THE TRAGEDY of CONSENT Sponsored By

Total Page:16

File Type:pdf, Size:1020Kb

THE TRAGEDY of CONSENT Sponsored By THE SUNDAY TELEGRAPH / NOVEMBER 3 2013 D1 The Telegraph INSIDE THE Sunday, November 3, 2013 FIRST WORLD WAR PART THREE: THE TRAGEDY OF CONSENT Sponsored by A MONTHLY 12-PART PIERRE KATE ADIE PATRICK SERIES TO MARK PURSEIGLE A landmark time BISHOP THE WAR’S How civilians were for women as vital cogs Humour as soldiers’ first CENTENARY agents of destruction in the war machine line of self-defence © IWM (Q 54220) D2 NOVEMBER 3 2013 / THE SUNDAY TELEGRAPH THE SUNDAY TELEGRAPH / NOVEMBER 3 2013 D3 Sponsored by WELCOME THE BIG PICTURE Pierre Purseigle examines how the “tragedy of consent” united Europe’s people in support of the conflict. P4-5 WOMEN’S WORK Kate Adie on the “munitionettes” and the formidable female voluntary workers behind the British war machine. ne hundred years on, P6 with the benefit – and LETTERS HOME incredulity – of Anthony Richards, IWM’s head of documents, on a hindsight, the images of young nurse describing Osoldiers and supportive crowds how the bombardment of the Yorkshire coast cheerfully waving at train stations, brought the war to Britain. and of proud mothers pushing their P7 sons to be soldiers, are haunting and ART OF WAR Richard Slocombe, hard to comprehend. IWM senior art curator, How could entire nations have on Shop for Machining 15-inch Shells by Anna bought so readily into the idea that Airy, one of the first war was a good thing? And once war female war artists. was in full flow, and news of its grim P8 reality began to filter back home, LOVE AND LOSS IWM historian Nigel Steel what maintained that morale and analyses the moving sense of patriotism? poem May Morning by Testament of Youth Professor Pierre Purseigle, who has author Vera Brittain. written our lead piece in this issue, P9 describes this complicit support of ZEPPELIN DOWN Michael Ashcroft tells the home fronts as “the tragedy of the story of VC winner consent”. And that is the theme we Billy Leefe Robinson, the first man to shoot down a explore here – the third of a 12-part German airship. series that will appear each month in P10-11 The Sunday Telegraph, right up until DARK HUMOUR Patrick Bishop on how the centenary of the First World War. soldiers made light of We also look at how war was a what they feared most to get through the landmark time for women, who went horrors of war. from being excluded from much of P12 public life to becoming an essential HOME FRONT cog in the war machine. Zoe Dare Hall on Clementine Churchill and Plus we bring you all the regular her voluntary work with the YMCA. Postbox has features, including war more of your fascinating poetry, art and letters letters from loved ones from the front with who fought at the front. P14-15 commentary by IWM. CONSENT Zoe Dare Hall Cover: children cheer Queen Mary on munitions Series editor works visit, Coventry, November 17, 1917. Left: a public shrine in London TOPFOTO THE SPONSOR to remember those Heroes, George Cross prestigious award for for the past four decades, Union (IDU) and one of include being Vice-Patron Lord Ashcroft KCMG PC who gave their lives in Heroes and Heroes of courage not in the face of launching, buying, building Britain’s leading experts of the Intelligence Corps the conflict. the Skies. In each of the the enemy. He currently and selling companies — on polling. Museum, a Trustee of Inside the First World Lord Ashcroft has 12 new supplements, owns 11 GCs. Lord both private and public — Lord Ashcroft has Imperial War Museum, an War, a 12-part series, established himself as a Lord Ashcroft will tell the Ashcroft’s VC and GC in Britain and overseas. donated several millions Ambassador for is sponsored by Lord champion of bravery, incredible stories behind collections are on display He is a former of pounds to charities SkillForce and a Trustee Ashcroft KCMG PC, building up the world’s First World War VCs from in a gallery that bears his Treasurer and Deputy and good causes. of the Cleveland Clinic an international largest collection of his collection. name at IWM London, Chairman of the He founded in the US. businessman, Victoria Crosses (VCs), Lord Ashcroft along with VCs and GCs in Conservative Party. In Crimestoppers (then the philanthropist and Britain and the purchased his first VC in the care of the museum. September 2012, he was Community Action Trust) } For information about military historian. Lord Commonwealth’s most 1986 and currently owns The gallery, built with a appointed a member of in 1988. the Lord Ashcroft Gallery, Ashcroft is sponsoring prestigious award for more than 180 of the £5 million donation from the Privy Council and was He is the founder of visit www.iwm.org.uk/ the monthly supplements courage in the face of the decorations. Three years Lord Ashcroft, was made the Government’s the Ashcroft Technology heroes. For information because he wants to enemy. He has also ago, he began collecting opened by HRH The Special Representative Academy and Chancellor on Lord Ashcroft, visit promote a greater written four books on George Crosses (GCs), Princess Royal in 2010. for Veterans’ Transition. of Anglia Ruskin www.lordashcroft.com understanding of the bravery: Victoria Cross Britain and the Lord Ashcroft has been a He is Treasurer of the University. His numerous Follow him on Twitter: First World War and Heroes, Special Forces Commonwealth’s most successful entrepreneur International Democratic other charity roles @LordAshcroft D4 NOVEMBER 3 2013 / THE SUNDAY TELEGRAPH THE SUNDAY TELEGRAPH / NOVEMBER 3 2013 D5 Sponsored by PEOPLE AT WAR BRIGHTON DEVON LONDON MUNICH LONDON LONDON TOPFOTO, GETTY he demonstration that took place at war. As the Socialist Pioneer of Northampton put it in longer than anyone had expected and took its heavy PEOPLE POWER of war enthusiasm. “What a lot of maudlin nonsense Munich’s Odeonsplatz on August 2 1914 1916, there could “be no peace while the frightful toll, commitment to the war effort began to shift in Clockwise from bottom is written and preached about war as a purifier, a – to celebrate Germany’s declaration of menace of world domination by force of German 1915 as nations began to question the mounting left: Hitler joins those toughener of moral fibre, a stimulus to wholesome war with Imperial Russia – has achieved armed might looms about and above us”. human and material cost. celebrating Germany’s discipline, etc… All this is a travesty of the tragedy of The tragedy of consent declaration of war on iconic status in the memory of the First Such was the strength of consent that it became Nations’ consent rested on the assumption that the the whole ghastly business. … Our boys […] nurse TWorld War. Thanks in no small part to the photograph difficult in Britain to show opposition to the war. state would protect and provide for the families of Russia on August 2 , no false heroics about it, I can tell you. Our boys showing a youthful Adolf Hitler in the boisterous Legislation such as the Defence of the Realm Act in those who fought for the nation. Strikes and protest 1914; a recruiting rally in frankly acknowledge what the alternative to defeat crowd, it has come to encapsulate the enthusiasm 1914 curtailed civil liberties, while churches, volun- did not express opposition to the war but reminded Brighton featuring injured means in this war and tell you they prefer to die with with which European populations were deemed to tary organisations and individuals sought to stamp employers and the state of their obligations. Indian troops; crowds in honour than survive with shame.” have welcomed the outbreak of the Great War. out opposition by suppressing and condemning dis- Critics of military recruitment, taxation, supply Trafalgar Square rejoice Consent had given way to a reshaping of global Hitler later confessed that, “overpowered by stormy WѕѦ ёіё ѡѕђ ѝђќѝљђ ќѓ EѢџќѝђ ѠѢѝѝќџѡ ѡѕђ Ѥюџ ѓќџ Ѡќ senters. Keir Hardie, the Scottish socialist and labour and shortages of food or coal could not be altogether at Britain’s declaration of nations, unleashing new political forces that saw enthusiasm, [he] fell down on [his] knees and љќћєӓ ѡѕђѦ яђљіђѣђё ѡѕђѦ Ѥђџђ ѓієѕѡіћє ѓќџ ѡѕђіџ leader who was also a staunch pacifist, routinely saw silenced and such issues threatened to undermine war on August 4, 1914; mass movements for change – and real change thanked Heaven […] for granting him the good for- his speeches in 1914 disrupted by hecklers. the legitimacy of the state, tearing apart each popu- conscientious objectors across many nations and societies. tune of being permitted to live at this time”. ѐѢљѡѢџђ юћё ћюѡіќћюљ іёђћѡіѡѦ, ѠюѦѠ Pіђџџђ PѢџѠђієљђ Across nations and social classes, people were lation’s belief in what their country stood for. protest on Dartmoor in The First World War demonstrated the transforma- Clearly impressed and shocked by such a display convinced of the necessity of war, which they justi- As shortages and inflation undermined living 1917; Smithfield meat tive potential of total war. As Halévy put it: “The of nationalist fervour, the philosopher Bertrand fied, as the cultural historian John Horne put it, out standards, strikes and demonstrations broke out over market workers make world crisis of 1914-1918 was not only a war – the war Russell “discovered to [his] horror that average men legacies of the conflict, these images of enthusiastic to war – German occupation and domination – was of a sense of war as “legitimate self-defence”. On “profiteering” and “shirking” as well as working their point; women of 1914, but also a revolution – the revolution of and women were delighted at the prospect of war”.
Recommended publications
  • The Female Art of War: to What Extent Did the Female Artists of the First World War Con- Tribute to a Change in the Position of Women in Society
    University of Bristol Department of History of Art Best undergraduate dissertations of 2015 Grace Devlin The Female Art of War: To what extent did the female artists of the First World War con- tribute to a change in the position of women in society The Department of History of Art at the University of Bristol is commit- ted to the advancement of historical knowledge and understanding, and to research of the highest order. We believe that our undergraduates are part of that endeavour. For several years, the Department has published the best of the annual dis- sertations produced by the final year undergraduates in recognition of the excellent research work being undertaken by our students. This was one of the best of this year’s final year undergraduate disserta- tions. Please note: this dissertation is published in the state it was submitted for examination. Thus the author has not been able to correct errors and/or departures from departmental guidelines for the presentation of dissertations (e.g. in the formatting of its footnotes and bibliography). © The author, 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted by any means without the prior permission in writing of the author, or as expressly permitted by law. All citations of this work must be properly acknowledged. Candidate Number 53468 THE FEMALE ART OF THE FIRST WORLD WAR 1914-1918 To what extent did the female artists of the First World War contribute to a change in the position of women in society? Dissertation submitted for the Degree of B.A.
    [Show full text]
  • Autobiography of Sir George Biddell Airy by George Biddell Airy 1
    Autobiography of Sir George Biddell Airy by George Biddell Airy 1 CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. Autobiography of Sir George Biddell Airy by George Biddell Airy The Project Gutenberg EBook of Autobiography of Sir George Biddell Airy by George Biddell Airy This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg Autobiography of Sir George Biddell Airy by George Biddell Airy 2 License included with this eBook or online at www.gutenberg.net Title: Autobiography of Sir George Biddell Airy Author: George Biddell Airy Release Date: January 9, 2004 [EBook #10655] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK SIR GEORGE AIRY *** Produced by Joseph Myers and PG Distributed Proofreaders AUTOBIOGRAPHY OF SIR GEORGE BIDDELL AIRY, K.C.B., M.A., LL.D., D.C.L., F.R.S., F.R.A.S., HONORARY FELLOW OF TRINITY COLLEGE, CAMBRIDGE, ASTRONOMER ROYAL FROM 1836 TO 1881. EDITED BY WILFRID AIRY, B.A., M.Inst.C.E. 1896 PREFACE. The life of Airy was essentially that of a hard-working, business man, and differed from that of other hard-working people only in the quality and variety of his work. It was not an exciting life, but it was full of interest, and his work brought him into close relations with many scientific men, and with many men high in the State.
    [Show full text]
  • City Research Online
    City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS..........................................................................
    [Show full text]
  • Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1Pm Knightsbridge, London
    Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge, London Modern British, Irish and East Anglian Art Tuesday 19 November 2013 at 1pm Knightsbridge Bonhams Bids Enquiries Please see page 2 for bidder Montpelier Street +44 (0) 20 7447 7448 Modern British & Irish Art information including after-sale Knightsbridge +44 (0) 20 7447 7401 fax Emma Corke collection and shipment London SW7 1HH To bid via the internet please visit +44 (0) 20 7393 3949 www.bonhams.com www.bonhams.com [email protected] Please see back of catalogue for important notice to bidders Viewings Please note that bids should be Shayn Speed submitted no later than 24 hours +44 (0) 20 7393 3909 Illustration [email protected] East Anglian Pictures only before the sale. Front cover: Lot 91 The Guildhall Back cover: Lot 216 East Anglian Pictures Guildhall Street New bidders must also provide Inside front: Lot 46 Daniel Wright Bury St Edmunds proof of identity when submitting Inside back: Lot 215 +44 (0) 1284 716195 Suffolk, IP33 1PS bids. Failure to do this may result [email protected] in your bids not being processed. Tuesday 5 November 9am to 7pm Bidding by telephone will only be Customer Services Monday to Friday 8.30am to 6pm Wednesday 6 November accepted on a lot with a lower +44 (0) 20 7447 7447 9am to 4pm estimate in excess of £400. ----------- St Michael’s Hall Sale Number: 20779 Church Street Live online bidding is Reepham available for this sale Catalogue: £12 Norfolk, NR10 4JW Please email [email protected] with “Live bidding” in the subject Tuesday 12 November line 48 hours before the auction 9am to 7pm to register for this service.
    [Show full text]
  • AUTOBIOGRAPHY of SIR GEORGE BIDDELL AIRY, K.C.B., By
    AUTOBIOGRAPHY OF SIR GEORGE BIDDELL AIRY, K.C.B., By George Biddell Airy CHAPTER I. PERSONAL SKETCH OF GEORGE BIDDELL AIRY. The history of Airy's life, and especially the history of his life's work, is given in the chapters that follow. But it is felt that the present Memoir would be incomplete without a reference to those personal characteristics upon which the work of his life hinged and which can only be very faintly gathered from his Autobiography. He was of medium stature and not powerfully built: as he advanced in years he stooped a good deal. His hands were large-boned and well-formed. His constitution was remarkably sound. At no period in his life does he seem to have taken the least interest in athletic sports or competitions, but he was a very active pedestrian and could endure a great deal of fatigue. He was by no means wanting in physical courage, and on various occasions, especially in boating expeditions, he ran considerable risks. In debate and controversy he had great self-reliance, and was absolutely fearless. His eye-sight was peculiar, and required correction by spectacles the lenses of which were ground to peculiar curves according to formulae which he himself investigated: with these spectacles he saw extremely well, and he commonly carried three pairs, adapted to different distances: he took great interest in the changes that took place in his eye-sight, and wrote several Papers on the subject. In his later years he became somewhat deaf, but not to the extent of serious personal inconvenience.
    [Show full text]
  • Wind in the Wires
    Please help us to provide you with a good service, by resubscribing to the society Is this email not displaying correctly? in a timely manner each year View it in your browser. Wind in the Wires Welcome to the sixth quarterly newsletter from Cross & Cockade International, bringing you all that's new and interesting in the world of WW1 aviation. Doesn't time fly - it's now eighteen months since our first! The autumn edition of the journal landed on my mat this morning. Everyone in the UK should receive theirs over the next few days. If you're overseas and subscribed via airmail, you'll probably get yours next week. If you live outside Europe and subscribe surface mail, I'm afraid you may have a much longer wait - and might want to consider subscribing airmail for 2014. The postal services are positively discouraging surface post - in the US and Australia delivery can up to an extra 10 weeks. As usual we have a fine selection of articles for your delectation - on a wide variety of subjects. First up is a fascinating piece by Michael Kelsey on 47 Sqn's use of the "Little Ack" in Macedonia. Staying with the Macedonian theme, we also have a great piece by Boris Ciglic titled "Premier Serbian Fighters", on the use of French fighters with Serb forces in WW1. We have the second article on Guy Duncan Smith, plus one on his brother, Harold Beaumont Smith. We also have the continuation of Mick Davis' excellent series "Gazetteer of UK Flying Sites" (which gets to Pett) and Paul Leaman's "Atlas of German & Foreign Seaplanes", which reaches Zeppelin-Staaken.
    [Show full text]
  • Bristol F.2B Fighter
    ® Bristol F.2B Fighter 04873-0389 2013 BY REVELL GmbH. A subsidiary of Hobbico, Inc. PRINTED IN GERMANY Bristol F.2B Fighter Bristol F.2B Fighter Die Bristol F.2B war ein zweisitziges Doppeldecker-Jagdflugzeug und kam im Ersten The Bristol F.2B was a two-seat biplane fighter aircraft and during the First World War Weltkrieg ab 1916 über Frankreich zum Einsatz. Die Maschine wurde umgangssprach- from 1916 saw service over France. The machine was colloquially known as Bristol lich auch Bristol Fighter, Brisfit oder Biff genannt. Obwohl als Zweisitzer konzipiert, Fighter, Brisfit or Biff. Although designed as a two-seater, the agile F2.B could easily konnte die agile F2.B mit den einsitzigen Bristol Scout mithalten. Nach Behebung der compete with the single-seater Bristol Scout. After overcoming initial teething prob- anfänglichen Kinderkrankheiten erwies sich die solide Konstruktion als großer Erfolg. lems, its solid construction proved to be a great success. It remained in military service Sie blieb bis nach 1930 im Militärdienst und wurde auch als Zivilflugzeug erfolgreich until after 1930 and has also been used successfully as a civilian aircraft. eingesetzt. The Bristol Aeroplane Company Type 12 F.2A first flew on 9 September 1916. It was Die Type 12 F.2A der Bristol Aeroplane Company flog erstmals am 9. September 1916. based on the Type 9 R.2A by the designer Frank Barnwells. The F2.A was powered by Sie basierte auf der Type 9 R.2A des Konstrukteurs Frank Barnwells. Angetrieben a 190 HP (142 kW) Rolls-Royce Falcon I in-line engine.
    [Show full text]
  • Usher Gallery Rehang 2014
    Usher Gallery Rehang 2014 (Landscape) Mestre, Near Venice Oil Usher Gallery Rehang 2014 (Landscape) Church of St. Maria Della Salute, c.1885 Oil Usher Gallery Rehang 2014 (Landscape) Venice Oil (Landscape) Venice Oil Usher Gallery Rehang 2014 (Still Life) Flowers in a Persian Bottle Oil Usher Gallery Rehang 2014 (Still Life) Daffodils Oil Usher Gallery Rehang 2014 (Still Life) Garden Flowers Oil Usher Gallery Rehang 2014 Michiel Jansz. van Miereveldt – (1 May 1567 – 27 June 1641) About The artist, Michiel Jansz. van Miereveldt was born in the Delft and was one of the most successful Dutch portraitists of the 17th century. His works are predominantly head and shoulder portraits, often against a monochrome background. The viewer is drawn towards the sitter’s face by light accents revealed by clothing. After his initial training, Mierevelt quickly turned to portraiture. He gained success in this medium, becoming official painter of the court and gaining many commissions from the wealthy citizens of Delft, other Dutch nobles and visiting foreign dignitaries. His portraits display his characteristic dry manner of painting, evident in this work where the pigment has been applied without much oil. The elaborate lace collar and slashed doublet are reminiscent of clothes that appear in Frans Hals's work of the same period. Work in The Usher Gallery (Portrait) Maria Van Wassenaer Hanecops Oil Usher Gallery Rehang 2014 Mary Henrietta Dering Curtois – (1854 - 6 October 1928) About Mary Henrietta Dering Curtois was born at the Longhills, Branston, in 1854 and was the eldest daughter of the late Rev Atwill Curtois (for 21 years Rector of Branston and the fifth of the family to be rector there), and a brother of the Rev Algernon Curtois of Lincoln.
    [Show full text]
  • 19TH CENTURY EUROPEAN VICTORIAN and BRITISH IMPRESSIONIST ART Wednesday 14 March 2018
    19TH CENTURY EUROPEAN VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 14 March 2018 19TH CENTURY EUROPEAN, VICTORIAN AND BRITISH IMPRESSIONIST ART Wednesday 14 March at 2.00pm New Bond Street, London VIEWING BIDS ENQUIRIES PHYSICAL CONDITION OF Friday 9 March +44 (0) 20 7447 7447 Peter Rees (Head of Sale) LOTS IN THIS AUCTION 2pm to 5pm +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8201 Saturday 10 March To bid via the internet please [email protected] PLEASE NOTE THAT THERE IS 11am to 3pm visit bonhams.com NO REFERENCE IN THIS Sunday 11 March Charles O’Brien CATALOGUE TO THE PHYSICAL 11am to 3pm Please note that bids should be (Head of Department) CONDITION OF ANY LOT. Monday 12 March submitted no later than 4pm on +44 (0) 20 7468 8360 INTENDING BIDDERS MUST 9am to 4.30pm the day prior to the sale. New [email protected] SATISFY THEMSELVES AS TO Tuesday 13 March bidders must also provide proof THE CONDITION OF ANY LOT 9am to 4.30pm of identity when submitting bids. Emma Gordon AS SPECIFIED IN CLAUSE 14 Wednesday 14 March Failure to do this may result in +44 (0) 20 7468 8232 OF THE NOTICE TO BIDDERS 9am to 12pm your bid not being processed. [email protected] CONTAINED AT THE END OF THIS CATALOGUE. SALE NUMBER TELEPHONE BIDDING Alistair Laird 24741 Bidding by telephone will only +44 (0) 20 7468 8211 As a courtesy to intending be accepted on a lot with a [email protected] bidders, Bonhams will provide a CATALOGUE lower estimate of or in written Indication of the physical £25.00 excess of £1,000 Deborah Cliffe condition of lots in this sale if a +44 (0) 20 7468 8337 request is received up to 24 ILLUSTRATIONS Live online bidding is available [email protected] hours before the auction starts.
    [Show full text]
  • Hornchurch Country Park Management Plan
    CONTENTS Introduction 1 1. Site Overview 1.1 Havering 2 1.2 Strategic Framework 3 1.3 Site Description 3 1.4 History 6 1.5 Location and Transport Links 11 2. A Welcoming Place 2.1 Entrance Points 15 2.2 Entrance Signs 17 2.3 Equal Access 19 3. Heathy, Safe and Secure 3.1 Health and Safety Systems 20 3.2 Parks Protection Service 22 3.3 Parks Locking 24 3.4 Infrastructure 24 3.5 Parks Monitoring 25 4. Maintenance of Equipment, Buildings and Landscape 4.1 Horticultural Maintenance 27 4.2 Arboricultural Management 30 4.3 Vehicles and Plant Maintenance 30 4.4 Parks Furniture 30 4.5 Parks Buildings 32 5. Litter, Cleanliness and Vandalism 5.1 Litter Management 33 5.2 Sweeping 33 5.3 Graffiti 33 5.4 Flytipping 34 5.5 Reporting 34 5.6 Dog Fouling 34 6. Environmental Sustainability 6.1 Environmental Impact 36 6.2 Peat Use 36 6.3 Waste Minimisation 36 6.4 Pesticide Use 40 7. Biodiversity, Landscape and Heritage 7.1 Management of natural features, wild fauna and flora 42 7.2 Conservation of Landscape features 43 7.3 Woodlands 46 7.4 Marshes 48 7.5 Biodiversity Action Plan 49 7.6 Havering Local Plan 49 7.7 Natural Ambition Booklet 50 8. Community Involvement 8.1 Council Surveys 51 8.2 User Groups 52 9. Marketing and Promotions 9.1 Parks Brochure 59 9.2 Social Media 59 9.3 Website 59 9.4 Interpretation Boards 59 9.5 Events 60 10.
    [Show full text]
  • The Dragon Slayers
    THE DRAGON SLAYERS THE DRAGON SLAYERS One day during the turbulent year of 1916 farmer Tom Crawford was looking over his fence, surveying with misgiving the ninety acre oil-streaked barren field that only the year before had been good grazing land. It was not the sacrifice of his pasture he resented. These things were necessary in times of war. What irritated him was the nonchalant lack of concern of the men who had ruined it with their military paraphernalia, particularly their infernal flying machines. Now Crawford watched one of the pilots tinkering inside the cockpit of his aeroplane, an old black-daubed BE2c biplane, and spoke his thoughts out loud. The pilot, a man barely in his twenties, with wavy hair and a wisp of a moustache, straightened up and addressed his accuser. He tapped the Lewis gun mounted above the cockpit. 'If you don't clear off I'll turn this bloody thing on you.' The young pilot was Lt William Leefe Robinson, flight commander of B flight, 39 Squadron. The squadron belonged to the Royal Flying Corps' new Home Defence Wing and Tom Crawford's requisitioned field, part of what locals knew as Sutton's Farm, was now the military's prosaically designated Landing Ground No.II. The area had been chosen for its flatness and good drainage. Two miles to the northeast lay the Essex town of Hornchurch. 1 THE DRAGON SLAYERS The establishment of the Home Defence Wing was the latest attempt to thwart the almost unchallenged night raids on England by the Kaiser's prowling Zeppelins.
    [Show full text]
  • Download Document
    THE FIRST WORLD WAR HOME FRONT 1914-18 Can you identify this type of First World War building or site? Clue... Clue:- By Land: Site Type - auxilliary hospital. H_ _ P_ _ AL Clue:- Everywhere more hospital beds were needed. Places such as town halls, churches, houses and schools provided extra (auxiliary) hospital space. THE FIRST WORLD WAR HOME FRONT 1914-18 Can you identify this type of First World War building or site? Clue... Clue:- By Land: Site Type - domestic site. _ _ _G_ _N S_ _P Clue:- When Belgium was attacked by the German Army, many Belgians escaped to Britain as refugees. Some people needed help and street collectors raised money for them. Others were able to live and work here. Some High Streets had Belgian shops. THE FIRST WORLD WAR HOME FRONT 1914-18 Can you identify this type of First World War building or site? Clue... Clue:- By Land: Site Type - drill hall. D_ _ _ _ H_ _ _ Clue:- Where soldiers practiced marching and military skills indoors (drill). THE FIRST WORLD WAR HOME FRONT 1914-18 Can you identify this type of First World War building or site? Clue... Clue:- By Land: Site Type - hospital.. H_ _ _ _ _ _L Clue:- Ordinary hospitals, places that were hospitals before the War, were used to treat the wounded. THE FIRST WORLD WAR HOME FRONT 1914-18 Can you identify this type of First World War building or site? Clue... Clue:- By Land: Site Type - War Production Factory. A_ _ _P_ _ _E F_ _ _ _ _Y Clue:- Factories were turned into war factories.
    [Show full text]