Olivia Rodrigo's 'Sour' Returns to No. 1 on Billboard 200 Albums Chart
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Pay TV in Australia Markets and Mergers
Pay TV in Australia Markets and Mergers Cento Veljanovski CASE ASSOCIATES Current Issues June 1999 Published by the Institute of Public Affairs ©1999 by Cento Veljanovski and Institute of Public Affairs Limited. All rights reserved. First published 1999 by Institute of Public Affairs Limited (Incorporated in the ACT)␣ A.C.N.␣ 008 627 727 Head Office: Level 2, 410 Collins Street, Melbourne, Victoria 3000, Australia Phone: (03) 9600 4744 Fax: (03) 9602 4989 Email: [email protected] Website: www.ipa.org.au Veljanovski, Cento G. Pay TV in Australia: markets and mergers Bibliography ISBN 0 909536␣ 64␣ 3 1.␣ Competition—Australia.␣ 2.␣ Subscription television— Government policy—Australia.␣ 3.␣ Consolidation and merger of corporations—Government policy—Australia.␣ 4.␣ Trade regulation—Australia.␣ I.␣ Title.␣ (Series: Current Issues (Institute of Public Affairs (Australia))). 384.5550994 Opinions expressed by the author are not necessarily endorsed by the Institute of Public Affairs. Printed by Impact Print, 69–79 Fallon Street, Brunswick, Victoria 3056 Contents Preface v The Author vi Glossary vii Chapter One: Introduction 1 Chapter Two: The Pay TV Picture 9 More Choice and Diversity 9 Packaging and Pricing 10 Delivery 12 The Operators 13 Chapter Three: A Brief History 15 The Beginning 15 Satellite TV 19 The Race to Cable 20 Programming 22 The Battle with FTA Television 23 Pay TV Finances 24 Chapter Four: A Model of Dynamic Competition 27 The Basics 27 Competition and Programme Costs 28 Programming Choice 30 Competitive Pay TV Systems 31 Facilities-based -
Masaryk University Faculty of Arts
Masaryk University Faculty of Arts Department of English and American Studies Teaching English Language and Literature for Secondary Schools Petr Husseini Nick Cave’s Lyrics in Official and Amateur Czech Translations Master‟s Diploma Thesis Supervisor: Mgr. Renata Kamenická, Ph.D. 2009 Declaration I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. .................................................. Author‟s signature 2 Acknowledgements I would like to thank my supervisor, Mgr. Renata Kamenická, Ph.D., for her kind help, support and valuable advice. 3 Table of Contents Introduction ..................................................................................................................... 5 1. Translation of Lyrics and Poetry .............................................................................. 9 1.1 Introduction ................................................................................................... 9 1.2 General Nature of Lyrics and Poetry ........................................................ 11 1.3 Tradition of Lyrics Translated into Czech ............................................... 17 1.4 Conclusion ................................................................................................... 20 2. Nick Cave’s Lyrics in King Ink and King Ink II ................................................... 22 2.1 Introduction ................................................................................................. 22 -
April 5, 2021
APRIL 5, 2021 APRIL 5, 2021 Tab le o f Contents 4 #1 Songs THIS week 5 powers 7 action / recurrents 9 hotzone / developiong 10 pro-file 12 video streaming 13 Top 40 callout 14 Hot ac callout 15 future tracks 16 INTELESCOPE 17 intelevision 18 methodology 19 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 4.5.21 ai r p lay OLIVIA RODRIGO “drivers license” retenTion THE WEEKND “Save Your Tears” callout OLIVIA RODRIGO “drivers license” audio DRAKE “What’s Next” VIDEO CARDI B “Up” SALES BRUNO MARS/A. PAAK/SILK SONIC “Leave The Door Open” COMPOSITE OLIVIA RODRIGO “drivers license” Your weekly REsource for music research MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 4.5.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 1 10 2 10 10 8 1 OLIVIA RODRIGO drivers license Geffen/Interscope 7 1 15 12 13 10 2 THE WEEKND Save Your Tears XO/Republic 23 x 21 1 6 2 3 JUSTIN BIEBER Peaches f/Daniel Caesar/Giveon Def Jam 10 2 3 16 23 18 4 24KGOLDN Mood f/Iann Dior RECORDS/Columbia 15 x 35 5 4 3 5 BRUNO MARS/A .PAAK/SILK SONIC Leave The Door Open Aftermath Ent./Atlantic 2 9 8 34 20 13 6 BILLIE EILISH Therefore I Am Darkroom/Interscope 6 6 10 31 25 11 7 TATE MCRAE You Broke Me First RCA 4 7 7 21 17 37 8 ARIANA GRANDE 34+35 Republic 21 16 11 20 15 7 9 SAWEETIE Best Friend f/Doja -
ENG1121 Word Count: 1227 How Has R&B Music Transformed
Akinfeleye 1 Temi Akinfeleye ENG1121 4/5/2020 Professor Penner Word Count: 1227 How has R&B music transformed throughout time. Has R&B music changed over time? What happened to old school R&B? What is R&B music? R & B stands for “Rhythm and Blues” it was created in the U.S by black musicians. R&B music is also mixed with hip-hop,jazz and soul. Nowadays R&B music is the most played out music. Different discourse communities and societies play R&B music almost every single day. Although R&B music is played out, more artists keep on creating the same genre with R&B music. More consumers and audiences want more old school R&B music instead of new school. New upcoming artists are changing the definition of R & B music. They are changing the genre of R&B. For instance, artists think that R&B music is a fast beat or rap music. What they don't know is that R&B should be at a slow pace and should be a heartfelt song. Most R&B music is about love,relationships, and sometimes about life. Present artists today stick with the old school R&B music such as PARTYNEXTDOOR, Jhene aiko, Chris Brown, Usher, John Legend, Rihanna and Summer Walker.The most inspired old school R&B artists are TLC, Destiny's Akinfeleye 2 child, Ne-yo and most importantly Aaliyah. Aaliyah is called the princess of R&B, because all her songs were real R&B music. Although there are artists that have created their own type of R&B music, there isn't a specific author that created the genre “R&B”. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
Chuck Mangione
Chuck Mangione Year Album Chart Peak 1971 Friends and Love...A Chuck Mangione Concert Jazz Albums 14 1971 Friends and Love...A Chuck Mangione Concert The Billboard 200 116 1971 Together The Billboard 200 194 1972 Chuck Mangione Quartet Jazz Albums 14 1972 Chuck Mangione Quartet The Billboard 200 180 1972 Together Jazz Albums 22 1973 Alive! Jazz Albums 21 1973 Friends and Love...A Chuck Mangione Concert Jazz Albums 36 1974 Land of Make Believe Jazz Albums 7 1975 Chase the Clouds Away Jazz Albums 6 1975 Chase the Clouds Away The Billboard 200 47 1975 Encore Jazz Albums 24 1976 Bellavia Jazz Albums 7 1976 Bellavia The Billboard 200 68 1976 Encore The Billboard 200 102 1977 Feels So Good Jazz Albums 1 1977 Land of Make Believe The Billboard 200 157 1977 Main Squeeze Jazz Albums 4 1977 Main Squeeze The Billboard 200 86 1978 Children of Sanchez Jazz Albums 1 1978 Children of Sanchez The Billboard 200 14 1978 Children of Sanchez R&B Albums 37 1978 Feels So Good The Billboard 200 2 1978 The Best of Chuck Mangione [Mercury] Jazz Albums 23 1978 The Best of Chuck Mangione [Mercury] The Billboard 200 105 1979 An Evening of Magic, Live at the Hollywood Bowl Jazz Albums 5 1979 An Evening of Magic, Live at the Hollywood Bowl The Billboard 200 27 1980 Fun and Games Jazz Albums 1 1980 Fun and Games The Billboard 200 8 1980 Fun and Games R&B Albums 13 1981 Tarantella Jazz Albums 10 1981 Tarantella R&B Albums 51 1981 Tarantella The Billboard 200 55 1982 Love Notes Jazz Albums 8 1982 Love Notes R&B Albums 53 1982 Love Notes The Billboard 200 83 1983 70 Miles Young Jazz Albums 19 1983 Journey to a Rainbow Jazz Albums 10 1983 Journey to a Rainbow The Billboard 200 154 1984 Disguise The Billboard 200 148 1988 Eyes of the Veiled Temptress Top Contemporary Jazz 22 Albums 1999 The Feeling's Back Top Jazz Albums 12 2000 Everything for Love Top Jazz Albums 15. -
Out with the Grungy, Socialism-Preaching City Park
volume 12 - issue 4 - tuesday, september 24, 2012 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by rebeccalaurion Quick confession before we begin: I’m not a huge gamer. However, 90 percent of my friends are, and my earliest memory of my father is watching him play Final Fan- tasy. So even though I wasn’t one of the people who spent my weekend download- ing Borderlands 2 or Torchlight 2, I can still deeply appreciate what game culture has done for me. I’ve met some of my best friends through Meta-Gaming Club, and, even though I consider myself a huge geek, just in diff erent ways, gaming wasn’t exact- ly on my radar until college. As such, I’ve learned quite a bit about the world of gaming, whether I have enjoyed it or not. For one thing, a ‘gamer’ doesn’t necessarily mean an acne-ridden virgin draped in wizard robes in their mother’s basement. Th ough, that’s not to say that never happens anymore. A gamer can be anyone from someone religiously playing Angry Birds on their phone or any devoted fan waiting outside Game Stop during all hours of the night for the newest consoles ben berrick or Halo installments. by phoebefooks and patrickmurphy As a whole, I think we can all agree that stereotypes are stupid as hell. And with Vermont, and Burlington specifi cally, the primary target of the Dobrá Tea protes- es-too long-menu is a so-called “waste of gamers, there are plenty of them: they’re is known for its politically active and of- tors. -
Cassidy BARS Full Album Zip
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Escape Fire: Lessons for the Future of Health Care
Berwick Escape Fire lessons for the future oflessons for the future care health lessons for the future of health care Donald M. Berwick, md, mpp president and ceo institute for healthcare improvement ISBN 1-884533-00-0 the commonwealth fund Escape Fire lessons for the future of health care Donald M. Berwick, md, mpp president and ceo institute for healthcare improvement the commonwealth fund new york, new york The site of the Mann Gulch fire, which is described in this book, is listed introduction in the National Register of Historic Places. Because many regard it as sacred ground, it is actively protected and managed by the Forest Service as a cultural landscape. On December 9, 1999, the nearly 3,000 individuals who attended the 11th Annual National Forum on Quality Improvement in Health Care heard an extraordinary address by Dr. Donald M. Berwick, the founder, president, and CEO of the Institute for Healthcare Improvement, the forum’s sponsor. Entitled Escape Fire, Dr. Berwick’s speech took its audience back to the year 1949, when a wildfire broke out on a Montana hillside, taking the lives of 13 young men and changing the way firefighting was managed in the United States. After retelling this harrowing tale, Dr. Berwick applied the Escape Fire is an edited version of the Plenary Address delivered at the Institute for Healthcare Improvement’s 11th Annual National Forum lessons learned from this catastrophe to the health care on Quality Improvement in Health Care, in New Orleans, Louisiana, on December 9, 1999. system—a system that, he believes, is on the verge of its Copyright © 2002 Donald M. -
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J. -
Rick Springfield on the Back Waters Stage!
Contact: Abby Ferguson | Marketing Manager 563-585-3002 | [email protected] July 5, 2017 - For Immediate Release Rick Springfield on the Back Waters Stage! Dubuque, IA - Rick Springfield has joined the lineup on the Back Waters Stage. He’ll be performing this Labor Day weekend - Sunday, September 3. Over the past three decades, Rick Springfield has worn many hats as an entertainer and performer. The creator of some of the finest power-pop of the ’80s, he’s a Grammy Award-winning singer, songwriter, and musician who has sold 25 million albums and scored 17 U.S. Top 40 hits, including “Jessie’s Girl,” “Don’t Talk to Strangers,” “An Affair of the Heart,” “I’ve Done Everything for You,” “Love Somebody,” and “Human Touch.” He’s an accomplished actor who most recently starred opposite Meryl Streep in the feature film Ricki and the Flash and gave a chameleonic performance as the creepy Dr. Pitlor in HBO’s prestige drama True Detective. He’s also a talented author — both his candid 2010 memoir Late, Late at Night (which Rolling Stone named one of the 25 greatest rock memoirs of all time) and his 2014 comedic novel Magnificent Vibration earned rave reviews and spots on the New York Times Best Sellers’ list. In 2013, Springfield wrote and recorded “The Man That Never Was” with Dave Grohl for the soundtrack to Sound City — the Foo Fighters’ frontman’s documentary about the San Fernando Valley recording studio that was Springfield’s home away from home (his manager owned the building). Rolling Stone called Springfield’s touching interview in the film its “breakout story.” In 2014, Springfield was honored with a star on the Hollywood Walk of Fame, located around the corner from the first apartment he lived in when he first arrived in the U.S.