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Cambridge University Press 978-1-107-07446-0 — Artists and Artistic Production in Ancient Greece Edited by Kristen Seaman , Peter Schultz Index More Information 231 INDEX Abrams, M.H., 190 – 91 Amenhotep (Egypt), 180 , 181 , 200n11 Achilles Amenhotep III (Egypt), 180 , 181 coins depicting, 91 Anakles, 175n56 vases depicting, 167 Anaxagoras, 15 – 16 Achilles Painter, 189 Andokides, 173n10 , 193 Adamas, 17 – 18 Androsthenes, 16 – 17 Aemilius Celer, 203n49 Angelitos, 41 – 42 , 53n19 , 199n6 Aemilius Paullus, 18 Antaios Aisxrionos, 76n3 Aetna Master, 100n42 Antenor of Athens, 37 , 38 , 44 , 46 – 47 , 183 – 84 , Agamedes, 107t7.1 189 , 192 – 93 , 198 , 199n6 , 201n31 Agasikrates, 107t7.1 Antigonos (mosaicist), 76n3 Agatharchos, 15 – 16 Antigonos of Karystos, 5 , 20n16 Agatho, 107t7.1 Antigonos the One- Eyed, 124 – 25 Agathokles, 107t7.1 Antimachides, 107t7.1 Agis III, 146 – 47 Antiochos (mosaicist), 76n3 Agorakritos, 113 – 15 , 183 – 84 , 192 – 93 , 202n32 Antiochos I, 38 Agrilezza, quarry at, 113 Antiphanes, 194 – 95 Agrippa, 188 – 89 Antistates, 107t7.1 Ahmose (Egypt), 181 Anyte of Tegea, 147– 48 Aischines, 15 – 16 Apelles, 4 , 5 , 17 – 18 , 19 , 78n42 , 189 Aischylos, The Persians, 49 Apollo Ajax, vases depicting, 167 paintings depicting, 131 , 132 – 33 Akhenaten (Egypt), 181 statues depicting, 177 Alberti, Leon Battista, 102 – 03 temples dedicated to, 16 – 17 , 106 , 109 , Albertinelli, Mariotto, 42 – 43 116 , 119 – 20 Alexander Jannaeus (Hasmonean Kingdom), 68 Apollo Ismenios, 136 – 37 Alexander the Great, 38 , 90 , 109 , 124 – 26 , 142 , 149 Apollo Philesios, 136 – 37 Alexandria Apollodoros (friend of Sokrates), 15 – 16 Library of, 6 Apollodoros of Damascus, 187 – 88 mosaics from, 55 , 57 – 59 , 62 , 73 Apollonios, 186 – 87 , 204n72 Alkamenes, 38 – 39 , 183 – 84 , 192 – 93 , 202n32 Arados, mosaics from, 72 Alkibiades, 15 – 16 Archermos of Chios, 37 , 43 , 183 Alkibios, 38 Archikles, 175n56 Alkmaionidai, 27 Archilochos of Agryle, 107t7.1 , 192 – 93 , Alkmeon I, 27 202n37 Alxenor of Naxos, 183 – 84 Archios, 186 – 87 Amasis Painter, 155 , 164 , 173n13 , 175n46 , Architecture 189 , 195 attribution of, 109 Ameiniades, 202n37 dei ned, 102 231 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-07446-0 — Artists and Artistic Production in Ancient Greece Edited by Kristen Seaman , Peter Schultz Index More Information 232 232 INDEX Architecture (cont.) Athena Mattei, 136 dismantling and reassembling buildings, Athenaeus, 34 122n25 Athenodoros of Melite, 107t7.1 in Egypt, 180 – 81 Athens family- based workshops, 104 – 05 Agora inscriptions on, 109 generally, 118 , 124 – 25 patronage and, 109 Hephaisteion, 113 , 115 – 16 , 119 in Rome, 187 – 88 Metroon, 127 – 29 sculpture in, 105 – 06 Stoa of Attalos, 129 study of Greek architecture, 103 – 04 Stoa of Zeus Eleutherios, 125 , 127 – 29 teams in, 105 Stoa Poikile, 193 temples, 107t7.1 Temple of Ares, 110 – 12 , 123n36 “Theseum Architect” ( See “Theseum Tyrannicides, 37 – 38 , 40 – 41 , 43 , 46 , 48 , 50 Architect” ) Akropolis work of, 104 generally, 26 – 30 , 189 , 193 Argeias, 17 – 18 Erechtheion, 16 – 17 Aristainetos, 187 – 88 Kallikrates and, 104 Aristeas, 199n6 Kephisodotos II (the Younger) and, 143 , Aristion, 189 , 203n53 145 – 46 , 148 Aristion of Paros, 199n6 Kritios Boy, 50 – 51 Aristogeiton, statutes depicting, 45 , 46 , 47 , 48 , Moschophoros, 199n2 49 – 50 , 51 , 198 Odeum of Herodes Atticus, 133 Aristoklees, 199n6 Parthenon, 16 , 102 – 03 , 109 , 115 – 18 , 135 , Aristonothos, 185 – 86 195 , 196 – 97 Aristophanes (playwright), 15 , 203n61 Propylaia, 117 Aristophanes of Byzantium, 6 Temple of Athena Nike, 104 , 109 Aristotle, 6 , 19 , 201n29 artists in, 15 , 18 Arkesilaos, 17 , 186 – 87 Herulian sack of, 111 Arnheim, Rudolph, 86 , 87 Kerameikos, 24 , 26 , 27 , 183 Artemis Long Walls, 104 paintings depicting, 132 – 33 mosaics from, 55 reliefs depicting, 137 Persian Sack, 38 , 44 , 46 – 47 , 113 , 127 statues depicting, 17 statues in, 17 – 18 Artorius M.L. Primus, M., 188 – 89 temples in, 103 Asklepiades, 56 , 72 , 73 , 74 , 76n3 vases from, 156 – 57 , 168 – 70 Asklepiodoros, 17 Atotas, 201n29 Asklepios Atticus Priscus, 187 altars dedicated to, 143 Attribution statues depicting, 145 – 46 , 151n28 overview, 1 – 4 temples dedicated to, 16 – 18 , 145 – 46 , 147 – 48 of architecture, 109 Asteas, 173n23 , 189 to Euphranor, 124 – 38 Athanadoros, Hagesandros, and Polydoros of to Kephisodotos II (the Younger), 145 – 48 Rhodes, 121n4 , 186 – 87 to Kritios, 50 – 51 Athena of mosaics, 60 , 71 – 73 coins depicting, 87 – 88 , 91 – 92 to Nesiotes, 50 – 51 paintings depicting, 131 , 133 of sculpture, 50 – 51 , 124 – 38 , 145 – 48 statues depicting, 16 , 41 – 42 to “Theseum Architect,” 109 – 10 , 115 – 20 temples dedicated to, 118 , 129 Augustus, 122n21 , 186 – 87 vases depicting, 164 Avianus Evander, 187 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-07446-0 — Artists and Artistic Production in Ancient Greece Edited by Kristen Seaman , Peter Schultz Index More Information 233 INDEX 233 Bakchios, 156 , 165 , 175n55 , 204n66 Coins Balakros, 17 – 18 overview, 8 , 81 – 82 , 97 – 99 Barthes, Roland, 3 artistic style in, 82 Bartolommeo, Fra, 42 – 43 from Catana, 83 – 84 Bathykles of Magnesia, 37 , 107t7.1 closed borders, 82 – 92 , 97 – 99 Beardsley, Monroe C., 3 conservative norm in, 86 – 92 Beazley, Sir John deviation from norm, 93 – 97 generally, 2 , 7 , 194 – 95 , 198 , 205n85 die engravers and, 81 – 82 , 99n1 Attic Black- i gure Vase Painters, 2 framing, concept of, 82 – 86 Attischen Vasenmaler der roti guren from Himera, 83 , 84 , 94 – 97 , 98 – 99 , 100n47 Stils, 2 military power and, 100n24 on Euthymides, 27 – 31 , 32 – 33 multi- i gure compositions on, 88 on vases, 159 from Naxos, 90 – 92 , 93 – 94 , 97 – 98 Bek (Egypt), 181 , 182 , 201n16 open borders, 82 – 86 , 97 – 99 Berlin Leather Roll, 180 – 81 from Phocaea, 86 – 87 Berlin Painter, 34 , 168 , 194 – 95 purpose of inl uencing style of, 92 Biton, 183 , 189 from Selinus, 94 – 95 , 98 Boeotia, vases from, 158 – 59 from Sicily, 81 – 82 Boularchos, 189 vases compared, 88 – 92 Boupalos, 203n53 virtual space and, 85 Boupalos of Chios, 105 from Zancle, 94 – 95 , 98 Brutus, statue depicting, 188 – 89 Coleridge, Samuel Taylor, 2 Bryaxis, 126 , 205n86 Collignon, Maxime, 152n37 Brygos, 163 , 175n47 Cooper, Fred, 109 , 152n44 Bularchos, 17 Coponius, 187 Bundgaard, J., 119 – 20 Corinth, vases from, 158 – 59 , 169 Burke, Seán, 3 – 4 Cornelius Pinus, 187 Byron, Lord, 113 Corpus of Attic Vase Inscriptions (Immerwahr), 155 , 172n4 Cachryllion, 156 , 165 , 173n17 , 175n59 Cossutius, 107t7.1 , 187 – 88 , 202n46 Carpenter, Rhys, 3 , 12 , 118 , 123n39 , 178 , 180 , Cyriacus of Ancona, 103 199n5 Cassander, 145 – 46 Daidalos, 37 Cassius Dio, 187 – 88 Daippos, 145 – 46 , 203n53 Catana, coins from, 83 Damophilos, 187 Cato, 61 Damophon, 15 – 17 , 21n39 , 60 , 151n14 , 152n44 , Celer, 187 – 88 193 , 204n65 Chaironeia, Battle of, 124 – 25 , Daphnis of Miletos, 107t7.1 142 , 149 Darius I (Persia), 104 , 184 – 85 Chares, 173n23 , 203n61 Daszewski, Wiktor, 64 , 77n12 , 78n32 Chares of Lindos, 6 , 11n35 , 15 David, Jacques- Louis, Oath of the Horatii, 53n25 Cheirokrates, 107t7.1 Deinokrates, 109 , 122n21 , 189 Chersiphron, 104 – 05 , 107t7.1 , 121n12 Delftware, 167 – 68 Chigi Painter, 189 Delos Chremondian War, 143 – 44 artists on, 18 Cicero House of the Dolphins, 72 , 73 generally, 14 – 15 , 18 mosaics from, 55 , 57 – 59 , 72 , 73 , 75 Brutus, 15 statues on, 17 – 18 On Duties, 14 – 15 Demetrios (architect), 107t7.1 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-07446-0 — Artists and Artistic Production in Ancient Greece Edited by Kristen Seaman , Peter Schultz Index More Information 234 234 INDEX Demetrios (son of Antigonos I), 124 – 25 Etruria Demetrios of Phaleron, 124 – 25 Euthymides and, 25 Demetrios Poliorketes, 142 inscriptions in Etruscan art, 185 – 86 Demokratia, paintings of, 133 vases from, 157 – 61 , 167 – 70 Dexamenos, 189 , 203n52 Euainetos, 192 – 93 , 203n59 Dindia Macolnia, 188 – 89 Euboulides, 17 – 18 Dinsmoor, William Bell, Jr., 101 , 109 – 11 , 112 , Eucheiros, 18 , 155 , 173n13 115 – 18 , 119 , 122n27 Euenor, 41 – 42 , 199n6 Dionysiades, 189 Euesperides, mosaics from, 55 , 56 Dionysiodoros, 202n37 Eukarpia Epigenous (ship), 143 – 44 Dionysios of Alexandria, 71 – 72 , 76n3 Eupalinos of Megara, 104 Dionysios of Halikarnassos, 1 , 7 , 11n39 , Euphranor 188 – 89 generally, 140n49 , 149 , 192 – 93 , 205n80 , Dionysos 205n85 altars dedicated to, 145 – 46 overview, 8 , 189 coins depicting, 93 – 94 , 97 – 98 Apollo Patroos, 126 – 33 , 192 – 93 Dioskourides, 186 – 87 Athena of Piraeus, 133 – 37 Dioskourides of Samos, 56 , 71 – 72 , 73 , 76n3 , attribution to, 124 – 38 202n45 Battle of Mantinea, 125 Dipoinos, 17 Large Artemis of Piraeus, 132 – 33 Dipylon Master, 189 , 194 – 95 paintings by, 138n10 Djoser (Egypt), 180 sculptures by, 138n4 Domitian, 188 – 89 Theseus, Demokratia and Demos, 125 Dontas, George, 131 – 33 , 205n85 Twelve Gods, 125 Dörpfeld, Wilhelm, 127 – 29 Euphronios Douris of Samos, 5 , 20n16 , 163 , 175n46 , 183 generally, 173n17 , 183 – 84 , 189 , 192 – 93 , 204n63 Egypt Euthymides and, 25 architecture in, 180 – 81 vases by, 88 – 90 , 156 , 165 – 66 inscriptions in Egyptian art, 180 – 83 wealth of, 193 mosaics from, 62 , 73 Eupolemos, 107t7.1 painting in, 181 Eupompos, 189 – 90 Ekphantos, 40 Euthykartides, 17 – 18 , 177 – 79 , 182 , 189 , 194 – 95 , Eleusis, Telesterion, 109
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    Alan H. Sommerstein, Isabelle C. Torrance Oaths and Swearing in Ancient Greece Beiträge zur Altertumskunde Herausgegeben von Michael Erler, Dorothee Gall, Ludwig Koenen und Clemens Zintzen Band 307 Alan H. Sommerstein, Isabelle C. Torrance Oaths and Swearing in Ancient Greece With contributions by Andrew J. Bayliss, Judith Fletcher, Kyriaki Konstantinidou and Lynn A. Kozak ISBN 978-3-11-020059-1 e-ISBN 978-3-11-022736-9 ISSN 1616-0452 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. © 2014 Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com. Druck und Bindung: Hubert & Co. GmbH & Co. KG, Göttingen ∞ Gedruckt auf säurefreiem Papier Printed in Germany www.degruyter.com Preface This volume completes the publication of the project The Oath in Archaic and Classical Greece, based at the University of Nottingham and funded by the Lever- hulme Trust (award no. F.00 114/Z), whose assistance is warmly acknowledged. The main previous publications of the project have been the Nottingham Oath Database (Sommerstein, Bayliss and Torrance 2007) and Oath and State in Ancient Greece, edited by Sommerstein and Bayliss and referred to in this volume as S&B.
  • Of Hyperides

    Of Hyperides

    The ‘Nachleben’ of Hyperides Submitted for the degree of Ph.D. in the University of London by Lâszlô Horvath University College London (Department of Greek and Latin) 1997 Abstract of thesis The thesis begins with the examination of extant evidence from the medieval textual tradition, the latest reference in which relates to 16th century Hungary. The thesis focuses on the question of the dramatic changes in Hyperides’ popularity between the second centuries B.C. and AD. First, the problem of the origin of the rhetorical canon is dealt with. Hyperides’ unquestionable place in it reflects the favour of the Hellenistic rhetorical schools. The fact that in lexicographical works, from the beginning of Atticising tendencies up to the Byzantine period, Hyperides’ vocabulary is quite frequently referred to, is partly due to the paradoxon that the orator belongs to the accepted Ten, despite the fact that he uses an ‘impure’ language and therefore he stays in the crossfire of lexicographers. The decisive factor in Hyperides’ ‘Nachleben’ is the Rhodian school of rhetoric. In Molo’s rhetorical system the actual delivery (‘actio’) was the most important element. Logically, his Attic models became the ex-actor Aeschines and the witty and facetious Hyperides. Molo smoothly melted together the inherited Asian and the adopted Attic rhetorical tradition to create something new, which had far reaching influence in first century Rome. The majority of Romans, who seem to respect Hyperides, can also be related to Rhodes in one way or other. Dionysius of Halicarnassus and Caecilius on the other hand are the first representatives of the later dominating school-demand for orators, with a perspicuous ‘lektikos topos’, which can be easily imitated by students.