – Youssou N'Dour CD1-6 Red Rain 6:15 CD1-7 Blood Of Eden 6:58 CD1-8 Kiss That Frog 5:58 CD1-9 Washing Of The Water 4:07 CD1-10 Solsbury Hill 4:42 CD2-1 Digging In The Dirt 7:36 CD2-2 Sledgehammer 4:58 CD2-3 Secret World 9:10 CD2-4 Don't Give Up 7:35 CD2-5 In Your Eyes 11:32 Secret World Live (VHS) VHS1 Come Talk To Me VHS2 Steam Across The River VHS3 Written-By – David Rhodes, Shankar, Stewart Copeland VHS4 Slow Marimbas Shaking The Tree VHS5 Written-By – Youssou N'Dour VHS6 Blood Of Eden VHS7 San Jacinto VHS8 Kiss That Frog VHS9 Washing Of The Water VHS10 Solsbury Hill VHS11 Digging In The Dirt VHS12 Sledgehammer VHS13 Secret World VHS14 Don't Give Up VHS15 In Your Eyes Companies, etc. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
A Comparison of Patients Relapsing to Addictive Drug Use with Non
A Comparison of Patients Relapsing to Addictive Drug Use with Non-relapsing Patients Following Residential Addiction Treatment in Antigua TC Martin1,2, JA Josiah-Martin1, J Kosakoski1, K Norton1, T Sinnott1 ABSTRACT The outcome of a 29-day residential addiction treatment programme for persons from Antigua and Barbuda with addiction to drugs or alcohol was assessed. All 100 patients entering the drug and alco- hol treatment programme at Crossroads Centre Antigua between November 1998 and October 2002 were included. All patients were assessed with regards to drug or alcohol use or abstinence in November 2002 using telephone and mail follow-up as well as informal follow-up with families and other community contacts. Crossroads Centre Antigua is a 35 bed, 29-day residential treatment centre for drug and alcohol addiction serving patients from developed countries (85%) and from the Caribbean region (15%). Patients records were also reviewed to obtain age, gender, ethnicity, drug of choice, years of problematic use, completion of the 29 day programme, family member participation at Crossroads Centre Antigua (a four-day programme) and acceptance of halfway house placement. Of the 100 Antiguan patients admitted, 46 (46%) were abstinent (non-relapsers) at average 20.7 ± 14.7 months after treatment. Abstinence did not have to be continuous. Forty-nine were known to be using drug or alcohol (49%) and five (5%) were lost to follow-up and considered to be using drugs (relapsers). Age (37.5 vs 41.1 years), gender (28% vs 22% female), ethnicity (87% vs 87% Afro- Caribbean), years of harmful use (12.7 vs 12.5 years) did not differ significantly between relapsers and non-relapsers. -
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
EUROPE the Final Countdown (Hard Rock)
EUROPE The final countdown (Hard Rock) Année de sortie : 1986 Nombre de pistes : 10 Durée : 43' Support : Vinyl Provenance : Acheté Nous avons décidé de vous faire découvrir (ou redécouvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! En 1986, le line-up de EUROPE, groupe de Hard-Rock suédois se stabilise. Formé en 1979 par Joey TEMPEST, chant, guitare, clavier et John NORUM, guitare et nommé FORCE, EUROPE, nom choisi en 1982 accueille un nouveau batteur, Ian HAUGLAND en remplacement de Tony RENO, Mic MICHAELI, claviériste intègre le groupe, le poste de bassiste étant occupé depuis 1981 par John LEVEN. Pour ce troisième album entièrement composé par Joey, hormis une co-écriture avec Mic pour Carrie, EUROPE s'adjoint les services de Kevin ELSON (JOURNEY) pour l'enregistrement et la production. Que dire, si ce n'est que nous avons là la quintessence même du Hard-Rock FM et l'un des deux chefs-d'oeuvre absolu du style avec The Final Countdown ! (l'autre étant Runaway sur le premier BON JOVI !) Cet album est une totale réussite, chant et ligne de chant au top, claviers omniprésents, riffs de guitares rock et soli dantesques (amusez-vous à jouer celui de The Final Countdown !), rythmique rock implacable, EUROPE place la barre très haute ! Un album qui ne connaît aucune faiblesse et enchaîne hymnes sur hymnes ! Avec The Final Countdown, EUROPE devient un groupe au succès mondiale et enregistre en fin d'année 1986 le départ de John NORUM. -
Completeandleft
MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams -
Planner 2004
WACO & THE HEARTOFTEXAS MEETING & CONVENTION PLANNERS’ GUIDE 2 WELCOME TO WACO 5 Letters of Welcome 7 Waco History 11 Multicultural History 13 Facts and References 14 Local Media 15 Greater Waco Map 16 Downtown Waco Map TABLE OF 17 WACO & THE HEART OF TEXAS 19 MEETING AND EVENTS FACILITIES CONTENTS 19 Waco Convention Center 22 Extraco Events Center Thank you for considering Waco for 23 Ferrell Center your next meeting or event. This guide 24 Indoor Event Venues 25 Outdoor Event Venues has been designed to introduce you to what Waco has to offer. For the most 26 LODGING 26 Hotels current information about the 32 Bed and Breakfasts Heart of Texas, please visit our 33 Accommodations Map website at wacoheartoftexas.com. 34 DOWNTOWN ENTERTAINMENT MAP 36 HOT SPOTS & PERFORMING ARTS 37 SIGHTS AND ATTRACTIONS 46 SPORTS AND RECREATIONAL VENUES 48 PARKS AND TRAILS 50 TRANSPORTATION 7/13 JOIN US Dear Meeting and Event Planner: Consider Waco for your next convention, meeting, or sports event. Waco has a long history as a destination city for meetings and events and is a favorite choice among tour and leisure vacation planners. Waco is conveniently located in the heart of Texas and is easily accessible by road, rail or air. The Waco Convention Center is located on the Brazos River Corridor in downtown Waco and is convenient to excellent lodging facilities and first-class attractions. Waco & the Heart of Texas is ready to work to facilitate all of your needs. Their care and attention to detail is sure to make your meeting planning a great experience. -
Download Europe Full Album the Final Countdown (Expanded Edition) Purchase and Download This Album in a Wide Variety of Formats Depending on Your Needs
download europe full album The Final Countdown (Expanded Edition) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £10.49. One of the most glorious launches in history, the title track for the thrice-platinum The Final Countdown is so bombastically brilliant, such glorious garbage, that this nuclear hair assault could only spew from the vacuous '80s. But the full-tilt follow-up "Rock the Night" rules also: "You know it ain't easy/Running out of thrills." "Carrie" comes off a consummate butane ballad. Meanwhile, the rest of the disc packs so much power that Swedish superheroes Europe get away with all the processed pretension. In fact, the lofty ambition of "Danger on the Track," "Ninja," and "Cherokee" (each as tasty as its title) combines with heated drive and hot delivery to meld The Final Countdown into a unique portrait of propulsive prog and a worthy addition to any hard rock collection. This is the story; this is the legend told by Teutonic guitars and predictable keyboards ringing pure and hurtling through each and every convention perfectly. The quintet's big-boy Epic inaugural, The Final Countdown deftly combines the Valhalla victory of Europe's heroic debut with the American poodle pomposity that devoured the band. You could live without The Final Countdown, but why? © Doug Stone /TiVo. Europe (2) Hair / Glam Metal (Heavy Metal) band from Upplands Väsby, Stockholm, (Sweden). Europe formed in 1979. The band rose to international fame in the 1980s with its third album, 1986's The Final Countdown, which sold over three million copies in the United States. -
Kontrapunkt“ Karla Janečka
UNIVERSITAS PALACKIANA OLOMUCENSIS 2017 25 MUSICOLOGICA OLOMUCENSIA 25 MUSICOLOGICA musicologica ISSN 1212-1193 olomucensia ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FACULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 49 – 2017 MUSICOLOGICA OLOMUCENSIA 25 Universitas Palackiana Olomucensis 2017 Musicologica Olomucensia Editor-in-chief: Lenka Křupková Editorial Board: Michael Beckerman – New York University, NY; Mikuláš Bek – Masaryk University, Brno; Roman Dykast – Academy of Performing Arts, Prague; Jarmila Gabrielová – Charles University, Prague; Yvetta Kajanová – Komenský University, Bratislava; Magdalena Dziadek – Jagiellonian University in Kraków; Jiří Kopecký – Palacký University, Olomouc Executive editor of Volume 25 ( June 2017): Jan Blüml „Zpracování a vydání publikace bylo umožněno díky fi nanční podpoře, udělené roku 2017 Ministerstvem školství, mládeže a tělovýchovy ČR v rámci Institucionálního rozvojového plánu, Filozofi cké fakultě Univerzity Palackého v Olomouci.“ „Processing and publication of this issue was made possible through the fi nancial support granted in 2017 by Ministry of Education, Youth and Sports of the Czech Republic within the Institutional development plan, to Faculty of Arts, Palacký University in Olomouc.“ Th e scholarly journal Musicologica Olomucensia has been published twice a year (in June and December) since 2010 and follows up on the Palacký University proceedings Acta Universitatis Palackianae Olomucensis – Musicologica Olomucensia (founded in 1993) and Kritické edice hudebních památek [Critical