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“The Prophecies of Fferyll”: Virgilian Reception in Wales
“The Prophecies of Fferyll”: Virgilian Reception in Wales Revised from a paper given to the Virgil Society on 18 May 2013 Davies Whenever I make the short journey from my home to Swansea’s railway station, I pass two shops which remind me of Virgil. Both are chemist shops, both belong to large retail empires. The name-boards above their doors proclaim that each shop is not only a “pharmacy” but also a fferyllfa, literally “Virgil’s place”. In bilingual Wales homage is paid to the greatest of poets every time we collect a prescription! The Welsh words for a chemist or pharmacist fferyllydd( ), for pharmaceutical science (fferylliaeth), for a retort (fferyllwydr) are – like fferyllfa,the chemist’s shop – all derived from Fferyll, a learned form of Virgil’s name regularly used by writers and poets of the Middle Ages in Wales.1 For example, the 14th-century Dafydd ap Gwilym, in one of his love poems, pic- tures his beloved as an enchantress and the silver harp that she is imagined playing as o ffyrf gelfyddyd Fferyll (“shaped by Virgil’s mighty art”).2 This is, of course, the Virgil “of popular legend”, as Comparetti describes him: the Virgil of the Neapolitan tales narrated by Gervase of Tilbury and Conrad of Querfurt, Virgil the magician and alchemist, whose literary roots may be in Ecl. 8, a fascinating counterfoil to the prophet of the Christian interpretation of Ecl. 4.3 Not that the role of magician and the role of prophet were so differentiated in the medieval mind as they might be today. -
The Thirteenth Mt Haemus Lecture
THE ORDER OF BARDS OVATES & DRUIDS MOUNT HAEMUS LECTURE FOR THE YEAR 2012 The Thirteenth Mt Haemus Lecture Magical Transformation in the Book of Taliesin and the Spoils of Annwn by Kristoffer Hughes Abstract The central theme within the OBOD Bardic grade expresses the transformation mystery present in the tale of Gwion Bach, who by degrees of elemental initiations and assimilation becomes he with the radiant brow – Taliesin. A further body of work exists in the form of Peniarth Manuscript Number 2, designated as ‘The Book of Taliesin’, inter-textual references within this material connects it to a vast body of work including the ‘Hanes Taliesin’ (the story of the birth of Taliesin) and the Four Branches of the Mabinogi which gives credence to the premise that magical transformation permeates the British/Welsh mythological sagas. This paper will focus on elements of magical transformation in the Book of Taliesin’s most famed mystical poem, ‘The Preideu Annwfyn (The Spoils of Annwn), and its pertinence to modern Druidic practise, to bridge the gulf between academia and the visionary, and to demonstrate the storehouse of wisdom accessible within the Taliesin material. Introduction It is the intention of this paper to examine the magical transformation properties present in the Book of Taliesin and the Preideu Annwfn. By the term ‘Magical Transformation’ I refer to the preternatural accounts of change initiated by magical means that are present within the Taliesin material and pertinent to modern practise and the assumption of various states of being. The transformative qualities of the Hanes Taliesin material is familiar to students of the OBOD, but I suggest that further material can be utilised to enhance the spiritual connection of the student to the source material of the OBOD and other Druidic systems. -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
Creation of a Bibliography of Welsh-Celtic Literature: a Case Study on the Suitability of Using Online Catalogues for Bibliographic Research
Creation of a bibliography of Welsh-Celtic literature: a case study on the suitability of using online catalogues for bibliographic research by Mary L. Evans, B.A.(Hons.) A master's dissertation, submitted in partial fulfilment of the requirements of the award of the Master of Arts degree of the Loughborough University of Technology September 1994 Supervisor: Inese A. Smith, B.A, M.A. Department of Information and Library Studies ® Mary L.Evans, 1994 Abstract The dissertation discusses the creation of a bibliography of Welsh-Celtic literature and considers the usefulness of OPACs as a bibliographic information source. It asks whether OPACs can be relied upon to be the sole information source when conducting a bibliographic search. Different aspects of OPAC use are discussed in relation to the subject of Welsh-Celtic literature. These include: the search facilities that OPACs offer; aspects of searching in a bilingual subject and the development of bilingual OPACs; the subject headings required for searching in this subject. The dissertation concludes that OPACs can be useful to bibliographic research. However, the limited scope of the information they include and the poor quality and level of the information that they contain means that they cannot be relied upon to be an entirely accurate and comprehensive source. Acknowledgements I wish to express my thanks to my supervisor, Inese Smith, for guidance and encouragement. To all those who took the time to respond to my questionnaire and to m·y parents for their support. Contents Page No. Chapter 1 Introduction 1.1 Purpose of the dissertation 1 1.2 Choice of information source 2 1.3 Advantages of OPACs 3 1.4 Other sources 4 1.5 Outline of dissertation 6 Chapter 2 Definition of Celtic literature 2. -
The Figure of Taliesin in Charles Williams' Arthuriad
Volume 10 Number 1 Article 4 4-15-1983 The Figure of Taliesin in Charles Williams' Arthuriad Richard Woods Stritch School of Medicine, IL Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Woods, Richard (1983) "The Figure of Taliesin in Charles Williams' Arthuriad," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 10 : No. 1 , Article 4. Available at: https://dc.swosu.edu/mythlore/vol10/iss1/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses Taliesin as a historical personage and as a legendary and mythological figure, and specifically the sources for Williams’s portrayal of Taliesin in his Arthurian poetry. Speculates on why Williams chose Taliesin as the “romantic focus” of his poems, how he conceived his role, and why he departed from traditional sources. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
Facsimile & Text of the Book of Taliesin
•J--. msm^mmM u THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES GIFT OF FREDERIC THOMAS BLANCHARD FOR THE ENGLISH READING ROOM (5\0JLJi oiiL..<3L- I(j)bj)r Caltessin. Polumc \x. of tt)e : Eight hundred Copies of this IVorh were printed at the Pri-jate Press of the Editor in igoo-04; Nos. I—125 on Japanese Vellum paper; 126—^75 on toned linen-made paper; 2j6—4^0 on deckled-edgepaper 4SI—800 have Text only. mj^ii jTacsimile t Ce^t of tf)t i^oofe of Caliesm KcproDuceD $ oBDitcD l|?on. i«.a.. t t?on. D. Litt. (a^xon.) l^on, 3D, titt. (MaaUfl). Keis a vedrich, ac a eliteh guna. tlanficDtog, J^. CQales : JooucO to stubjjcribrrjj onlj». i-ft.D^cac.x. Withdrawn <:li'hi is deserted, & taliesin is jettisoned. There is no oracle left to Pre- consult, and no lecture-room open that face names the name of Taliesin. The learned who write in Encyclopedias are like the bards at the Court of Deganwy — in the presence of Taliesin they become mute mutterers of Blerwm, hlerwm.^ This is very remarkable when we recall the fact that our earlier and better poets esteemed Taliesin as their ' chief,' and most assuredly they were right. What then is the explanation of the neglect, not to say bo)xot, of our time? The mtinuscript*' which contains his poetical works is beautifully' written, and 2} one of the easiest to read. Alas, it is also one of the most difificult to understand, because it is among the least faithful of transcripts. -
La Recepción De La Narrativa Francesa Medieval En El País De Gales Durante La Edad Media: Los Casos De Chwedyl Iarlles Y Ffynnawn Y Cân Rolant
La recepción de la narrativa francesa medieval en el País de Gales durante la Edad Media: Los casos de Chwedyl Iarlles y Ffynnawn y Cân Rolant Cordo, Luciana Russo Delpy, María Silvia 2015 Tesis presentada con el fin de cumplimentar con los requisitos finales para la obtención del título Doctor de la Universidad de Buenos Aires en Letras Universidad de Buenos Aires Facultad de Filosofía y Letras Carrera de Letras Tesis doctoral The reception of medieval French narrative in medieval Wales: the case of Chwedyl Iarlles y Ffynnawn and Cân Rolant Directora de tesis: María Silvia Delpy Co-directora de tesis: Sioned Mair Davies Doctoranda: Luciana Mabel Cordo Russo DNI: 31.380.063 Expediente: 860.803/10 Tel. 15-6531-1555 E-mail: [email protected] - 2014 - Universidad de Buenos Aires Facultad de Filosofía y Letras Carrera de Letras Tesis doctoral The reception of medieval French narrative in medieval Wales: the case of Chwedyl Iarlles y Ffynnawn and Cân Rolant Directora de tesis: María Silvia Delpy Co-directora de tesis: Sioned Mair Davies Doctoranda: Luciana Mabel Cordo Russo - 2014 - Acknowledgements .............................................................................................................. v PART I ................................................................................................................................... 1 1.1 Definitions ..................................................................................................................... 2 1.2 Translating in Medieval Wales: Research Questions -
Hanes Taliesin Taliesin's Tale Christopher Painter
CHRISTOPHER PAINTER HANES TALIESIN TALIESIN’S TALE ORIANA DIGITAL DOWNLOAD ORIANA PUBLICATIONS LIMITED CWMNI CYHOEDDI ORIANA Commissioned by Sioned Eleri Roberts with funds made available by the Arts Council of Wales, National Assembly for Wales and the National Lottery First performance: Pair Dadeni - Powis Hall, Bangor - October 6th 2011 (The Cauldron of Rebirth) Gwion yn hedfan a genidigaeth Taliesin - Theatr Cymru, Mold - February 7th 2012 (Gwion's Flight and the Birth of Taliesin) Mordaith Taliesin - Riverfront Centre, Newport - March 3rd 2012 (The Voyage of Taliesin) Myfi, Taliesin - Riverfront Centre, Newport - March 3rd 2012 (I, Taliesin) Hanes Taliesin - Riverfront Centre, Newport - March 3rd 2012 (Taliesin's Tale) Duration: 15' 30" With thanks to the following: Gyda diolch i'r canlynol: Arts Council of Wales Cyngor Celfyddydau Cymru The National Lottery Y Loteri Genedlaethol Welsh Assembly Government Llywodraeth Cynulliad Cymru European Social Fund Cronfa Gymdeithasol Ewrop Knowledge Economi Skills Scholarship Sgiliau ar gyfer yr Economi Wybodaeth Ensemble Cymru Ensemble Cymru Bangor University Prifysgol Bangor Welsh Music Guild Cymdeithas Cerddoriaeth Cymru HANES TALIESIN TALIESIN’S TALE Taliesin’s Tale is a work for solo clarinet which may be performed as a solo concert item, as a work with improvisatory dance elements for the performer or as a work for clarinettist and dancer, either choreographed (by the performers) or improvised by the dancer – it is intended that when performed as a duo, the dance element should be organic and should flow from the performers and not be pre- defined by the score. The work may be performed either in its entirety or as individual, distinct, movements. -
Ttu Mac001 000055.Pdf (6.020Mb)
i.^'<mt.:i^.'-M.:,.s^^iii , • CELTIC LITERATURE THE STUDY OF CELTIC LITERATURE BY MATTHEW ARNOLD Ipopular l65(t(on LONDON SMITH, ELDER, cS: CO., 15 WATERLOO PLACE 1891 [Alt rights reserved] INTRODUCTION. THE following remarks on the study of Celtic Literature formed the substance of four lectures given by me in the chair of poetry at Oxford. They were first published in the Cornhill Magazine, and are now reprinted from thence. Again and again, in the course of them, I have marked the very humble scope intended ; which is, not to treat any special branch of scientific Celtic studies (a task for which I am quite incompetent), but to point out the many direc tions in which the results of those studies offer matter of general interest, and to insist on the benefit we may all derive from knowing the Celt and things Celtic more thoroughly. It was impossible, however, to avoid touching on certain points of ethnology and philology, which can be securely handled only by those who have made these sciences the object of special study. Here the mere literary critic must owe his whole safety to his tact in choosing authorities to follow, and whatever he advances must be vi THE STUDY OF CELTIC LITERATURE understood as advanced with a sense of the insecurity which, after all, attaches to such a mode of proceeding, and as put forward provisionally, by way of hypothesis rather than of confident assertion. To mark clearly to the reader both this provisional character of much which I advance, and my own sense of it, I have inserted, as a check upon some of the positions adopted in the text, notes and comments with which Lord Strangford has kindly furnished me. -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY GADEON ap CYNAN. See Gadeon ab Eudaf Hen. GADEON ab EUDAF HEN. (330) Gadeon is probably the correct form of the name which appears in the tale of ‘The Dream of Macsen Wledig’ as Adeon ab Eudaf, brother of Cynan ab Eudaf. According to the tale, Adeon and Cynan followed Macsen to the continent and captured Rome for him. After that Macsen gave them permission to conquer lands for themselves, (see s.n. Cynan ab Eudaf), but Adeon returned to his own country (WM 187, 189-191, RM 88, 90-92). According to Jesus College MS.20 the wife of Coel Hen was the daughter of Gadeon ab Eudaf Hen (JC 7 in EWGT p.45), and this is probably correct although later versions make her the daughter of Gadeon (variously spelt) ap Cynan ab Eudaf, and she is given the name Ystradwel (variously spelt) (ByA §27a in EWGT p.90). Also in the various versions of the ancestry of Custennin ap Cynfor and Amlawdd Wledig we find Gadeon (variously spelt) ap Cynan ab Eudaf (JC 11, ByA §30b, 31, ByS §76 in EWGT pp.45, 93, 94, 65). Similarly in MG §5 in EWGT p.39, but Eudaf is misplaced. The various spellings show that the name was unfamiliar: Gadean, Gadvan, Gadiawn, Kadeaun, Cadvan, Kadien, Kadiawn. See EWGT passim. It seems probable that Gadeon ab Cynan is an error for Gadeon ab Eudaf, rather than to suppose two such persons (PCB). GAFRAN ab AEDDAN. He appears in Bonedd Gwŷr y Gogledd (§11 in EWGT p.73) as Gafran ab Aeddan Fradog ap Dyfnwal Hen. -
“CÂD GODDEU”. ENCOUNTERS with the CELTIC WORLD Paula Mª Rodríguez Gómez Universidad De Valladolid
id3593797 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com MACBETH AS A PORTRAIT OF “CÂD GODDEU”. ENCOUNTERS WITH THE CELTIC WORLD Paula Mª Rodríguez Gómez Universidad de Valladolid This paper was inspired by Jean Markale’s suggestion that the portrayal of a battle of trees in Macbeth might have been inspired by the Welsh text of Câd Goddeu. Attributed to Taliesin, the bard and belonging to the Welsh Book of Taliesin, collected in the 14th century, Câd Goddeu displays a battle fought by two separate sets of mythological forces taking the form of trees. Robert Graves’ reconstruction of the text rendered it available for modern readers through a decodification of the alphabet Beth-Louis-Niomh based on the choreography of the trees which provides an aid to understand its significance. This paper purports an attempt to further pursue that discussion by analysing some of the features contained in the Welsh piece, such as the importance of the hidden name, the battle between Good and Evil or the Ceres myth. According to this, we will view those features as a means Shakespeare uses in order to flatter king James, sponsoring Macbeth production, both as the legitimate heir to the English throne and as a monarch beneficial to his kingdom. The projection of the mythological battle outcome on Macbeth, will cause us to reach valid conclusions concerning the allegorical interpretation of Shakespeare’s play. It is generally known that editorial research on different fields regarding Shakespearean production, has evinced a tendency on the author’s side to draw heavily form earlier material.