Sick Puppies Connect Her Own on Connect, with More and That’S Rounded Us out When We on Saturday, September 7, the Other, Their Own Psyches—And Vate New Ones
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Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
A Multi-Level Analysis of Songwriter Career Strategies by Rachel S
Changing Patterns of Cooperation in Occupational Communities: A Multi-Level Analysis of Songwriter Career Strategies By Rachel Skaggs Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Sociology August 10, 2018 Nashville, Tennessee Approved: Daniel B. Cornfield, PhD Shaul Kelner, PhD Joshua Murray, PhD Copyright © 2018 by Rachel Skaggs All Rights Reserved ii To my father, Donnie Skaggs, who I’ve watched pursue his songwriting dreams. To my mother, Rose Skaggs, who supports his dreams and mine. To David Carlson. His dreams and mine are intertwined. iii ACKNOWLEDGMENTS It is an overwhelming task to think of all of the support that people have given me in support of this dissertation. My dissertation is about collaboration, and I have been unmeasurably lucky to have collaborated with wonderful people. I want to begin by thanking every songwriter I interviewed. Without their trust and insight, I could not have conducted research that is as compelling, touching, and important as the project that has emerged. The generosity and openness of these people, most of whom were total strangers to me, is inspiring. Next, I must acknowledge the support of the Robert Penn Warren Center for the Humanities. As a dissertation fellow at the Warren Center, I was able to truly develop my ideas and focus on the work of writing a good dissertation. My fellow fellows at the Warren Center challenged me and supported me. Danielle Picard, Wietske Smeele, Sara Kollner, Alexandra Alekseyeva, David Vila, and James Phelan all contributed to the ways I think about my own work as I try to present it in a manner that is intelligible and meaningful to an interdisciplinary audience. -
Bio.Inthismomentritu
Throughout history, art rejoices and revels in the wisdom of women. Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues. It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.” The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8. -
Gary Numan - Hammersmith Apollo, London - November 28, 2014
1 Gary Numan - Hammersmith Apollo, London - November 28, 2014 by Mireille Beaulieu Original French version © Obsküre magazine - http://www.obskuremag.net http://www.obskuremag.net/articles/gary-numan-live-hammersmith-apollo-londres- 28112014/ Gary Numan’s recent concert at London’s Hammersmith Apollo had long been announced as a major event. This show was the crowning moment of the world tour Numan had undertaken in October 2013, as he was promoting his new album Splinter (Songs from a broken mind ). Undoubtedly one of the artist’s major works, Splinter garnered unparalleled public and critical acclaim. It even entered the UK Top 20 – the first Numan album to do so since Warriors in 1983. Gary Numan started this long tour in the US before visiting the UK, Ireland, Israel, continental Europe (but sadly not Paris), Canada, Australia and New Zealand. Photos: Louise Barnes and Jim Napier © Jim Napier 2 But it was also a “homecoming concert”, a return to his roots for Numan, who currently resides in Los Angeles. For the first time since 1996, he was to take over the Hammersmith Apollo, the legendary UK venue formerly known as the Hammersmith Odeon. This is where David Bowie killed off his Ziggy Stardust character in 1973... Around the same period, a teenage Gary (then still Gary Webb) would often attend gigs there. Then, with the explosion of the Numan phenomenon in 1979, the “Hammy” became for many years the London venue of his choice when he was touring. Gary, who was born in Hammersmith, obviously has a deep connection with the place. -
GEAR Roundup!
GEAR Roundup! Post your review—or challenge ours—at the GP forum. SPECS | Hanson Musical Instruments, (773) 251-9684; hansonguitars.com MODEL CHICAGOAN CIGNO FIRENZE ST GATTO PRICE $870 direct $675 direct $599 direct $675 direct NECK Maple, set Mahogany, set Maple, bolt-on Mahogany, set FRETBOARD Ebony Rosewood Rosewood Rosewood FRETS Medium jumbo Medium jumbo Medium jumbo Medium jumbo SCALE 24.75" 24.75" 25.5" 24.75" BODY Bound maple top, back, and sides Mahogany Ash Mahogany PICKUPS Hanson mini-humbuckers Hanson P90s Hanson Blade mini-humbuckers Hanson Classic humbuckers with coil tap CONTROLS 2 Volume, 2 Tone, 3-way pickup Master Volume, Master Tone, Master Volume, Master Tone, Master Volume, Master Tone (pull selector 5-way pickup selector 5-way pickup selector for coil tap), 3-way pickup selector BRIDGE Tune-o-matic with roller saddles, TonePros TonePros TonePros Bigsby B70 tremolo TUNERS Hanson Hanson Hanson Hanson KUDOS Airy tones with great articulation. Round, ballsy sound with punch. Mini humbuckers deliver nice Fat, punchy humbucker tones. Sleek Looks retro fabulous. Looks ultra cool. Love that focused mids with a ton of spank. looks. baseball-bat neck! CONCERNS A few minor cosmetic issues. A few minor cosmetic issues. A few minor cosmetic issues. A few minor cosmetic issues. Neck may be too thick for some. 92 MARCH 2010 GUITARPLAYER.COM Hanson Chicagoan, Cigno, Firenze ST, and Gatto TESTED BY MICHAEL MOLENDA HANSON MUSICAL INSTRUMENTS OF CHICAGO STARTED OUT APPROXIMATELY five years ago making bass pickups, then guitar pickups, and, finally, gui- tars. The evolution of the product line informed the company’s approach to guitar making, as it developed a series of pickups first, and then designed guitars around the tone and vibe of each pickup. -
Martin & Co Denies Receiving Stirling Students' Complaints
Brig | October 2011 Martin & Co denies receiving Stirling sets £27,000 Stirling students’ complaints tuition fee for rest of Aya Kawanishi the UK students News Editor day, Stirling University failed students Zsuzsanna Matyak from disadvantaged backgrounds by etting agency Martin & Co de- News Editor setting its degrees cost at £27,000. We nied that any written formal are fully against tuition fees, and this complaints were received, de- he University of Stirling has decision by Stirling puts degrees there Lspite claims from Stirling stu- become one of the most ex- as expensive as the worst excesses of dents who rented a property from them pensive universities in the the English system.” between 4 August 2010 and 2 August UK after announcing its Professor Gerry McCormac, Prin- 2011. T cipal and Vice-Chancellor of Stirling decision to charge £6,750 per year, Former tenants of 23 Chandlers Court instead of the current £1,800, for stu- University, said they had no choice. Stirling, Dominique Maske and her flat- dents from England, Wales and North- “The University of Stirling has always mate, wrote to the agency on a number ern Ireland from 2012. This makes a believed that access to higher educa- of occasions regarding issues they had four-year degree cost £27,000. tion should be based on ability, not such as the lease document and the con- Hand in hand with the significantly background or the ability to pay. As dition of the flat. increased tuition fee comes a new a result of the new funding arrange- In a statement, Managing Director of range of scholarships and bursaries ments, Scottish universities have no Martin & Co Stirling, Imtiaz Ahmed, for both Scottish and rest of the UK choice but to charge fees for students said that they have “not received a for- (RUK) students, and the encourage- from the rest of the UK. -
A Conversation with Gary Numan & John Bergin Mike Ragogna
A Conversation with Gary Numan & John Bergin Mike Ragogna: John and Gary, what brought the two of you together for film From Inside? John Bergin: Gary had just moved to LA and was looking to learn about film scoring. There is no greater place to learn about the world of film music than Lakeshore Records where I am Art Director, so that's where we crossed paths. At the time were preparing From Inside for release after a three year tour playing festivals. When Gary came by to introduce himself, it was perfect timing that we were looking for a final score to the film. For Gary, scoring From Inside was a great way to introduce himself to the process. For me, it was literally a dream come true, having been a long-time fan of his work. Gary Numan: When I first moved to the US I introduced myself to a few people to let them know I was very interested in working on film and TV music. A few days after, I met with Brian McNellis at Lakeshore I had a phone call saying that they were interested in working with me on a special edition of John's From Inside animated movie. It was exactly what I was looking for. John was familiar with my music so it was a low pressure introduction for me into the requirements and skills of film score writing. It seemed to me that I would learn a lot, without somebody screaming at me and beating me with a large stick, which is exactly what happened. -
"Erase Me": Gary Numan's 1978-80 Recordings
Ought: The Journal of Autistic Culture Volume 2 Issue 2 Article 4 June 2021 "Erase Me": Gary Numan's 1978-80 Recordings John Bruni [email protected], [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/ought Part of the Critical and Cultural Studies Commons, Disability Studies Commons, and the Music Commons Recommended Citation Bruni, John (2021) ""Erase Me": Gary Numan's 1978-80 Recordings," Ought: The Journal of Autistic Culture: Vol. 2 : Iss. 2 , Article 4. Available at: https://scholarworks.gvsu.edu/ought/vol2/iss2/4 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Ought: The Journal of Autistic Culture by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. “Erase Me”: Gary Numan’s 1978-80 Recordings John Bruni ary Numan, almost any way you look at him, makes for an unlikely rock star. He simply never fits the archetype: his best album, both Gin terms of artistic and commercial success, The Pleasure Principle (1979), has no guitars on it; his career was brief; and he retired at his peak. Therefore, he has received little critical attention; the only book-length analysis of his work is a slim volume from Paul Sutton (2018), who strains to fit him somehow into the rock canon. With few signposts at hand—and his own open refusal to be a star—writing about Numan is admittedly a challenge. In fact, Numan is a good test case for questioning the traditional belief in the authenticity of individual artistic genius. -
From Zones of Conflict Comes Music for Peace
From zones of conflict comes music for peace. What is Fambul Tok? Around a crackling bonfire in a remote village, the war finally ended. Seven years since the last bullet was fired, a decade of fighting in The artists on this album have added their voices to a high-energy, Sierra Leone found resolution as people stood and spoke. Some had urgent call for forgiveness and deep dialogue. They exemplify the perpetrated terrible crimes against former friends. Some had faced creative spirit that survives conflict, even war. From edgy DJs and horrible losses: loved ones murdered, limbs severed. But as they soulful singer-songwriters, from hard-hitting reggae outfits to told their stories, admitted their wrongs, forgave, danced, and sang transnational pop explorers, they have seen conflict and now sow together, true reconciliation began. This is the story of “Fambul Tok” peace. They believe in the power of ordinary people - entire com- (Krio for “family talk”), and it is a story the world needs to hear. munities ravaged by war - to work together to forge a lasting peace. They believe in Fambul Tok. Fambul Tok originated in the realization that peace can’t be imposed from the outside, or the top down. Nor does it need to be. The com- munity led and owned peacebuilding in Sierra Leone is teaching us that communities have within them the resources they need for their own healing. Join the fambul at WAN FAMBUL O N E FA M I LY FAMBULTOK.COM many voices ... Wi Na Wan Fambul BajaH + DRY EYE Crew The groundbreaking featuring Rosaline Strasser-King (LadY P) and Angie 4:59 grassroots peacebuilding of Nasle Man AbjeeZ 5:33 the people of Sierra Leone Say God Idan RaicHel Project has also been documented featuring VieuX Farka Toure 4:59 in the award-winning film Ba Kae Vusi MAHlasela 5:05 Fambul Tok, and in its Guttersnipe BHI BHiman 6:52 companion book, Fambul Shim El Yasmine 5:10 Tok. -
Planner 2004
WACO & THE HEARTOFTEXAS MEETING & CONVENTION PLANNERS’ GUIDE 2 WELCOME TO WACO 5 Letters of Welcome 7 Waco History 11 Multicultural History 13 Facts and References 14 Local Media 15 Greater Waco Map 16 Downtown Waco Map TABLE OF 17 WACO & THE HEART OF TEXAS 19 MEETING AND EVENTS FACILITIES CONTENTS 19 Waco Convention Center 22 Extraco Events Center Thank you for considering Waco for 23 Ferrell Center your next meeting or event. This guide 24 Indoor Event Venues 25 Outdoor Event Venues has been designed to introduce you to what Waco has to offer. For the most 26 LODGING 26 Hotels current information about the 32 Bed and Breakfasts Heart of Texas, please visit our 33 Accommodations Map website at wacoheartoftexas.com. 34 DOWNTOWN ENTERTAINMENT MAP 36 HOT SPOTS & PERFORMING ARTS 37 SIGHTS AND ATTRACTIONS 46 SPORTS AND RECREATIONAL VENUES 48 PARKS AND TRAILS 50 TRANSPORTATION 7/13 JOIN US Dear Meeting and Event Planner: Consider Waco for your next convention, meeting, or sports event. Waco has a long history as a destination city for meetings and events and is a favorite choice among tour and leisure vacation planners. Waco is conveniently located in the heart of Texas and is easily accessible by road, rail or air. The Waco Convention Center is located on the Brazos River Corridor in downtown Waco and is convenient to excellent lodging facilities and first-class attractions. Waco & the Heart of Texas is ready to work to facilitate all of your needs. Their care and attention to detail is sure to make your meeting planning a great experience. -
CURREN$Y Verde Terrace 8.23.11 Jetlife Recordings / Warner Bros
CURREN$Y Verde Terrace 8.23.11 JetLife Recordings / Warner Bros. Records Hip-hop artists who need help figuring out their live show, talk to Spitta. Philadelphia Weekly New Orleans weed-rapper Curren$y has built a large following over the past few years for his mellowed-out rhymes and spacey instrumentals, releasing a string of solid albums and mixtapes at a nearly inhuman rate. Riverfront Times "You also can't argue against the fact that Curren$y's both prolific and consistent, a rare quality if there ever was one." PrefixMag.com "There is not a week that goes by, where his name isn’t either buzzing or trending online, something new drops on the radio, or there is new material available on iTunes." stupidDOPE.com Verde Terrace doesn't break any new territory for Curren$y, but "new territory" isn't really part of his M.O.-- he is digging a groove, one into which he settles more comfortably each year…Curren$y is refining the contours of his tiny universe so that it resembles no one else's. Pitchfork.com, Verde Terrace review (7.3 of 10) Curren$y understands the formula to creating a cult following: consistent, high quality music delivered frequently…Spitta offers an album full of his standard weed, women and clothes that made him the cult icon and fan favorite he is now. Off Beat Magazine, album review Curren$y’s the paradox in the microwave rap argument. Ology.com, mixtape review (3 of 5) With that, Curren$y and his Jets crew add to his ever-growing discography of mixtapes. -
Kontrapunkt“ Karla Janečka
UNIVERSITAS PALACKIANA OLOMUCENSIS 2017 25 MUSICOLOGICA OLOMUCENSIA 25 MUSICOLOGICA musicologica ISSN 1212-1193 olomucensia ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FACULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 49 – 2017 MUSICOLOGICA OLOMUCENSIA 25 Universitas Palackiana Olomucensis 2017 Musicologica Olomucensia Editor-in-chief: Lenka Křupková Editorial Board: Michael Beckerman – New York University, NY; Mikuláš Bek – Masaryk University, Brno; Roman Dykast – Academy of Performing Arts, Prague; Jarmila Gabrielová – Charles University, Prague; Yvetta Kajanová – Komenský University, Bratislava; Magdalena Dziadek – Jagiellonian University in Kraków; Jiří Kopecký – Palacký University, Olomouc Executive editor of Volume 25 ( June 2017): Jan Blüml „Zpracování a vydání publikace bylo umožněno díky fi nanční podpoře, udělené roku 2017 Ministerstvem školství, mládeže a tělovýchovy ČR v rámci Institucionálního rozvojového plánu, Filozofi cké fakultě Univerzity Palackého v Olomouci.“ „Processing and publication of this issue was made possible through the fi nancial support granted in 2017 by Ministry of Education, Youth and Sports of the Czech Republic within the Institutional development plan, to Faculty of Arts, Palacký University in Olomouc.“ Th e scholarly journal Musicologica Olomucensia has been published twice a year (in June and December) since 2010 and follows up on the Palacký University proceedings Acta Universitatis Palackianae Olomucensis – Musicologica Olomucensia (founded in 1993) and Kritické edice hudebních památek [Critical