VI the Voice of the Workshop: Signatures As a Source of Information on Potters, Painters and the Ways They Worked Together
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Transantiquity
TransAntiquity TransAntiquity explores transgender practices, in particular cross-dressing, and their literary and figurative representations in antiquity. It offers a ground-breaking study of cross-dressing, both the social practice and its conceptualization, and its interaction with normative prescriptions on gender and sexuality in the ancient Mediterranean world. Special attention is paid to the reactions of the societies of the time, the impact transgender practices had on individuals’ symbolic and social capital, as well as the reactions of institutionalized power and the juridical systems. The variety of subjects and approaches demonstrates just how complex and widespread “transgender dynamics” were in antiquity. Domitilla Campanile (PhD 1992) is Associate Professor of Roman History at the University of Pisa, Italy. Filippo Carlà-Uhink is Lecturer in Classics and Ancient History at the University of Exeter, UK. After studying in Turin and Udine, he worked as a lecturer at the University of Heidelberg, Germany, and as Assistant Professor for Cultural History of Antiquity at the University of Mainz, Germany. Margherita Facella is Associate Professor of Greek History at the University of Pisa, Italy. She was Visiting Associate Professor at Northwestern University, USA, and a Research Fellow of the Alexander von Humboldt Foundation at the University of Münster, Germany. Routledge monographs in classical studies Menander in Contexts Athens Transformed, 404–262 BC Edited by Alan H. Sommerstein From popular sovereignty to the dominion -
15 Robertson 1502
MARTIN ROBERTSON Charles Martin Robertson 1911–2004 MARTIN ROBERTSON was born in Pangbourne on 11 September 1911, the first child of Donald Robertson, who had been appointed that year to an Assistant Lectureship in Classics at Trinity College, Cambridge, and Petica (née Coursolles Jones). The family, including his brother Giles who was born in 1913, lived in Huntingdon Road in Cambridge, moving after the First World War to Bateman Street overlooking the Botanic Gardens. Although Donald wanted his sons to follow him at Westminster School, Petica, a strong personality who ran a salon for the literary and artistic personalities of the day, wished them to stay at home, and, after a time at a prep school, they attended The Leys School in Cambridge. Martin (he was always ‘Martin’, never ‘Charles’, to his parents and his children) learned to read early and is reputed to have read from the newspaper, when four years old, to the noted Cambridge mathematician G. H. Hardy. His love of literature was deep and abiding, but he was not a practical boy nor good at physical pursuits. His father loved riding and arranged for Martin to have riding lessons; Martin did not like the instructor and the lessons were not a success. He found his father rather oppressive and felt that he was an inferior reproduction of him. Whether he would have fared better at the piano is unknown, as Petica decided that Giles was the musi- cal one and denied Martin the chance. He never learned to drive but enjoyed cycling (in his late sixties, on retirement from his Oxford chair and moving house to Cambridge, he cycled all the way from the one to the other). -
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Lucian and the Atticists: A Barbarian at the Gates by David William Frierson Stifler Department of Classical Studies Duke University Date:_______________________ Approved: ___________________________ William A. Johnson, Supervisor ___________________________ Janet Downie ___________________________ Joshua D. Sosin ___________________________ Jed W. Atkins Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classical Studies in the Graduate School of Duke University 2019 ABSTRACT Lucian and the Atticists: A Barbarian at the Gates by David William Frierson Stifler Department of Classical Studies Duke University Date:_______________________ Approved: ___________________________ William A. Johnson, Supervisor ___________________________ Janet Downie ___________________________ Joshua D. Sosin ___________________________ Jed W. Atkins An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classical Studies in the Graduate School of Duke University 2019 Copyright by David William Frierson Stifler 2019 Abstract This dissertation investigates ancient language ideologies constructed by Greek and Latin writers of the second and third centuries CE, a loosely-connected movement now generally referred to the Second Sophistic. It focuses on Lucian of Samosata, a Syrian “barbarian” writer of satire and parody in Greek, and especially on his works that engage with language-oriented topics of contemporary relevance to his era. The term “language ideologies”, as it is used in studies of sociolinguistics, refers to beliefs and practices about language as they function within the social context of a particular culture or set of cultures; prescriptive grammar, for example, is a broad and rather common example. The surge in Greek (and some Latin) literary output in the Second Sophistic led many writers, with Lucian an especially noteworthy example, to express a variety of ideologies regarding the form and use of language. -
Fragments of a Cup by the Triptolemos Painter Knauer, Elfriede R Greek, Roman and Byzantine Studies; Fall 1976; 17, 3; Proquest Pg
Fragments of a Cup by the Triptolemos Painter Knauer, Elfriede R Greek, Roman and Byzantine Studies; Fall 1976; 17, 3; ProQuest pg. 209 FOR ADOLF GREIFENHAGEN on his seventieth birthday TEJI.cX')(TJ TWV TOU S,SaCKaAOV f'eyaAWV SEt7TVWV Fragments of a Cup by the Triptolemos Painter Elfriede R. Knauer N THE SEQUENCE of cups by the Triptolemos Painter, Beazley has I placed a sherd in Bryn Mawr next to four fragments in Freiburg with the remark: "Belongs to the Freiburg frr. (no.62) ?"l This fine sherd has recently been published in the first CV-volume of that collection.2 The authors followed Beazley's lead and tried to establish what had become of the fragments in Freiburg, only to learn that they were lost.3 As Beazley had visited Freiburg in 1924 there was reason to expect a photographic record in the archive in Oxford. This was duly found and is here presented for the first time thanks to the generosity of those in charge of that treasure-house." The judicious analysis of the subject on the interior of the Bryn Mawr fragment (PLATE 3 fig. 2b) can be amended by looking at its back (PLATE 5 fig. 2 a b). The authors take the upright object at the left to be a staff. It is the leg of a stool which joins with one of 1 J. D. Beazley, Attic Red-figure Vase-painters 2 (Oxford 1963) [henceforth ARV] 365,63. S CVA U.S.A. 13, The Ella Riegel Memorial Museum, Bryn Mawr College, Attic Red-figured Vases, fasc.l, Ann Harnwell Ashmead and Kyle Meredith Phillips, Jr. -
The Fabric of the City: Imaging Textile Production in Classical Athens
HESPERIA JJ (2OO8) THE FABRIC OF THE CITY Pages 283-334 Imaging Textile Production in Classical Athens ABSTRACT Scenes of textile production on Athenian vases are often interpreted as confirming the oppression of women, who many argue were confined to "women's quarters" and exploited as free labor. However, reexamination - of the iconography together with a reconsideration of gender roles and - the archaeology of Greek houses dating to the 5th and 4th centuries B.C. suggests that these images idealize female contributions to the household in a positive way. The scenes utilize the dual metaphor of weaving and marriage to express the hartnonia of oikos and polis, a theme particularly significant under the evolving Athenian democracy. The past 30 years have witnessed significant change in the study of ancient Athenian iconography.1Of particularimportance has been the increased attention given to so-called genre scenes or "scenes of everyday life" in Athenian vase painting, a response to the dominating focus of earlier scholarship on mythological subject matter. This trend began in the late 1970s, and escalated in the 1980s with a series of publications primarily by French authors, most notably the groundbreaking volume La cite des imagesin 1984 (translatedinto English in 1989). Severalscholars have ques- tioned the efficacy of the image and the apparentreality of genre iconog- raphy.2All too often, the tendency has been to treat scenes on Athenian vases as mere illustrations,but recent iconographic studies have assertedthe opposite:that images are constructionsin which each element is consciously or unconsciously chosen as part of a larger system of signs and symbols. -
Sex in the Ancient World from a to Z the Ancient World from a to Z
SEX IN THE ANCIENT WORLD FROM A TO Z THE ANCIENT WORLD FROM A TO Z What were the ancient fashions in men’s shoes? How did you cook a tunny or spice a dormouse? What was the daily wage of a Syracusan builder? What did Romans use for contraception? This new Routledge series will provide the answers to such questions, which are often overlooked by standard reference works. Volumes will cover key topics in ancient culture and society—from food, sex and sport to money, dress and domestic life. Each author will be an acknowledged expert in their field, offering readers vivid, immediate and academically sound insights into the fascinating details of daily life in antiquity. The main focus will be on Greece and Rome, though some volumes will also encompass Egypt and the Near East. The series will be suitable both as background for those studying classical subjects and as enjoyable reading for anyone with an interest in the ancient world. Already published: Food in the Ancient World from A to Z Andrew Dalby Sport in the Ancient World from A to Z Mark Golden Sex in the Ancient World from A to Z John G.Younger Forthcoming titles: Birds in the Ancient World from A to Z Geoffrey Arnott Money in the Ancient World from A to Z Andrew Meadows Domestic Life in the Ancient World from A to Z Ruth Westgate and Kate Gilliver Dress in the Ancient World from A to Z Lloyd Llewellyn-Jones et al. SEX IN THE ANCIENT WORLD FROM A TO Z John G.Younger LONDON AND NEW YORK First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxfordshire, OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave., New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2006. -
Beyond Priesthood Religionsgeschichtliche Versuche Und Vorarbeiten
Beyond Priesthood Religionsgeschichtliche Versuche und Vorarbeiten Herausgegeben von Jörg Rüpke und Christoph Uehlinger Band 66 Beyond Priesthood Religious Entrepreneurs and Innovators in the Roman Empire Edited by Richard L. Gordon, Georgia Petridou, and Jörg Rüpke ISBN 978-3-11-044701-9 e-ISBN (PDF) 978-3-11-044818-4 e-ISBN (EPUB) 978-3-11-044764-4 ISSN 0939-2580 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com TableofContents Acknowledgements VII Bibliographical Note IX List of Illustrations XI Notes on the Contributors 1 Introduction 5 Part I: Innovation: Forms and Limits Jörg Rüpke and FedericoSantangelo Public priests and religious innovation in imperial Rome 15 Jan N. Bremmer Lucian on Peregrinus and Alexander of Abonuteichos: Asceptical viewoftwo religious entrepreneurs 49 Nicola Denzey Lewis Lived Religion amongsecond-century ‘Gnostic hieratic specialists’ 79 AnneMarie Luijendijk On and beyond -
9781107074460 Index.Pdf
Cambridge University Press 978-1-107-07446-0 — Artists and Artistic Production in Ancient Greece Edited by Kristen Seaman , Peter Schultz Index More Information 231 INDEX Abrams, M.H., 190 – 91 Amenhotep (Egypt), 180 , 181 , 200n11 Achilles Amenhotep III (Egypt), 180 , 181 coins depicting, 91 Anakles, 175n56 vases depicting, 167 Anaxagoras, 15 – 16 Achilles Painter, 189 Andokides, 173n10 , 193 Adamas, 17 – 18 Androsthenes, 16 – 17 Aemilius Celer, 203n49 Angelitos, 41 – 42 , 53n19 , 199n6 Aemilius Paullus, 18 Antaios Aisxrionos, 76n3 Aetna Master, 100n42 Antenor of Athens, 37 , 38 , 44 , 46 – 47 , 183 – 84 , Agamedes, 107t7.1 189 , 192 – 93 , 198 , 199n6 , 201n31 Agasikrates, 107t7.1 Antigonos (mosaicist), 76n3 Agatharchos, 15 – 16 Antigonos of Karystos, 5 , 20n16 Agatho, 107t7.1 Antigonos the One- Eyed, 124 – 25 Agathokles, 107t7.1 Antimachides, 107t7.1 Agis III, 146 – 47 Antiochos (mosaicist), 76n3 Agorakritos, 113 – 15 , 183 – 84 , 192 – 93 , 202n32 Antiochos I, 38 Agrilezza, quarry at, 113 Antiphanes, 194 – 95 Agrippa, 188 – 89 Antistates, 107t7.1 Ahmose (Egypt), 181 Anyte of Tegea, 147– 48 Aischines, 15 – 16 Apelles, 4 , 5 , 17 – 18 , 19 , 78n42 , 189 Aischylos, The Persians, 49 Apollo Ajax, vases depicting, 167 paintings depicting, 131 , 132 – 33 Akhenaten (Egypt), 181 statues depicting, 177 Alberti, Leon Battista, 102 – 03 temples dedicated to, 16 – 17 , 106 , 109 , Albertinelli, Mariotto, 42 – 43 116 , 119 – 20 Alexander Jannaeus (Hasmonean Kingdom), 68 Apollo Ismenios, 136 – 37 Alexander the Great, 38 , 90 , 109 , 124 – 26 , 142 -
The Iconography of the Athenian Hero in Late Archaic Greek Vase-Painting
The Iconography of the Athenian Hero in Late Archaic Greek Vase-Painting Elizabeth Anne Bartlett Tucson, Arizona Bachelor of Art, Scripps College, 2006 Master of Art, University of Arizona, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia May 2015 ______________________________ ______________________________ ______________________________ ______________________________ –ABSTRACT– This study questions how Athenian vase-painters represented heroic figures during the late sixth and early fifth centuries B.C. – specifically from the death of Peisistratos in 528 B.C. to the return of Theseus' bones to Athens in 475/4 B.C. The study focuses on three specific Attic cult heroes with a strong presence both in the Greek world and on Athenian vases: Herakles, Theseus, and Ajax. Although individual studies have been published regarding various aspects of these three heroes, such as subject matter, cult worship, literary presence, and social history, the current one departs from them by categorizing, comparing, and contrasting the different portrayals of the three chosen heroes. Using Athenian vases as the primary form of evidence, the current study endeavors to uncover how individual iconography can – or cannot – identify the heroic figure. By using an iconographic approach of looking at attributes, dress, gestures, poses, and composition, a more complete picture of the image of the hero may be understood. Evidence of both the cult of, and importance of, the Athenian hero is stressed both in ancient texts and through archaeological evidence, thus supplemental material is taken into consideration. Illustrations of Greek heroes can be found on a variety of vase shapes of various techniques, and the accompanying catalogue includes almost 300 examples. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Athenian little-master cups Heesen, P. Publication date 2009 Link to publication Citation for published version (APA): Heesen, P. (2009). Athenian little-master cups. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:25 Sep 2021 9. EPITIMOS, EPITIMOS PAINTER, LYDOS, NIKOSTHENES, BMN PAINTER, ANAKLES, ANAKLES PAINTER (nos. 235-60; pls. 67-75) Introduction881 Three lip-cups show an epoiesen-signature of Epitimos (235-37, pls. 67-68). They were decorated by one painter, who was also responsible for unsigned lip-cups (238-41, pls. 69-70c) and a pyxis.882 J.D. Beazley named him the Epitimos Painter.883 The attribution of the lip-cups signed by Epitimos and the identity of the Epitimos Painter have been widely discussed. -
Masters, Pupils and Multiple Images in Greek Red-Figure Vase Painting
MASTERS, PUPILS AND MULTIPLE IMAGES IN GREEK RED-FIGURE VASE PAINTING DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University By Sue Allen Hoyt, B.A., M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by Professor Mark D. Fullerton, Adviser Professor Timothy J. McNiven __________________________ Adviser Professor Howard Crane History of Art Graduate Program Text copyright by Sue Allen Hoyt 2006 ABSTRACT Little is known about Athenian vase-painting workshops of the 6th through 4th centuries BC. Almost no references exist in ancient literature, and there are few archaeological remains besides the vases themselves. I examined the technical details of vase-painting “copies”–images of uncommon scenes on vases by painted different painters– and compared the steps in the painting process, (especially the preliminary sketches), to see if these could supply any information about workshop practices. The research revealed that there are differences in sketches executed by different painters, and that there were often obvious differences in the care exercised in the different steps of the painting process. When the different steps consistently exhibit different levels of skill in execution, this suggests that workshops were organized so that workers with few skills performed the tasks that demanded the least; more-skilled workers painted the less-important borders etc., and the most-advanced painted the figures. On a few vases the sketch lines were more skillfully executed than the paintings that overlay them. Further, in the case of the Marsyas Painter and the Painter of Athens 1472, more than one pair of vases with replicated rare scenes ii exists. -
Joining the Athenian Community Proefschrift Sara Maria Wijma
Joining the Athenian community The participation of metics in Athenian polis religion in the fifth and fourth centuries B.C. Toetreden tot de Atheense gemeenschap De deelname van metoiken aan de Atheense polis religie in de vijfde en vierde eeuw v. Chr. (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof. dr. J.C. Stoof, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 24 februari 2010 des middags te 4.15 uur door Sara Maria Wijma geboren op 6 mei 1978 te Amsterdam Promotor: Prof. dr. J.H. Blok Co-promotor: Dr. S.D. Lambert Table of contents Table of contents ......................................................................................................i Preface ....................................................................................................................iv Abbreviations .........................................................................................................vi Metics in history .................................................................................................... 1 1 Metics in classical Athens ..................................................................................... 1 2 Metics in modern times: from morality to ideology ............................................. 7 3 Membership of the Athenian community: sharing in polis rites ......................... 10 4 Greek religion and society: from cult to polis community