How to Compose Great Prose: Cicero, Dionysius of Halicarnassus and Stylistic Theory in Late-Republican and Augustan Rome Issue Date: 2019-10-23
Cover Page The following handle holds various files of this Leiden University dissertation: http://hdl.handle.net/1887/79945 Author: Ooms, S Title: How to compose great prose: Cicero, Dionysius of Halicarnassus and stylistic theory in Late-Republican and Augustan Rome Issue Date: 2019-10-23 Chapter 5 TO BE ATTIC OR NOT TO BE ATTIC : THE FLUIDITY OF ATTICISM IN ORATORY , POLITICS AND LIFE 5.1 Introduction In the previous chapters, I have studied several major topics in the Greek and Latin discourse on prose style: in each case, we have seen that some features are universal to the common discourse, while others are particular to its various participants on account of their specific preferences, purposes and programs. The present chapter will demonstrate the same two crucial points with respect to the topic of Atticism: again, I will argue that the views of the critics and rhetoricians in Rome are built on a shared conceptual framework, while each author at the same time interprets elements from this common repertoire so as to suit their own goals and motivations. Specifically, we will see that there is a remarkable interplay between, on the one hand, the stylistic views of three prominent scholars, viz., Calvus, Cicero, and Dionysius, and, on the other hand, the contemporary political situation in Rome. There was hardly a greater compliment for an orator or prose author in Late- Republican and Augustan Rome than to be called ‘Attic’ (Ἀττικός , Atticus ). Our record of the city’s obsession with Attic style, now standardly referred to as Atticism, goes back to the middle of the first century BC, when a group of Roman orators, presumably led by C.
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