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Usher Gallery Rehang 2014 Usher Gallery Rehang 2014 (Landscape) Mestre, Near Venice Oil Usher Gallery Rehang 2014 (Landscape) Church of St. Maria Della Salute, c.1885 Oil Usher Gallery Rehang 2014 (Landscape) Venice Oil (Landscape) Venice Oil Usher Gallery Rehang 2014 (Still Life) Flowers in a Persian Bottle Oil Usher Gallery Rehang 2014 (Still Life) Daffodils Oil Usher Gallery Rehang 2014 (Still Life) Garden Flowers Oil Usher Gallery Rehang 2014 Michiel Jansz. van Miereveldt – (1 May 1567 – 27 June 1641) About The artist, Michiel Jansz. van Miereveldt was born in the Delft and was one of the most successful Dutch portraitists of the 17th century. His works are predominantly head and shoulder portraits, often against a monochrome background. The viewer is drawn towards the sitter’s face by light accents revealed by clothing. After his initial training, Mierevelt quickly turned to portraiture. He gained success in this medium, becoming official painter of the court and gaining many commissions from the wealthy citizens of Delft, other Dutch nobles and visiting foreign dignitaries. His portraits display his characteristic dry manner of painting, evident in this work where the pigment has been applied without much oil. The elaborate lace collar and slashed doublet are reminiscent of clothes that appear in Frans Hals's work of the same period. Work in The Usher Gallery (Portrait) Maria Van Wassenaer Hanecops Oil Usher Gallery Rehang 2014 Mary Henrietta Dering Curtois – (1854 - 6 October 1928) About Mary Henrietta Dering Curtois was born at the Longhills, Branston, in 1854 and was the eldest daughter of the late Rev Atwill Curtois (for 21 years Rector of Branston and the fifth of the family to be rector there), and a brother of the Rev Algernon Curtois of Lincoln. Her mother was the second daughter of the Rev DH Lee Warner of Walsingham Abbey. When the rector died in 1868 the family moved to Bedford and subsequently (in 1876) to Washingborough Manor. Miss Curtois studied at the Lincoln School of Art and later at the celebrated Julien Studio in Paris. One of her finest works was 'The descent from the cross', now at Waplow, and a painting of the Lincoln County Hospital which has been exhibited at the Royal Academy and the Paris Salon, presented to The Usher Gallery. Miss Curtois was a member of the Forum Club, London, and, in addition to her reputation as an artist, was well known as a lecturer. She never married and died of pneumonia on 6 October 1928. Work in The Usher Gallery (Portrait) Portrait of The Artist's Mother Drawing, Charcoal Usher Gallery Rehang 2014 William Hilton - (3 June 1786 – 30 December 1839) About Hilton was born in Lincoln, the son of a portrait-painter; he may be known as "William Hilton the Younger". Although he is best known today for simple portraits of the poets John Keats and John Clare, he was successful in his lifetime with huge history paintings in the "Grand Manner", which have not benefited from the revival of interest in 19th-century British Academic art, and unlikely to be on display in the museums that own them. In 1800, Hilton was apprenticed to the engraver John Raphael Smith, and around the same time enrolled at the Royal Academy School. Hilton first exhibited there in 1803, sending a Group of Banditti and soon established a reputation for choice of subject, and qualities of design and colour superior to the great mass of his contemporaries. He made a tour in Italy with Thomas Phillips, the portraitist. In 1813, having exhibited "Miranda and Ferdinand with the Logs of Wood," he was elected as an associate of the Academy, and in 1820 as a full academician; his diploma-picture representing Ganymede. In 1823, he produced "Christ crowned with Thorns," a large and important work regarded as his masterpiece, subsequently bought as the first purchase of the Chantrey Fund in 1878. In 1827 he succeeded Henry Thomson as Keeper of the Royal Academy. Two of his works were bought by the British Institution for churches for £525 and £1050, but the failure of "Edith finding the Body of Harold" (1834) to make more than £200 marked the end of the taste for such works. Hilton may be compared with Benjamin Haydon, though he was always more successful. He died in London on 30 December 1839. Work in The Usher Gallery (Portrait) Portrait of Justina Hilton Oil Usher Gallery Rehang 2014 William Hilton Sr. – (1752-1822) About Works in The Usher Gallery (Still Life) Still Life With a Parrot Oil Usher Gallery Rehang 2014 William T Warrener - (1861 – 1934) About William Tom Warrener was an English painter of portraits, landscapes and figurative subjects. He is best known for being the subject of his friend Henri de Toulouse-Lautrec's painting L'Anglais au Moulin Rouge (The Englishman at the Moulin Rouge) (1892). He also appears in the background of Jane Avril dansant (1892). Born in Lincoln, England, to a coal merchant and magistrate, Warrener studied at the Lincoln School of Art, where he was awarded the Mayor of Lincoln's Gold Medal, and a Queen's Prize in the National Art Examinations at South Kensington, before studying at the Slade School of Fine Art, before moving to Paris in 1885 to study at the Académie Julien under Gustave Boulanger and Jules Lefebvre. He made his debut at the Paris Salon in 1886 and in 1887 won an honourable mention for his painting The Confession. He went on to exhibit eight works at the Royal Academy, which included The Confession and A Comrade's Visit. The former painting would have been selected for purchase by the Chantrey Bequest, but it was not eligible due to its being painted outside of England. In 1890, it was exhibited at the annual arts exhibition held by the Lincoln School of Art, and was described in the Lincoln Gazette as dealing with a difficult subject in a powerful and sympathetic manner. In 1895, he was elected as a member of the Royal Society of British Artists. Warrener's style exhibits a significant French influence, and he was a keen admirer of Toulouse- Lautrec. By 1891, he had moved into more advanced practices, with strong colours such as yellow and green. By 1906, Warrener had given up painting and returned to Lincoln in order to involve himself in the family business. That same year, he co-founded the Lincolnshire Drawing Club. He became the first President of the Lincolnshire Artists' Society on its foundation in 1930. Usher Gallery Rehang 2014 Work in The Usher Gallery (Portrait) Quadrille Oil (Portrait) Leonline Oil Usher Gallery Rehang 2014 (Portrait) Mary Ann Carlton Oil Usher Gallery Rehang 2014 (Landscape) Grez Sur Le Loing Oil Usher Gallery Rehang 2014 (Landscape) December Day at Grez Oil Usher Gallery Rehang 2014 (Landscape) Landscape with Trees Oil (Landscape) Landscape with Trees Oil Usher Gallery Rehang 2014 Anna Airy - (1882–1964) About Anna Airy was an oil painter, pastel artist and etcher and was recognised as one of leading women artists of her generation. Airy was born in Greenwich, London, daughter of engineer Wilfrid Airy and Anna née Listing, and granddaughter of Astronomer Royal George Biddell Airy. Airy trained at the Slade School of Fine Art in London from 1899 to 1903, where she studied with William Orpen and Augustus John, Fred Brown, Henry Tonks and Philip Wilson Steer. Airy won prizes at the Slade School for portrait, figure, and other subjects including the Slade School Scholarship in 1902. She also won the Melville Nettleship Prize in 1900, 1901 and 1902. She was among the first women officially commissioned as a war artist and was given commissions in a number of factories; she painted her canvases on site during World War I in difficult and sometimes dangerous conditions. While working at great speed to paint A Shell Forge at a National Projectile Factory, Hackney Marshes, London in an extremely hot environment, the ground became so hot that her shoes were burnt off her feet. Work in The Usher Gallery (Still Life) Roses Triumphant Oil Usher Gallery Rehang 2014 Alfred Stannard – 1809 - 1889 About Alfred Stannard was the brother and pupil of the artist Joseph Stannard. He lived in Norwich and specialised in landscape and marine subjects. The Stannard brothers were members of The Norwich School of Artists. In the early nineteenth century, Norwich was the home of artists who, by their common aims and close master-pupil and family ties, formed the only regional school of painting in England. Its two great masters were John Crome and John Sell Cotman and in 1803 this loose knit circle united to found the Norwich Society of Artists, the first of many artists' groups that sprang up countrywide in the nineteenth century. From 1805 until 1833 the Society held annual exhibitions in Norwich, except during 1826-7 when their gallery in Sir Benjamin Wrenche's Court was demolished and a new gallery built. In 1816 three of its leading members, Robert Ladbrooke, James Sillett and John Thirtle, broke away and formed a new but shortlived group which exhibited at Theatre Plain, Norwich, until 1818. Strangely, some of the main artists of the Norwich School, especially the Stannard brothers, did not become formal members of the Society, although its status was raised by the membership of eminent London artists such as John Burnet and Sir Martin Archer Shee. Alfred Stannard worked as a drawing master. His early easel-size oils, dated 1832 and 1833, have a crisp Flemish richness of handling lost in his later paintings which imitate his brother's work. Works of the 1870s, with little or no glazing, are dry, sketchy and flatter in colour.
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