As Things Should Be but Never Are
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Hrabal Bio Sample Extracts in English
THE BITTER FRUIT OF THE GARDEN OF DELIGHTS BOHUMIL HRABAL: HIS LIFE AND WORK BY MONIKA ZGUSTOVA Sample extracts in English AUTHOR'S NOTE Above all else, this book is the end result of my conversations and interviews with Bohumil Hrabal. Over the four year period which it took to prepare this text, I talked with him either at his country house in the middle of the Kersko woods, or, more frequently, in the beer halls in the Old Town of Prague. Most of the quotes and dates have therefore been taken from Hrabal himself, in person. Other quotes are taken from the Complete Works of Bohumil Hrabal in 19 Volumes. Other useful sources have been included in the bibliography at the back of the book. Apart from thanking Bohumil Hrabal, I would like to acknowledge my debt to those who have provided me with information and unpublished material which have proven especially valuable: Vera Sykorova-Marysko, Susanna Roth and Jirina and Josef Zumr; also to Josef Hirsal., Vladimír Karfík Karel Siktanc and Tomás Mazal, who I would like to add to the list for having read the text through and - thanks to their corrections and suggestions as regards both factual events and style - for having helped produce the final version of the this book; to Jirí Kolár, Jan Vladislav, George Gibian Marie and Vladimír Vodicka, Claudio Poeta, Václav Kadlec and Madla and Ludvík Vaculík for their varied and invaluable assistance in preparing this text; and to Jirina and Josef Zumr, Vera Sykorová-Marysko and Tomás Mazal for supplying me with photographs from their archive. -
2015 Summer Newsletter
385 Kings Highway North Cherry Hill, NJ 08034 For more information call the SFDV office at 866-675-5545 or email [email protected] thePURSUIT Every Step Counts Stepping Out to Cure SCLERODERMA EDUCATE • ADVOCATE • CURE WALKs NEWSLETTER OF THE SCLERODERMA FOUNDATION DELAWARE VALLEY CHAPTER Summer 2015 Inside This Issue SUPPORTwith Love November 15, 2014: a perfectly joyous day, as we watched our pre- Then we discovered the Stepping Out to Cure Scleroderma Walk Springing Into Action cious 26-year-old daughter marry a caring, funny, wonderful man. planned for May 2nd in Ventnor City, NJ. We recalled walking for Saturday, August 8th January 28, 2015: an imperfectly scary day as I heard the physician our friend 15 years ago in Philadelphia and knew this was an impor- Race4Linda .........................................p. 2 declare that this same precious daughter has limited systemic scle- tant chance to spread the word about this rare disease to our family John Rudy Park rosis. The word scleroderma held particular meaning for us, as we and friends and to convey the need for emotional and educational 400 Mundis Race Road, York, PA Cruise for a Cure ...............................p. 2 had all watched a dear friend fight an aggressive form of the disease support for those who are impacted, as well as funds for continuing around 15 years ago. But we also knew that it took her many, many research in the hopes of changing the future. Our daughter created Registration 9:30am | Walk Starts 10:30am years to receive the diagnosis, which didn’t happen until she already a team, and that was the moment that initiated our family’s finding Women’s Club Fitness Center had major irreversible organ involvement. -
No. 122 November 2012
No. 122 November 2012 THE RED HACKLE RAF A4 JULY 2012_Layout 1 01/08/2012 10:06 Page 1 their future starts here Boarding Boys & Girls aged 9 to 18 Scholarship Dates: Sixth Form Saturday 17th November 2012 Junior (P5-S1) Saturday 26th January 2013 Senior (Year 9/S2) Monday 25th – Wednesday 27th February 2013 Forces Discount and Bursaries Available For more information or to register please contact Felicity Legge T: 01738 812546 E: [email protected] www.strathallan.co.uk Forgandenny Perthshire PH2 9EG Strathallan is a Scottish Charity dedicated to education. Charity number SC008903 No. 122 42nd 73rd November 2012 THE RED HACKLE The Chronicle of The Black Watch (Royal Highland Regiment), its successor The Black Watch, 3rd Battalion The Royal Regiment of Scotland, The Affiliated Regiments and The Black Watch Association The Old Colours of the 1st Battalion The Black Watch and 1st Battalion 51st Highland Volunteers were Laid Up in Perth on 23 June 2012. This was the final military act in the life of both Regiments. NOVEMBER 2012 THE RED HACKLE 1 Contents Editorial ..................................................................................................... 3 Regimental and Battalion News .............................................................. 4 Perth and Kinross The Black Watch Heritage Appeal, The Regimental Museum and Friends of the Black Watch ...................................................................... 8 is proud to be Correspondence ..................................................................................... -
Writing the Walls 2018
When HVCCA opened in 2004, it had a broad vision to support contemporary artists and to offer insight into challenging new works and new media. That same year we also showcased emerg- ing artists from the performance, installation and technology arenas through our first Peekskill Project, placing art along public roads, in Parks and in abandoned buildings throughout the city of Peekskill. We hosted our first Art-in-Residency to Sandra Tomboloni of Florence, celebrating her creativity in a closing solo exhibition. In 2007, 11 years ago, Mara Mills came to me with the suggestion to invite poets and artists of the spoken word to offer original works that would intersect with the art works presented in the exhibitions, to model varied ways for people to relate to contemporary art, to offer the freedom of personal expression through viewing and absorbing the arts in a new and unique way. Since then 11 iterations of Writing the Walls have taken place at HVCCA, with excited participants passing from art work to art work, following the paths of the writers as they read and perform their works in front of their inspiring piece. Our appreciation goes to Mara Mills, our talented Deputy Director and mentor in the Theatre Arts, who, each year, has breathed life into this project and who deftly, guides the poets and playwrights in their readings and performances, and to JoAnn Brody who worked tirelessly to mount the works near their respective art and who made this book a reality. Livia Selmanowitz Straus, PhD Executive Director, Hudson Valley Center for Contemporary Art Writing the Walls The exhibition was called XXLarge and the works on the walls of The Hudson Valley Center for Contemporary Art were indeed enormous; large enough to be stage sets. -
Beets Documentation Release 1.5.1
beets Documentation Release 1.5.1 Adrian Sampson Oct 01, 2021 Contents 1 Contents 3 1.1 Guides..................................................3 1.2 Reference................................................. 14 1.3 Plugins.................................................. 44 1.4 FAQ.................................................... 120 1.5 Contributing............................................... 125 1.6 For Developers.............................................. 130 1.7 Changelog................................................ 145 Index 213 i ii beets Documentation, Release 1.5.1 Welcome to the documentation for beets, the media library management system for obsessive music geeks. If you’re new to beets, begin with the Getting Started guide. That guide walks you through installing beets, setting it up how you like it, and starting to build your music library. Then you can get a more detailed look at beets’ features in the Command-Line Interface and Configuration references. You might also be interested in exploring the plugins. If you still need help, your can drop by the #beets IRC channel on Libera.Chat, drop by the discussion board, send email to the mailing list, or file a bug in the issue tracker. Please let us know where you think this documentation can be improved. Contents 1 beets Documentation, Release 1.5.1 2 Contents CHAPTER 1 Contents 1.1 Guides This section contains a couple of walkthroughs that will help you get familiar with beets. If you’re new to beets, you’ll want to begin with the Getting Started guide. 1.1.1 Getting Started Welcome to beets! This guide will help you begin using it to make your music collection better. Installing You will need Python. Beets works on Python 3.6 or later. • macOS 11 (Big Sur) includes Python 3.8 out of the box. -
Dave Cobb Episode Transcript
VOICES IN THE HALL DAVE COBB EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest, producer extraordinaire Dave Cobb. DAVE COBB When we approach these records we approach it much the way a record would’ve been done in 1965, 1970. And it’s humans playing together. There are mistakes all over the record. There’s timing issues, there’s tuning issues, there’s pitch issues, there’s flubs of words. The same way people are seeking out organically grown food, I think people are seeking out organically grown music at the same time. The moment I heard Chris Stapleton I was like, “Man I’ve got to track him down.” If I can just get to Nashville I’d run into him and I’d run into Jason Isbell and try to sucker them in to make records. I like to fly by the seat of my pants. Walk in and see what’s going to grab you that day. To me it was a really cool thing about linking really great artists that I like now, and linking Nashville, what Nashville is today. Taking kind of a snapshot of it. And I love it when I get to introduce somebody to somebody else I think is talented. And you see there eyes both sparkle. And I love the unity in the scene. That’s why I moved here. PETER COOPER It’s Voices in the Hall, with Dave Cobb. “4th of July” - Shooter Jennings (Black Magick / Universal South) PETER COOPER “Fourth of July,” from Shooter Jennings. -
Songfest 2008 Book of Words
A Book of Words Created and edited by David TriPPett SongFest 2008 A Book of Words The SongFest Book of Words , a visionary Project of Graham Johnson, will be inaugurated by SongFest in 2008. The Book will be both a handy resource for all those attending the master classes as well as a handsome memento of the summer's work. The texts of the songs Performed in classes and concerts, including those in English, will be Printed in the Book . Translations will be Provided for those not in English. Thumbnail sketches of Poets and translations for the Echoes of Musto in Lieder, Mélodie and English Song classes, comPiled and written by David TriPPett will enhance the Book . With this anthology of Poems, ParticiPants can gain so much more in listening to their colleagues and sharing mutually in the insights and interPretative ideas of the grouP. There will be no need for either ParticiPating singers or members of the audience to remain uninformed concerning what the songs are about. All attendees of the classes and concerts will have a significantly greater educational and musical exPerience by having word-by-word details of the texts at their fingertiPs. It is an exciting Project to begin building a comPrehensive database of SongFest song texts. SPecific rePertoire to be included will be chosen by Graham Johnson together with other faculty, and with regard to choices by the Performing fellows of SongFest 2008. All 2008 Performers’ names will be included in the Book . SongFest Book of Words devised by Graham Johnson Poet biograPhies by David TriPPett Programs researched and edited by John Steele Ritter SongFest 2008 Table of Contents Songfest 2008 Concerts . -
100 Women: Collaborations Beyond the Veil
100 Women: Collaborations Beyond The Veil Ginny Sykes Commemorating the 100th Anniversary of Women’s Suffrage and the Ratification of the 19th Amendment to the United States Constitution Acknowledgements This catalogue is published in conjunction with: 100 Women: Collaborations Beyond the Veil Exhibition Curated by Elizabeth Loch Based on the original solo performance August 26th-December 1st, 2020 and outdoor exhibition Woodson Regional Public Library at Dryphoto Arte Contemporanea in Prato, Italy 9525 S Halsted Street, Chicago Illinois by Ginny Sykes Strength in Suffrage: A Live Stream Event Hosted by the Chicago Women’s History Center Featuring: Video by Ginny Sykes Poetry by Carron Little In loving memory of Teresa Mangiacapra, for being with me from the beginning. THE CHICAGO WOMEN’S History Center was honored to and ways of knowing on every level. For us, knowledge of support the most recent presentation of Ginny Sykes’ women’s past activities – women’ history – was an essential spectacular public art project 100 Women: Collaborations ingredient in developing an enlarged consciousness that made Beyond the Veil during August, 2020; the 100th anniversary possible the explosion of women’s activism during this time. It month of the passage of the U.S. Women’s Suffrage was understood that knowledge of women’s history went hand Amendment. Through working with Ginny to develop an in hand with women’s social and political activism. interpretive video for her piece, and support bringing her work to a world-wide audience through a digital broadcast Since its start in the 1970s, CWHC has participated in, and, at on Women’s Equality Day 2020, I developed a profound times, been at the forefront of, many evolutions of thought, understanding of this project’s capacity to move, inspire, subject, and method in women’s history. -
Female Autobiography in the Nineteenth Century
Bard College Bard Digital Commons Senior Projects Spring 2014 Bard Undergraduate Senior Projects Spring 2014 A Woman's Voice: Female Autobiography in the Nineteenth Century Penelope Rose Weber Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2014 Part of the United States History Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Recommended Citation Weber, Penelope Rose, "A Woman's Voice: Female Autobiography in the Nineteenth Century" (2014). Senior Projects Spring 2014. 10. https://digitalcommons.bard.edu/senproj_s2014/10 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. A Woman’s Voice: Female Autobiography in the Nineteenth Century Senior Project submitted to The Division of Social Studies of Bard College By Penelope Weber Annandale-on-Hudson, New York May 2014 I would like to thank Christian Crouch and Richard Aldous for their flawless advising, Betsy Cawley for her wonderful research help, and all of my friends for putting up with my panic, complaints, and stress. Special thanks go to Percival Inkpen, Donald Long, and Chiara Harrison Lambe for their much-appreciated cheerleading and advice. -
Towards a Historical View of Country Music Gender Roles
Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology 12-4-2006 Stand By Your Man, Redneck Woman: Towards a Historical View of Country Music Gender Roles Cenate Pruitt Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Part of the Sociology Commons Recommended Citation Pruitt, Cenate, "Stand By Your Man, Redneck Woman: Towards a Historical View of Country Music Gender Roles." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/sociology_theses/12 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STAND BY YOUR MAN, REDNECK WOMAN: TOWARDS A HISTORICAL VIEW OF COUNTRY MUSIC GENDER ROLES by CENATE PRUITT Under the Direction of Wendy S. Simonds ABSTRACT Country music, considered a uniquely American musical genre, has been relatively under-researched compared to rock and rap music. This thesis proposes research into the topic of country music, specifically the ways which country music songs portray gender. The thesis uses Billboard chart data to determine commercially successful songs, and performs a content analysis on the lyrics of these songs. I will select songs from a fifty year period ranging from 1955 to 2005, so as to allow for a longitudinal study of potential changes in -
Sick Puppies Connect Her Own on Connect, with More and That’S Rounded Us out When We on Saturday, September 7, the Other, Their Own Psyches—And Vate New Ones
K k AUGUST 2013 KWOW HALL NOTES g VOL. 25 #8 H WOWHALL.ORGk release of Tri-Polar (nearly half a up by adding Orange County, million units to date and over 2 California-bred drummer Mark million single sold) and its slew of Goodwin, who they met through a radio hits—the #1 Rock track classified ad following their move “You’re Going Down”, the Top to LA in 2006. Soon after signing Five Modern Rock/Active Rock to Paul Palmer’s indie label through hits “Odd One” and “Riptide” and Virgin Records, a fortuitous video the cross-format anthemic smash pairing with a friend led Sick “Maybe”. Now Connect (out July Puppies to online fame with the 16, 2013), with its melding of song “All The Same” (AKA the room-filling rockers and edgy yet Free Hugs video), which earned an poignant lyrics, is poised to be the astonishing 75-million-plus views Puppies’ best-selling record yet. worldwide, and led to appearances Produced, as was Tri-Polar, by on Oprah, 60 Minutes, CNN, the Rock Mafia production team Good Morning America, and The of Tim James and Antonina Tonight Show with Jay Leno. Armato, Connect also took guid- Drummer Goodwin notes: ance from another, very pure “We’re a career band. We want to source: the trio’s legions of fans. build and take the time to make With face-to-face and online inter- things right. The first time we ever action with Sick Puppies World jammed it was a massive wall of Crew, the band listened when fol- sound; amazing for a trio. -
English Skills Answers Contents
English Skills Answers Contents Reading Rescue 4 Writing 50 Activities 5 Language 51 Cloze 6 Grammar 7 Reading Elephants 52 Writing 8 Activities 53 Language 9 Writing 54 Grammar 55 Reading UFOs 10 Writing 56 Activities 11 Language 57 Cloze 12 Grammar 13 Reading The Bears 58 Writing 14 Activities 59 Language 15 Cloze 60 Grammar 61 Reading The Crocodile – 16 Writing 62 An Endangered Species Language 63 Activities 17 Cloze 18 Reading Apollo 13 64 Published by Collins Grammar 19 Activities 65 An imprint of HarperCollinsPublishers Cloze 66 77–85 Fulham Palace Road Writing 20 Language 21 Grammar 67 Hammersmith Writing 68 London Plant Survival 22 Grammar 69 W6 8JB Reading Activities 23 Cloze 24 Reading The Battle of Marathon 70 Grammar 25 Activities 71 Browse the complete Collins catalogue at Writing 26 Cloze 72 www.collinseducation.com Language 27 Grammar 73 Writing 74 Reading The Grand Canyon 28 Language 75 Activities 29 © HarperCollinsPublishers Limited 2011, on behalf of the author Cloze 30 Reading An Intrepid Traveller 76 Activities 77 First published in 2006 by Folens Limited. Grammar 31 Writing 32 Writing 78 Grammar 79 ISBN-13: 978-0-00-743723-8 Language 33 Writing 80 All rights reserved. No part of this publication may be reproduced, stored in a retrieval Reading The Robin 34 Language 81 system, or transmitted in any form or by any means, electronic, mechanical, photocopying, Activities 35 recording or otherwise, without the prior written permission of the Publisher or a licence Phonics 36 Reading The Pharos of Alexandria 82 permitting restricted copying in the United Kingdom issued by the Copyright Licensing Grammar 37 Activities 83 Agency Ltd, 90 Tottenham Court Road, London W1T 4LP.